Title (Release Year) | Co-Author(s) | Performers | Issue |
---|
Wax Cylinders | ||||
What Do You Want to Make Those Eyes at Me For (1917) | Howard Johnson Jimmy V. Monaco |
Billy Murray Gladys Rice |
Edison Blue Amberol: 3121 | |
Ireland Must Be Heaven, For My Mother Came From There (1916) | F. Fisher Howard E. Johnson |
H. Burr | Indestructible Record: 3393 | |
Ireland Must Be Heaven, For My Mother Came From There (1916) | F. Fisher Howard E. Johnson |
W.V. Brunt | Edison Blue Amberol: 3013 |
Title | Attribution | Instruments | Source | Remarks |
---|
Ireland Must Be Heaven, For My Mother Came From There (1916) | J. McCarthy (w&m) F. Fisher (coauth.) Howard E. Johnson (coauth.) Neil McKinley (perf.) Avon Comedy Four (perf.) E. Sherman (perf.) |
Piano, Voice | Indiana Indiana Indiana |
||
What Do You Want to Make Those Eyes at Me For (1916) | J. McCarthy (w&m) Howard Johnson (coauth.) Jimmy V. Monaco (coauth.) Anna Held (perf.) H. Lewis (perf.) |
Piano, Voice | Indiana | Pub. | |
What Do You Want to Make Those Eyes at Me For? (1916) | J. McCarthy (w&m) Howard Johnson (coauth.) Jimmy V. Monaco (coauth.) Emma Carus (perf.) Larry Comer (perf.) H. Lewis (perf.) |
Piano, Voice | Indiana Indiana |
Pub. |
Title | Year | Attribution | Remarks |
---|
I'm Sending a Message to Mama (w&m) | 1911 | Piantadosi (co-author) | |
At the Yiddisher Ball | 1912 | Harry Piani (co-author) Joe McCarthy (words) Harry Piani (words) Al Abbott (perf.) |
Pub. |
Dancing the Blues Away (w&m) | 1914 | Howard E. Johnson (co-author) Fred Fisher (co-author) Al Jolson (perf.) |
Pub. |
I've Only One Idea About the Girls (w&m) | 1914 | Earl Carroll (co-author) Al Piantadosi (co-author) Elizabeth Brice (perf.) Wilbur Mack (perf.) |
Pub. |
Ireland Must Be Heaven, For My Mother Came From There (w&m) | 1916 | Fred Fisher (co-author) Howard E. Johnson (co-author) Monte Austin (perf.) Elizabeth Brice (perf.) Walter Van Brunt (perf.) Maurice Burkhart (perf.) Henry Burr (perf.) Emma Carus (perf.) Cooper & Hartman (perf.) Avon Comedy Four (perf.) Mae Francis (perf.) William Gaxton (perf.) Bella Hil (perf.) Charles King (perf.) Carrie Lillie (perf.) Neil McKinley (perf.) Dorothy Meuther (perf.) Harry Pease (perf.) Marie Russell (perf.) Santly & Norton (perf.) Eleanor Sherman (perf.) Babe Starr (perf.) Ward & Wilson (perf.) Al Wohlman (perf.) |
Pub. |
Michael on His Motocycle. the Cute Little Seat Behind (w&m) | 1916 | Pub. | |
What Do You Want to Make Those Eyes at Me For (w&m) | 1916 | Howard Johnson (co-author) Jimmy V. Monaco (co-author) Emma Carus (perf.) Larry Comer (perf.) Anna Held (perf.) Henry Lewis (perf.) Arthur McWatters (perf.) Billy Murray (perf.) Gladys Rice (perf.) Grace Tyson (perf.) |
Pub. |
I Found the End of the Rainbow | 1918 | John Mears (co-author) Harry Austin Tierney (co-author) |
|
If I Could Peep Thru the Window To-Night (w&m) | 1918 | Joe Schenck (co-author) Gus Van (co-author) |
Pub. |
Midnight in Dreamy Spain | 1918 | Joe Schenck (co-author) Van & Schenck (perf.) |
|
My Baby's Arms | 1919 | ||
⇑ Why Don't You? | 1920 | Tierney (co-author) | Pub. |
Believe It or Not (w&m) | 1929 | Jimmie Monaco (co-author) Rudy Vallée (perf.) |
|
You're Always in My Arms | 1929 | Harry Tierney (words) | Pub. |
San Francisco Glide (w&m) | ? | Al Piantadosi (co-author) |