Louise Music by: Richard A. Whiting. Words by: Leo Robin Performed by: Betty Jane Rhodes, Johnnie Johnston
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Title (Release Year) | Co-Author(s) | Performers | Issue |
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It's Tulip Time in Holland (1915) | Arthur C. Lichty | Edison Blue Amberol: 2707 | ||
Ain't We Got Fun (1921) | Billy Jones | Edison Blue Amberol: 4309 | ||
Ain't You Coming Back to Dixieland? (1917) | Jaudas' Society Orchestra | Edison Blue Amberol: 3320 | ||
The Japanese Sandman (1921) | Hector Pellerin | Edison Blue Amberol: 27217 | ||
Derby Day in Dixie (1918) | Elaine Gordon | Edison Blue Amberol: 3542 | ||
It's Tulip Time in Holland (1915) | H. Burr Albert Campbell |
Indestructible Record: 3353 | ||
The Japanese Sandman (1921) | Max Fells' Della Robbia Orchestra | Edison Blue Amberol: 4174 | ||
Mammy's Little Coal Black Rose (1917) | Manuel Romain | Edison Blue Amberol: 3116 | ||
Some Sunday Morning (1917) | Ada Jones Billy Murray |
Edison Blue Amberol: 3351 | ||
Till We Meet Again (1896-1900) | Gilmore's Band | Columbia Phonograph Co.: 1588 | ||
Till We Meet Again (1919) | Vernon Dalhart Gladys Rice |
Edison Blue Amberol: 3670 | ||
⇑Till We Meet Again (1919) | Charles Hart Elliott Shaw |
Indestructible Record: 3445 | ||
When Shall We Meet Again? (1922) | Lewis James Gladys Rice |
Edison Blue Amberol: 4476 | ||
Where the Black-Eyed Susans Grow (1917) | Arthur Hall | Edison Blue Amberol: 3192 | ||
While Miami Dreams (1922) | Imperial Marimba Band | Edison Blue Amberol: 4514 | ||
You're Still an Old Sweetheart of Mine (1919) | Metropolitan Quartet | Edison Blue Amberol: 3791 |
Title (Release Year) | Composer | Performers | Issue |
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Adorable (1933) | R.A. Whiting | Jack Little | Victor: BS-76100 | |
Ain't We Got Fun (1921) | R.A. Whiting | Van & Schenck | Columbia: 79806 | |
Ain't You Coming Back to Dixieland? (1917) | R.A. Whiting | William F. Hooley Harry MacDonough Lambert Murphy Reinald Werrenrath |
Victor: B-20034 | |
Along the Way to Waikiki (1917) | R.A. Whiting | H. Burr Albert Campbell Arthur Collins John H. Meyer |
Victor: B-20066 | |
And They Called It Dixieland (1916) | R.A. Whiting | C. Smith Lee White |
Columbia: 6871 | |
Beyond the Blue Horizon (1930) | R.A. Whiting | Bob Borger | Victor: PBVE-61019 | |
Bimini Bay (1921) | R.A. Whiting | Original Piano Trio | Edison: 8282 | |
Breezin' Along With the Breeze (1939) | R.A. Whiting | Babs Johnson Charlie Ryan Little Ryan |
Victor: BS-037125 | |
Everything Is K.O. in K-Y (1923) | R.A. Whiting | F. Crumit | Columbia: 80807 | |
Fire! (An ''Alarming'' Novelty) (1926) | R.A. Whiting | Tom Howard | Edison: 11283 | |
Gather Lip Rouge While You May (1933) | R.A. Whiting | Harold van Emburgh | Victor: BS-77677 | |
Got No Time (1925) | R.A. Whiting | Wainwright Sisters | Edison: 10421 | |
Grass Is Always Greener, The (1924) | R.A. Whiting | Joseph A. Griffith | Columbia: 81885 | |
Hand in Hand Again (1919) | R.A. Whiting | H. Burr Albert Campbell |
Columbia: 78753 | |
Have You Got Any Castles, Baby? (1937) | R.A. Whiting | J. Brooks | Victor: BS-011321 | |
Hello Baby (1926) | R.A. Whiting | J. Marvin | Columbia: W142356 | |
⇑Hello Baby (1926) | R.A. Whiting | R. Etting | Columbia: W142449 | |
Horses (1926) | R.A. Whiting | Fran Frey | Victor: BVE-34676 | |
How Do I Rate With You? (1935) | R.A. Whiting | Edythe Wright as Joan Hope | Victor: BS-98094 | |
I Can't Escape From You (1936) | R.A. Whiting | Charles Chester | Victor: BS-102334 | |
I'll Love You More For Losing You a While (1918) | R.A. Whiting | Charles W. Harrison as Hugh Donovan | Columbia: 78019 | |
In a Little Front Parlor (1921) | R.A. Whiting | N. Bayes | Columbia: 79784 | |
It's Tulip Time in Holland (1915) | R.A. Whiting | Mary Carson Donald Alexander Chalmers Arthur C. Lichty S. Porter John Young |
Edison: 4020 | |
Japanese Sandman, The (1920) | R.A. Whiting | Olive Kline | Victor: B-24358 | |
Just a Quiet Evening (1937) | R.A. Whiting | Bobby Goday | Victor: BS-03982 | |
Louise (1929) | R.A. Whiting | Maurice Chevalier | Victor: BVE-50942 | |
Love Is on the Air To-Night (1937) | R.A. Whiting | Bob Murray | Victor: BS-011604 | |
Mammy's Little Coal Black Rose (1916) | R.A. Whiting | Columbia Stellar Quartette | Columbia: 47037 | |
My Future Just Passed (1930) | R.A. Whiting | Annette Hanshaw | Columbia: [W]150588 | |
My Ideal (1930) | R.A. Whiting | Maurice Chevalier | Victor: BVE-62387 | |
My Sweeter Than Sweet (1929) | R.A. Whiting | Smith Ballew | OKeh: W403082 | |
No (1926) | R.A. Whiting | T. Lewis | Columbia: W141665 | |
Old Folks at Home, The (1923) | R.A. Whiting | Vernon Dalhart | Edison: 9214 | |
⇑On Top of the World, Alone (1929) | R.A. Whiting | Irving Kaufman as Tom Frawley | Columbia: 148482 | |
On With the Dance (1937) | R.A. Whiting | Bob Murray | Victor: BS-011603 | |
Peach of a Pair, A (1930) | R.A. Whiting | Smith Ballew | Columbia: [W]150911 | |
Peter Piper (1936) | R.A. Whiting | Dolly Dawn | Victor: BS-0606 | |
Precious (1926) | R.A. Whiting | R. Etting | Columbia: W142418 | |
Ride, Tenderfoot, Ride (1938) | R.A. Whiting | Gene Walsh | Victor: PBS-019305 | |
Rosy Cheeks (1927) | R.A. Whiting | Giersdorf Sisters | Columbia: W144002 | |
Some Sunday Morning (1917) | R.A. Whiting | Ada Jones Billy Murray |
Victor: B-20625 | |
Song of Persia (1922) | R.A. Whiting | Tandy MacKenzie as Edwin Dale | Columbia: 80309 | |
Sweet Child (1925) | R.A. Whiting | Billy Jones | Columbia: W141441 | |
Tea Leaves (1921) | R.A. Whiting | N. Bayes | Columbia: 79805 | |
There's Only One Mary in Maryland (1923) | R.A. Whiting | Harvey Hindermeyer | Edison: 8832 | |
They Made It Twice As Nice As Paradise (1916) | R.A. Whiting | Reed Miller as James Reed Frederick J. Wheeler as James F. Harrison |
Columbia: 46719 | |
Till We Meet Again (1918) | R.A. Whiting | H. Burr Albert Campbell |
Columbia: 78159 | |
Tin Pan Parade (1928) | R.A. Whiting | V. de Leath | Edison: 18414 | |
Too Marvelous For Words (1937) | R.A. Whiting | Bobby Goday | Victor: BS-03983 | |
True Blue Lou (1929) | R.A. Whiting | Irving Kaufman as Tom Frawley | Columbia: 148652 | |
⇑True Blue Lou (1929) | R.A. Whiting | Annette Hanshaw | Columbia: [W]148849 | |
Ukulele Lady (1925) | R.A. Whiting | Eddie Peabody | Edison: 10445 | |
Watchin' the Moon Rise (1923) | R.A. Whiting | H. Burr Albert Campbell Frank Croxton John H. Meyer |
Victor: B-29217 | |
When Did You Leave Heaven? (1936) | R.A. Whiting | Joe Hoste | Victor: BS-102410 | |
When Shall We Meet Again? (1921) | R.A. Whiting | Charles Hart Elliott Shaw |
Columbia: 80098 | |
Where Is My Rose of Waikiki (1925) | R.A. Whiting | Waikiki Hawaiian Orchestra | Edison: 10306 | |
Where the Black-Eyed Susans Grow (1917) | R.A. Whiting | H. Burr Albert Campbell |
Victor: B-18978 | |
Where the Morning Glories Grow (1917) | R.A. Whiting | H. Burr Albert Campbell John H. Meyer Elizabeth Spencer |
Victor: B-20811 | |
While Miami Dreams (1921) | R.A. Whiting | Billy Jones | Columbia: 80105 | |
Whole World Loves a Lover, The (1916) | R.A. Whiting | H. Burr Grace Kerns as Grace Nash |
Columbia: 46851 | |
Yo Te Amo Means I Love You (1929) | R.A. Whiting | The Rollickers | Edison: 19093 | |
You Took My Breath Away (1935) | R.A. Whiting | Dolly Dawn | Victor: BS-98119 | |
You're a Great Big Lonesome Baby (1917) | R.A. Whiting | M. J. O'Connell | Columbia: 77112 | |
You're an Old Smoothie (1939) | R.A. Whiting | Babs Johnson Charlie Ryan Little Ryan |
Victor: BS-036810 | |
You're Still an Old Sweetheart of Mine (1919) | R.A. Whiting | H. Burr Albert Campbell John H. Meyer |
Columbia: 78266 |
Performer | CD Title | Supplier |
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Jazz Music CDs: | |||
Kenny Ball | Greatest Hits of Kenny Ball | ||
Bix Beiderbecke | Jazz Masters: From Original Recordings | ||
Nat Gonella | Hot Lips | ||
Boswell Sisters | Shout Sister Shout | ||
Boswell Sisters | That's How Rhythm Was Born | ||
Ragtime Music CDs: | |||
Dawn of the Century Ragtime Orchestra | This One's for Art |
Title | Attribution | Instruments | Source | Remarks |
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Ain't We Got Fun (1921) | R.A. Whiting (music) G. Kahn (words) Raymond B. Egan (words) Van & Schenck (perf.) A. West (perf.) Van & Schenck (perf.) George Watts (perf.) |
Piano, Voice | IMSLP Indiana Indiana Indiana Sheet Music Singer |
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Ain't You Coming Back to Dixieland? (1917) | R.A. Whiting (music) Raymond B. Egan (words) A. Jolson (perf.) |
Piano, Voice | IMSLP | Pub. | |
Along the Way to Waikiki (1917) | R.A. Whiting (music) G. Kahn (words) A. Jolson (perf.) A. Jolson (perf.) |
Piano, Voice | Indiana Sheet Music Singer |
Pub. | |
Always in All Ways (1930) | R.A. Whiting (w&m) W. Franke Harling (coauth.) Leo Robin (words) Jack Buchannon (perf.) Jeanette MacDonald (perf.) |
Piano, Voice | Sheet Music Singer | ||
And They Called It Dixieland (1916) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Indiana | ||
Big Red Motor and the Little Blue Limousine (1913), The | R.A. Whiting (music) Earle C. Jones (words) |
Piano, Voice | IMSLP Indiana |
Pub. | |
Bimini Bay (1921) | R.A. Whiting (music) G. Kahn (words) Raymond B. Egan (words) T. Lewis (perf.) |
Piano, Voice | Indiana | Pub. | |
⇑Bravest Heart of All (1917), The | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. | |
Caberavings (1914) | R.A. Whiting (music) | Piano | IMSLP | Pub. | |
Coaling Up in Colon Town (1916) | R.A. Whiting (music) | Piano, Voice | Indiana | Pub. | |
Dear Old Gal Who's Your Pal Tonight (1920) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. | |
Don't Turn the Smiles to Tears (1916) | R.A. Whiting (music) Daisy Sullivan (words) |
Piano, Voice | Indiana | Pub. | |
If I Came to You With a Heart Bowed Down (1914) | R.A. Whiting (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. | |
In the Valley of the Nile (1915) | R.A. Whiting (music) D. Radford (words) |
Piano, Voice | Indiana | Pub. | |
It's Tulip Time in Holland (1915) | R.A. Whiting (music) D. Radford (words) |
Piano, Voice | Greer | Pub. | |
⇑Japanese Sandman (1920), The | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Greer Greer Indiana |
Pub. | |
Just 'round the Corner (1919) | R.A. Whiting (music) Raymond B. Egan (words) E. Brice (perf.) |
Piano, Voice | Indiana | Pub. | |
Kickapoo Trail (1926) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | ||
Light of the World Is Love (1913), The | R.A. Whiting (music) Earle C. Jones (words) |
Piano, Voice | IMSLP | Pub. | |
Little Black Buddie (1924) | R.A. Whiting (music) Raymond B. Egan (words) N. Lucas (perf.) |
Piano, Voice | IMSLP | Pub. | |
Love Me Like the Ivy Loves the Old Oak Tree (1914) | R.A. Whiting (music) George J. Moriarty (words) |
Piano, Voice | Greer | Pub. | |
Mammy's Little Coal Black Rose (1916) | R.A. Whiting (music) Raymond B. Egan (words) Adele Rowland (perf.) Adele Rowland (perf.) |
Piano, Voice | Greer Indiana |
Pub. | |
Mighty Blue (1925) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Saxophones | IMSLP | ||
⇑My Pretty Wild Wood Rose (1912) | R.A. Whiting (music) Van H. Terry (words) |
Piano, Voice | IMSLP | ||
Old Tennessee and Me (1918) | R.A. Whiting (music) E. Cantor (words) Raymond B. Egan (words) |
Piano, Voice | Indiana | ||
Pump Song (1916) | R.A. Whiting (w&m) Sammy Lerner (coauth.) B. Fields (coauth.) Guy Lombardo (perf.) |
Piano, Voice | Indiana | ||
So Dress Up Your Dollars in Khaki (1918) | R.A. Whiting (music) Lister R. Alwood (words) |
Piano, Voice | Indiana | Pub. | |
Some Sunday Morning (1917) | R.A. Whiting (music) G. Kahn (words) Raymond B. Egan (words) E. Brice (perf.) King (perf.) E. Brice (perf.) Charles King (perf.) Beatrice Lambert (perf.) |
Piano, Voice | Greer Indiana YorkSpace |
Pub. | |
Sunny Sumertime (1914) | R.A. Whiting (music) Clara H. Rees (words) |
Piano, Voice | IMSLP | Pub. | |
Tea Leaves (1921) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Indiana | Pub. | |
There's Only One Mary in Maryland (1915) | R.A. Whiting (music) George Moriarty (words) |
Piano, Voice | Indiana | Pub. | |
⇑They Made It Twice As Nice As Paradise (1916) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP Indiana |
Pub. | |
Throw Me a Kiss from Over the Sea (1917) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. | |
Till We Meet Again (1918) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Greer Greer Greer Indiana |
Pub. | |
Ukulele Lady (1925) | R.A. Whiting (music) G. Kahn (words) |
Piano, Voice | Greer | ||
Watchin' the Moon Rise (1923) | R.A. Whiting (music) Raymond B. Egan (words) G. Kahn (words) Margaret Young (perf.) |
Piano, Voice | IMSLP | Pub. | |
When Grand Circus Park Was Uptown (1921) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Greer | ||
When Shall We Meet Again? (1921) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Greer | Pub. | |
Where the Black-Eyed Susans Grow (1917) | R.A. Whiting (music) D. Radford (words) A. Jolson (perf.) H. Lewis (perf.) |
Piano, Voice | Indiana Indiana |
Pub. | |
⇑Why Is Romany So Many Miles Away (1920) | R.A. Whiting (music) | Piano, Voice | Indiana | Pub. | |
Won't You You Park Your Heart in My Little Garage of Love (1919) | R.A. Whiting (music) Chas. A. Mason (words) R. Egan (words) |
Piano, Voice | Indiana | Pub. | |
You'll Be Welcome As Flowers in the Maytime (1918) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Indiana | Pub. | |
You're Still an Old Sweetheart of Mine (1918) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. |
Title | Year | Attribution | Remarks |
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My Pretty Wild Wood Rose | 1912 | Van H. Terry (words) | |
Big Red Motor and the Little Blue Limousine, The | 1913 | Earle C. Jones (words) | |
Light of the World Is Love, The | 1913 | Earle C. Jones (words) | Pub. |
Caberavings | 1914 | Pub. | |
I Wonder Where My Lovin' Man Has Gone | 1914 | Charles L. Cooke (co-author) Earle C. Jones (words) Jordan (perf.) Winnie Lightner (perf.) |
|
If I Came to You With a Heart Bowed Down | 1914 | Gus Kahn (words) | Pub. |
Love Me Like the Ivy Loves the Old Oak Tree | 1914 | George J. Moriarty (words) | Pub. |
Mary Pickford (The Darling of Them All) (w&m) | 1914 | Dave Radford (co-author) Daisy Sullivan (co-author) |
|
Once in a Thousand Years | 1914 | Chas. E. Baer (words) | Pub. |
Sunny Sumertime | 1914 | Clara H. Rees (words) | Pub. |
In the Valley of the Nile | 1915 | Dave Radford (words) | Pub. |
⇑ It's Tulip Time in Holland | 1915 | Dave Radford (words) Henry Burr (perf.) Albert Campbell (perf.) Mary Carson (perf.) Donald Alexander Chalmers (perf.) Arthur C. Lichty (perf.) Steve Porter (perf.) John Young (perf.) |
Pub. |
There's Only One Mary in Maryland | 1915 | George Moriarty (words) Harvey Hindermeyer (perf.) |
Pub. |
And They Called It Dixieland | 1916 | Raymond B. Egan (words) Clay Smith (perf.) Lee White (perf.) |
|
Coaling Up in Colon Town | 1916 | Pub. | |
Don't Turn the Smiles to Tears | 1916 | Daisy Sullivan (words) | Pub. |
Girl and the Game, The | 1916 | Dave Radford (words) | |
I'm Glad You're Sorry | 1916 | Dave Radford (words) | Pub. |
If I Could Live Again | 1916 | Raymond Egan (words) | Pub. |
Mammy's Little Coal Black Rose | 1916 | Raymond B. Egan (words) Al Jolson (perf.) Columbia Stellar Quartette (perf.) Manuel Romain (perf.) Adele Rowland (perf.) Blossom Seeley (perf.) |
Pub. |
Pump Song (w&m) | 1916 | Sammy Lerner (co-author) Buddy Fields (co-author) Guy Lombardo (perf.) |
|
They Made It Twice As Nice As Paradise | 1916 | Raymond B. Egan (words) Reed Miller as James Reed (perf.) Frederick J. Wheeler as James F. Harrison (perf.) |
Pub. |
Whole World Loves a Lover, The | 1916 | Dave Radford (words) Henry Burr (perf.) Grace Kerns as Grace Nash (perf.) |
|
⇑ Ain't You Coming Back to Dixieland? | 1917 | Raymond B. Egan (words) William F. Hooley (perf.) Al Jolson (perf.) Harry MacDonough (perf.) Lambert Murphy (perf.) Jaudas' Society Orchestra (perf.) Reinald Werrenrath (perf.) |
Pub. |
Along the Way to Waikiki | 1917 | Gus Kahn (words) Henry Burr (perf.) Albert Campbell (perf.) Arthur Collins (perf.) Al Jolson (perf.) John H. Meyer (perf.) |
Pub. |
Ask Her in Springtime | 1917 | George J. Moriarty (words) Grace LeBoy (words) |
Pub. |
Bravest Heart of All, The | 1917 | Raymond B. Egan (words) | Pub. |
It's Lilac Time | 1917 | David B. Radford (words) | Pub. |
Some Sunday Morning | 1917 | Gus Kahn (words) Raymond B. Egan (words) Elizabeth Brice (perf.) Daisy Dormer (perf.) Viola Graham (perf.) Ada Jones (perf.) Charles King (perf.) Beatrice Lambert (perf.) Billy Murray (perf.) |
Pub. |
Throw Me a Kiss from Over the Sea | 1917 | Raymond B. Egan (words) | Pub. |
Where the Black-Eyed Susans Grow | 1917 | Dave Radford (words) Henry Burr (perf.) Albert Campbell (perf.) Daisy Dormer (perf.) Hilda Glyder (perf.) Arthur Hall (perf.) Al Jolson (perf.) Henry Lewis (perf.) Arthur Hall as "Adolph J. Hahl" |
Pub. |
Where the Morning Glories Grow | 1917 | Gus Kahn (words) Raymond B. Egan (words) Henry Burr (perf.) Albert Campbell (perf.) John H. Meyer (perf.) Elizabeth Spencer (perf.) |
Pub. |
You're a Great Big Lonesome Baby | 1917 | Doc Cook (co-author) Gus Kahn (co-author) M. J. O'Connell (perf.) |
|
Cotton Hollow Harmony | 1918 | Chas. A. Mason (words) | Pub. |
Derby Day in Dixie | 1918 | Raymond Egan (words) Elaine Gordon (perf.) |
Pub. |
⇑ Dress Up Your Dollars in Khaki (And Help Win Democracy's Fight) | 1918 | Lister R. Alwood (words) |
Title | Year | Attribution | Remarks |
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Good-Bye Cabarabian Nights | 1918 | Raymond Egan (words) | |
I'll Love You More For Losing You a While | 1918 | Raymond B. Egan (words) Charles W. Harrison as Hugh Donovan (perf.) |
Pub. |
Old Tennessee and Me | 1918 | Eddie Cantor (words) Raymond B. Egan (words) |
|
Say You Intend to See Old Tennessee and Me | 1918 | Eddie Cantor (words) Raymond Egan (words) |
Pub. |
So Dress Up Your Dollars in Khaki | 1918 | Lister R. Alwood (words) | Pub. |
Till We Meet Again | 1918 | Raymond B. Egan (words) Gilmore's Band (perf.) Henry Burr (perf.) Albert Campbell (perf.) Vernon Dalhart (perf.) Charles Hart (perf.) Gladys Rice (perf.) Elliott Shaw (perf.) |
Pub. |
We'll Build a Rainbow in the Sky | 1918 | Raymond B. Egan (words) | Pub. |
You'll Be Welcome As Flowers in the Maytime | 1918 | Raymond B. Egan (words) | Pub. |
You're Still an Old Sweetheart of Mine | 1918 | Raymond B. Egan (words) Henry Burr (perf.) Albert Campbell (perf.) John H. Meyer (perf.) Metropolitan Quartet (perf.) |
Pub. |
Broadway Belles | 1919 | Herbert Spencer (words) Arthur Jackson (words) George White (words) |
|
Fallen Idols | 1919 | Alfred Bryan (words) John William Kellette (words) Evelyn Nesbit (perf.) |
Pub. |
⇑ Hand in Hand Again | 1919 | Raymond B. Egan (words) Henry Burr (perf.) Albert Campbell (perf.) |
Pub. |
I Guess I'm More Like Mother Than Like Father | 1919 | ||
Just 'round the Corner | 1919 | Raymond B. Egan (words) Elizabeth Brice (perf.) |
Pub. |
That Lullaby of Long Ago | 1919 | Bud DeSylva (co-author) Gus Kahn (words) Raymond B. Egan (words) Al Jolson (perf.) |
Pub. |
Where the Water Lilies Grow | 1919 | Raymond B. Egan (words) Gus Kahn (words) |
|
Won't You You Park Your Heart in My Little Garage of Love | 1919 | Chas. A. Mason (words) Raymond Egan (words) |
Pub. |
Sunshine Sis | 1919. | Mabel Normand (perf.) | |
Dear Old Gal Who's Your Pal Tonight | 1920 | Raymond B. Egan (words) | Pub. |
Japanese Sandman, The | 1920 | Raymond B. Egan (words) Olive Kline (perf.) Max Fells' Della Robbia Orchestra (perf.) Hector Pellerin (perf.) |
Pub. |
One Night in Rome | 1920 | ||
When It's Moonlight on the Swannee Shore | 1920 | Raymond B Egan (words) | Pub. |
Why Is Romany So Many Miles Away | 1920 | Pub. | |
⇑ Ain't We Got Fun | 1921 | Gus Kahn (words) Raymond B. Egan (words) Billy Jones (perf.) Van & Schenck (perf.) George Watts (perf.) Arthur West (perf.) |
Pub. |
Bikini Bay | 1921 | Raymond B. Egan (words) Gus Kahn (words) |
|
Bimini Bay | 1921 | Gus Kahn (words) Raymond B. Egan (words) Eddie Cantor (perf.) Ted Lewis (perf.) Original Piano Trio (perf.) |
Pub. |
In a Little Front Parlor | 1921 | Raymond B. Egan (words) Nora Bayes (perf.) |
Pub. |
Tea Leaves | 1921 | Raymond B. Egan (words) Nora Bayes (perf.) |
Pub. |
When Grand Circus Park Was Uptown | 1921 | Raymond B. Egan (words) | |
When Shall We Meet Again? | 1921 | Raymond B. Egan (words) Duncan Sisters (perf.) Charles Hart (perf.) Lewis James (perf.) Gladys Rice (perf.) Elliott Shaw (perf.) Wilton Sisters (perf.) |
Pub. |
Song of Persia | 1922 | David B. Radford (words) Raymond B. Egan (words) Rae Eleanor Ball (perf.) John F. Burckhardt (perf.) Tandy MacKenzie as Edwin Dale (perf.) |
Pub. |
While Miami Dreams | 1922 | Raymond B. Egan (words) Imperial Marimba Band (perf.) Herbert Hoey (perf.) Billy Jones (perf.) Van & Schenck (perf.) |
Pub. |
Everything Is K.O. in K-Y | 1923 | Raymond B. Egan (words) Frank Crumit (perf.) |
|
Old Folks at Home, The | 1923 | Gus Kahn (words) Raymond B. Egan (words) Vernon Dalhart (perf.) Karyl Norman (perf.) Colette Ryan (perf.) |
Pub. |
Watchin' the Moon Rise | 1923 | Raymond B. Egan (words) Gus Kahn (words) Henry Burr (perf.) Albert Campbell (perf.) Frank Croxton (perf.) John H. Meyer (perf.) Margaret Young (perf.) |
Pub. |
⇑ Grass Is Always Greener, The | 1924 | Raymond B. Egan (words) Mildred Gething (perf.) Jean Granese (perf.) Joseph A. Griffith (perf.) Maurice Hyman (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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Let's Waken the World With a Love Song | 1924 | Stephen Pasternacki (co-author) Raymond B. Egan (words) |
|
Little Black Buddie | 1924 | Raymond B. Egan (words) Nick Lucas (perf.) |
|
Rainy Weather | 1924 | William Ortman (co-author) Raymond B. Egan (words) |
Pub. |
Got No Time | 1925 | Gus Kahn (words) Wainwright Sisters (perf.) |
Pub. |
Lady | 1925 | Gus Kahn (words) | |
Mighty Blue | 1925 | Raymond B. Egan (words) | |
Moon Deer | 1925 | Neil Moret (co-author) Raymond B. Egan (words) |
|
My Rose of Waikiki | 1925 | Raymond B. Egan (words) | Pub. |
Rock-A-Bye Time | 1925 | Gene Shirley (words) Raymond B. Egan (words) Nora Kelly (perf.) |
Pub. |
Sweet Child | 1925 | Howard Simon (co-author) Al Lewis (words) Billy Jones (perf.) Chic Kennedy (perf.) Macy & Scott (perf.) Rose Schall (perf.) |
Pub. |
Ukulele Lady | 1925 | Gus Kahn (words) Katherine Adolph (perf.) Margie Carson (perf.) Jimmy Clark (perf.) Joseph Diskay (perf.) Catello's Radio Entertainers (perf.) Galla-Rini and Sisters (perf.) Johnny Hamp (perf.) Vaughn de Leath (perf.) Loomis Orchestra (perf.) Eddie Peabody (perf.) Phil Romano (perf.) Glenn C. Smith (perf.) |
|
⇑ Weary of Waiting For You | 1925 | Emerson Gill (co-author) Gus Kahn (words) |
Pub. |
Where Is My Rose of Waikiki | 1925 | Raymond B Egan (words) Waikiki Hawaiian Orchestra (perf.) |
Pub. |
Where the Four-Leaf Clovers Grow | 1925 | Raymond B. Egan (words)
Arr. by May Singhi Breen |
|
Breezin' Along With the Breeze | 1926 | Haven Gillespie (co-author) Seymour Simons (co-author) Bailey & Barnum (perf.) George Flores (perf.) Babs Johnson (perf.) Morty Livingston (perf.) Charlie Ryan (perf.) Little Ryan (perf.) |
|
Fire! (An ''Alarming'' Novelty) | 1926 | Byron Gay (words) Tom Howard (perf.) |
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Hello Baby | 1926 | Seymour Simons (words) Ruth Etting (perf.) Johnny Marvin (perf.) |
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Horses | 1926 | Byron Gay (words) Fran Frey (perf.) |
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I Wonder Where My Buddies Are To-Night? | 1926 | Raymond B. Egan (words) Billy Rose (words) Bessinger & White (perf.) |
Pub. |
Kickapoo Trail | 1926 | Raymond B. Egan (words) | |
Let's Forget | 1926 | Al Lewis (words) | Pub. |
No | 1926 | Byron Gay (words) Ted Lewis (perf.) |
|
Precious | 1926 | Stephen Pasternacki (co-author) Raymond B. Egan (words) Ruth Etting (perf.) |
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⇑ Banjo Eyes | 1927 | Gus Kahn (words) Paul Ash (perf.) Janet Bodwell (perf.) |
Pub. |
Rosy Cheeks | 1927 | Seymour Simons (words) Giersdorf Sisters (perf.) |
|
There's One Little Girl Who Loves Me | 1927 | Gus Kahn (words) | |
Tin Pan Parade | 1927 | Haven Gillespie (words) Ford & Glenn (perf.) Vaughn de Leath (perf.) |
Pub. |
That Brand New Model of Mine | 1928 | Seymour Simons (words) Haven Gillespie (words) |
|
Yo Te Amo Means I Love You | 1928 | Alfred Bryan (words) The Rollickers (perf.) Lupé Velez (perf.) |
|
Alma Mammy | 1929 | Geo. Marion Jr. (words) | Pub. |
Celia | 1929 | Leo Robin (words) Mary Brian (perf.) |
Pub. |
I Wanna Go Places and Do Things | 1929 | Leo Robin (words) | Pub. |
I'm All A-Twitter and All A-Twirl | 1929 | Leo Robin (words) | Pub. |
It's a Habit of Mine | 1929 | Leon Robin (words) Maurice Chevalier (perf.) |
Pub. |
Louise | 1929 | Leo Robin (words) Maurice Chevalier (perf.) Johnnie ''Scat'' Davis (perf.) Johnnie Johnston (perf.) Betty Jane Rhodes (perf.) |
Pub. |
⇑ My Sweeter Than Sweet | 1929 | George Marion Jr. (words) Smith Ballew (perf.) Helen Kane (perf.) Jack Oakie (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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My Wild Party Girl | 1929 | Leo Robin (words) Clara Bow (perf.) |
|
On Top of the World, Alone | 1929 | Leo Robin (words) Irving Kaufman as Tom Frawley (perf.) |
|
True Blue Lou (w&m) | 1929 | Sam Coslow (co-author) Leo Robin (co-author) Nancy Carroll (perf.) Annette Hanshaw (perf.) Irving Kaufman as Tom Frawley (perf.) Hal Skelly (perf.) |
|
Wait Till You See Ma Cherie | 1929 | Leo Robin (words) Maurice Chevalier (perf.) |
Pub. |
Always in All Ways (w&m) | 1930 | W. Franke Harling (co-author) Leo Robin (words) Jack Buchanan (perf.) Jeanette MacDonald (perf.) |
|
Beyond the Blue Horizon | 1930 | W. Franke Harling (words) Leo Robin (words) Bob Borger (perf.) Jack Buchanan (perf.) Jeanette MacDonald (perf.) |
|
Do You Play, Madame? | 1930 | Geo. Marion Jr. (words) | Pub. |
Give Me a Moment Please | 1930 | W. Franke Harling (words) Leo Robin (words) |
|
It Seems to Be Spring | 1930 | George Marion (words) | Pub. |
It's a Great Life | 1930 | Newell Chase (words) Leo Robin (words) Maurice Chevalier (perf.) |
Pub. |
Let's Go Native | 1930 | Geo. Marion Jr (words) | Pub. |
⇑ My Future Just Passed | 1930 | George Marion Jr. (words) Annette Hanshaw (perf.) |
Pub. |
My Ideal | 1930 | Newell Chase (words) Leo Robin (words) Joan Brooks (perf.) Maurice Chevalier (perf.) Frank Sinatra (perf.) Barry Wood (perf.) |
Pub. |
Peach of a Pair, A | 1930 | George Marion (words) Smith Ballew (perf.) |
Pub. |
Take Along a Little Love (w&m) | 1930 | Seymour Simons (co-author) Freddie Rich (perf.) |
|
Maybe It's the Mooon | 1931 | Richard A. Whiting (words) | |
Not That I Care | 1931 | Oscar Hammerstein II (words) | |
Eadie Was a Lady | 1932 | Nacio Herb Brown (words) B.G. DeSylva (words) Jack Haley (perf.) Ethel Merman (perf.) |
|
My Lover (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
Oh How I Long to Belong to You (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
One Hour With You | 1932 | Leo Robin (words) Maurice Chevalier (perf.) |
Pub. |
Rise 'n Shine (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
Should I Be Sweet? (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
⇑ So Do I (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
Turn Out the Light (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) Jack Haley (perf.) Ethel Merman (perf.) |
|
What Would You Do? | 1932 | Leo Robin (words) Maurice Chevalier (perf.) |
Pub. |
You're an Old Smoothie (w&m) | 1932 | Herb Nacio Brown (words) B.G. DeSylva (words) Jack Haley (perf.) Babs Johnson (perf.) Ethel Merman (perf.) Charlie Ryan (perf.) Little Ryan (perf.) |
|
Adorable | 1933 | George Marion Jr. (words) Henry Garat (perf.) Janet Gaynor (perf.) Jack Little (perf.) |
|
Gather Lip Rouge While You May | 1933 | B.G. DeSylva (words) Leo Robin (words) Harold van Emburgh (perf.) |
|
My First Love to Last | 1933 | George Marion Jr (words) | |
My Heart's Desire | 1933 | George Marion Jr. (words) | Pub. |
It Was Sweet of You | 1934 | Sidney Clare (words) | |
My Future Star | 1934 | Sidney Clare (words) | |
On the Good Ship Lollipop (w&m) | 1934 | Sidney Clare (co-author) Shirley Temple (perf.) |
Pub. |
Rock and Roll | 1934 | Sidney Clare (words) Boswell Sisters (perf.) |
|
⇑ Sweet of You | 1934 | Sidney Clare (words) |
Title | Year | Attribution | Remarks |
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Waitin' at the Gate For Katy | 1934 | Gus Kahn (words) John Boles (perf.) Pat Paterson (perf.) Spencer Tracy (perf.) |
|
Yes to You | 1934 | Sidney Clare (words) | |
How Do I Rate With You? | 1935 | Sam Coslow (words) Edythe Wright as Joan Hope (perf.) |
|
You Took My Breath Away | 1935 | Sam Coslow (words) Dolly Dawn (perf.) |
|
I Can't Escape From You | 1936 | Leo Robin (words) Charles Chester (perf.) Bing Crosby (perf.) Frances Farmer (perf.) |
|
Peter Piper | 1936 | Johnny Mercer (words) Henry Busse (perf.) Dolly Dawn (perf.) |
|
Saddle Your Blues to a Wild Mustang | 1936 | Buddy Bernier (words) William Haid (words) |
|
When Did You Leave Heaven? | 1936 | Walter Bullock (words) Joe Hoste (perf.) Tony Martin (perf.) |
Pub. |
Have You Got Any Castles, Baby? | 1937 | Johnny Mercer (words) Joan Brooks (perf.) Dick Powell (perf.) |
|
I'm Like a Fish Out of Water | 1937 | Johnny Mercer (words) | Pub. |
I've Hitched My Wagon to a Star | 1937 | Johnny Mercer (words) | Pub. |
⇑ Just a Quiet Evening | 1937 | Johnny Mercer (words) Bobby Goday (perf.) |
|
Love Is on the Air To-Night | 1937 | Johnny Mercer (words) Bob Murray (perf.) Dick Powell (perf.) Fred Waring (perf.) |
|
On With the Dance | 1937 | Johnny Mercer (words) Bob Murray (perf.) |
|
Sentimental and Melancholy | 1937 | Johnny Mercer (words) | |
Silhouetted in the Moonlight | 1937 | Johnny Mercer (words) Ted Healy (perf.) Hugh Herbert (perf.) Lola Lane (perf.) Rosemary Lane (perf.) Dick Powell (perf.) |
Pub. |
Too Marvelous For Words | 1937 | Johnny Mercer (words) Ross Alexander (perf.) Lauren Bacall (perf.) Humphrey Bogart (perf.) Lee Dixon (perf.) Louise Fazenda (perf.) Bobby Goday (perf.) Teddy Hart (perf.) Carol Hughes (perf.) Allen Jenkins (perf.) Ruby Keeler (perf.) Wini Shaw (perf.) |
Pub. |
You've Got Something There | 1937 | Dick Powell (perf.) | |
Can't Teach My Old Heart New Tricks | 1938 | Johnny Mercer (words) | |
Hooray For Hollywood | 1938 | Johnny Mercer (words) | |
I'll Dream Tonight | 1938 | Johnny Mercer (words) | Pub. |
Let That Be a Lesson to You | 1938 | Johnny Mercer (words) | |
Ride, Tenderfoot, Ride | 1938 | Johnny Mercer (words) Gene Walsh (perf.) |
Pub. |
⇑ Guilty (w&m) | 1946 | Gus Kahn (co-author) Harry Akst (co-author) |
|
Sorry | 1949 | Buddy Pepper (words) Margaret Whiting (perf.) |
|
Lovable | ? | Ralph Holmes (words) Seymour Simons (words) |
Composer | Title | Performer |
---|
R.A. Whiting | Caberavings (0:00) | Ragtime Dorian Henry | |
R.A. Whiting | Song of Persia (1922) (3:39) | R.E. Ball |