Title | Attribution | Instruments | Source | Remarks |
---|
![]() |
You're in Style When You're Wearing a Smile (1918) | A.W. Brown (w&m) G. Kahn (coauth.) E.A. van Alstyne (coauth.) Beatrice Lambert (perf.) |
Piano | Indiana | ![]() |
![]() |
When the Flowers Bloom in No Man's Land (1918) | A. Gottler (music) Howard E. Rogers (words) Beatrice Lambert (perf.) |
Piano, Voice | Indiana | ![]() |
![]() |
Where Do We Go From Here? (1917) | H.E. Johnson (w&m) P. Wenrich (coauth.) Beatrice Lambert (perf.) |
Piano | YorkSpace | ![]() |
![]() |
Some Sunday Morning (1917) | R.A. Whiting (music) G. Kahn (words) Raymond B. Egan (words) Beatrice Lambert (perf.) |
Piano, Voice | YorkSpace | ![]() |
Title | Composer | Attribution | Remarks |
---|
![]() |
You're in Style When You're Wearing a Smile (1918) | Albert William Brown(w&m) | Gus Kahn (co-author) Egbert A. van Alstyne (co-author) Elizabeth Brice (perf.) Beatrice Lambert (perf.) Emma Stephens (perf.) |
![]() |
![]() |
When the Flowers Bloom in No Man's Land (1918) | Archie Gottler | Howard E. Rogers (words) Beatrice Lambert (perf.) Willie Smith (perf.) |
![]() |
![]() |
Where Do We Go From Here? (1917) | Howard E. Johnson(w&m) | Percy Wenrich (co-author) Indestructible Band (perf.) Frank Bessinger (perf.) Elizabeth Brice (perf.) Marie Concerto (perf.) Harry Cooper (perf.) Royal Dadmun (perf.) Harry Ellis (perf.) Arthur Fields (perf.) Avon Comedy Four (perf.) King (perf.) Beatrice Lambert (perf.) Neil McKinley (perf.) Frank Mullane (perf.) Blossom Seeley (perf.) Jack Wise (perf.) |
![]() |
![]() |
Meet Me at the Station, Dear (1917) | Ted Snyder | Sam M. Lewis (words) Joe Young (words) Henry Bergman (perf.) Gladys Clark (perf.) Beatrice Lambert (perf.) Georgia Milligan (perf.) |
![]() |
![]() |
Some Sunday Morning (1917) | Richard A. Whiting | Gus Kahn (words) Raymond B. Egan (words) Elizabeth Brice (perf.) Daisy Dormer (perf.) Viola Graham (perf.) Ada Jones (perf.) King (perf.) Beatrice Lambert (perf.) Billy Murray (perf.) |
![]() |