Title (Release Year) | Co-Author(s) | Performers | Issue |
---|
Barney Google (1923) | C. Conrad | Ernest Hare Billy Jones |
Edison Blue Amberol: 4757 | |
A Cup of Coffee, a Sandwich and You (1926) | Arthur Hall Mike Speciale |
Edison Blue Amberol: 5100 | ||
Hello, Montreal (1928) | A. Fields | Edison Blue Amberol: 5523 | ||
No One Knows What It's All About (1924) | Ernest Hare Billy Jones |
Edison Blue Amberol: 4945 |
Title (Release Year) | Composer | Performers | Issue |
---|
You've Got to See Mamma Ev'ry Night (1923) | B. Rose | Dolly Kay | Columbia: 80759 | |
You've Got to See Mamma Ev'ry Night (1923) | B. Rose | Billy Murray Aileen Stanley |
Victor: B-27551 |
Title | Attribution | Instruments | Source | Remarks |
---|
Barney Google (1923) | B. Rose (w&m) C. Conrad (coauth.) |
Piano, Voice | IMSLP Indiana |
||
Come On Spark Plug! (1923) | B. Rose (w&m) C. Conrad (coauth.) |
Piano, Voice | IMSLP | ||
You Tell Her I S-T-U-T-T-E-R (1922) | B. Rose (w&m) C. Friend (coauth.) |
Piano, Voice | Indiana | ||
You've Got to See Mamma Ev'ry Night (1923) | B. Rose (w&m) C. Conrad (coauth.) |
Piano, Voice | IMSLP |
Title | Year | Attribution | Remarks |
---|
You Tell Her I S-T-U-T-T-E-R (w&m) | 1922 | Cliff Friend (co-author) | |
Barney Google (w&m) | 1923 | Con Conrad (co-author) Ernest Hare (perf.) Billy Jones (perf.) |
|
Come On Spark Plug! (w&m) | 1923 | Con Conrad (co-author) | |
That Big Blond Mama (w&m) | 1923 | James V. Monaco (co-author) Florrie Forde (perf.) |
Pub. |
You've Got to See Mamma Ev'ry Night (w&m) | 1923 | Con Conrad (co-author) Billy Abbott (perf.) Bob Hawks (perf.) Dolly Kay (perf.) Vincent de Lopez (perf.) Gerry Macy (perf.) Billy Murray (perf.) Sidney Springer (perf.) Aileen Stanley (perf.) Al Taylor (perf.) Florence Timponi (perf.) |
|
Get Yourself a Broom and Sweep Your Troubles Away | 1924 | Albert Von Tilzer (words) James Brockman (words) |
|
No One Knows What It's All About | 1924 | Harry Woods (words) Ernest Hare (perf.) Billy Jones (perf.) |
|
Since Ma Is Playing Mah Jong | 1924 | Eddie Cantor (perf.) | |
Worried | 1924 | Gus Kahn (words) | |
If I Had a Girl Like You (w&m) | 1925 | Mort Dixon (co-author) Ray Henderson (co-author) Press Sellers (perf.) Jack Stanley (perf.) Milton Watson (perf.) Austin Young (perf.) |
Pub. |
There's a Little White House (w&m) | 1925 | Harry Akst (co-author) | |
⇑ You Cant Make a Monkey Out of Me | 1925 | Clarence Gaskill (words) | |
Cup of Coffee, a Sandwich and You, A | 1926 | Arthur Hall (perf.) Mike Speciale (perf.) |
|
Yiddisher Charleston | 1926 | Fred Fisher (co-author) | |
Learning How to Love | 1927 | Lew Brown (co-author) Ray Henderson (co-author) Edith Clifford (perf.) |
|
Morning After the Night Before, The | 1927 | Lew Pollack (words) Margie Coates (perf.) |
|
You'll Never Be Missed a Hundred Years From Now (w&m) | 1927 | Mort Dixon (co-author) Redmond Farrar (co-author) |
Pub. |
Beautiful Face, Have a Heart | 1928 | Fred Fisher (words) James V Monaco (words) Arr. by May Singhi Breen |
Pub. |
Hello, Montreal | 1928 | Mort Dixon (words) Harry Warren (words) Arthur Fields (perf.) |
Pub. |
Cooking Breakfast For the One I Love | 1930 | Henry Tobias (co-author) Fanny Brice (perf.) |
|
I'm For You a Hundred Per Cent | 1931 | James Dyrenforth (co-author) Carroll Gibbons (co-author) |
Pub. |
Lights Out | 1935 | Pub. | |
Glory of Love, The | 1936 | Sophie Tucker (perf.) | Pub. |
⇑ Deep Trouble | ? | ||
You Look Good to Me | ? | Walter Donaldson (words) |
Composer | Title | Performer |
---|
B. Rose | Learning How to Love (3:06) | Edith Clifford |