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Eddie Cantor | Biography by wikipedia.org. | |
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Eddie Cantor: Vaudeville's Most Versatile Kid | Biography by David Soren at arizona.edu |
![]() Music by: Al. Bernard. Perf. by: E. Cantor
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Everything I Do-I Do for You Music by: Abner Silver. Perf. by: E. Cantor
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Title | Attribution | Instruments | Source | Remarks |
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As performer | |||||
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I Wish That I'd Been Born in Borneo (1920) | W. Donaldson (music) G. Clarke (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | ![]() |
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That's the Kind of a Baby For Me (1917) | J. Egan (music) Alfred C Harriman (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | ![]() |
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I'm Hungry For Beautiful Girls (1922) | F. Fisher (music) B. Rose (words) Wilber Held (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | ![]() |
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Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken (1918) | A. Gottler (music) Sidney D. Mitchell (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | ![]() |
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Now I Lay Me Down to Sleep (1920) | G.W. Meyer (music) Sidney D Mitchelll (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | ![]() |
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Don't Take Advantage (Of My Good Nature) (1919) | J.V. Monaco (music) Howard E. Rogers (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | ![]() |
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O-Hi-O (1920) | A. Olman (music) J. Yellen (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | ![]() |
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Oh! How I Hate to Get Up in the Morning (1918) | I. Berlin (words & music) E. Cantor (perf.) |
Piano, Voice | IMSLP | ![]() |
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You'd Be Surprised (1919) | I. Berlin (words & music) E. Cantor (perf.) |
Piano, Voice | IMSLP | Pub. |
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Modern Maiden's Prayer, The | J.F. Hanley (music) B. MacDonald (words) E. Cantor (perf.) |
Piano, Voice | Kirk | Pub. |
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My Sunny Tennessee | B. Kalmar (music) H. Ruby (coauth.) Herman Ruby (coauth.) E. Cantor (perf.) |
Piano | Greer | Pub. |
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You'd Be Surprised | I. Berlin (music) E. Cantor (perf.) |
Piano | Greer | Pub. |
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Oh! How I Hate to Get Up in the Morning | I. Berlin (music) E. Cantor (perf.) |
Piano | Greer | Pub. |
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When Those Sweet Hawaiian Babies Roll Their Eyes | H. Ruby (music) E. Leslie (words) E. Cantor (perf.) |
Piano, Voice | Greer | ![]() |
Title | Composer | Attribution | Remarks |
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Lovin' Sam (1922) | Milton Ager | Jack Yellen (words) E. Cantor (perf.) Margaret Young (perf.) Isabella Patricola (perf.) S. Tucker (perf.) Hughie Clarke (perf.) Warren Jackson (perf.) |
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Oh! How I Hate to Get Up in the Morning (1918) | Irving Berlin(w&m) | E. Cantor (perf.) Ray Samuels (perf.) |
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You'd Be Surprised (1919) | Irving Berlin(w&m) | Bonnie Baker (perf.) E. Cantor (perf.) George Jessel (perf.) Lew Cooper (perf.) |
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My New York (1927) | Irving Berlin | E. Cantor (perf.) | |
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Birmingham Papa, Your Memphis Mama's Comin' to Town (1924) | Al. Bernard | E. Cantor (perf.) | ![]() |
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Oh! Gee, Oh! Gosh, Oh! Golly I'm in Love (1923) | Ernest Breuer | Olsen (words) Johnson (words) E. Cantor (perf.) |
Pub. |
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Let Me Introduce You to My Rosie (1925) | Lew Brown | E. Cantor (perf.) | |
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I'd Love to Be in Ireland the Day They Set Old Ireland Free (1921) | Eddie Cantor(w&m) | Chas. Tobias (co-author) William Polla (co-author) E. Cantor (perf.) |
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My Girl Uses Mineralava (1923) | Eddie Cantor | Eddie Cantor (words) E. Cantor (perf.) |
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Reuben, Reuben, Where Have You Been? (1923) | Eddie Cantor | E. Cantor (perf.) | |
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⇑Snuggle Pups (1923) | Eddie Cantor | E. Cantor (perf.) | |
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Palesteena (1920) | Con Conrad(w&m) | J. Russel Robinson (co-author) E. Cantor (perf.) |
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Ma! (He's Making Eyes at Me) (1921) | Con Conrad | Sidney Clare (words) Florrie Forde (perf.) Hilda Glyder (perf.) E. Cantor (perf.) Constance Moore (perf.) |
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Bend Down, Sister (1931) | Con Conrad | Ballard MacDonald (words) Dave Silverstein (words) E. Cantor (perf.) |
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Dumber They Come the Better I Like 'em (1924), The | Harry DeCosta | E. Cantor (perf.) | |
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If You Knew Susie Like I Know Susie (1925) | Buddy G. DeSylva | Joseph Meyer (words) Ella Shields (perf.) A. Jolson (perf.) E. Cantor (perf.) Jack Rose (perf.) |
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I Wish That I'd Been Born in Borneo (1920) | Walter Donaldson | Grant Clarke (words) E. Cantor (perf.) |
Pub. |
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I'm Bringing a Red-Red Rose (1928) | Walter Donaldson | E. Cantor (perf.) | ![]() |
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Earful of Music (1934), An | Walter Donaldson | Gus Kahn (words) E. Cantor (perf.) |
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Nickel to My Name (1941), A | Vernon Duke | John La Touche (words) E. Cantor (perf.) |
Pub. |
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That's the Kind of a Baby For Me (1917) | Jack Egan | Alfred C Harriman (words) E. Cantor (perf.) |
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⇑I'm Hungry For Beautiful Girls (1922) | Fred Fisher | Billy Rose (words) Wilber Held (words) E. Cantor (perf.) |
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Ooo Ernest (1922) | Cliff Friend | Sidney Clare (words) Harry Tobias (words) E. Cantor (perf.) |
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My Blackbirds Are Bluebirds Now (1928) | Cliff Friend | Irving Caesar (words) E. Cantor (perf.) Stanley-Owen Howe (perf.) |
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We Did It Before (1941) | Cliff Friend | E. Cantor (perf.) | ![]() |
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Eddie Cantor's Automobile Horn Song (1929) | Clarence Gaskill | Charles Tobias (co-author) Bennett and Carlton. (co-author) E. Cantor (perf.) |
Pub. |
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My Yiddisha Mammy (1922) | Alex Gerber(w&m) | Jean Schwartz (co-author) Eddie Cantor (co-author) E. Cantor (perf.) |
Pub. |
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Grieving For You (1919) | Joe Gibson | Joe Ribaud (co-author) Joe Gold (co-author) A. Jolson (perf.) E. Cantor (perf.) |
Pub. |
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Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken (1918) | Archie Gottler | Sidney D. Mitchell (words) E. Cantor (perf.) |
Pub. |
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Modern Maiden's Prayer (1917), The | James F. Hanley | Ballard MacDonald (words) E. Cantor (perf.) |
Pub. |
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Don't Stop Loving Me Now (1922) | James F. Hanley | Joe Goodwin (words) Murray Roth (words) E. Cantor (perf.) |
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It Had to Be You (1924) | Isham Jones | Gus Kahn (words) Jean Granese (perf.) Nelson Maple (perf.) Holt & Leonard (perf.) E. Cantor (perf.) George Murphy (perf.) Joan Davis (perf.) Nancy Kelly (perf.) Constance Moore (perf.) |
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⇑My Sunny Tennessee (1921) | Emmerich Kálman | Harry Ruby (co-author) Herman Ruby (co-author) E. Cantor (perf.) |
Pub. |
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My Sunny Tennessee (1921) | Bert Kalmar | Harry Ruby (words) Herman Ruby (words) Broadway Dance Orchestra (perf.) E. Cantor (perf.) |
Pub. |
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Rebecca (1921) | Bert Kalmar | Harry Ruby (co-author) Jim Doherty (perf.) E. Cantor (perf.) |
Pub. |
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At the Baby Parade (1932) | Little Jack Little | Dave Oppenheim (co-author) Ira Shuster (co-author) E. Cantor (perf.) |
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Comin' in on a Wing and a Prayer (1943) | James Francis McHugh(w&m) | Harold Adamson (words) E. Cantor (perf.) |
Pub. |
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Now I Lay Me Down to Sleep (1920) | George W. Meyer | Sidney D Mitchelll (words) E. Cantor (perf.) Jean Granese (perf.) |
Pub. |
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Don't Take Advantage (Of My Good Nature) (1919) | Jimmie V. Monaco | Howard E. Rogers (words) S. Tucker (perf.) E. Cantor (perf.) |
Pub. |
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Argentines, the Portuguese and the Greeks (1925), The | Carey Morgan | Arthur Swanstrom (words) Duncan Sisters (perf.) Tom G Clare (perf.) N. Bayes (perf.) E. Cantor (perf.) Edward Meeker (perf.) |
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Roaming Romeo (1918) | Jimmy Morgan | Billy Duval (words) E. Cantor (perf.) |
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Camp Meeting Band (1914) | Lewis F. Muir | Lewis F Muir (words) E. Cantor (perf.) Beatrice (perf.) Arthur Collins (perf.) Byron George Harlan (perf.) |
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O-Hi-O (1920) | Abe Olman | Jack Yellen (words) E. Cantor (perf.) Van & Schenck (perf.) A. West (perf.) Lou Holtz (perf.) A. Jolson (perf.) |
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⇑Baby (1921) | William C. Polla | Charles Tobias (words) E. Cantor (perf.) |
Pub. |
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I'm on the Verge of a Merger (1929) | Ralph Rainger | E. Cantor (perf.) | |
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We're on the Verge of a Merger (1929) | Ralph Rainger | Eddie Cantor (words) E. Cantor (perf.) |
Pub. |
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Since Ma Is Playing Mah Jong (1924) | Billy Rose | E. Cantor (perf.) | ![]() |
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When Those Sweet Hawaiian Babies Roll Their Eyes (1917) | Harry Ruby | Edgar Leslie (words) Clara Howard (perf.) Jimmy Hussey (perf.) Billy Worsley (perf.) E. Cantor (perf.) |
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Get a Little Fun Out of Life (1932) | Harry Ruby(w&m) | Bert Kalmar (co-author) E. Cantor (perf.) |
Pub. |
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My Yiddisha Mammy (1922) | Jean Schwartz | E. Cantor (perf.) | |
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Early to Bed and Early to Rise (1920) | Abner Silver | Alex Gerber (words) E. Cantor (perf.) |
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Sophie (1922) | Abner Silver(w&m) | E. Cantor (perf.) | ![]() |
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Bebe (1923) | Abner Silver | Sam Coslow (words) Bebe Daniels (perf.) E. Cantor (perf.) Moss &. Frye (perf.) |
Pub. |
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Morning (1924) | Abner Silver | E. Cantor (perf.) | |
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⇑Everything I Do-I Do for You (1929) | Abner Silver | E. Cantor (perf.) | Pub. |
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Sheik of Araby (1921), The | Ted Snyder | Harry Bache Smith (words) Francis Wheeler (words) E. Cantor (perf.) J.A. Castle (perf.) |
Pub. |
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Let's Do and Say We Didn't, Let's Don't and Say We Did (1923) | Harry Austin Tierney | E. Cantor (perf.) | |
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Polly Put the Kettle On (1924) | Harry Austin Tierney | E. Cantor (perf.) | |
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Why Don't You Say So? (1925) | Harry Austin Tierney | Mary Eaton (perf.) E. Cantor (perf.) |
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Dapper Dan the Ladies Man From Dixie Land (1911) | Albert von Tilzer | Lew Brown (words) E. Cantor (perf.) |
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I'll Be in My Dixie Home Again To-Morrow (1922) | Roy Turk(w&m) | J.R. Robinson (co-author) E. Cantor (perf.) |
Pub. |
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If You Do What You Do (1923) | Roy Turk | Lou Handman (co-author) E. Cantor (perf.) |
Pub. |
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Build a Little Home (1933) | Harry Warren | Al Dubin (words) E. Cantor (perf.) |
Pub. |
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Keep Young and Beautiful (1933) | Harry Warren | Al Dubin (words) E. Cantor (perf.) |
Pub. |
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No More Love (1933) | Harry Warren | Al Dubin (words) E. Cantor (perf.) |
Pub. |
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⇑Bimini Bay (1921) | Richard A. Whiting | Gus Kahn (words) Raymond B. Egan (words) T. Lewis (perf.) E. Cantor (perf.) |
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Title | Year | Attribution | Remarks |
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I'd Love to Be in Ireland the Day They Set Old Ireland Free (w&m) | 1921 | Chas. Tobias (co-author) William Polla (co-author) E. Cantor (perf.) |
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Wimmin I've Got to Have 'em, That's All! | 1921 | F. Fisher (co-author) | ![]() |
Eddie (Steady) | 1923 | ![]() |
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My Girl Uses Mineralava | 1923 | Eddie Cantor (words) E. Cantor (perf.) |
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Reuben, Reuben, Where Have You Been? | 1923 | E. Cantor (perf.) | |
Snuggle Pups | 1923 | E. Cantor (perf.) | |
There's Nothing Too Good For My Baby | 1931 | Benny Davis (co-author) Harry Akst (co-author) |