| Websites: | |||
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Lew Pollack | Biography by wikipedia.org. | |
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DAHR: Lew Pollack | List of 410 historic recordings from 1914 to 1954. |
Midnight RoseMusic by: Lew Pollack. Words by: Sidney D. Mitchell Performed by: Karyl Norman
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| Title (Release Year) | Co-Author(s) | Performers | Issue |
|---|
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Loud Speakin' Papa (1925) | Elsie Clark | Edison Blue Amberol: 5072 |
| Title | Co-Author(s) | Sequencer |
|---|
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At the Codfish Ball (1936) | James Pitt-Payne | |
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Buddha (1919) | James Pitt-Payne | |
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Cairo (1918) | James Pitt-Payne | |
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Cheatin' on Me (1925) | James Pitt-Payne | |
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Glorianna (1928) | S. Clare | James Pitt-Payne |
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Harry Fox Trot (1918) | Unknown | |
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I Know That I'm in Love (1921) | James Pitt-Payne | |
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I'm Missin' Mammy's Kissin' (1921) | James Pitt-Payne | |
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I've Found My Sweetheart Sally (1925) | James Pitt-Payne | |
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In Our Little Wooden Shoes (1937) | James Pitt-Payne | |
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Loud Speakin' Papa (1925) | Unknown | |
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Midnight Rose (1923) | James Pitt-Payne | |
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No Man's Mamma (1925) | James Pitt-Payne | |
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Oh Sing-A-Loo (1922) | James Pitt-Payne | |
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Silver Shadows and Golden Dreams (1944) | James Pitt-Payne | |
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⇑Sing, Baby, Sing (1936) | James Pitt-Payne | |
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Telling Eyes (1925) | Lee Morse | James Pitt-Payne |
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That's-A-Plenty (1914) | James Pitt-Payne | |
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Vamping Sal (1923) | James Pitt-Payne |
| Title (Release Year) | Composer | Performers | Issue |
|---|
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It's Love I'm After (1936) | L. Pollack | C. Barnet | Victor: BS-0545 |
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Midnight Rose (1923) | L. Pollack | Benson Orchestra | Victor: B-28477 |
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My Yiddishe Momme (1925) | L. Pollack | Belle Baker | Victor: CVE-33567 |
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Seventh Heaven (1937) | L. Pollack | Dolly Dawn | Victor: BS-06130 |
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Sing, Baby, Sing (1936) | L. Pollack | C. Barnet | Victor: BS-0546 |
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You Do the Darndest Things, Baby (1936) | L. Pollack | C. Barnet | Victor: BS-0544 |
| Title (Release Year) | Performers | Instruments |
|---|
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Cairo (1918) | Midi Ragtime Recorder Ens. | T+A/T/T+B/B+T/GB(B) |
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Tango-Toreador (1914) | Midi Ragtime Recorder Ens. | A/T/T/B/GB(B) |
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That's-A-Plenty (1914) | Midi Ragtime Recorder Ens. | D/A/T/T/B/GB(B) |
| Performer | CD Title | Supplier |
|---|
| Folk Music CDs: | |||
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Duncan Sisters | The Duncan Sisters | |
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Ann Leaf | The Mighty Wurlitzer: Music For Movie-Palace Organs | |
| Brass Music CDs: | |||
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Canadian Brass | Basin Street | CD(s) & MP3 Album(s) |
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Chicago Chamber Brass | Fireworks For Brass | |
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South Shore Circus Concert Band | Sounds of the Circus - Volume 27 | CD(s) & MP3 Album(s) |
| Jazz Music CDs: | |||
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Stumptown Jazz | On Track | |
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Thomas Waller | Fats Waller: 1936-37 | CD(s) & MP3 Album(s) |
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Thomas Waller | Fats Waller: 1939 | |
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Thomas Waller | Fats Waller: 1939-40 | CD(s) & MP3 Album(s) |
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Thomas Waller | Fats Waller: Portrait Vol.2 | |
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⇑Thomas Waller | Middle Years Part I (1936-38) | |
| Ragtime Music CDs: | |||
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Various Artists | Black Secular Vocal Groups Vol. 1: The Twenties (1923-1929) | CD(s) & MP3 Album(s) |
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Various Artists | New Orleans Masters | |
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Various Artists | The Obscure & Neglected Chicagoans | |
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Various Artists | Ragtime unter dem Doppeladler | |
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Firehouse Stompers | Leaving Our Mark | |
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Lu Watters | Originals & Ragtime: San Francisco Style: Vol. 2 | |
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Terry Waldo | Ragtime Classics Vol. 1 | |
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White-Gresty Ragtimers | Mugsy Remembered | |
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Sue Keller | Nola | |
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George Lewis | George Lewis' Ragtime Band of New Orleans: The Oxford Series Vol. 04 | |
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⇑George Lewis | George Lewis' Ragtime Band of New Orleans: The Oxford Series Vol. 05 | |
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George Lewis | George Lewis' Ragtime Band of New Orleans: The Oxford Series Vol. 13 | |
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Heliotrope Ragtime Orchestra | It's a Bear | |
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Michael Pollock | Ragtime Michael Tickles the Ivories | |
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Adam Swanson | Chestnut St. in the 90s | CD(s) & MP3 Album(s) |
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Johnny Maddox | Back Home in Tennessee | CD(s) & MP3 Album(s) |
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Bill Edwards | Perfessor Bill Sings Volume 3 | |
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Bill Edwards | The Rag's the Thing | |
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Bill Edwards | A Ragtime Sampler |
| Item | Title | Available | € | £ | $ | Other |
|---|
| DBE571 | Cairo (1918) - Oriental Fox Trot T+A/T/T+B/B+T/GB(B), approx. 3¾ mins. |
1-2 days | ![]() |
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| DBE572 | Tango-Toreador (1914) A/T/T/B/GB(B), approx. 4 mins. |
1-2 days | ![]() |
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| DBE573 | That's-A-Plenty (1914) - Rag or One Step D/A/T/T/B/GB(B), approx. 3¼ mins. |
1-2 days | ![]() |
| Title | Attribution | Instruments | Source | Remarks |
|---|
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At the Codfish Ball (1936) | L. Pollack (music) Mitchell (words) Sidney (words) Shirley Temple (perf.) |
Piano, Voice | Sheet Music Singer | |
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Buddha (1919) | L. Pollack (music) E. Rose (words) |
Piano, Voice | Greer Indiana Sheet Music Singer |
|
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Cairo (1918) | L. Pollack (music) |
Piano | IMSLP Indiana |
|
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Cheatin' on Me (1925) | L. Pollack (music) J. Yellen (words) S. Tucker (perf.) |
Piano, Voice | Sheet Music Singer | |
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Glorianna (1928) | L. Pollack (w&m) S. Clare (coauth.) |
Piano, Voice | Sheet Music Singer | |
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Harry Fox Trot (1918) | L. Pollack (music) | Piano | IMSLP | Pub. |
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I Know That I'm in Love (1921) | L. Pollack (music) | Piano, Voice | Sheet Music Singer | |
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⇑I'm Missin' Mammy's Kissin' (1921) | L. Pollack (music) S. Clare (words) |
Piano, Voice | IMSLP Indiana Sheet Music Singer |
|
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I've Found My Sweetheart Sally (1925) | L. Pollack (music) J. Yellen (words) Lillian Morton (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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In Our Little Wooden Shoes (1937) | L. Pollack (music) S. Mitchell (words) Shirley Temple (perf.) |
Piano, Voice | Sheet Music Singer | |
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Loud Speakin' Papa (1925) | L. Pollack (music) J. Yellen (words) S. Tucker (perf.) |
Piano, Voice | IMSLP Sheet Music Singer |
Pub. |
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Midnight Rose (1923) | L. Pollack (music) S. Mitchell (words) K. Norman (perf.) K. Norman (perf.) K. Norman (perf.) |
Piano, Voice | IMSLP Indiana Sheet Music Singer |
|
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No Man's Mamma (1925) | L. Pollack (music) J. Yellen (words) Margie Coates (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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Oh Sing-A-Loo (1922) | L. Pollack (music) S. Mitchell (words) L. Brown (words) Duncan Sisters (perf.) Duncan Sisters (perf.) Duncan Sisters (perf.) |
Piano, Voice | IMSLP Indiana Sheet Music Singer |
|
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Silver Shadows and Golden Dreams (1944) | L. Pollack (music) Charles Newman (words) Belita (perf.) James Ellison (perf.) |
Piano, Voice | Sheet Music Singer | |
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⇑Sing, Baby, Sing (1936) | L. Pollack (music) J. Yellen (words) A. Faye (perf.) Adolphe Menjou (perf.) Gregory Ratoff (perf.) Ted Healy (perf.) Patsy Kelly (perf.) Michael Whalen (perf.) Ritz Brothers (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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Spanish Lou (1921) | L. Pollack (music) S. Mitchell (words) |
Piano, Voice | IMSLP | Pub. |
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Telling Eyes (1925) | L. Pollack (w&m) Lee Morse (coauth.) Lee Morse (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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That's-A-Plenty (1914) | L. Pollack (music) | Piano | IMSLP | |
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Vamping Sal (1923) | L. Pollack (music) H. Creamer (words) S. Tucker (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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Weep No More My Mammy (1921) | L. Pollack (music) S. Mitchell (words) S. Clare (words) Gene Howard (perf.) Willie Howard (perf.) Gene Howard (perf.) Willie Howard (perf.) |
Piano, Voice | Greer Indiana |
Pub. |
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Tango-Toreador | 1914 | Midi Ragtime Recorder Ensemble (perf.) | ![]() |
| That's-A-Plenty | 1914 | Midi Ragtime Recorder Ensemble (perf.) Freddy Martin (perf.) |
Pub. ![]() |
| All Fussed Up | 1915 | Dick Richards (co-author) | |
| High Stepper Rag | 1917 | Pub. | |
| Cairo | 1918 | Midi Ragtime Recorder Ensemble (perf.) | ![]() ![]() |
| Harry Fox Trot | 1918 | Pub. |
|
| Buddha | 1919 | Ed. Rose (words) | ![]() ![]() |
| Sudan | 1920 | Ed Rose (words) | |
| Gee I Wish I Had a Girl Like You | 1921 | ||
| I Know That I'm in Love | 1921 | |
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| I'm Missin' Mammy's Kissin' | 1921 | Sidney Clare (words) | Pub. ![]() ![]() |
| ⇑ I'm Oriental | 1921 | Harold Atteridge (words) | |
| Musical Comedy's Queen | 1921 | ||
| One Last Good Time | 1921 | ||
| Spanish Lou | 1921 | Sidney D. Mitchell (words) | Pub. ![]() |
| Weep No More My Mammy | 1921 | Sidney D. Mitchell (words) Sidney Clare (words) Gene Howard (perf.) Willie Howard (perf.) |
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| Where Is the Beautiful Face | 1921 | Harold Atteridge (words) | |
| Wonderful Kid | 1921 | Willie Howard (words) Sidney Clare (words) |
|
| Oh Sing-A-Loo | 1922 | Sidney D. Mitchell (words) Lew Brown (words) Duncan Sisters (perf.) |
Pub. ![]() ![]() |
| Emblems of Love | 1923 | Sidney D. Mitchell (words) | |
| How My Sweetie Loves Me | 1923 | J. Fred Coots (co-author) Sydney D. Mitchell (words) Nora Bayes (perf.) Martha Pryor (perf.) |
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| Midnight Rose | 1923 | Sidney D. Mitchell (words) Benson Orchestra (perf.) Courtney Sisters (perf.) Charles Crafts (perf.) Morton Downey (perf.) Frank Farnum (perf.) Jack Haley (perf.) Karyl Norman (perf.) |
Pub. ![]() ![]() ![]() ![]() |
| Vamping Sal | 1923 | Henry Creamer (words) Sophie Tucker (perf.) |
Pub. |
| ⇑ Who Will It Be? | 1923 | ||
| Cheatin' on Me | 1925 | Jack Yellen (words) Margie Coates (perf.) Healy & Cross (perf.) Sophie Tucker (perf.) Van & Schenck (perf.) |
|
| Title | Year | Attribution | Remarks |
|---|
| I've Found My Sweetheart Sally | 1925 | Jack Yellen (words) Lillian Morton (perf.) Jack Sidney (perf.) Arr. by May Singhi Breen; |
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| Loud Speakin' Papa | 1925 | Jack Yellen (words) Elsie Clark (perf.) Sophie Tucker (perf.) Van & Schenck (perf.) Frances Williams (perf.) |
Pub. ![]() ![]() |
| My Yiddishe Momme | 1925 | Jack Yellen (words) Belle Baker (perf.) |
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| No Man's Mamma | 1925 | Jack Yellen (words) Margie Coates (perf.) Helen Harrigan (perf.) Adelyn Jason (perf.) |
Pub. |
| Telling Eyes (w&m) | 1925 | Lee Morse (co-author) Lee Morse (perf.) |
Pub. |
| Cobblestones | 1927 | Sidney Clare (words) Janet Bodwell (perf.) Louis E. Zoeller (perf.) |
|
| Diane | 1927 | Erno Rapee (co-author) | |
| I'm Away From the World When I'm Away From You | 1927 | ||
| I'm in Heaven When I See You Smile Diane (w&m) | 1927 | Erno Rapee (co-author) | |
| Miss Annabelle Lee (w&m) | 1927 | Sidney Clare (co-author) Harry Richman (co-author) Tom Fulmer (perf.) Mildred M. Hunt (perf.) Charlie Melson (perf.) Mae Wayne (perf.) |
|
| Naughty Naurette | 1927 | |
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| ⇑ Siren Dream, A (w&m) | 1927 | Al Sheridan (co-author) | Pub. |
| There's Always a Way to Remember (w&m) | 1927 | Sammy Fain (co-author) | |
| Anita | 1928 | Sidney Clarke (co-author) | |
| Apple Blossoms in the Rain | 1928 | Sidney Clare (co-author) Mort Greene (words) Wally Brown (perf.) Alan Carney (perf.) Marcy McGuire (perf.) Gordon Oliver (perf.) |
|
| Glorianna (w&m) | 1928 | Sidney Clare (co-author) | |
| Hiding in the Corner of Your Smile | 1928 | Geo Whiting (co-author) | Pub. |
| I Can't Make Her Happy (w&m) | 1928 | Sidney Clare (co-author) Frank DeVoe (perf.) |
Pub. |
| Just a Night For Meditation (w&m) | 1928 | Sam M. Lewis (co-author) Joe Young (co-author) |
Pub. |
| Kiddie Kapers (w&m) | 1928 | Al Sherman (co-author) Nathaniel Shilkret (co-author) |
Pub. |
| Loneliness (w&m) | 1928 | Sidney Clare (co-author) | Pub. |
| By the Way | 1929 | Lew White (co-author) Sam M Lewis (words) Joe Young (words) |
Pub. |
| Poor Punchinello | 1929 | ||
| ⇑ Some Sweet Day (w&m) | 1929 | Nat Shilkret (co-author) Dorothy Mackaill (perf.) Jack Mulhall (perf.) |
Pub. |
| Yiddishe Momme, A | 1932 | Jack Yellen (words) |
| Title | Year | Attribution | Remarks |
|---|
| Arlene | 1933 | |
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| Bluer Than Blue | 1933 | Tot Seymour (words) | |
| Dawn | 1934 | |
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| Lita | 1934 | Sidney D. Mitchell (words) | |
| Love Is in Command | 1934 | Joe Young (words) | |
| Now and Forever | 1934 | Joe Young (words) | |
| Two Cigarettes in the Dark | 1934 | Paul Francis Webster (co-author) Gloria Grafton (perf.) |
Pub. |
| Water Under the Bridge | 1934 | Paul F. Webster (words) Fred Waring (perf.) |
Pub. |
| Little Colonel | 1935 | Paul Francis Webster (words) | |
| Our Little Girl | 1935 | Paul R. Webster (words) Shirley Temple (perf.) |
|
| At the Codfish Ball | 1936 | Mitchell (words) Sidney (words) Shirley Temple (perf.) |
Pub. |
| ⇑ Baby, Sing | 1936 | ||
| Balboa, The | 1936 | ||
| Early Bird | 1936 | Sidney Mitchell (words) Shirley Temple (perf.) |
|
| I Love to Ride the Horses on a Merry-Go-Round | 1936 | Jack Yellen (words) | |
| It's Love I'm After | 1936 | Sidney D. Mitchell (words) Charles Daly Barnet (perf.) |
Pub. ![]() |
| Love Will Tell | 1936 | Jack Yellen (words) Alice Faye (perf.) Ted Healy (perf.) Patsy Kelly (perf.) Adolphe Menjou (perf.) Gregory Ratoff (perf.) Ritz Brothers (perf.) Michael Whalen (perf.) |
Pub. |
| Moonlit Waltz, The | 1936 | Sidney D. Mitchell (words) Sonja Henie (perf.) |
Pub. |
| One in a Million | 1936 | ||
| Pigskin Parade Football Songs | 1936 | Sidney D. Mitchell (words) | Pub. |
| Right Somebody to Love, The | 1936 | Jack Yellen (words) Shirley Temple (perf.) |
Pub. |
| Sing, Baby, Sing | 1936 | Jack Yellen (words) Charles Daly Barnet (perf.) Alice Faye (perf.) Ted Healy (perf.) Patsy Kelly (perf.) Adolphe Menjou (perf.) Gregory Ratoff (perf.) Ritz Brothers (perf.) Michael Whalen (perf.) |
Pub. ![]() |
| We're Back in Circulation Again | 1936 | Sidney D. Mitchell (words) | Pub. |
| ⇑ Who's Afraid of Love? | 1936 | Sidney D. Mitchell (words) Sonja Henie (perf.) |
Pub. |
| You Do the Darndest Things, Baby | 1936 | Sidney D. Mitchell (words) Charles Daly Barnet (perf.) |
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| Title | Year | Attribution | Remarks |
|---|
| You're My Favorite One | 1936 | Sidney Clare (words) | |
| You're Slightly Terrific | 1936 | ||
| Alone With You | 1937 | Sidney D. Mitchell (words) | |
| Big Chief Swing It | 1937 | Sidney D. Mitchell (words) | |
| Curly Top's Birthday | 1937 | Sidney D. Mitchell (words) | |
| Fair Lombardy | 1937 | Sidney D. Mitchell (words) | |
| Happy Ending | 1937 | Sidney D. Mitchell (words) | |
| I'll Never Let You Cry | 1937 | Sidney D. Mitchell (words) | |
| I've Taken a Fancy to You | 1937 | Sidney D. Mitchell (words) | |
| In Our Little Wooden Shoes | 1937 | Sidney D. Mitchell (words) Shirley Temple (perf.) |
|
| Love Is News | 1937 | Sidney D. Mitchell (words) | |
| ⇑ Lovely Lady in White | 1937 | Sidney D. Mitchel (words) | |
| My Secret Love Affair | 1937 | Sidney D. Mitchell (words) | |
| My Swiss Hilly Billy | 1937 | Sidney D. Mitchell (words) | |
| Over Night | 1937 | Sidney D. Mitchell (words) | |
| Rhumba Goes Collegiate, The | 1937 | Sidney D. Mitchell (words) | |
| Seventh Heaven | 1937 | Sidney D. Mitchell (words) Dolly Dawn (perf.) Simone Simon (perf.) James Stewart (perf.) |
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| Why Talk About Love? | 1937 | Sidney D. Mitchell (words) | |
| Go in and Out the Window | 1938 | Walter Bullock (words) | |
| Isn't It Wonderful, Isn't It Swell | 1938 | Sidney D. Mitchell (words) | |
| Moonshine Over Kentucky | 1938 | Sidney D. Mitchell (words) Tony Martin (perf.) |
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| Reuben, Reuben, I've Been Swingin' | 1938 | Sidney D. Mitchell (words) | |
| Sing a Song of Harvest | 1938 | Sidney D. Mitchell (words) | |
| ⇑ Why Not String Along With Me | 1938 | Lew Brown (words) | |
| My Son, My Son | 1939 | L. Wolfe Gilbert (words) |
| Title | Year | Attribution | Remarks |
|---|
| There'll Be Other Nights | 1939 | Lew Brown (words) | |
| He's My Uncle | 1940 | Charles Newman (words) Rose Blane (perf.) Dick Powell (perf.) |
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| South of Pago-Pago | 1940 | Bob Wright (words) Chet Forrest (words) |
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| I Must Have Priorities on Your Love | 1942 | Herman Ruby (words) Sidney Clare (words) |
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| Reap the Wild Wind | 1942 | Ned Washington (words) | |
| There Will Be No Black Out of Democracy (w&m) | 1942 | Herman Ruby (co-author) | |
| Yanks Are Coming, The (w&m) | 1942 | Tony Stern (co-author) | |
| Zip Your Lip (w&m) | 1942 | Herman Ruby (co-author) | |
| Any Old Port in a Storm | 1943 | Charles Newman (words) | |
| Here's to Tomorrow | 1943 | Charles Newman (words) | |
| I'm a Cossack | 1943 | Charles Newman (words) | |
| ⇑ I've Gotta See For Myself | 1943 | Charles Newman (words) | |
| If the Shoe Fits You, Wear It | 1943 | Charles Newman (words) | |
| In a Ten Gallon Hat | 1943 | Charles Newman (words) | |
| In Grandpaw's Beard | 1943 | Charles Newman (words) | |
| Koni Plenty Hu-Hu | 1943 | Charles Newman (words) | |
| Moon Kissed the Mississippi, The | 1943 | Charles Newman (words) | |
| This Gets Better Ev'ry Minute | 1943 | Charles Newman (words) | |
| You Could Hear a Pin Drop | 1943 | Charles Newman (words) | |
| All the Latin I Know Is 'Si Si' | 1944 | Charles Newman (words) | |
| Annabella's Bustle | 1944 | Harry Harris (words) | |
| Hail and Farewell | 1944 | Mort Greene (words) | |
| I Can See You Now | 1944 | Herb Magidson (words) | |
| ⇑ I Like a Man Who Makes Music | 1944 | Herb Magidson (words) | |
| If Mother Could Only See Us Now | 1944 | Harry Harris (words) |
| Title | Year | Attribution | Remarks |
|---|
| One Night in Acapulco, Mexico | 1944 | Herb Magidson (words) | |
| Rainbow Valley | 1944 | Harry Harris (words) Frances Langford (perf.) |
|
| Ready - Aim - Kiss | 1944 | Mort Greene (words) | |
| Seven Days Ashore | 1944 | Mort Greene (co-author) | Pub. |
| Silver Shadows and Golden Dreams | 1944 | Charles Newman (words) Belita (perf.) James Ellison (perf.) |
|
| That Reminds Me | 1944 | Charles Newman (words) | |
| When I'm Walkin' Arm in Arm With Jim | 1944 | Harry Harris (words) | |
| Along About Evenin' | 1946 | Mort Greene (words) | |
| When Romance Comes Along | ? | Herb Magidson (words) | |
| With You on My Mind | ? | Lew Brown (words) |
| Composer | Title | Performer |
|---|
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L. Pollack | Cairo (3:16) | Ragtime Dorian Henry |
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L. Pollack | How My Sweetie Loves Me (2:56) | Martha Pryor |
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L. Pollack | He's My Uncle (2:37) | R. Blane |