Title | Attribution | Instruments | Source | Remarks |
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Let Me Live and Stay in Dixieland (1910) | E. Brice (w&m) Charles King (coauth.) E. Janis (perf.) |
Piano, Voice | Indiana | ||
As performer | |||||
Hawaiian Butterfly (1917) | B. Baskette (music) Geo. A. Little (words) Joseph Santly (words) E. Brice (perf.) Charles King (perf.) |
Piano, Voice | Indiana | ||
They Were All Out of Step But Jim (1918) | I. Berlin (w&m) E. Brice (perf.) |
Piano, Voice | Indiana | ||
You're a Great Big Blue Eyed Baby (1913) | A.S. Brown (music) E. Brice (perf.) |
Piano, Voice | Indiana | ||
My Own Iona (1916) | A. Friedland (music) C. Morgan (coauth.) L. Wolfe Gilbert (words) Charles King (perf.) E. Brice (perf.) |
Piano, Voice | Indiana | ||
You're Never Too Old to Love (1913) | A. Gumble (music) A. Bryan (words) W. Jerome (words) E. Brice (perf.) |
Piano, Voice | IMSLP | ||
Where Do We Go From Here? (1917) | H.E. Johnson (w&m) P. Wenrich (coauth.) E. Brice (perf.) Charles King (perf.) |
Piano | Indiana | ||
Be My Little Baby Bumble Bee (1912) | H.I. Marshall (music) S. Murphy (words) E. Brice (perf.) Charles King (perf.) |
Piano, Voice | IMSLP | ||
⇑For Me and My Gal (1917) | G.W. Meyer (music) E.R. Goetz (words) E. Leslie (words) E. Brice (perf.) Charles King (perf.) |
Piano, Voice | Indiana | Pub. | |
Hello, Aloha, Hello! (1917) | G.W. Meyer (music) H.E. Johnson (words) E. Brice (perf.) Charles King (perf.) |
Piano, Voice | Kirk | Pub. | |
Honolulu, America Loves You (1916) | J.V. Monaco (music) E. Cox (coauth.) G. Clarke (coauth.) E. Brice (perf.) Charles King (perf.) |
Piano | Greer | Pub. | |
Row, Row, Row - Song (1912) | J.V. Monaco (music) W. Jerome (words) E. Brice (perf.) E. Brice (perf.) |
Piano, Voice | Greer Indiana |
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Buzzin' Around (1920) | W. Morrissey (music) E. Madden (words) E. Brice (perf.) |
Piano, Voice | IMSLP | Pub. | |
Down Among the Sheltering Palms (1914) | A. Olman (music) J. Brockman (words) E. Brice (perf.) Charles King (perf.) |
Piano, Voice | Indiana | Pub. | |
String a Ring of Roses 'round Your Rosie (1912) | J. Schwartz (music) W. Jerome (words) E. Brice (perf.) Charles King (perf.) |
Piano, Voice | IMSLP | ||
There's One in a Million Like You (1912) | J. Schwartz (music) G. Clarke (words) E. Brice (perf.) |
Piano, Voice | IMSLP | Pub. | |
⇑You Have a Wonderful Way (1917) | E.K. Smith (music) Chip Donaldson (words) E. Brice (perf.) Charles King (perf.) |
Piano, Voice | IMSLP | ||
Just 'round the Corner (1919) | R.A. Whiting (music) Raymond B. Egan (words) E. Brice (perf.) |
Piano, Voice | Indiana | ||
Some Sunday Morning (1917) | R.A. Whiting (music) G. Kahn (words) Raymond B. Egan (words) E. Brice (perf.) King (perf.) E. Brice (perf.) Charles King (perf.) |
Piano, Voice | Greer Indiana |
Pub. |
Title | Composer | Attribution | Remarks |
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I've Got a Million Dollars Worth of Love For You (1916) | Maurice Abrahams | Archie Gottler (co-author) Herbert Moore (words) Elizabeth Brice (perf.) Charles King (perf.) |
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Hawaiian Butterfly (1917) | Billy Baskette | Geo. A. Little (words) Joseph Santly (words) Elizabeth Brice (perf.) Charles King (perf.) |
||
They Were All Out of Step But Jim (1918) | Irving Berlin(w&m) | Elizabeth Brice (perf.) |
||
If I Were a Bee and You Were a Red, Red Rose (1915) | Shelton Brooks(w&m) | Elizabeth Brice (perf.) Charles King (perf.) |
||
You're a Great Big Blue Eyed Baby (1913) | A. Seymour Brown | Elizabeth Brice (perf.) |
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You're in Style When You're Wearing a Smile (1918) | Albert William Brown(w&m) | Gus Kahn (co-author) Egbert A. van Alstyne (co-author) Elizabeth Brice (perf.) |
||
If I Had a Son For Each Star in Old Glory (1917) | Joseph A. Burke | J.E. Dempsey (words)
Elizabeth Brice (perf.) |
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New Kind of Man With a New Kind of Love For Me (1924), A | Sidney Clare(w&m) | Leon Flatow (co-author)
Elizabeth Brice (perf.) |
||
Aba Daba Honeymoon (1914), The | Arthur Fields(w&m) | Walter Donovan (co-author)
Elizabeth Brice (perf.) |
||
⇑There's a Little Bit of Bad in Every Good Little Girl (1916) | Fred Fisher | Grant Clarke (words)
Elizabeth Brice (perf.) |
||
My Own Iona (1916) | Anatol Friedland | Carey Morgan (co-author) L. Wolfe Gilbert (words) Elizabeth Brice (perf.) Charles King (perf.) |
||
Out of the Cradle (1916) | Louis Wolfe Gilbert(w&m) | Anatol Friedland (co-author)
Elizabeth Brice (perf.) Charles King (perf.) |
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You're Never Too Old to Love (1913) | Albert Gumble | Alfred Bryan (words) William Jerome (words) Elizabeth Brice (perf.) |
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Where Do We Go From Here? (1917) | Howard E. Johnson(w&m) | Percy Wenrich (co-author)
Elizabeth Brice (perf.) Charles King (perf.) |
||
Be My Little Baby Bumble Bee (1912) | Henry I. Marshall | Stanley Murphy (words)
Elizabeth Brice (perf.) Charles King (perf.) |
||
I've Only One Idea About the Girls (1914) | Joe McCarthy(w&m) | Earl Carroll (co-author) Al Piantadosi (co-author) Elizabeth Brice (perf.) |
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Ireland Must Be Heaven, For My Mother Came From There (1916) | Joe McCarthy(w&m) | Fred Fisher (co-author) Howard E. Johnson (co-author) Elizabeth Brice (perf.) |
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Hello, Aloha, Hello! (1917) | George W. Meyer | Howard E. Johnson (words)
Elizabeth Brice (perf.) Charles King (perf.) |
||
Row, Row, Row - Song (1912) | James V. Monaco | William Jerome (words)
Elizabeth Brice (perf.) |
||
Honolulu, America Loves You (1916) | James V. Monaco | Eddie Cox (co-author) Grant Clarke (co-author) Elizabeth Brice (perf.) Charles King (perf.) |
||
⇑I Called You My Sweetheart (1917) | James V. Monaco | Howard E. Johnson (words) Grant Clarke (words) Elizabeth Brice (perf.) Charles King (perf.) W. J. Reilly (perf.) Jan Rubini (perf.) |
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Me and the Boy Friend (1924) | James V. Monaco | Sidney Clare (words)
Elizabeth Brice (perf.) Frank Kessler (perf.) |
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Buzzin' Around (1920) | Will Morrissey | Edward Madden (words)
Elizabeth Brice (perf.) |
||
Down Among the Sheltering Palms (1914) | Abe Olman | James Brockman (words)
Elizabeth Brice (perf.) Charles King (perf.) |
||
String a Ring of Roses 'round Your Rosie (1912) | Jean Schwartz | William Jerome (words)
Elizabeth Brice (perf.) Charles King (perf.) |
||
There's One in a Million Like You (1912) | Jean Schwartz | Grant Clarke (words)
Elizabeth Brice (perf.) |
||
You Have a Wonderful Way (1917) | Earl K. Smith | Chip Donaldson (words)
Elizabeth Brice (perf.) Charles King (perf.) |
||
Some Sunday Morning (1917) | Richard A. Whiting | Gus Kahn (words) Raymond B. Egan (words) Elizabeth Brice (perf.) Viola Graham (perf.) Charles King (perf.) King (perf.) |
||
Just 'round the Corner (1919) | Richard A. Whiting | Raymond B. Egan (words)
Elizabeth Brice (perf.) |
||
For Me and My Gal (1917) | George W. Meyer | E. Ray Goetz (words) Edgar Leslie (words) Elizabeth Brice (perf.) Charles King (perf.) |
Title | Year | Attribution | Remarks |
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Let Me Live and Stay in Dixieland (w&m) | 1910 | Charles King (co-author) Elizabeth Brice (perf.) Elsie Janis (perf.) Charles King (perf.) |
|
That's Ever Loving Love | 1910 | Charles King (words) | |
To-Morrow Land | 1912 | Charles King (words) | Pub. |