Go Home and Tell Your Mother Music by: James Francis McHugh. Words by: Dorothy Fields Performed by: Robert Montgomery, Dorothy Jordan
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How's Your Uncle? Music by: James Francis McHugh. Words by: Dorothy Fields
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Lonesomest Girl in Town, The Music by: James Francis McHugh. Co-Author: Irving Mills Words by: Al Dubin
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One More Waltz Music by: James Francis McHugh. Words by: Dorothy Fields Performed by: Robert Montgomery, Dorothy Jordan
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Title (Release Year) | Co-Author(s) | Performers | Issue |
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Singin' the Blues (1931) | Bee Palmer |
Title (Release Year) | Composer | Performers | Issue |
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I Can't Give You Anything But Love (1928) | J.F. McHugh | Annette Hanshaw | Columbia: [W]146791 | |
I Don't Mind Being All Alone (1926) | J.F. McHugh | Kitty O'Connor | Columbia: W142665 | |
I Must Have That Man (1928) | J.F. McHugh | Annette Hanshaw | Columbia: [W]146792 | |
Top of the Town (1937) | J.F. McHugh | Eva Taylor | Victor: BS-06850 | |
When My Sugar Walks Down the Street (1925) | J.F. McHugh | G. Austin Aileen Stanley |
Victor: B-31792 |
Performer | CD Title | Supplier |
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Folk Music CDs: | |||
Ann Leaf | Ann Leaf at the Mighty Wurlitzer (LP) | ||
Jazz Music CDs: | |||
Turk Murphy | Turk Murphy's Jazz Band Favorites | CD(s) & MP3 Album(s) | |
Bix Beiderbecke | The Art of Bix Beiderbecke | ||
Chris Barber | The Very Best of Chris Barber | ||
Dick Charlesworth | The City Gent | ||
Dick Charlesworth | Dick Charlesworth & His City Gents | ||
Ragtime Music CDs: | |||
Ted Lewis | Is Everybody Happy?: Ted Lewis and His Band | ||
Johnny de Droit | The Arcadian Serenaders | ||
Budapest Ragtime Band | Best of 1980-2000 |
Title | Attribution | Instruments | Source | Remarks |
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Caroline, I'm Coming Back to You (1916) | J.F. McHugh (music) J. Caddigan (words) Inez Hall (perf.) Inez Hall (perf.) |
Piano, Voice | IMSLP Indiana |
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Emaline (1921) | J.F. McHugh (music) George A Little (words) |
Piano, Voice | IMSLP | ||
How'd You Like to Be a Kid Again (1922) | J.F. McHugh (music) Bennett Twins (words) Billy Colligan (words) Bennett Twins (perf.) |
Piano, Voice | Sheet Music Singer | ||
Mad (1923) | J.F. McHugh (music) B. Heath (words) Adele Sperling (perf.) |
Piano, Voice | IMSLP | Pub. |
Title | Year | Attribution | Remarks |
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Sons of the Shamrock | 1906 | Dan Desmond (words) Lucy Fraser (perf.) |
|
Caroline, I'm Coming Back to You | 1916 | Jack Caddigan (words) Inez Hall (perf.) |
|
Like a Rose You Have Faded Away | 1916 | Carl Muller (co-author) | |
Good-Bye Mary | 1917 | Harry Bewley (words) | Pub. |
Somewhere in Georgia | 1917 | Carl Muller (words) Inez Happ (perf.) |
Pub. |
Emaline | 1921 | George A Little (words) Joe Darcey (perf.) Gertrude Newman (perf.) |
|
How'd You Like to Be a Kid Again | 1922 | Bennett Twins (words) Billy Colligan (words) Bennett Twins (perf.) |
|
Love Notes | 1922 | Pub. | |
Stop Your Kiddin' | 1922 | Ferde Grofe (words) | |
When You and I Were Young Maggie Blues | 1922 | Jack Frost (co-author) Bennett Twins (perf.) Billy Murray (perf.) Isabella Patricola (perf.) |
Pub. |
It's a Time, Ev'ry Time, It's a Man | 1923 | Irwin Dash (co-author) Al Dubin (co-author) Jimmy McHugh (co-author) Healy & Cross (perf.) |
Pub. |
⇑ Just Hot (w&m) | 1923 | Phil Napoleon (co-author) Frank Signorelli (co-author) |
Pub. |
Mad | 1923 | Bobby Heath (words) Adele Sperling (perf.) |
Pub. |
Hinky Dinky Parlay Voo? (w&m) | 1924 | Irwin Dash (co-author) Irving Mills (co-author) Billy Glason (perf.) |
Pub. |
I Don't Care What You Used To Be | 1924 | Al Dubin (words) Vivian Blaine (perf.) |
Pub. |
Rosary, The | 1924 | Robert Cameron Rogers (co-author) | Pub. |
When My Sugar Walks Down the Street | 1924 | Gene Austin (words) Irving Mills (words) Gene Austin (perf.) Commanders (perf.) Earl & Bell (perf.) Aileen Stanley (perf.) Frances Williams (perf.) |
|
Everything Is Hotsy Totsy Now (w&m) | 1925 | Irving Mills (co-author) Hotsy Totsy Boys (perf.) Earl & Bell (perf.) |
Pub. |
Keep on Croonin' (w&m) | 1925 | Irving Weill (co-author) Sammy Fain (co-author) Cliff Edwards (perf.) |
Pub. |
Lonesomest Girl in Town, The | 1925 | Irving Mills (words) Al Dubin (words) Margie Coates (perf.) Babe Esmond (perf.) Lillian Morton (perf.) |
Pub. |
I Don't Mind Being All Alone | 1926 | Irving Mills (co-author) Clarence Gaskill (co-author) Kitty O'Connor (perf.) Margaret Young (perf.) |
|
My Dream of the Big Parade | 1926 | Al Dubin (words) | Pub. |
There's a New Star in Heaven Tonight--Rudolph Valentino | 1926 | Irving Mills (words) J. Keirn Brennan (words) |
Pub. |
⇑ When a Kid Who Came From the East Side Found a Sweet Society Rose | 1926 | Al Dubin (words) | Pub. |
Baltimore | 1927 | Danny Healy (words) Irving Kahal (words) Doree Leslie (perf.) |
Pub. |
Every Evening | 1927 | Billy Rose (words) | Pub. |
I Can't Believe That You're in Love With Me | 1927 | Clarence Gaskill (words) | Pub. |
I Owe It All to You (w&m) | 1927 | Lou Klein (co-author) Irving Mills (co-author) |
Pub. |
Like an Angel You Flew Into Everyone's Heart | 1927 | Irving Mills (co-author) Harry A Stone (words) John MacLaughlin (words) |
Pub. |
Our American Girl | 1927 | Irving Mills (words) Ruth Nichols (perf.) |
Pub. |
Baby! | 1928 | DorothyFields (words) | |
Bandanna Babies | 1928 | Dorothy Fields (words) | |
Collegiana | 1928 | Dorothy Fields (words) | Pub. |
Diga Diga Doo | 1928 | Dorothy Fields (words) Helen Trix (perf.) |
Pub. |
Doin' the New Low Down | 1928 | DorothyFields (words) | Pub. |
⇑ Every Evening I Miss You | 1928 | Billy Rose (words) Marjorie Hennings (words) |
Pub. |
Title | Year | Attribution | Remarks |
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Here Comes My Blackbird | 1928 | Dorothy Fields (co-author) | |
I Can't Give You Anything But Love | 1928 | Dorothy Fields (words) Mary Dixon (perf.) Annette Hanshaw (perf.) |
|
I Must Have That Man | 1928 | Dorothy Fields (words) Annette Hanshaw (perf.) |
Pub. |
Let's Sit and Talk About You | 1928 | Dorothy Fields (words) | Pub. |
Magnolia's Wedding Day | 1928 | DorothyFields (words) | Pub. |
Porgy | 1928 | Dorothy Fields (words) Louis Prima (perf.) |
Pub. |
Selection - Lew Leslie's Blackbirds of 1928 | 1928 | ||
Shuffle Your Feet and Just Roll Along | 1928 | ||
Dorothy | 1929 | Frank Banta (co-author) | |
Freeze and Melt | 1929 | Dorothy Fields (words) | |
Futuristic Rhythm | 1929 | Dorothy Fields (words) | Pub. |
⇑ Japanese Dream, A | 1929 | Dorothy Fields (words) | Pub. |
Out Where the Blues Begin | 1929 | Dorothy Fields (words) | |
Blue Again | 1930 | Dorothy Fields (words) Guy Lombardo (perf.) |
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Button Up Your Heart | 1930 | Dorothy Fields (words) | Pub. |
Exactly Like You | 1930 | Dorothy Fields (words) | |
Go Home and Tell Your Mother | 1930 | Dorothy Fields (words) Dorothy Jordan (perf.) Robert Montgomery (perf.) |
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I'm Doin' That Thing | 1930 | Dorothy Fields (words) Dorothy Jordan (perf.) Arr. by Milt Coleman; |
Pub. |
I'm Feelin' Blue | 1930 | Dorothy Fields (words) | Pub. |
I'm Learning a Lot From You | 1930 | Arr. by Milt Coleman (co-author) Dorothy Fields (words) |
Pub. |
On the Sunny Side of the Street | 1930 | Dorothy Fields (words) Tommy Dorsey (perf.) Ted Lewis (perf.) |
Pub. |
One More Waltz | 1930 | Dorothy Fields (words) Dorothy Jordan (perf.) Robert Montgomery (perf.) |
Pub. |
How's Your Uncle? | 1931 | Dorothy Fields (co-author) Kate Smith (perf.) |
Pub. |
⇑ It's the Darndest Thing | 1931 | Dorothy Fields (words) | Pub. |
Singin' the Blues | 1931 | Dorothy Fields (words) Bee Palmer (perf.) |
Pub. |
Good-Bye Blues (w&m) | 1932 | Dorothy Fields (co-author) Arnold Johnson (co-author) Mills Bros (perf.) |
Pub. |
Dinner at Eight | 1933 | Dorothy Fields (words) | Pub. |
Don't Blame Me | 1933 | Dorothy Fields (words) Betty Garrett (perf.) Vincent de Lopez (perf.) Thelonious Monk (perf.) |
Pub. |
Hey! Young Fella | 1933 | Dorothy Fields (co-author) Roxy (perf.) |
|
In the Little White Church on the Hill | 1933 | Dorothy Fields (words) | |
My Dancing Lady | 1933 | Dorothy Fields (words) Joan Crawford (perf.) Clark Gable (perf.) Art Jarrett (perf.) |
Pub. |
Lost in a Fog | 1934 | Dorothy Fields (words) Irene Beasley (perf.) Henry Busse (perf.) Annette Hanshaw (perf.) Dorothy Page (perf.) |
Pub. |
Thank You For a Lovely Evening | 1934 | Dorothy Fields (words) Henry Busse (perf.) Phil Harris (perf.) Leah Ray (perf.) |
Pub. |
Every Little Moment | 1935 | Dorothy Fields (words) Patti Chapin (perf.) Frank Crum (perf.) Ted Fiorito (perf.) |
Pub. |
Every Night at Eight (w&m) | 1935 | Dorothy Fields (co-author) Alice Faye (perf.) Patsy Kelly (perf.) Frances Langford (perf.) George Raft (perf.) |
Pub. |
⇑ Hooray For Love (w&m) | 1935 | Dorothy Fields (co-author) |
Title | Year | Attribution | Remarks |
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I Feel a Song Comin' On (w&m) | 1935 | Dorothy Fields (co-author) George Oppenheim (co-author) Alice Faye (perf.) Patsy Kelly (perf.) Frances Langford (perf.) |
|
I'm in Love All Over Again (w&m) | 1935 | Dorothy Fields (co-author) | |
I'm in the Mood For Love (w&m) | 1935 | Dorothy Fields (co-author) Harry Barris (perf.) Alice Faye (perf.) Patsy Kelly (perf.) Frances Langford (perf.) George Raft (perf.) Radio Rogues (perf.) Audrey Totter (perf.) |
Pub. |
I'm Livin' in a Great Big Way (w&m) | 1935 | Dorothy Fields (co-author) | Pub. |
I'm Shooting High | 1935 | Ted Koehler (words) Warner Baker (perf.) Alice Faye (perf.) Arline Judge (perf.) Jack Oakie (perf.) |
Pub. |
I've Got My Fingers Crossed | 1935 | Ted Koehler (words) Dixie Dunbar (perf.) Thomas Waller (perf.) |
Pub. |
Livin' in a Great Big Way | 1935 | Dorothy Fields (words) | |
Lovely Lady | 1935 | Ted Koehler (words) Kenny Baker (perf.) |
Pub. |
With All My Heart | 1935 | Gus Kahn (words) Peggy Conklin (perf.) Edward Everett Horton (perf.) |
|
You're an Angel | 1935 | Dorothy Fields (words) | |
Blue English | 1936 | ||
⇑ Hey! What Did the Blue Jay Say | 1936 | Ted Koehler (words) Shirley Temple (perf.) |
Pub. |
It's Great to Be in Love Again | 1936 | Ted Koehler (words) | Pub. |
Let's Sing Again | 1936 | Gus Kahn (words) Bobby Breen (perf.) |
Pub. |
Picture Me Without You | 1936 | Ted Koehler (words) | |
There's Something in the Air | 1936 | Harold Adamson (words) Buddy Ebsen (perf.) Anthony Martin (perf.) Joel McCrea (perf.) Barbara Stanwyck (perf.) |
|
Where Are You? | 1936 | Harold Adamson (words) Gertrude Niesen (perf.) |
Pub. |
Where the Lazy River Goes By | 1936 | Harold Adamson (words) Buddy Ebsen (perf.) Anthony Martin (perf.) Joel McCrea (perf.) Barbara Stanwyck (perf.) |
Pub. |
With a Banjo on My Knee | 1936 | Harold Adamson (words) Buddy Ebsen (perf.) Anthony Martin (perf.) Joel McCrea (perf.) Barbara Stanwyck (perf.) |
Pub. |
Did Anyone Ever Tell You? | 1937 | Harold Adamson (words) | |
I'm in My Glory | 1937 | Harold Adamson (words) Joy Hodges (perf.) |
|
Jamboree | 1937 | Harold Adamson (words) | |
Let's Give Love Another Chance | 1937 | Harold Adamson (words) | Pub. |
⇑ More Power to You | 1937 | Harold Adamson (words) | |
That Foolish Feeling | 1937 | Harold Adamson (words) | Pub. |
This Never Happened Before | 1937 | Harold Adamson (words) | Pub. |
Top of the Town | 1937 | Harold Adamson (words) Eva Taylor (perf.) |
Pub. |
You're a Sweetheart | 1937 | Harold Adamson (words) Alice Faye (perf.) |
Pub. |
You're My Dish | 1937 | Harold Adamson (words) Joy Hodges (perf.) John King (perf.) |
Pub. |
Be a Good Scout | 1938 | Harold Adamson (words) Deanna Durbin (perf.) |
Pub. |
Chapel Bells | 1938 | Harold Adamson (words) | Pub. |
I Love to Whistle | 1938 | Harold Adamson (words) Deanna Durbin (perf.) |
Pub. |
My Own | 1938 | Harold Adamson (words) Deanna Durbin (perf.) |
Pub. |
Serenade to the Stars, A | 1938 | Harold Adamson (co-author) | Pub. |
That Certain Age | 1938 | Harold Adamson (words) Deanna Durbin (perf.) |
|
⇑ You're As Pretty As a Picture | 1938 | Harold Adamson (words) Deanna Durbin (perf.) |
Title | Year | Attribution | Remarks |
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Is It Possible? | 1939 | Al Dubin (words) | |
Rendezvous Time in Paree | 1939 | Al Dubin (words) | Pub. |
South American Way | 1939 | Al Dubin (words) | |
Bad Humor Man, The | 1940 | Johnny Mercer (words) Kay Kyser (perf.) |
|
Clear Out of This World | 1940 | Al Dubin (words) | |
Crazy As a Loon | 1940 | Al Dubin (words) | Pub. |
Drums in the Night | 1940 | Frank Loesser (words) | |
I Could Kiss You For That | 1940 | Johnny Mercer (words) Bonnie Baker (perf.) Orrin Tucker (perf.) |
|
I Couldn't Sleep a Wink Last Night | 1940 | Harold Adamson (words) Jack Haley (perf.) Marcy McGuire (perf.) Michèle Morgan (perf.) Frank Sinatra (perf.) |
|
I'd Know You Anywhere | 1940 | Johnny Mercer (words) | Pub. |
I've Got a One-Track Mind | 1940 | Johnny Mercer (co-author) | Pub. |
⇑ Latin Tune, a Manhattan Moon and You, A | 1940 | Al Dubin (words) | Pub. |
My! My! | 1940 | Frank Loesser (words) | Pub. |
Say It | 1940 | Frank Loesser (words) Jack Benny (perf.) Dennis Day (perf.) Ellen Drew (perf.) Phil Harris (perf.) Rochester (perf.) |
Pub. |
Strawberry Lane | 1940 | Johnny Mercer (co-author) Bonnie Baker (perf.) Orrin Tucker (perf.) |
Pub. |
Ting-A-Ling | 1940 | Johnny Mercer (words) | Pub. |
Two in a Taxi | 1940 | Howard Dietz (words) Ray Bolger (perf.) Ilka Chase (perf.) Jimmy Durante (perf.) Jane Frohman (perf.) |
Pub. |
You're the One | 1940 | Johnny Mercer (words) Bonnie Baker (perf.) Orrin Tucker (perf.) |
Pub. |
You've Got Me This Way | 1940 | Johnny Mercer (words) Boris Karloff (perf.) Kay Kyser (perf.) Peter Lorre (perf.) Bela Lugosi (perf.) Ginny Sims (perf.) |
Pub. |
I Get the Neck of the Chicken | 1942 | Frank Loesser (words) | |
Touch of Texas, A | 1942 | Frank Loesser (words) Lucille Ball (perf.) Les Brown (perf.) Freddy Martin (perf.) Victor Mature (perf.) Ginny Simms (perf.) |
|
Tulips Are Talking Tonight | 1942 | Herb Magidson (words) Jerry Cooper (perf.) |
|
Can't Get Out of This Mood | 1943 | Frank Loesser (words) Lucille Ball (perf.) Victor Mature (perf.) Ginny Simms (perf.) |
Pub. |
⇑ Candlelight and Wine | 1943 | Harold Adamson (words) Harry Babbitt (perf.) Georgia Carroll (perf.) |
|
Comin' in on a Wing and a Prayer (w&m) | 1943 | Harold Adamson (words) Eddie Cantor (perf.) Carmen Cavallaro (perf.) Tommy Dorsey (perf.) Ray Heatherton (perf.) Harry James (perf.) Kay Kyser (perf.) Mary Small (perf.) |
|
Don't Believe Everything You Dream | 1943 | Harold Adamson (words) Mischa Auer (perf.) Harry Babbitt (perf.) Georgia Carroll (perf.) Joan Davis (perf.) Kay Kyser (perf.) Marcy McGuire (perf.) |
Pub. |
Happy-Go-Lucky | 1943 | Frank Loesser (words) | Pub. |
Let's Get Lost | 1943 | Frank Loesser (words) Eddie Bracken (perf.) Betty Hutton (perf.) Mary Martin (perf.) Dick Powell (perf.) Frank Sinatra (perf.) Rudy Vallée (perf.) |
Pub. |
Lovely Way to Spend an Evening, A | 1943 | Harold Adamson (words) Jack Haley (perf.) Marcy McGuire (perf.) Michèle Morgan (perf.) Frank Sinatra (perf.) |
Pub. |
Murder, He Says | 1943 | Frank Loesser (words) Betty Hutton (perf.) |
Pub. |
Music Stopped, The | 1943 | Harold Adamson (words) Jack Haley (perf.) Marcy McGuire (perf.) Michèle Morgan (perf.) Frank Sinatra (perf.) |
Pub. |
Say a Prayer for the Boys Over There | 1943 | Herb Magidson (words) Joseph Cotton (perf.) Del Courtney (perf.) Deanna Durbin (perf.) |
Pub. |
They Just Chopped Down the Old Apple Tree | 1943 | Harold Adamson (words) Mischa Auer (perf.) Georgia Carroll (perf.) Joan Davis (perf.) Kay Kyser (perf.) Marcy McGuire (perf.) |
|
You Send Me | 1943 | Harold Adamson (words) | |
Crazy Me | 1944 | Harold Adamson (words) | Pub. |
⇑ Eighty Miles Outside of Atlanta | 1944 | Harold Adamson (words) |
Title | Year | Attribution | Remarks |
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How Blue the Night | 1944 | Harold Adamson (words) Jimmy Dorsey (perf.) Dick Haymes (perf.) |
|
How Many Times Do I Have to Tell You? | 1944 | Harold Adamson (co-author) Jimmy Dorsey (perf.) Kay Francis (perf.) John Harvey (perf.) Dick Haymes (perf.) Carole Landis (perf.) Mitzi Mayfair (perf.) Martha Raye (perf.) Phil Silvers (perf.) |
Pub. |
I Don't Care Who Knows It | 1944 | Harold Adamson (words) Joan Bennett (perf.) Vivian Blaine (perf.) Peggy Ann Garner (perf.) George Raft (perf.) |
|
I Walked in With My Eyes Wide Open | 1944 | Harold Adamson (words) Vivian Blaine (perf.) |
|
I Wish We Didn't Have to Say Good-Night | 1944 | Harold Adamson (words) | |
In the Middle of Nowhere | 1944 | Harold Adamson (words) | Pub. |
Let's Help the Red Cross Save a White Cross | 1944 | Harold Adamson (words) Eddie Cantor (perf.) |
|
Sing a Tropical Song | 1944 | Frank Loesser (words) | |
Wouldn't It Be Nice? | 1944 | Harold Adamson (words) | Pub. |
Dig You Later | 1945 | Harold Adamson (words) Vivian Blaine (perf.) Perry Como (perf.) Carmen Miranda (perf.) Dennis O'Keefe (perf.) |
Pub. |
Here Comes Heaven Again | 1945 | Harold Adamson (words) Vivian Blaine (perf.) Perry Como (perf.) Carmen Miranda (perf.) Dennis O'Keefe (perf.) |
Pub. |
⇑ I Didn't Mean a Word I Said | 1945 | Harold Adamson (co-author) | Pub. |
There's a New Flag on Iwo Jima | 1945 | Harold Adamson (words) Eddie Cantor (perf.) |
|
Life Can Be Beautiful | 1946 | Harold Adamson (words) | |
Somebody's Walkin' in My Dreams | 1946 | Harold Adamson (co-author) | Pub. |
At the Firemen's Ball | 1947 | Harold Adamson (words) | Pub. |
My, How the Time Goes By | 1947 | Harold Adamson (words) Eddie Cantor (perf.) Joan Davis (perf.) |
Pub. |
As the Girls Go | 1948 | Harold Adamson (words) | |
I Got Lucky in the Rain | 1948 | Harold Adamson (words) | Pub. |
It's a Most Unusual Day | 1948 | Harold Adamson (words) Wallace Beery (perf.) Xavier Cugat (perf.) Carmen Miranda (perf.) Jane Powell (perf.) Robert Stack (perf.) Elizabeth Taylor (perf.) |
Pub. |
You Say the Nicest Things, Baby | 1948 | Harold Adamson (words) Bobby Clark (perf.) |
Pub. |
You'll Know | 1951 | Harold Adamson (words) | Pub. |
Dream, Dream, Dream, | 1952 | Mitchell Parish (words) Sunny Gale (perf.) |
|
⇑ Star You Wished Upon Last Night | 1956 | Buddy Kaye (words) Nick Noble (perf.) |
Pub. |
Every Night When You Say a Prayer | 1959 | Paul Cunningham (words) Lennon Sisters (perf.) |
Composer | Title | Performer |
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J.F. McHugh | Diga Diga Doo (1931) (2:57) | H. Trix | |
J.F. McHugh | Dorothy (0:00) | Ragtime Dorian Henry | |
J.F. McHugh | Everything Is Hotsy Totsy Now (2:56) | Earl & Bell | |
J.F. McHugh | Thelonious Monk - Don't Blame Me (5:08) | Thelonious Monk | |
J.F. McHugh | When My Sugar Walks Down the Street (2:47) | Earl & Bell | |
J.F. McHugh | I Can't Give You Anything But Love (2:26) | Mary Dixon |