Walter Donaldson (1893-1947)
Last updated: 12.08.23
Walter Donaldson (1893-1947) has at least 1 item(s) at the Amazons which you can order on-line by clicking the item's order icon.
 Beside a Babbling BrookMusic by: Walter Donaldson. Words by: Gus Kahn Performed by: Karyl Norman
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| Title | Instruments/Issue | Performers |
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| MP3 File(s) | |||
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Back Home in Tennessee | Edison Blue Amberol: 2824 | A. Vecsey |
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Back Where the Daffodils Grow | Edison Blue Amberol: 4948 | Green Brothers' Novelty Band |
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Daughter of Rosie O'Grady, The | Edison Blue Amberol: 3500 | Ada Jones |
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Don't Cry Frenchy, Don't Cry | Edison Blue Amberol: 3800 | George Wilton Ballard |
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Down Where the South Begins | Edison Blue Amberol: 4892 | Billy Jones Ernest Hare |
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Hippity Hop | Edison Blue Amberol: 3978 | Premier Quartet |
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How 'Ya Gonna Keep 'Em Down on the Farm? | Edison Blue Amberol: 3726 | Byron George Harlan Ada Jones |
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I Love the Land of Old Black Joe | Edison Blue Amberol: 4097 | V. de Leath |
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I'll Always Keep a Corner in My Heart For Tennessee | Edison Blue Amberol: 4061 | Billy Jones |
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I've Got the Sweetest Girl in Maryland | Edison Blue Amberol: 3217 | Premier Quartet |
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In the Evening | Edison Blue Amberol: 4885 | Vernon Dalhart E. Smalle |
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It Made You Happy When You Made Me Cry | Edison Blue Amberol: 5309 | P. Napoleon |
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Just Try to Picture Me Down Home in Tennessee | Edison Blue Amberol: 2819 | George Wilton Ballard |
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Last Little Mile Is the Longest, The | Edison Blue Amberol: 4340 | Lewis James |
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Mindin' My Bus'ness | Edison Blue Amberol: 4865 | Ernest Hare |
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⇑My Blue Heaven | Edison Blue Amberol: 5471 | M. Pollock |
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My Little Bimbo Down on the Bamboo Isle | Edison Blue Amberol: 4147 | Aileen Stanley |
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My Mammy | Edison Blue Amberol: 4227 | Premier Quartet |
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My Ohio Home | Edison Blue Amberol: 5513 | Louis Lilienfeld |
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My Sahara Rose | Edison Blue Amberol: 4066 | Wiedoeft-Wadsworth Quartet |
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Suki San | Edison Blue Amberol: 3422 | Vernon Dalhart |
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Sweet Indiana Home | Edison Blue Amberol: 4597 | Broadway Dance Orchestra |
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There Ain't No Maybe in My Baby's Eyes | Edison Blue Amberol: 5344 | John Ryan |
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We'll Have a Jubilee in My Old Kentucky Home | Edison Blue Amberol: 2748 | Billy Murray |
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What's the Use of Kickin' | Edison Blue Amberol: 4109 | Maurice Burkhart |
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When the Bees Make Honey Down in Sunny Alabam' | Edison Blue Amberol: 3834 | I. Kaufman Jack Kaufman |
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Yes Sir! That's My Baby | Edison Blue Amberol: 5044 | Georgia Melodians |
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Yock-A-Hilo Town | Edison Blue Amberol: 3627 | Vernon Dalhart |
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You're a Million Miles From Nowhere | Edison Blue Amberol: 3982 | William Bonner |
| Midi File(s) | Sequencer(s) | ||
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My Best Girl (1924) | Midi | James Pitt-Payne |
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On the 'Gin 'Gin 'Ginny Shore (1922) | Midi | James Pitt-Payne |
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⇑On the Isle of Wicki Wacki Woo (1923) | Midi | James Pitt-Payne |
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Tain't No Sin (1929) | Midi | James Pitt-Payne |
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When Verdi Plays the Hurdy Gurdy (1916) | Midi | James Pitt-Payne |
| Performer | CD Title | Supplier |
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| Folk Music CDs: | |||
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Duncan Sisters | The Duncan Sisters | |
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Vaughn de Leath | Original Radio Girl |        |
| Jazz Music CDs: | |||
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Boswell Sisters | Shout Sister Shout | |
| Title | Attribution | Instruments | Source | Remarks |
|---|
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At the Old Plantation Ball (1915) | W. Donaldson (music) C. Goetz (words) M. Ager (words) Ed Morton (perf.) |
Piano, Voice | IMSLP |  |
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Away Down East in Maine (1922) | W. Donaldson (w&m) | Piano, Voice | IMSLP | |
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Back Where the Daffodils Grow (1924) | W. Donaldson (w&m) Charlotte Meyers (perf.) |
Piano | YorkSpace | Pub. |
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Bamboo Bay (1922) | W. Donaldson (music) Raymond B. Egan (coauth.) Richard A. Whiting (coauth.) |
Piano | Greer | |
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Beside a Babbling Brook (1923) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
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Bless My Swanee River Home (1919) | W. Donaldson (music) S. Lewis (words) J. Young (words) |
Piano, Voice | Indiana | |
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Carolina in the Morning (1922) | W. Donaldson (music) G. Kahn (words) Aileen Stanley (perf.) B. Bernie (perf.) Artie Mehlinger (perf.) Bob Canser (perf.) Sam Gould (perf.) Jack Gould (perf.) |
Piano, Voice | IMSLP Indiana Indiana Indiana Indiana |
Pub. |
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Daughter of Rosie O'Grady (1918), The | W. Donaldson (music) Monty C. Brice (words) |
Piano, Orchestra | IMSLP | |
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Dixie Highway (1922) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
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Don't Cry Frenchy, Don't Cry (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP Greer Indiana |
Pub. |
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Down Around 'Sip 'Sip 'Sippy Shore (1921) | W. Donaldson (music) J. Young (words) Sam M. Lewis (words) |
Piano, Voice | IMSLP | |
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Feeling the Way I Do (1923) | W. Donaldson (music) B. G De Sylva (words) |
Piano, Voice | IMSLP | Pub. |
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For My Sweetheart (1926) | W. Donaldson (music) G. Kahn (words) Maurine Marseilles (perf.) |
Piano, Voice | Univ. of Maine | Pub. |
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Georgia (1922) | W. Donaldson (music) Howard Johnson (words) |
Piano, Voice | Indiana | Pub. |
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Good-Bye Slim (1918) | W. Donaldson (w&m) | Piano, Voice | IMSLP | Pub. |
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Hippity Hop (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | Indiana | Pub. |
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Hortense (1921) | W. Donaldson (music) J. Young (words) Sam. M Lewis (words) |
Piano, Voice | Greer Indiana |
Pub. |
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How 'Ya Gonna Keep 'Em Down on the Farm? (1919) | W. Donaldson (music) J. Young (words) Sam. M Lewis (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
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I Love the Land of Old Black Joe (1920) | W. Donaldson (music) G. Clarke (words) |
Piano, Voice | IMSLP | Pub. |
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I Wish That I'd Been Born in Borneo (1920) | W. Donaldson (music) G. Clarke (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | Pub. |
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I'll Be Happy When the Preacher Makes You Mine (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | Greer Indiana |
Pub. |
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I'm Tickled to Death That You're Irish (1919) | W. Donaldson (music) Sam M. (words) Lewis (words) Joe (words) Young (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
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I've Got a Ten Day Pass For a Honeymoon (1918) | W. Donaldson (w&m) J.F. Hanley (coauth.) B. MacDonald (coauth.) J.E. Howard (perf.) |
Piano, Voice | Indiana | Pub. |
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I've Got the Sweetest Girl in Maryland (1917) | W. Donaldson (music) Percy Bronson (perf.) Winnie Baldwin (perf.) |
Piano | IMSLP | Pub. |
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In My Own Back Yard (1924) | W. Donaldson (music) B. Rose (words) Aileen Stanley (perf.) |
Piano, Voice | IMSLP | Pub. |
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It Made You Happy When You Made Me Cry (1926) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
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Just a Bird's-Eye View (1926) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP Greer |
Pub. |
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Just Try to Picture Me Down Home in Tennessee (1915) | W. Donaldson (music) W. Jerome (words) A. Jolson (perf.) A. Jolson (perf.) A. Jolson (perf.) |
Piano, Voice | Greer Greer Greer Indiana |
Pub. |
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Kinky Kids' Parade (1925), The | W. Donaldson (music) G. Kahn (words) N. Bayes (perf.) |
Piano, Voice | IMSLP | Pub. |
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Let It Rain! Let It Pour! (1925) | W. Donaldson (music) C. Friend (words) Irwin Abrams (perf.) |
Piano, Voice | IMSLP | Pub. |
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Midnight Waltz (1925), The | W. Donaldson (music) G. Kahn (words) |
Piano, Saxophone | IMSLP | Pub. |
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Mindin' My Bus'ness (1923) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
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My Best Girl (1924) | W. Donaldson (w&m) |
Piano, Voice | IMSLP Greer |
Pub. |
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My Buddy (1922) | W. Donaldson (music) G. Kahn (words) Mary Katherine Campbell (perf.) A. Jolson (perf.) Mary Katharine Campbell (perf.) A. Jolson (perf.) |
Piano, Voice | IMSLP Kirk Indiana Indiana |
Pub. |
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My Little Bimbo Down on the Bamboo Isle (1920) | W. Donaldson (music) G. Clarke (words) Aileen Stanley (perf.) |
Piano, Voice | IMSLP | Pub. |
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My Mammy (1921) | W. Donaldson (music) J. Young (words) S. Lewis (words) A. Jolson (perf.) |
Piano, Voice | IMSLP | Pub. |
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My Nanky Panky Poo (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP | Pub. |
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My Ohio Home (1927) | W. Donaldson (music) G. Kahn (words) Al Plunkett (perf.) |
Piano, Voice | IMSLP | Pub. |
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My Papa Doesn't Two-Time No Time (1924) | W. Donaldson (w&m) Hazel Crosby (perf.) |
Piano, Voice | IMSLP | Pub. |
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Oh! The Woman in Room 13 (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
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Oh, Baby! (1924) | W. Donaldson (music) Bud G. De Sylva (words) Jean Granese (perf.) |
Piano, Voice | IMSLP | Pub. |
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Oh, Joe, With Your Fiddle and Bow (1916) | W. Donaldson (music) W. Tracey (words) |
Piano, Voice | IMSLP | |
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On the 'Gin 'Gin 'Ginny Shore (1922) | W. Donaldson (music) E. Leslie (words) Aileen Stanley (perf.) |
Piano, Voice | IMSLP | Pub. |
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On the Isle of Wicki Wacki Woo (1923) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
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Sam, the Old Accordion Man (1927) | W. Donaldson (w&m) Helen Moretti (perf.) |
Piano, Voice | Univ. of Mississippi | Pub. |
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Seven or Eleven (1923) | W. Donaldson (music) L. Brown (words) |
Piano, Voice | IMSLP | Pub. |
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Suki San (1917) | W. Donaldson (music) J. Keirn Brennan (words) |
Piano, Voice | Kirk | Pub. |
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Sweet Indiana Home (1922) | W. Donaldson (w&m) Aileen Stanley (perf.) Aileen Stanley (perf.) |
Piano, Voice | IMSLP Greer |
Pub. |
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Sweet Jennie Lee! (1930) | W. Donaldson (music) | Piano, Voice | IMSLP | |
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There Must Be a Silver Lining (1928) | W. Donaldson (music) Fred Waring (perf.) |
Piano, Voice | IMSLP | |
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Upstairs and Down (1919) | W. Donaldson (music) Olive Thomas (perf.) Olive Thomas (perf.) |
Piano | IMSLP Indiana |
Pub. |
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We'll Have a Jubilee in My Old Kentucky Home (1915) | W. Donaldson (music) C. Goetz (words) Baby Esmond (perf.) Fred Barnes (perf.) Baby Esmond (perf.) Bert Wilcox (perf.) |
Piano, Voice | IMSLP Kirk Indiana Indiana |
Pub. |
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What's the Use of Kickin' (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP | Pub. |
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When the Bees Make Honey Down in Sunny Alabam' (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
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When Verdi Plays the Hurdy Gurdy (1916) | W. Donaldson (music) Chas McCarron (words) |
Piano, Voice | IMSLP | Pub. |
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When You See Another Sweetie Hanging Around (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) Watson Sisters (perf.) |
Piano, Voice | IMSLP | Pub. |
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Where the Bamboo Babies Grow (1922) | W. Donaldson (music) L. Brown (words) |
Piano, Voice | IMSLP | Pub. |
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Where'd You Get Those Eyes? (1925) | W. Donaldson (w&m) | Piano, Voice | Greer | Pub. |
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You'd Never Know That Old Home-Town of Mine (1915) | W. Donaldson (music) Howard Johnson (words) Dorothy Meuther (perf.) Pilcer & Douglas (perf.) Dorothy Meuther (perf.) Ed Morton (perf.) Dorothy Meuther (perf.) S. Tucker (perf.) |
Piano, Voice | IMSLP Greer Indiana |
Pub. |
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You're a Million Miles From Nowhere (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP Greer |
Pub. |
This list is arranged in chronological order and contains 223 works by Walter Donaldson (1893-1947).
It does not claim to be complete and represents only the number of items located. Keys: ER
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| At the Old Plantation Ball | 1915 | Coleman Goetz (words) Milton Ager (words) Ed Morton (perf.) |
|
| Back Home in Tennessee | 1915 | William Jerome (words) Armand Vecsey (perf.) Mona Vivian (perf.) |
|
| I'll Be Back in Me Low Back Car | 1915 | Joe Young (words) | |
| Just Try to Picture Me Down Home in Tennessee | 1915 | William Jerome (words) George Wilton Ballard (perf.) Harry Cove (perf.) Al Jolson (perf.) William H. Thompson (perf.) |
 |
| We'll Have a Jubilee in My Old Kentucky Home | 1915 | Coleman Goetz (words) Fred Barnes (perf.) Jean Challon (perf.) Baby Esmond (perf.) Marie Laurent (perf.) Louise LeFoggie (perf.) Billy Murray (perf.) Bert Wilcox (perf.) Babe Wilsn (perf.) |
Pub. |
| You'd Never Know That Old Home-Town of Mine | 1915 | Howard Johnson (words) Monte Austin (perf.) Frederic V. Bowers (perf.) Dorothy Meuther (perf.) Ed Morton (perf.) Pilcer & Douglas (perf.) Sophie Tucker (perf.) |
Pub. |
| Cold Turkey | 1916 | |
|
| Come on to Nashville, Tennessee | 1916 | |
|
| In the Beautiful Seaside Air | 1916 | William Tracey (words) | |
| Oh, Joe, With Your Fiddle and Bow | 1916 | William Tracey (words) | Pub. |
| When the Black Sheep Returns to the Fold | 1916 | Monty C Brice (words) | |
| ⇑ When Verdi Plays the Hurdy Gurdy | 1916 | Chas McCarron (words) | Pub. |
| Army's Full of Irish a Man From Erin Never Runs, He's Irish, The | 1917 | ||
| I've Got the Nicest Little Home in D-I-X-I-E | 1917 | ||
| I've Got the Sweetest Girl in Maryland | 1917 | Winnie Baldwin (perf.) Percy Bronson (perf.) Premier Quartet (perf.) |
|
| My Loveable Girl | 1917 | Monty C. Brice (words) | Pub. |
| Suki San | 1917 | J. Keirn Brennan (words) Vernon Dalhart (perf.) |
Pub. |
| When He's All Dolled Up | 1917 | Monty C Brice (words) | |
| Daughter of Rosie O'Grady, The | 1918 | Monty C. Brice (words) Ada Jones (perf.) Gladys Leslie (perf.) |
Pub. |
| Dumpty Deedle Dee Dum Dee | 1918 | Hal Crane (words) | |
| Good-Bye Slim (w&m) | 1918 | |
|
| I'm Satisfied to Step Aside | 1918 | L. Wolfe Gilbert (words) | |
| I've Got a Ten Day Pass For a Honeymoon (w&m) | 1918 | James F. Hanley (co-author) Ballard MacDonald (co-author) Mollie King (perf.) |
Pub. |
| ⇑ Sweet Peaches | 1918 | Carol Holloway (perf.) | |
| You Can Find a Little Bit of Dixieland No Matter Where You Go | 1918 | ||
| Baby Blue | 1919 | Sam M. Lewis (words) Joe Young (words) |
|
| Bless My Swanee River Home | 1919 | Sam Lewis (words) Joe Young (words) |
Pub. |
| Don't Cry Frenchy, Don't Cry | 1919 | Sam M. Lewis (words) Joe Young (words) George Wilton Ballard (perf.) |
Pub. |
| Hippity Hop | 1919 | Sam M. Lewis (words) Joe Young (words) Premier Quartet (perf.) |
Pub. |
| How 'Ya Gonna Keep 'Em Down on the Farm? | 1919 | Joe Young (words) Sam. M Lewis (words) Byron George Harlan (perf.) Ada Jones (perf.) |
Pub. |
| I'll Be Happy When the Preacher Makes You Mine | 1919 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| I'm Tickled to Death That You're Irish | 1919 | Sam M. (words) Lewis (words) Joe (words) Young (words) |
Pub. |
| My Nanky Panky Poo | 1919 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| Oh! The Woman in Room 13 | 1919 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| Sail Away For Lullabye Bay | 1919 | Sam M Lewis (words) Joe Young (words) |
|
| ⇑ Upstairs and Down | 1919 | Olive Thomas (perf.) | Pub. |
| What's the Use of Kickin' | 1919 | Sam M. Lewis (words) Joe Young (words) Maurice Burkhart (perf.) |
Pub. |
| When the Bees Make Honey Down in Sunny Alabam' | 1919 | Sam M. Lewis (words) Joe Young (words) Irving Kaufman (perf.) Jack Kaufman (perf.) |
Pub. |
| When You See Another Sweetie Hanging Around | 1919 | Sam M. Lewis (words) Joe Young (words) Watson Sisters (perf.) |
Pub. |
| Yock-A-Hilo Town | 1919 | Vernon Dalhart (perf.) | |
| You're a Million Miles From Nowhere | 1919 | Sam M. Lewis (words) Joe Young (words) William Bonner (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| I Love the Land of Old Black Joe | 1920 | Grant Clarke (words) Vaughn de Leath (perf.) |
|
| I Wish That I'd Been Born in Borneo | 1920 | Grant Clarke (words) Eddie Cantor (perf.) |
Pub. |
| I'll Always Keep a Corner in My Heart For Tennessee | 1920 | Grant Clarke (words) Billy Jones (perf.) Billy Jones; as Reese Jones |
Pub. |
| If All the Girls Were Good Little Girls | 1920 | Grant Clarke (words) | Pub. |
| My Little Bimbo Down on the Bamboo Isle | 1920 | Grant Clarke (words) Aileen Stanley (perf.) |
Pub. |
| My Sahara Rose | 1920 | Wiedoeft-Wadsworth Quartet (perf.) | Pub. |
| Rock-A-Bye Lullabye Mammy | 1920 | Grant Clarke (words) | Pub. |
| Tired of Me | 1920 | Grant Clarke (words) | Pub. |
| Down Around 'Sip 'Sip 'Sippy Shore | 1921 | Joe Young (words) Sam M. Lewis (words) |
Pub. |
| Down South | 1921 | B.G. DeSylva (words) | |
| Give Me My Mammy | 1921 | Al Jolson (perf.) | |
| ⇑ Hortense | 1921 | Joe Young (words) Sam. M Lewis (words) |
Pub. |
| Last Little Mile Is the Longest, The | 1921 | Lewis (words) Sam M. (words) Young (words) Joe (words) Lewis James (perf.) |
Pub. |
| My Mammy | 1921 | Joe Young (words) Sam Lewis (words) Al Jolson (perf.) Premier Quartet (perf.) |
Pub. |
| You're Just the Type | 1921 | Sam M Lewis (words) Joe Young (words) |
|
| Away Down East in Maine (w&m) | 1922 | |
|
| Bamboo Bay | 1922 | Raymond B. Egan (co-author) Richard A. Whiting (co-author) |
|
| Carolina in the Morning | 1922 | Gus Kahn (words) Ben Bernie (perf.) Bob Canser (perf.) Ernie &. Billie Loos (perf.) Jack Gould (perf.) Sam Gould (perf.) Gene Howard (perf.) Willie Howard (perf.) Artie Mehlinger (perf.) Maurice Sherman (perf.) Aileen Stanley (perf.) Buddy Walker (perf.) Willie &. Gene Howard (perf.) |
Pub. |
| Dixie Highway | 1922 | Gus Kahn (words) | Pub. |
| Dixie Vagabond, The | 1922 | Gus Kahn (words) | |
| Georgia | 1922 | Howard Johnson (words) | |
| My Buddy | 1922 | Gus Kahn (words) Mary Katherine Campbell (perf.) Al Jolson (perf.) |
Pub. |
| On the 'Gin 'Gin 'Ginny Shore | 1922 | Edgar Leslie (words) Aileen Stanley (perf.) White Sisters (perf.) |
Pub. |
| ⇑ Sweet Indiana Home (w&m) | 1922 | Crafts &. Haley (perf.) Roy Dieterich (perf.) Karyl Norman (perf.) Broadway Dance Orchestra (perf.) Aileen Stanley (perf.) |
Pub. |
| Where the Bamboo Babies Grow | 1922 | Lew Brown (words) | Pub. |
| Beside a Babbling Brook | 1923 | Gus Kahn (words) Karyl Norman (perf.) |
 Pub. |
| Feeling the Way I Do | 1923 | B. G De Sylva (words) | Pub. |
| I Love My Chili Bom Bom | 1923 | Cliff Friend (words) | |
| Little Rover | 1923 | Gus Kahn (words) George Jessel (perf.) Aileen Stanley (perf.) |
Pub. |
| Lou'siana | 1923 | Gus Kahn (words) | Pub. |
| Mindin' My Bus'ness | 1923 | Gus Kahn (words) Ernest Hare (perf.) |
Pub. |
| On the Isle of Wicki Wacki Woo | 1923 | Gus Kahn (words) | Pub. |
| Poor Little Rose | 1923 | Gus Kahn (words) | |
| Seven or Eleven | 1923 | Lew Brown (words) Eddie Cantor (perf.) |
Pub. |
| Stealing to Virginia | 1923 | Gus Kahn (words) Helen Moretti (perf.) Blossom Seeley (perf.) Elsie White (perf.) |
Pub. |
| ⇑ What Are You Waiting For Mary? (w&m) | 1923 | Walter Donaldson (words) Larry Dean (perf.) Jack Osterman (perf.) |
Pub. |
| Back Where the Daffodils Grow (w&m) | 1924 | Green Brothers' Novelty Band (perf.) Charlotte Meyers (perf.) |
Pub. |
| Down Where the South Begins | 1924 | Gus Kahn (words) Ernest Hare (perf.) Billy Jones (perf.) |
|
| In My Own Back Yard | 1924 | Billy Rose (words) Aileen Stanley (perf.) |
Pub. |
| In the Evening (w&m) | 1924 | Vernon Dalhart (perf.) Hellene Heller (perf.) Keller Sisters & Lynch (perf.) Artie Mehlinger (perf.) Geo Riley (perf.) Ed Smalle (perf.) |
Pub. |
| Kiss Your Little Baby, Good Night! (w&m) | 1924 | Charley Straight (co-author) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| My Best Girl (w&m) | 1924 | |
|
| My Papa Doesn't Two-Time No Time (w&m) | 1924 | Hazel Crosby (perf.) | |
| Oh Maw! Oh Paw! Isn't She the Sweetest Thing? | 1924 | Gus Kahn (words) | Pub. |
| Oh, Baby! | 1924 | Bud G. De Sylva (words) Jean Granese (perf.) |
Pub. |
| On the Z-R-3 | 1924 | Al Jolson (perf.) | |
| Somebody Like You | 1924 | Cliff Friend (words) | |
| Starlight Bay | 1924 | Gus Kahn (words) | |
| What's Today Got to Do With Tomorrow (w&m) | 1924 | Pub. | |
| Ev'ry One Home Is Asking For You | 1925 | Gus Kahn (words) | |
| I Wonder Where My Baby Is To-Night | 1925 | Gus Kahn (words) Wright & Bessinger (perf.) |
Pub. |
| In the Middle of the Night | 1925 | Billy Rose (words) Virginia Johnson (perf.) |
Pub. |
| ⇑ Isn't She the Sweetest Thing | 1925 | Gus Kahn (co-author) | Pub. |
| Kinky Kids' Parade, The | 1925 | Gus Kahn (words) Nora Bayes (perf.) Duncan Sisters (perf.) Mr & Mrs. Jesse Crawford (perf.) |
|
| Let It Rain! Let It Pour! | 1925 | Cliff Friend (words) Irwin Abrams (perf.) Earl & Bell (perf.) Charles R. Hector (perf.) Ruby Norton (perf.) |
Pub. |
| Midnight Waltz, The | 1925 | Gus Kahn (words) Ben Goldfarb (perf.) Dave Harmon (perf.) Johnny Harms (perf.) Al Messenger (perf.) California Ramblers (perf.) |
Pub. |
| My Sweetie Turned Me Down | 1925 | Gus Kahn (words) Maxine Brown (perf.) Ed. & Morton Beck (perf.) Maxine Loomis (perf.) Virginia Loomis (perf.) |
Pub. |
| Oh Lovey Be Mine | 1925 | ||
| One Way Street | 1925 | Ballard MacDonald (words) | |
| Swanee Butterfly | 1925 | Billy Rose (words) | |
| That Certain Party | 1925 | Gus Kahn (words) Grace Aldrich (perf.) Charles Derickson (perf.) Jay C. Flippen (perf.) Heller & Riley (perf.) Lloyd Ibach (perf.) Louise Lake (perf.) Francis Renault (perf.) Betty Taylor (perf.) |
Pub. |
| There Ain't No Maybe in My Baby's Eyes (w&m) | 1925 | Gus Kahn (co-author) Raymond Egan (co-author) John Ryan (perf.) |
Pub. |
| What Do I Care My Sweetie Turned Me Down | 1925 | Gus Kahn (words) Parodians (perf.) |
Pub. |
| Where'd You Get Those Eyes? (w&m) | 1925 | Frank Fay (perf.) Helen Moretti (perf.) A. B. Salinger (perf.) |
Pub. |
| ⇑ Yes Sir! That's My Baby | 1925 | Gus Kahn (words) Maxine Brown (perf.) Margie Carson (perf.) Thomas E. Fullmer (perf.) Georgia Melodians (perf.) Don Romine (perf.) Roy Steffens (perf.) Welder Sisters (perf.) |
Pub. |
| You Gotta Know How | 1925 | Ernie Erdman (words) Ralph Williams (words) |
|
| After I Say I'm Sorry? | 1926 | Abe Lyman (words) Lydia Harris (perf.) Bee Palmer (perf.) |
Pub. |
| But I Do - You Know I Do | 1926 | Gus Kahn (words) Locust Sisters (perf.) |
|
| Don't Be Angry With Me | 1926 | ||
| For My Sweetheart | 1926 | Gus Kahn (words) Clariece Catlett (perf.) Hazel Hurd (perf.) Bobby Jackson (perf.) Jones & Elliott (perf.) Maurine Marseilles (perf.) Ryan Sisters (perf.) Paul Smith (perf.) Wilton Sisters (perf.) |
Pub. |
| I've Got the Girl! | 1926 | Pub. | |
| It Made You Happy When You Made Me Cry (w&m) | 1926 | Phil Napoleon (perf.) | Pub. |
| Just a Bird's-Eye View | 1926 | Gus Kahn (words) | Pub. |
| Let's Talk About My Sweetie | 1926 | Gus Kahn (words) Merle Johnston (perf.) Bee Palmer (perf.) |
Pub. |
| No More Worryin' | 1926 | Jay Mills (co-author) Gus Kahn (words) Jean Granese (perf.) Al Jolson (perf.) |
Pub. |
| Pretty Lips (w&m) | 1926 | Charle Straight (co-author) | |
| ⇑ That's Why I Love You (w&m) | 1926 | Paul Ash (co-author) | Pub. |
| Thinking of You | 1926 | Paul Ash (words) | Pub. |
| Up and Down the Eight Mile Road | 1926 | Gus Kahn (words) Grace Aldrich (perf.) Iris Vining (perf.) |
Pub. |
| What a Man! (w&m) | 1926 | Ralph Williams (co-author) | Pub. |
| What Can I Say After I Say I'm Sorry? (w&m) | 1926 | Abe Lynman (co-author) Ruth Etting (perf.) Bee Palmer (perf.) |
|
| Who Wouldn't? | 1926 | Gus Kahn (words)
Arr. by May Singhi Breen |
| Title | Year | Attribution | Remarks |
|---|
| At Sundown | 1927 | |
|
| Changes | 1927 | Pub. | |
| He's the Last Word | 1927 | Gus Kahn (words) | |
| If I Can't Have You | 1927 | Walter Donaldson (words) | Pub. |
| If You See Sally | 1927 | Gus Kahn (words) Ray Egan (words) |
Pub. |
| Just Once Again (w&m) | 1927 | Paul Ash (co-author) Paul Ash (perf.) |
Pub. |
| Just the Same | 1927 | Joe burke (co-author) Walter Donaldson (words) Joe burke (words) |
Pub. |
| Mary? (w&m) | 1927 | Pub. | |
| My Blue Heaven | 1927 | George Whiting (words) Gene Austin (perf.) Walter Donaldson (perf.) Eddie Dunstedter (perf.) Ruth Etting (perf.) Vaughn de Leath (perf.) Jack Osterman (perf.) Muriel Pollock (perf.) |
Pub. |
| My Ohio Home | 1927 | Gus Kahn (words) Earl & Bell (perf.) Louis Lilienfeld (perf.) Al Plunkett (perf.) |
Pub. |
| Sa-Lu-Ta! | 1927 | Gus Kahn (words) | Pub. |
| ⇑ Sam, the Old Accordion Man | 1927 | Bob Fisher (perf.) F. Judnich (perf.) Helen Moretti (perf.) |
Pub. |
| Shady Tree, A (w&m) | 1927 | Pub. | |
| Sing Me a Baby Song | 1927 | Gus Kahn (words) | Pub. |
| Someday You'll Say-O.K (w&m) | 1927 | Pub. | |
| That Melody of Love | 1927 | Howard Dietz (words) | Pub. |
| There Ain't No Land Like Dixieland to Me | 1927 | Pub. | |
| You're the One For Me | 1927 | Paul Ash (co-author) Walter Donaldson (words) Paul Ash (words) Jack Kneeland (perf.) |
|
| Anything You Say | 1928 | |
|
| Because My Baby Don't Mean Maybe Now | 1928 | ||
| Come West, Little Girl, Come West | 1928 | ||
| Gypsy Joe | 1928 | ||
| Gypsy Song, The | 1928 | ||
| ⇑ I'm Bringing a Red-Red Rose | 1928 | Eddie Cantor (perf.) | Pub. |
| In a Bamboo Garden | 1928 | Pub. | |
| In a Little Town Called Home Sweet Home (w&m) | 1928 | Pub. | |
| Just Another Night | 1928 | Walter Donaldson (words) Grace La Rue (perf.) |
Pub. |
| Just Like a Melody Out of the Sky | 1928 | Pub. | |
| Love Me or Leave Me | 1928 | James Cagney (perf.) Doris Day (perf.) |
Pub. |
| Makin' Whoopee! | 1928 | Eddie Cantor (perf.) | Pub. |
| Out of the Dawn | 1928 | Richard Dix (perf.) | Pub. |
| Out of Town Gal | 1928 | ||
| Say ''Yes'' Today | 1928 | ||
| There Must Be a Silver Lining | 1928 | Dolly Morse (words) Fred Waring (perf.) |
Pub. |
| Until You Get Somebody Else | 1928 | ||
| ⇑ You're in Love and I'm in Love (w&m) | 1928 | Pub. | |
| Duke of Ka-Ki-Ak! | 1929 | Edgar Leslie (words) | Pub. |
| If We Never Should Meet Again | 1929 | Edgar Leslie (words) | Pub. |
| Junior | 1929 | Pub. | |
| Kansas City Kitty | 1929 | Edgar Leslie (words) | Pub. |
| Reaching For Someone | 1929 | Edgar Leslie (words) Vaughn de Leath (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Romance | 1929 | Edgar Leslie (words) | |
| Sweet Seventeen | 1929 | Edgar Leslie (words) | Pub. |
| Tain't No Sin | 1929 | Pub. | |
| Am I Gonna See You Some More? | 1930 | Walter Donaldson (words) | Pub. |
| Cottage in the Country, A | 1930 | ||
| Lazy Lou'siana Moon (w&m) | 1930 | Pub. | |
| Little White Lies | 1930 | Vincent Lopez (perf.) Ethel Merman (perf.) Rudy Vallée (perf.) |
Pub. |
| My Baby Just Cares For Me | 1930 | Gus Kahn (words) | Pub. |
| My Man From Caroline | 1930 | Ethel Merman (perf.) | Pub. |
| Sweet Jennie Lee! (w&m) | 1930 | Pub. | |
| There's a Wah-Wah Girl in Agua Caliente | 1930 | ||
| ⇑ You're Driving Me Crazy! | 1930 | Walter Donaldson (words) | |
| Blue Kentucky Moon | 1931 | Ben Ally (perf.) | Pub. |
| Ev'ning in Caroline, An | 1931 | Boswell Sisters (perf.) | |
| Goodnight Moon (w&m) | 1931 | Pub. | |
| Hello! Beautiful! (w&m) | 1931 | Pub. | |
| How the Time Can Fly (w&m) | 1931 | Pub. | |
| I'm With You! | 1931 | Helen Morgan (perf.) Harry Richman (perf.) |
Pub. |
| Little Hunka Love (w&m) | 1931 | Pub. | |
| Lucille (w&m) | 1931 | Walter Donaldson (words) Maurice Chevalier (perf.) Rudy Vallée (perf.) |
Pub. |
| That's What I Like About You (w&m) | 1931 | Pub. | |
| Without That Gal | 1931 | ||
| You Didn't Have to Tell Me (w&m) | 1931 | Pub. | |
| ⇑ I Guess It Wasn't Meant to Be | 1932 | Gus Kahn (words) | Pub. |
| I'm So in Love | 1932 | ||
| My Mom (w&m) | 1932 | Pub. | |
| You're Telling Me | 1932 | Gus Kahn (words) | Pub. |
| Hiawatha's Lullaby | 1933 | Joe Young (words) | Pub. |
| You've Got Ev'rything | 1933 | Gus Kahn (words) | |
| Dancing in the Moonlight | 1934 | Gus Kahn (words) | |
| Earful of Music, An | 1934 | Gus Kahn (words) Eddie Cantor (perf.) Ethel Merman (perf.) |
Pub. |
| I've Had My Moments | 1934 | Gus Kahn (words) | |
| Jungle Fever | 1934 | Howard Dietz (words) Mills Brothers (perf.) |
Pub. |
| Okay Toots | 1934 | Gus Kahn (words) | Pub. |
| Once in a Lifetime | 1934 | Gus Kahn (words) Gary Cooper (perf.) Marion Davies (perf.) |
Pub. |
| ⇑ Riptide | 1934 | Gus Kahn (words) | Pub. |
| Sleepy Head | 1934 | Gus Kahn (words) Gary Cooper (perf.) Marion Davies (perf.) |
Pub. |
| Thousand Good Nights, A | 1934 | Hal Kemp (perf.) | Pub. |
| When My Ship Comes In | 1934 | Gus Kahn (words) | Pub. |
| You'll Never Know (w&m) | 1934 | Pub. | |
| Clouds | 1935 | Gus Kahn (words) Berne Cummins (perf.) Richard Himber (perf.) Pickens Sisters (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| It's Been So Long | 1935 | Harold Adamson (words) Myrna Loy (perf.) William Powell (perf.) Luise Rainer (perf.) |
|
| Tender Is the Night | 1935 | Harold Adamson (words) | |
| Did I Remember? | 1936 | Harold Adamson (words) Cary Grant (perf.) Jean Harlow (perf.) Franchot Tone (perf.) |
Pub. |
| You | 1936 | Harold Adamson (words) Myrna Loy (perf.) William Powell (perf.) Luise Rainer (perf.) |
Pub. |
| You Never Looked So Beautiful | 1936 | Harold Adamson (words) | |
| Could Be | 1938 | Johnny Mercer (words) Kay Kyser (perf.) |
|
| Why'd Ya Make Me Fall in Love? | 1938 | ||
| You Look Good to Me | 1938 | Billy Rose (words) | |
| Cuckoo in the Clock | 1939 | Johnny Mercer (words) | |
| Fit to Be Tied | 1939 | ||
| Gotta Get Some Shut-Eye | 1939 | Johnny Mercer (words) Ben Bernie (perf.) Sammy Kaye (perf.) |
Pub. |
| ⇑ I'm Fit to Be Tied | 1939 | ||
| Mister Meadowlark | 1940 | Johnny Mercer (words) | |
| Nevada (w&m) | 1943 | Mort Greene (co-author) John Hubbard (perf.) Freddy Martin (perf.) Ann Miller (perf.) Rochester (perf.) |
|
| Never a Day Goes By | 1943 | Peter de Rose (words) Mitchell Parish (words) |
|
| Borneo | ? | ||
| Cause I'm in Love | ? | Walter Donaldson (words) | |
| Girl Friend of a Boy Friend of Mine, A | ? | Gus Kahn (words) |
| Title | Duration | Performer |
|---|
|
Cold Turkey | 2:35 | Ragtime Dorian Henry |
|
In the Evening | 3:11 | Keller Sisters & Lynch |
|
Just Try to Picture Me Down Home in Tennessee | 2:54 | Harry Cove William H. Thompson |
|
Let It Rain! Let It Pour! | 2:42 | Earl & Bell |