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Recorder Sheet Music: |
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3 Balletti and Aria |
Johann E. Kindermann |
A/A |
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Que dis tu que fait tu a 8 |
Orlando di Lassus |
DC: D/D/T/T/B |
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Canzone (1612) |
Giovanni Battista Riccio |
D/D/BC |
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Courtly Masquing Ayres (1621): Vol. 1 |
John Adson |
D/A/T/T/B |
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Courtly Masquing Ayres (1621): Vol. 2 |
John Adson |
D/D/A/T/B |
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Courtly Masquing Ayres (1621): Vol. 3 |
John Adson |
D/BC |
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Four Canzoni alla Napolitana (1574) |
Lodovico Agostini |
A/A/T/T/B |
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3 Motets |
Alexander Agricola |
A/T/B |
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3 Motets |
Alexander Agricola |
Trumpet/T/B |
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4 Chansons |
Alexander Agricola |
D(A)/T/T(B) |
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5 Instrumental Pieces |
Alexander Agricola |
A(D)/T(A)/B(T) |
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De Tous Biens Playne (2 settings) |
Alexander Agricola |
D/A/T |
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T'Andernaken |
Petrus Alamire |
A/T/T/B/B |
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⇑Da Jakoob das Kleid Ansahe |
Cosmas Alder |
D/A/T/B |
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Dances from il primo libro delle musiche (1618) |
Lorenzo Allegri |
D/D/A/A/T/B |
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2 Intradas |
Michael Altenburg |
D/D/A/T/T/B |
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Puer Natus in Bethlehem à 8 |
Michael Altenburg |
D/D/A/T/A/T/T/B |
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4 Dances (1583) |
Elias N. Ammerbach |
D/A/T/B |
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4 Dances (1583) |
Elias N. Ammerbach |
Trumpet/T/T/B |
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2 Gagliarde |
Giovanni F. Anerio |
D/A/T/B |
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11 Pieces From the Glogauer Liederbuch |
Anon |
A/T/B(T) |
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12 Chansons (1530) |
Anon |
A/T/T/B |
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16th Century Scottish Fantasies |
Anon |
D/A/T/B |
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2 Anonymous Chansons Rustique (1541) |
Anon |
D/A/B |
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⇑3 Chansons from the mid-16th Century |
Anon |
A/T/T/B |
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3 Instrumental Pieces |
Anon |
D/D/A/T/T/GB |
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3 Italian Songs |
Anon |
D(A)/A(T)/T/B/Voice |
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4 Early Chansons Rustiques |
Anon |
D(A)/A(T)/T(B) |
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4 Scottish Songs |
Anon |
Trumpet/T/T/B |
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4 Villancicos |
Anon |
A(D)/T(A)/T/B/Voice) |
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5 Anonymous Villancicos (Cancionero De Palacio) |
Anon |
A(D)/T(A)/T/B |
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5 English Songs Of The 15th Century |
Anon |
Trumpet/T/T |
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6 Villancicos |
Anon |
D/A/T/Voice |
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Ave Regina Coelorum/ O Decus Innocentie |
Anon |
D/A/T/B |
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Ave Vera Caro Christi (c. 1500) |
Anon |
D/A/T/B |
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⇑Five Pieces From Formscorehneyder, 1538 |
Anon |
Trumpet/T/B |
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Five Quodlibets of the 15th Century - 4 score |
Anon |
A/T/T/B |
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In Nomine (1570) |
Anon |
D/A/A/T/T/B |
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Jiay Pris Amours (5 Settings) |
Anon |
A/T/T/B |
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L Homme Arme |
Anon |
Trumpet/T/T/B |
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La Tricotee |
Anon |
Trumpet(T)/T/T(B) |
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Nu Komm der Heiden Heiland (4 settings 1544 - 1627) |
Anon |
Trumpet/T/T/B |
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Nu Komm Der Heiden Heiland (4 Settings 1544-1627) |
Anon |
D/A/T/T/B |
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Pange lingua (5 settings c. 1500) |
Anon |
A/T/T/B |
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Five Canzoni |
Costanzo Antegnati |
A/T/T/B |
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4 Chansons a 3 (1553) |
Jacob Arcadelt |
A(D)/A(D)/T(A) |
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⇑4 Madrigals |
Jacob Arcadelt |
Trumpet/Trumpet/T |
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8 Madrigals |
Jacob Arcadelt |
A/T/T/B/Voice |
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Hugh Ashton's Maske |
Hugh Ashton |
A/T/T/B |
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14 Chansons (1533) |
Pierre Attaignant |
A/T/T/B |
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2nd Livre de Danceries (1547) |
Pierre Attaignant |
D(A)/A(T)/T/B |
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30 Chansons (1529) |
Pierre Attaignant |
A(D)/T(A)/B(T) |
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9 Basse Dances (1530) |
Pierre Attaignant |
D/A/T/B |
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Five Villotte |
Filippo Azzailo |
D/A/T/B |
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Six Villotte |
Filippo Azzailo |
A/T/T/B |
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Two Pieces |
John Baldwyn |
D(A)/A(T)/T(B) |
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2 Canzoni da Sonar (La Feliciana, L'Alcenagina) |
Adriano Banchieri |
A/T/T/B |
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⇑Canzon à 8 (1608) |
Orindio Bartolini |
DC: D/A/T/B |
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Canzon a 8 (1608) |
Orindio Bartolini |
DC: A/T/T/B |
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Divisions on Io son ferito |
Bovicelli Bassano |
D/Piano |
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8 Ricercari (1585) |
Giovanni Battista Bassano |
D |
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Ancor Che Col Partire (9 settings) |
Giovanni Battista Bassano |
D/BC |
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Deus Qui Beatum Marcum à 8 |
Giovanni Battista Bassano |
D/D/A/A/T/T/B/B |
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Divisions on Chansons I |
Giovanni Battista Bassano |
D/BC |
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Divisions on Chansons II |
Giovanni Battista Bassano |
D/BC |
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Divisions on Madrigals I |
Giovanni Battista Bassano |
D/BC |
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Fantasie à tres voci (1585) |
Giovanni Battista Bassano |
D/A/B |
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Hodie Christus natus est |
Giovanni Battista Bassano |
D/D/A/D/A/T/B |
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⇑Vestiva i Colli |
Giovanni Battista Bassano |
D/BC |
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Two Madrigals |
Thomas Bateson |
D/A/T/B |
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Opera Nova de Balli |
Francesco Bendusi |
D/A/T/B |
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Tientos And Hymns (Spain 1555) |
Juan Bermudo |
D/A/T/B |
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8 Chansons |
Gilles Binchois |
A/T/T |
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4 Arie di Correnti |
Giacomo Filippo Biumi |
D/A/T/B |
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Canzon Decimasettima |
Giacomo Filippo Biumi |
DC: D/A/T/B |
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Canzona Decimaottava a 8 |
Giacomo Filippo Biumi |
DC: A(D)/T(A)/T/B |
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Canzona Decimaottava a 8 (transposed down 1/4) |
Giacomo Filippo Biumi |
DC: A(D)/T(A)/T/B |
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Canzone Decimasettima |
Giacomo Filippo Biumi |
DC: A/T/T/B |
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2 Toccatas (1602) |
Aurelio Bonelli |
DC: D/A/T/B |
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⇑Sinfoniae and Gagliarde,from Capricci Musicali (1616) |
Giacomo Bonzanini |
D/A/T/B |
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9 Masque Dances |
Wilhelm Brade |
D/D/A/T/B |
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Newe lustige Volten... (1621) |
Wilhelm Brade |
D/D/A/T/B |
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Paduana & Gagliarda, 1609 |
Wilhelm Brade |
D/D/A/T/B |
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Pavans and Galliards (1607) |
Wilhelm Brade |
D/D/A/T/B |
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Pavans and Galliards (1614) |
Wilhelm Brade |
A |
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Pavans and Galliards (1614) |
Wilhelm Brade |
T |
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Canzone: La Foccara (down 1/4) |
Claudio Bramieri |
DC: D/A/A/T/T/B |
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La Foccara |
Claudio Bramieri |
DC: D/D/A/T |
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Der Pfauen Schwanz |
Paulus de Broda |
D/A/A/T |
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Aus tiefer Not (4 settings, 1544) |
Arnold von Bruck |
A/T/T/B |
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⇑Regina Caeli Laetare |
Antoine Brumel |
A/T/T/B |
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Ballo |
A. Brunelli |
D/D/A/T/B |
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Sinfonie & Gagliarda |
Giovanni Buonamente |
D/D/BC |
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7 Fantasies (1592) |
V. Buona |
D/D/T |
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5 French Songs |
Antoine Busnois |
A/T/T |
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2 In Nomines |
William Byrd |
D/A/T/B |
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2 Serious Songs |
William Byrd |
D/A/T/T/B |
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The 3-Part Consort Music |
William Byrd |
A/T/B |
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Four Part Consort Music |
William Byrd |
D/A/T/B |
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Pavan and Galliard (includes 5th part Kassel Book) |
William Byrd |
D/A/T/T/B |
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Pavane & Galliard |
William Byrd |
D/D/A/T/T/B |
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⇑Susanna Fair |
William Byrd |
Trumpet/T/B |
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Susanna Fair (from Songs of Sundry Natures) |
William Byrd |
A/T/B |
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4 Canzoni (1600) |
Floriano Canali |
A/T/T/B |
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4 Canzoni (1600) |
Floriano Canali |
D/A(D)/A/T |
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Battaglia Francese |
Floriano Canali |
A/T/T/B |
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Battaglia Francese - set of high parts |
Floriano Canali |
D/D/A/T |
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La Balzana |
Floriano Canali |
DC: D/A/T/B |
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La Bevilacqua |
Floriano Canali |
DC: D/A/A/T |
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La Bevilacqua - transposed |
Floriano Canali |
DC: D/A/T/B |
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La Canobbia |
Floriano Canali |
DC: D(A)/A(T)/T/B |
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Two Canzoni da Sonar |
Giovanni A. Cangiasi |
D/A/T/B |
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⇑2 Frottole |
Antonio Caprioli |
A(D)/T(A)/T/B/Voice |
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5 Rondeaux |
Philippe Caron |
D/A/T |
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5 Rondeaux |
Philippe Caron |
Trumpet/T/B |
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2 Sonatas |
Dario Castello |
D/BC |
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3 Sonatas (Libro Primo: Venice - 1629) |
Dario Castello |
D/D/BC |
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2 Fantasies a 4 |
F. E. du Caurroy |
A(D)/T(A)/T/B |
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3 Fantasies |
F. E. du Caurroy |
D/A/T |
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2 Canzoni da Sonar (1597) |
Giovanni Cavaccio |
D/A/T/B |
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Pavana & Saltarello |
Giovanni Cavaccio |
A/T/T/B |
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2 Ricercari (1551) |
Girolamo Cavazzoni |
D/A/T |
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2 Simphonie a 4 (1648) |
Maurizio Cazzati |
D/A/T/B |
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⇑2 Canzoni da Sonar: La novella; La gentile |
Andrea Cima |
D/A/T/B |
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2 Canzoni da Sonar: La poppia; Canzone 13 |
Giovanni Paolo Cima |
D/A/T/B |
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2 Sonatas (1610) |
Giovanni Paolo Cima |
D/BC |
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Sonata a 3 (1610) |
Giovanni Paolo Cima |
D/D/BC |
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2 Chansons a 4 |
Clauden |
D/A/A/T |
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Amour et Mars a 8 |
Clauden |
DC: D/A/T/B |
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May Fait Les Bois |
Clauden |
DC: D/A/T/B |
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3 Chansons |
Louis Compère |
A/T/B |
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3 Chansons |
Louis Compère |
Trumpet/T/B |
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2 Italian Pieces |
John Cooper |
A(D)/A(D)/T(A)/T/B |
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Eight 5-Part Consorts |
John Cooper |
S/D/A/T/B |
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⇑4 Instrumental Pieces |
William Cornyshe |
A/T/B |
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2 Madrigals (Florence 1539) |
Francesco Corteccia |
D/A/A/T/T/B |
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12 Chansons |
Thomas Créquillon |
D/A/T |
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14 Chansons |
Thomas Créquillon |
A/T/T/B |
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2 Chansons |
Thomas Créquillon |
D/A/T/T/B |
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2 Chansons |
G. Dalla Casa |
D/A/T/T/B/Voice |
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A la dolce ombra, 6 Madrigaux |
G. Dalla Casa |
D/A/T/B/Voice |
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Divisions on Chansons III |
G. Dalla Casa |
D(A)/BC/Voice |
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Divisions on Susanne ung jour |
G. Dalla Casa |
A/T/T/B |
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Susanne ung jour |
G. Dalla Casa |
D(A)/BC |
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15 Dances (1601) |
Christoph Demantius |
D/A/T/T/B |
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⇑7 Intradas (1608) |
Christoph Demantius |
D/D/A/T/T/B |
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2 Pavans |
Richard Dering |
D/A/T/T/B |
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2 Rondeaux |
Guillaume Dufay |
A/A/T/T |
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3 Antiphons |
Guillaume Dufay |
A/T/T |
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3 Antiphons (15th Century) |
Guillaume Dufay |
Trumpet/T/T |
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4 Italian Songs |
Guillaume Dufay |
A/T/T |
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4 Italian Songs |
Guillaume Dufay |
Trumpet/T/T(B) |
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8 Rondeaux |
Guillaume Dufay |
A/T/B |
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Ave Regina Coelorum |
Guillaume Dufay |
D/A/T/B |
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Ballades & Rondeaux |
Guillaume Dufay |
A/A(T)/T |
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O Rosa Bella - 2 settings |
John Dunstable |
A/T/T/Voice |
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⇑4 Madrigals From the 2nd Book of Madrigals (1606) |
Michael East |
D/D/T |
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Eight Fantasies a 5: Vol. 1 Nos 1-4 |
Michael East |
D/D/A/T/B |
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Eight Fantasies a 5: Vol. 2 Nos 5-8 |
Michael East |
D/D/A/T/B |
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Sound out My Voice (a bright & cheerful pair) |
Michael East |
D/A/T/B |
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What Doth My Pretty Darling (charming & lighthearted) |
Michael East |
D/D/A/T/B |
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3 Christmas Hymns |
Johannes Eccard |
D/A/T/T/B |
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5 Villancicos |
Juan del Encina |
A/T/T/B |
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Chromatic Pavan and Galliard |
Georg Engelmann |
A/T/T/B |
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Paduana & Gagliarda based on Parson's Farewell |
Georg Engelmann |
D/D/A/T/B |
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Premier Livre de Danseries (1559) |
Jean d' Estreé |
D/A/T/B |
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2 Capricci |
Andrea Falconiero |
A/A |
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⇑2 Capricci (1650) |
Andrea Falconiero |
D/D/BC |
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Ye Blessed Bowers (richly sonorous) |
John Farmer |
D/D/A/A/T/T/B |
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Susannah Fair a 4 |
Giles Farnaby |
D/A/T/B |
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Witness Ye Heavens (rich & impressive madrigal) |
Giles Farnaby |
D/D/A/A/T/T/B/B |
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Nine Pavans |
Alfonso (II) Ferrabosco |
D/A/T/T/B |
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2 Canzoni a 6 |
Giovanni Ferretti |
D/A/A/T/T/T/B |
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2 Contrapunti Sopra Il Canto Fermo (La Spagna) |
Constanzo Festa |
T/T/B |
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Quam Pulchra Es |
Constanzo Festa |
A/A/A/T |
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Two Madrigals |
Constanzo Festa |
D/A/T/B |
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Christ ist Erstanden |
Heinrich Finck |
D/A/T/T/B |
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Wer ich eyn Falck |
Heinrich Finck |
D/A/T/B |
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⇑5 Pieces from Trium Vocum Cantionem 1538 |
Hieronymus Formschneyder |
D/T/B |
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Five Intradas (1608) |
Cesar Auguste Franck |
D/D/A/T/T/B |
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2 Pavans |
Melchior Franck |
D/A/A/A/T/T/T/B |
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4 Pavans |
Melchior Franck |
A(D)/T(A)/T/B |
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4 Pavans |
Melchior Franck |
D/A/T/T/B |
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2 Canzoni |
Girolamo Frescobaldi |
D/A/T/B/Keyboard |
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3 Canzoni (1628) |
Girolamo Frescobaldi |
D/D/BC |
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3 Canzoni (1634) |
Girolamo Frescobaldi |
D/D/BC |
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4 Canzoni |
Girolamo Frescobaldi |
D/BC |
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5 Canzoni |
Girolamo Frescobaldi |
D/BC |
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6 Canzoni |
Girolamo Frescobaldi |
D/BC |
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⇑7 Canzoni |
Girolamo Frescobaldi |
A/T/T/B/BC |
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Canzon a 8 (1608) |
Girolamo Frescobaldi |
DC: D(A)/A(T)/T/B |
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Chi Ende Dara La Bose |
Andrea Gabrieli |
T/T/B |
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Ecco La Vaga Aurora |
Andrea Gabrieli |
S/S/A/A/T/T/B/B |
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A La Battaglia a 8 |
Andrea Gabrieli |
D/D/A/A/T/T/B/B |
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O Passi Sparsi |
Andrea Gabrieli |
DC: D/D/A/T/T/B |
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Amor, dove mi guidi a 12 |
Giovanni Gabrieli |
D/A/T/B/D/D/A/T/A/T/T/B |
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Angelus ad Pastores ait a 12 |
Giovanni Gabrieli |
D/D/A/A/T/T/A/T/T/B/B/B |
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Angelus Domini Descendit |
Giovanni Gabrieli |
DC: D/A/T/B |
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Benedicam dominum a 10 |
Giovanni Gabrieli |
D/D/D/A/T/T/T/B/B/B |
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Canzon Duodecimi Toni a 10 (1597) |
Giovanni Gabrieli |
D/D/D/D/A/A/T/T/B/B |
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⇑Canzon Duodecimi Toni a 10 (1597) |
Giovanni Gabrieli |
D/D/A/T/B/A/T/T/B/B |
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Canzon Duodecimi Toni a 10 - transposed |
Giovanni Gabrieli |
A/A/A/A/T/T/T/T/GB/GB |
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Canzon Duodecimi Toni a 8 (1597) |
Giovanni Gabrieli |
DC: D/A/T/B |
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Canzon Duodecimi Toni a 8 - transposed |
Giovanni Gabrieli |
DC: A/T/T/GB |
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Canzon in Echo Duodecimi Toni a 10 (1597) |
Giovanni Gabrieli |
DC: D/D/A/T/B |
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Canzon in Echo Duodecimi Toni a 10 - transposed |
Giovanni Gabrieli |
DC: D/A/T/T/B |
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Canzon Noni Toni a 12 (1597) |
Giovanni Gabrieli |
D/A/A/B/D/A/A/B/D/A/T/B |
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Canzon Noni Toni a 8 (1597) |
Giovanni Gabrieli |
DC: D/A/T/B |
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Canzon Noni Toni a 8 - transposed |
Giovanni Gabrieli |
DC: A/T/T/GB |
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Canzon Prima (1615) |
Giovanni Gabrieli |
D/A/T/T/B |
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Canzon Primi Toni à 10 (1597) |
Giovanni Gabrieli |
D/D/D/D/A/A/A/T/B/B |
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⇑Canzon Primi Toni à 10 (1597) - transposed |
Giovanni Gabrieli |
A/A/A/A/T/T/T/B/GB/GB |
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Canzon Primi Toni a 8 - transposed |
Giovanni Gabrieli |
DC: A/T/T/GB |
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Canzon Primi Toni a 8, (1597) |
Giovanni Gabrieli |
DC: D/A/T/B |
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Canzon Septimi et Octavi Toni à 12 (159/9 |
Giovanni Gabrieli |
D/A/T/B |
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Canzon Septimi et Octavi Toni a 12 - transposed |
Giovanni Gabrieli |
D/A/T/GB/D/A/T/GB/D/A/T/GB |
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Canzon Septimi Toni a 8 (1597) |
Giovanni Gabrieli |
D/D/A/B/D/A/T/B |
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Canzon Septimi Toni a 8 (1597) |
Giovanni Gabrieli |
DC: D/A/T/B |
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Canzon Septimi Toni a 8 - transposed |
Giovanni Gabrieli |
DC: A/T/T/GB |
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Canzon Septimi Toni a 8 - transposed |
Giovanni Gabrieli |
DC: A/T/T/GB |
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Canzon XII (1615) |
Giovanni Gabrieli |
DC: D/A/T/B |
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Chiar's Angioletta |
Giovanni Gabrieli |
DC: D/A/T/B |
|
|
⇑Deus Qui Beatum Marcum a 10 |
Giovanni Gabrieli |
DC: D/A/T/T/B |
|
|
Deus, Deus meus a 10 |
Giovanni Gabrieli |
D/D/A/T/B/A/T/T/B |
|
|
Dunque fia vero a 7 |
Giovanni Gabrieli |
D/D/A/T/T/B/B |
|
|
Exaudi deus a 7 |
Giovanni Gabrieli |
A/T/T/T/B/B/CB |
|
|
Lieto Godea |
Giovanni Gabrieli |
DC: D/A/T/B |
|
|
O che felice giorno |
Giovanni Gabrieli |
DC: D/A/T/B |
|
|
O magnum mysterium |
Giovanni Gabrieli |
D/D/A/T/A/T/T/B |
|
|
Quis ist iste à 10 |
Giovanni Gabrieli |
D/D/A/T/B/A/T/T/B/B |
|
|
Regina caeli a 12 |
Giovanni Gabrieli |
DC: D/A/T/T/T/B |
|
|
Ricercari a 8 |
Giovanni Gabrieli |
D/D/A/A/T/T/B/B |
|
|
Sonata Octavi Toni a 12 (1597) |
Giovanni Gabrieli |
DC: D/A/T/B/B/GB |
|
|
⇑Sonata pian è forte |
Giovanni Gabrieli |
DC: D/A/T/B |
|
|
Sonata pian è forte à 8 |
Giovanni Gabrieli |
D/A/T/B/T/T/B/B |
|
|
Sonata pian è forte à 8 - transposed |
Giovanni Gabrieli |
A/T/T/B/B/B/B/GB |
|
|
Sonata Quarti Toni à 15 |
Giovanni Gabrieli |
D/A/T/B/GB |
|
|
Surrexit pastor bonus à 10 |
Giovanni Gabrieli |
D/D/A/A/T/A/T/T/T/B |
|
|
2 Dialoghi |
Giovanni G. Gastoldi |
DC: D/A/T/B |
|
|
2 Dialoghi |
Giovanni G. Gastoldi |
DC: A/T/T/B |
|
|
3rd Livre de Danceries (1557) |
Claude Gervaise |
D/A/T/B |
|
|
5th Livre de Danceries (1550) |
Claude Gervaise |
D/A/T/B |
|
|
6th Livre de Danceries (1555) |
Claude Gervaise |
D/A/T/B |
|
|
O come è gran martire |
C. Gesualdo di Venosa |
D/A/A/T/B |
|
|
⇑O Come e Gran Martire |
C. Gesualdo di Venosa |
Trumpet/Trumpet/T/T/B |
|
|
5 Instrumental Pieces |
Johannes Ghiselin |
D(A)/A(T)/T |
|
|
La Spagna a 4 |
Johannes Ghiselin |
D(A)/A(T)/T(B)/T(B) |
|
|
Salve Regina (Ms Mus 34 Munich) |
Johannes Ghiselin |
D/A/T/B |
|
|
Duo Tessuti Con Diversi Solfeggiamenti (1657) |
G. Giamberti |
D/A(T) |
|
|
Paduana and Galliard (1609) |
Nicolas Gistou |
D/D/A/T/B |
|
|
3 Psalm Settings (1568) |
Claude Goudimel |
A/T/T/B |
|
|
3 Psalm Settings (1568) - transposed up |
Claude Goudimel |
D/A/T/B |
|
|
Canzon in Coco |
Giovanni B. Grillo |
DC: D/A/T/B |
|
|
Canzon pian e forte a 8 |
Giovanni B. Grillo |
DC: D/A/T/B |
|
|
Canzon Prima a 8 |
Giovanni B. Grillo |
D/D/A/T/A/T/T/B |
|
|
⇑Canzon Quarta |
Giovanni B. Grillo |
DC: D/A/T/B |
|
|
Canzon Secunda |
Giovanni B. Grillo |
DC: D/A/T/B |
|
|
Canzon Terza a 8 |
Giovanni B. Grillo |
D/A/T/B/T/T/B/B |
|
|
Sonata Prima a 7 |
Giovanni B. Grillo |
D/D/A/T/T/T/B |
|
|
Sonata Seconda a 7 |
Giovanni B. Grillo |
D/D/A/T/T/T/B |
|
|
10 Ricercari (1588) |
Giuseppe Guami |
A/T |
|
|
7 Ricercari (1588) |
Giuseppe Guami |
D/A |
|
|
Canzon I a 8 |
Giuseppe Guami |
DC: D/A/T/B |
|
|
Canzon II (1608) a 8 |
Giuseppe Guami |
DC: D/A/T/B |
|
|
L'Onofria (1608) |
Giuseppe Guami |
DC: D/A/A/T |
|
|
La Lucchesina |
Giuseppe Guami |
DC: A/T/T/B |
|
|
⇑2 Sonatas (1608) |
Cesario Gussago |
D/A/A/T/T/B |
|
|
2 Sonatas (1608): La Badina, La Facca |
Cesario Gussago |
D/D/A/A/T/T |
|
|
5 Sonatas (1608) |
Cesario Gussago |
D/A(D)/A/T |
|
|
La Porcellaga |
Cesario Gussago |
D/A/A/T/A/T/T/B |
|
|
Sonata: La Leona - transposed down 1/4 |
Cesario Gussago |
DC: D/A/A/T/T/B |
|
|
Sonata: La Leona a 8 |
Cesario Gussago |
DC: D/D/A/T |
|
|
4 Rondeaux |
Adam de la Halle |
A(D)/T(A)/T |
|
|
4 Rondeaux |
Adam de la Halle |
Trumpet/T/T |
|
|
Angelus Ad Pastores Ait a 9 |
Hans Leo Hassler |
D/D/A/T/D/A/T/T/B |
|
|
Angelus Domini Descendit à 8 |
Hans Leo Hassler |
D/A/A/T/D/A/T/B |
|
|
Benedicam dominum a 12 |
Hans Leo Hassler |
D/D/A/T/D/A/T/B/A/T/B/B |
|
|
⇑Intradas And Gagliarda From Lustgarten (1601) |
Hans Leo Hassler |
D/D/A/T/T/B |
|
|
Jubilate deo a 12 |
Hans Leo Hassler |
D/D/A/T/D/A/T/B/A/T/B/B |
|
|
Kein grosser Freud |
Hans Leo Hassler |
DC: D/A/T/B |
|
|
Laudate Dominun |
Hans Leo Hassler |
D/D/A/T/A/T/T/B |
|
|
25 Dances (1598) |
Valentin Haussmann |
D/A/T/B |
|
|
Five Intradas (1604) |
Valentin Haussmann |
D/D/A/T/T/B |
|
|
Paduan & Galliard (1604) |
Valentin Haussmann |
D/D/A/T/B/B |
|
|
Paduan & Galliard, Go From My Window |
Valentin Haussmann |
D/A/T/T/B |
|
|
Paduana & 2 Galliards |
Valentin Haussmann |
D/D/A/T/B |
|
|
3 Instrumental Pieces from Henry VIII MS |
Henry VIII |
D/A/T |
|
|
4 Pieces from Henry VIII Manuscript |
Henry VIII |
D/A/T/B |
|
|
⇑6 Dances from the Court of Henry VIII |
Henry VIII |
D/A/T/B |
|
|
T'Andernaken (2 settings) |
Henry VIII |
A/T/T(B) |
|
|
4 Pavans |
Moritz v. Hessen-Kassel |
D/A/T/T/B |
|
|
The Kassel Pavan Collection: Vol. 1 |
Moritz v. Hessen-Kassel |
D/A/T/T/B |
|
|
7 Tenor Songs |
Paul Hofhaimer |
A/T/T/B |
|
|
2 Fantasies |
Anthony Holborne |
A/T/B |
|
|
Pieces 1-2 Pavan: Bona Speranza and Galliard: Teares of the Muses |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 11-12 Pavan and Galliard: untitled |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 13-14 Pavan and Galliard: untitled |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 15-16 Pavan and Galliard: untitled |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 17-18 Pavan: Paradizo and Galliard: The Sighes |
Anthony Holborne |
D/A/T/T/B |
|
|
⇑Pieces 19-20 Pavan: Sedet Sola and Galliard: untitled |
Anthony Holborne |
D/D/A/T/B |
|
|
Pieces 21-22 Pavan: Infernum and Galliard: untitled |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 23-24 Pavan: Spero and Galliard: untitled |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 25-26 Pavan: Patienca and Galliard: Hermoza |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 27-28 Pavan: Image of Melancholly and Galliard: Ecce quam bonum |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 29-30 Pavan : Mens innovata and Galliard: untitled |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 3-4 Pavan: untitled and Galliard: Lullabie |
Anthony Holborne |
D/A/T/T/B |
|
|
Pieces 7-8 Pavan: untitled and Galliard: The Marie-golde |
Anthony Holborne |
D/D/A/T/B |
|
|
Pieces 9-10 Pavan and Galliard: untitled |
Anthony Holborne |
D/A/T/T/B |
|
|
17 Pieces |
Heinrich Isaac |
A/T/T/B |
|
|
2 La Spagna Settings |
Heinrich Isaac |
A/T/T(B) |
|
|
⇑5 Instrumental Pieces |
Heinrich Isaac |
D/A/T/B |
|
|
7 Instrumental Pieces |
Heinrich Isaac |
A/T/B |
|
|
Italian Songs (5 Songs) |
Heinrich Isaac |
A/T/B |
|
|
A la Bataglia |
Heinrich Isaac |
D(A)/A(T)/A(T)/T(B) |
|
|
2 Chansons |
Clément Jannequin |
D/A/T(A)/B(T) |
|
|
3 Ayres |
John Jenkins |
D/D/BC |
|
|
2 Italian Songs |
Josquin des Préz |
Trumpet/T/T/B |
|
|
4 Chansons (Douleur me bat, Plaine de dueil+) |
Josquin des Préz |
A/T/T/B |
|
|
7 Secular Pieces |
Josquin des Préz |
A/T/T/B |
|
|
La Spagna |
Josquin des Préz |
A(D)/T(A)/T(A)/B(T)/B(T) |
|
|
Mille regretz / Les miens aussi |
Josquin des Préz |
A/T/T/B |
|
|
⇑2 Sinfonie a 4 (1615) |
Johann H. Kapsberger |
D/A/T/B/BC |
|
|
Balli (1620) |
Johann H. Kapsberger |
D/A/T/B |
|
|
3 Balletti & Aria |
Johann E. Kindermann |
D/D/BC |
|
|
4 Pieces |
Johann E. Kindermann |
D/D/BC |
|
|
That Muse Which Sung The Beauty of Thy Face (playful) |
George Kirbye |
D/D/A/T/B |
|
|
2 Ballate |
Francesco Landini |
A/T/T |
|
|
4 Ballate |
Francesco Landini |
A/T/T |
|
|
Musica son |
Francesco Landini |
A/T/T |
|
|
Canzone Decimaquinta L'Arborea |
Pietro Lappi |
D/D/A/A/T/T/B |
|
|
La Monteverde a 13 |
Pietro Lappi |
D/D/A/T/D/A/T/B/D/A/T/B/B |
|
|
10 Chansons |
Orlando di Lassus |
D/A/T/B |
|
|
⇑13 Villanelle |
Orlando di Lassus |
D(A)/A(T)/T/B/Voice |
|
|
2 Lieder |
Orlando di Lassus |
D/A/T/T/B |
|
|
Chi Chi Li Chi? |
Orlando di Lassus |
D/D/A/A/T/B |
|
|
Hor che la nuova e vaga primavera a 10 |
Orlando di Lassus |
D/D/A/T/B/D/T/T/T/B |
|
|
Matona mia Cara |
Orlando di Lassus |
D(A)/A(T)/T/B |
|
|
Motetti E Ricercari a Due Voci (1577) |
Orlando di Lassus |
D(A,T)/A(T,B) |
|
|
Nine Chansons (Renaissance) |
Orlando di Lassus |
A/T/T/B |
|
|
O doulx parler |
Orlando di Lassus |
DC: D/A/T/B |
|
|
O la- O che bon eccho |
Orlando di Lassus |
DC: D/A/T/B |
|
|
Passan Vostri Triomphi |
Orlando di Lassus |
D/D/A/A/T/T/T/T/B/B |
|
|
Resonet in Laudibus |
Orlando di Lassus |
D/A/T/T/B |
|
|
⇑S'una fede amorosa (2 choirs) |
Orlando di Lassus |
DC: D/A/T/B |
|
|
Tutto lo di |
Orlando di Lassus |
DC: D(A)/A(T)/T/B |
|
|
2 Lieder (1579) |
Konrad Lechner |
D/A/A/T/B |
|
|
2 Lieder |
Lorenz Lemlin |
A/T/T/B |
|
|
2 Suites from the Little Consort |
Matthew Locke |
D/D/BC |
|
|
Innsbrück, ich muss dich lassen (1597) |
Paul Lütkemann |
D/D/A/T/B |
|
|
3 Pavans |
Thomas Lupo |
A/T/T |
|
|
2 Rondeaux |
Guillaume de Machaut |
A/T/T |
|
|
2 Rondeaux |
Guillaume de Machaut |
A/A/T/T |
|
|
2 Rondeaux for 3 instruments |
Guillaume de Machaut |
T/T/T |
|
|
4 Ballades |
Guillaume de Machaut |
A/T/T |
|
|
⇑Nine Dances from Il Primo Libro de Balli, 1578 |
Giorgio Mainerio |
D/A/T/B |
|
|
2 Sinfonie (1589) |
Cristoforo Malvezzi |
D/D/A/T/T/B |
|
|
2 Pieces (Affetti Musicali) |
Biagio Marini |
D/D/BC |
|
|
3 Sinfonias from Op. 1 |
Biagio Marini |
D/BC |
|
|
Passacalio |
Biagio Marini |
D/A/T/B |
|
|
La Martinella (4 Settings) |
Giovani Battista Martini |
Trumpet/T/B |
|
|
4 Canzoni (1582) |
Fiorenzo Maschera |
D/A/T/B |
|
|
5 Canzoni (1582) |
Fiorenzo Maschera |
D/A/T/B |
|
|
Canzon Secunda a 8 |
Luigi Mazzi |
DC: D/A/T/B |
|
|
Ricercari and Canzon (1596) |
Luigi Mazzi |
D/A/T/B |
|
|
14 Canzoni |
Tarquinio Merula |
D/A/T/B |
|
|
⇑Two Sonatas |
Tarquinio Merula |
D/B/BC |
|
|
3 Canzoni |
Claudio Merulo |
D/A/A/T/B |
|
|
2 Pavans |
Richard Mico |
D/D/A/B |
|
|
2 Pavans |
Richard Mico |
D/D/A/T/B |
|
|
7 Villancicos (Cancionero De Palacio) |
Millan |
D/A/T/B |
|
|
12 Canzoni |
Miscellaneous |
D/A/T/B |
|
|
12 Villotte c. 1500 |
Miscellaneous |
D(A)/A(T)/T(B) |
|
|
13 Pieces, Dutch and French songs |
Miscellaneous |
A/T/T/B |
|
|
2 Canzoni |
Miscellaneous |
DC: D(A)/A(T)/A(T)/T(B) |
|
|
2 Canzoni da Sonar from the Pelplin Tablature |
Miscellaneous |
D/A/T/B |
|
|
2 Early in Nomine Settings |
Miscellaneous |
D/A/T/B |
|
|
⇑2 Famous Songs |
Miscellaneous |
D/A/A |
|
|
2 Fantasies from the Cajoni Codex |
Miscellaneous |
D/A/T/B |
|
|
2 French Songs of the 15th Century |
Miscellaneous |
A/T/T |
|
|
2 Frottole with Refrains |
Miscellaneous |
A(D)/T(A)/T/B |
|
|
2 Italian Songs |
Miscellaneous |
A/T/T/B |
|
|
2 Motets From The Ruscoreoni Codex - 4 Scores |
Miscellaneous |
A/T/T/B |
|
|
2 Passamezzi from the Hessen Books |
Miscellaneous |
D/D/A/T/T/B |
|
|
2 Passamezzi from the Hessen Books |
Miscellaneous |
A/A/T/T/T/B |
|
|
2 Popular Italian Songs 15th Century - polyphonic setting |
Miscellaneous |
A/T/T/B |
|
|
2 Villanelle |
Miscellaneous |
D/A/T/B |
|
|
2 Villotte (c. 1500) |
Miscellaneous |
A/T/T/B |
|
|
⇑21 Masque Dances |
Miscellaneous |
D/Piano |
|
|
25 Masque Dances |
Miscellaneous |
D/Piano |
|
|
29 Dances from Musicque de Joye (1545) |
Miscellaneous |
D(A)/A(T)/T/B |
|
|
3 Canonic Songs of the 14th Century |
Miscellaneous |
A/A/T |
|
|
3 Motets from the Bamberg Codex |
Miscellaneous |
A(D)/T(A)/T |
|
|
3 Motets From The Bamberg Codex |
Miscellaneous |
T/T/T |
|
|
4 French Songs of the 15th Century |
Miscellaneous |
A/T/T/Voice |
|
|
4 Instrumental Pieces of the Late 15th Century |
Miscellaneous |
A/T/T/B |
|
|
4 Pieces from the Mulliner Book |
Miscellaneous |
D/A/T/B |
|
|
4 Scottish Songs (ca. 1545) |
Miscellaneous |
A(D)/T(A)/T/B |
|
|
44 Dances of the 16th Century: Vol. 1 |
Miscellaneous |
A/T/T/B |
|
|
⇑44 Dances of the 16th Century: Vol. 2 |
Miscellaneous |
A/T/T/B |
|
|
5 Dances from the Lumley Books |
Miscellaneous |
D/A/T/T/B |
|
|
5 English Songs of the 15th Century |
Miscellaneous |
A/T/T |
|
|
5 Italian Dances from Keyboard Collections |
Miscellaneous |
D/A/T/B |
|
|
5 Secular Pieces |
Miscellaneous |
D/T/B |
|
|
6 Dances from the Dublin Virginal Manuscript |
Miscellaneous |
D/A/T/B |
|
|
6 Fantasies |
Miscellaneous |
D/D/T |
|
|
6 Instrumental Motets from the Bamberg Codex |
Miscellaneous |
A(D)/T(A)/T |
|
|
6 Instrumental Pieces, Florence MS Banco Rari 229 |
Miscellaneous |
D/T/B |
|
|
7 Chansons |
Miscellaneous |
T/T/T |
|
|
7 Double Canons (1500) |
Miscellaneous |
D/A/T/B/Voice |
|
|
⇑7 Instrumental Pieces from Petrucci's Canti (1504) |
Miscellaneous |
A/T/B |
|
|
7 Lieder from Leopold Codex |
Miscellaneous |
A/T/T/B |
|
|
7 Venetian Dances of the Early16th Century |
Miscellaneous |
D/A/T/B |
|
|
8 Chansons |
Miscellaneous |
D/A/T/B |
|
|
8 Chansons of the Late 15th Century |
Miscellaneous |
D(A)/A(T)/T(B) |
|
|
8 Fantasies (Phalèse print 1590) |
Miscellaneous |
D/T |
|
|
8 Neapolitan Dances, c. 1620 |
Miscellaneous |
D/A/T/B |
|
|
8 Pieces from the Apel Codex (c. 1500) |
Miscellaneous |
A/T/B |
|
|
9 Fantasies (16th Century) |
Miscellaneous |
A/T |
|
|
Ave Maris Stella |
Miscellaneous |
A/T/T |
|
|
Ave Maris Stella |
Miscellaneous |
Trumpet/T/T |
|
|
⇑Capricci and Ricercari of the 16th Century |
Miscellaneous |
A/T/B |
|
|
Chansons from the Wolfenbüttel Chansonnier |
Miscellaneous |
A/T/T |
|
|
Chromatic Pavan & Galliard |
Miscellaneous |
D/A/T/T/B |
|
|
Dances |
Miscellaneous |
D/A/T/T/B |
|
|
Eight Chansons (1571) |
Miscellaneous |
D/A |
|
|
Ein Feste Burg 5 Settings C. 1540 |
Miscellaneous |
A/T/T/B |
|
|
Five Dutch Songs - Phalese print, 1572 - score |
Miscellaneous |
D/A/T/B |
|
|
Five Dutch Songs From a Phalese Print of 1572 |
Miscellaneous |
A/T/T/B |
|
|
Five Italian Ricercars of the Mid-16th Century |
Miscellaneous |
D(A)/A(T)/T/B |
|
|
German Songs of the Early 16th Century |
Miscellaneous |
A/T/T/B |
|
|
Instrumental Pieces from the Henry VIII Mss. |
Miscellaneous |
A/T/T/B |
|
|
⇑Italian dances of the early 16th Century |
Miscellaneous |
A/T/T/B |
|
|
La Martinella (4 settings) |
Miscellaneous |
A/T/B |
|
|
Madrigals and Villanelle |
Miscellaneous |
D/A/T |
|
|
Music from the Glogauer Liederuch |
Miscellaneous |
S(A)/A(T)/T(B) |
|
|
Paduana & Gagliarda |
Miscellaneous |
D/D/A/T/B |
|
|
Prince, La France tu veut |
Miscellaneous |
D/D/T/T/B |
|
|
Resonet in Laudibus 2 settings |
Miscellaneous |
D/A(T)/B |
|
|
Susanne un Jour a 7 |
Miscellaneous |
D/A/A/T/T/T/B |
|
|
Two In Nominee Settings |
Miscellaneous |
D/A/T/T/B |
|
|
Four Ricercari |
Julius de Modena |
D/A/T/B |
|
|
2 Pavans (Sacred End, Southern's) |
Thomas Morley |
D/A/T/T/B |
|
|
⇑5 Canzonets a 3 (1593) |
Thomas Morley |
D/A/T |
|
|
5 Conzonets |
Thomas Morley |
Trumpet/Trumpet/T |
|
|
Phillis, I Fain would die now |
Thomas Morley |
D/D/A/A/T/T/B |
|
|
2 Canzoni da Sonar (1600) |
Antonio Mortaro |
D/A/T/B |
|
|
5 Songs (L Homme Arme, Mon Bien, M Amour) |
Robert Morton |
A/T/T |
|
|
2 Chansons (La rousé du moys de May, En dispit des faulx) |
Pierre Moulu |
D/A/A/T/T/B |
|
|
Quam Pulchra Es |
Pierre Moulu |
T/T/T/B |
|
|
Quam Pulchra Es |
Pierre Moulu |
Trumpet/Trumpet/Trumpet/B |
|
|
Fantasia a 5 |
William Mundy |
D/D/A/T/B |
|
|
Five Chansons (c.1500) |
Ninot |
A/T/T/B |
|
|
2 Rondeaux (Secular) |
Jean de Ockeghem |
D(A)/A(T)/T/B |
|
|
⇑D ung Aultre Amer (4 settings c. 1500) |
Jean de Ockeghem |
Trumpet/T/B |
|
|
Intemerata Dei Mater |
Jean de Ockeghem |
D/A/T/T/B |
|
|
Rondeaux and Virelais |
Jean de Ockeghem |
A/T/T |
|
|
Rondeaux And Virelais |
Jean de Ockeghem |
Trumpet/T/T(B) |
|
|
12 Intradas (1597) |
Alexander Orologio |
D/D/A/T/T/B |
|
|
2 Intradas (1597) |
Alexander Orologio |
D/D/D/D/A/A |
|
|
6 Intradas (1597) |
Alexander Orologio |
D/D/A/T/B |
|
|
2 Pieces |
Osbert Parsley |
A/T/T/T/B |
|
|
2 Pieces (Parsley's Clock & In Nomine) |
Osbert Parsley |
D/A/T/T/B |
|
|
De La Court |
M. Parsons |
D/A/T/T/B |
|
|
2 In Nomines |
Robert Parsons |
D/A/T/B |
|
|
⇑10 Dances (1625) |
Paul Peuerl |
D/D(A)/BC |
|
|
3 Trios (Institution Harmonique) |
Peter Philips |
D/T/B |
|
|
Ave Jesu Christe a 8 |
Peter Philips |
DC: D/A/T/B |
|
|
Jubilate Deo a 8 |
Peter Philips |
DC: D/A/T/B |
|
|
O Quam Suavis I a 8 |
Peter Philips |
DC: D/A/T/B |
|
|
Pavan & Galliard |
Peter Philips |
D/D/A/T/B |
|
|
Pavan & Galliard "Dolorosa" |
Peter Philips |
D/A/T/T/B |
|
|
Pavan Passamezzo |
Peter Philips |
D/D/A/T/T/B |
|
|
12 Dances from the Philidor Collection (F.494) |
Anne Danican Philidor |
D/D/A/T/B |
|
|
Canzon 19 |
Giovanni Picchi |
D/D/A/B/T/T/B/B |
|
|
Canzon Decimasettima a 8 |
Giovanni Picchi |
DC: D/A/T/B |
|
|
⇑Playford Dances Volume 1 |
John Playford I |
D/A/T/B |
|
|
Girometta |
Costanzo Porta |
DC: D(A)/A(T)/T/B |
|
|
Intradas and Courantes |
Isaac Posch |
D/A/T/B |
|
|
Paduana & Gagliarda |
Isaac Posch |
D/D/A/T/B |
|
|
Paduana and Gagliarda |
Isaac Posch |
Trumpet/Trumpet/T/T/B |
|
|
2 Christmas Hymns |
Michael Praetorius |
D/D/A/T/A/T/T/B |
|
|
5 Christmas Settings |
Michael Praetorius |
D/D/T(B) |
|
|
7 Gavottes (Terpischore) |
Michael Praetorius |
D/A/T/T/B |
|
|
Christmas Hymns |
Michael Praetorius |
D/A/T/B |
|
|
Dances from Terpsichore: Vol. 1 |
Michael Praetorius |
D/A/T/B |
|
|
Dances from Terpsichore: Vol. 2 |
Michael Praetorius |
D/A/T/T/B |
|
|
⇑Dances from Terpsichore: Vol. 3 |
Michael Praetorius |
D/A/T/B |
|
|
Dances from Terpsichore: Vol. 4 |
Michael Praetorius |
D/A/T/T/B |
|
|
Dances from Terpsichore: Vol. 5 |
Michael Praetorius |
D/A/T/B |
|
|
Dances from Terpsichore: Vol. 6 |
Michael Praetorius |
D/A/T/T/B |
|
|
Gott allein in der Höh sei Ehr |
Michael Praetorius |
DC: D(A)/A(T)/T/B |
|
|
In Dulce Jubilo |
Michael Praetorius |
DC: D/A/T/B |
|
|
Passamezzos & Galliards from Terpsichore |
Michael Praetorius |
D/A/A/T/B |
|
|
Adoramus te Christe (2 choirs) |
Giovanni Priuli |
DC: D/A/T/B |
|
|
Canzone a 7 |
Giovanni Priuli |
D/D/A/A/T/T/B |
|
|
Canzone Prima |
Giovanni Priuli |
D/D/A/T/T/B |
|
|
Canzone Prima a 8 |
Giovanni Priuli |
D/D/D/A/T/T/B/B |
|
|
⇑Canzone Quarta |
Giovanni Priuli |
DC: D/A/T/B |
|
|
Canzone Quinta a 8 |
Giovanni Priuli |
DC: D/D/T/B |
|
|
Canzone Seconda (transposed down 1/4) |
Giovanni Priuli |
DC: D/A/A/T/T/B |
|
|
Canzone Secunda |
Giovanni Priuli |
DC: D/D/A/T |
|
|
Canzone Secunda |
Giovanni Priuli |
D/D/A/T/T/B |
|
|
Canzone Terza |
Giovanni Priuli |
D/D/A/T/T/B |
|
|
Canzone Terza a 8 |
Giovanni Priuli |
DC: D/A/T/B |
|
|
Lavabo Inter Innocentes a 8 |
Giovanni Priuli |
DC: D/A/T/B |
|
|
O Quam Dulcis a 8 |
Giovanni Priuli |
DC: D/A/T/B |
|
|
Sonata Prima |
Giovanni Priuli |
DC: D/T/T/B |
|
|
Sonata Secunda a 8 |
Giovanni Priuli |
DC: D/A/T/B |
|
|
⇑Canzone Quarta a 6 |
Pruili |
D/D/D/B/B/B |
|
|
2 Canzoni da Sonar (1601) |
Paolo Quagliati |
D/A/T/B |
|
|
7 Christmas Hymns After Georg Rhaw (1544) |
George Rhaw |
DC: D(A)/A(T)/T/B |
|
|
Bicinia Germanica (1545) Selection I |
George Rhaw |
A(T)/T |
|
|
2 Canzoni |
Giovanni Battista Riccio |
D/Viola/BC |
|
|
Canzone (1620-1) |
Giovanni Battista Riccio |
D/BC |
|
|
2 Chansons |
Jean Richafort |
A/T/T/B |
|
|
2 Chansons |
Jean Richafort |
D/A/T/T/B |
|
|
5 Chansons |
Jean Richafort |
Trumpet(T)/Trumpet(T)/T(B) |
|
|
5 Chansons Rustique |
Jean Richafort |
A/T/B |
|
|
Amar Y No Pa Decer |
Pedro Rimonte |
Trumpet/Trumpet/T/T/B |
|
|
⇑Amar y no padecer |
Pedro Rimonte |
D/A/T/T/B |
|
|
Cantate Domino |
Giovanni Domenico Rognoni Taeggio |
DC: D/A/T/B |
|
|
Quemadmodum desiderat |
Giovanni Domenico Rognoni Taeggio |
DC: D/A/T/B |
|
|
Tota pulchra es |
Giovanni Domenico Rognoni Taeggio |
D/A/T/B/D/A/T/GB |
|
|
Two Canzoni da Sonar |
Giovanni Domenico Rognoni Taeggio |
D/A/T/B |
|
|
Six Pieces (1521) |
Romano |
D(T,A)/D(T,A) |
|
|
5 Madrigals |
Cyprian de Rore |
A/T/T/B/Voice |
|
|
A La Dolce Ombra (Sestina) |
Cyprian de Rore |
D/A/T/B |
|
|
Madrigals |
Cyprian de Rore |
A/T/T/B/Voice |
|
|
O Sonno |
Cyprian de Rore |
D/A/T/B |
|
|
Susanne Un Jour |
Cyprian de Rore |
D/A/T/T/B |
|
|
⇑Tutto Il Di - 3 Scores |
Cyprian de Rore |
D/A/T |
|
|
2 Sonatas |
Salomone Rossi |
D/D/BC |
|
|
2 Sonatas from Quarto Libro |
Salomone Rossi |
D/D/BC |
|
|
3 Sinfonie |
Salomone Rossi |
D/D/BC |
|
|
Quarto Libro |
Salomone Rossi |
D/D/BC |
|
|
Sonata sopra l' Aria di Ruggiero |
Salomone Rossi |
D/D/BC |
|
|
Sonata sopra l'Aria del Tenor di Napoli |
Salomone Rossi |
D/D |
|
|
2 Canzoni |
Francesco Rovigo |
D/A/T(A)/B(T) |
|
|
Canzon Decimaottava a 8 |
Francesco Rovigo |
DC: D/D/A/T |
|
|
Canzon Decimaottava a 8 |
Francesco Rovigo |
DC: D/A/T/B |
|
|
3 Pieces from Capricci in Musica (1564) |
Vincenzo Ruffo |
D/A/T |
|
|
⇑4 Pieces from Capricci in Musica (1564) |
Vincenzo Ruffo |
A/T/B |
|
|
3 Correnti & Balletto |
Bartolemé de Selma y Salaverde |
D/D/BC |
|
|
4 Chansons |
Pierre Sandrin |
D/A/T/B |
|
|
4 Chansons |
Pierre Sandrin |
Trumpet/T/T/B |
|
|
Angelus ad Pastores Ait a 8 |
Samuel Scheidt |
DC: D/A/T/B |
|
|
Christ lag in Todesbanden a 8 |
Samuel Scheidt |
DC: D/A/T/B |
|
|
Gott der Vater wohn uns bei |
Samuel Scheidt |
DC: D/A/T/B |
|
|
In Dulci Jublio a 8 |
Samuel Scheidt |
D/D/A/T/T/T/B/B |
|
|
Nu komm der Heyden Heyland |
Samuel Scheidt |
DC: D/A/T/B |
|
|
O Domine, Jesu Christe a 8 |
Samuel Scheidt |
D/D/A/T/A/T/B/B |
|
|
Surrexit pastor bonus à 8 |
Samuel Scheidt |
D/A/T/T/T/T/B/CB |
|
|
⇑Canzon |
Johann Hermann Schein |
D/D/A/T/T/B |
|
|
Intradas and Leider (1609) |
Johann Hermann Schein |
D/D/A/T/B |
|
|
Suite 15 |
Johann Hermann Schein |
D/D/A/T/B |
|
|
2 Canonic Songs |
Ludwig Senfl |
D/A/T/T/B |
|
|
2 Lieder |
Ludwig Senfl |
D/A/T/T/B |
|
|
4 Tenorlieder |
Ludwig Senfl |
A/T/T/B |
|
|
4 Tenorlieder |
Ludwig Senfl |
Trumpet/T/T/B |
|
|
5 Tenorlieder |
Ludwig Senfl |
D/A/T/B |
|
|
Vivo ego, dicit Dominus |
Ludwig Senfl |
D/A/T/T/B |
|
|
15 Chansons |
Claude de Sermisy |
D/A/T/B/Voice |
|
|
2 Chansons |
Claude de Sermisy |
A(D)/T(A)/T/B |
|
|
⇑2 Chansons of Clement Marot |
Claude de Sermisy |
Trumpet/T/T/B |
|
|
20 Chansons |
Claude de Sermisy |
A/T/T/B/Voice |
|
|
O Virgo Benedicta |
Andreas de Silva |
T/T/T/B |
|
|
Dances: 1617 |
Thomas Simpson |
D/D/A/T/B |
|
|
Taffel-Consort Collection (1621) |
Thomas Simpson |
D/D/A/B/BC |
|
|
2 Canzoni Da Sonar (1608) |
Agostino Soderino |
D/A/A/T/B |
|
|
L'Angelina |
Agostino Soderino |
DC: D/A/T/B |
|
|
Browning & Hackney |
Henry Stonings |
D/A/T/T/B |
|
|
Nasce la pena mia |
A. Striccio |
D/A/A/T/T/B |
|
|
Danserye (1551) |
Tielman Susato |
A/T/T/B |
|
|
The Four Secular Songs (Like as the Doleful Dove and more) |
Thomas Tallis |
D/A/T/B |
|
|
⇑Sancte Deus |
Thomas Tallis |
T/T/B/B |
|
|
Sancte Deus a 4 |
Thomas Tallis |
A(T)/A(T)/T(B)/B |
|
|
Quemadmodum |
John Taverner |
D/A/A/T/T/B |
|
|
7th Livre de Danceries (1557) |
Estienne Tertre |
D/A/T/B |
|
|
6 Dances from the Court of Henry VIII |
Thomas |
Trumpet/T/T/B |
|
|
6 Instrumental Motets from the Bamberg Codex |
Thomas |
T/T/T |
|
|
6 Instrumental Pieces From Florence MS Banco Rari 222 |
Thomas |
Trumpet/T/B |
|
|
8 Pieces from the Apel Codex (c. 1500) |
Thomas |
Trumpet/T/B |
|
|
Two 15th Century Songs |
Thomas |
Trumpet/T/T |
|
|
2 Pavans |
Thomas Tomkins |
D/A/T/T/B |
|
|
2 Pavans |
Thomas Tomkins |
Trumpet/Trumpet/T/T/B |
|
|
⇑O Let Me Live For True Love |
Thomas Tomkins |
D(A)/A(T)/T/B |
|
|
When I Observe (serious; great variety of texture) |
Thomas Tomkins |
D/D/A/S/A/T/B |
|
|
3 Pieces (1603/ 1615) Il Secondo libro, La Spagna+ |
Giovani Maria Trabaci |
D/A/T/B |
|
|
2 Hoftänze from the Hessen Books |
Traditional |
D/A/T/T/B |
|
|
3 Christmas Hymns (1587) |
Traditional |
D/D/A/T/A/T/B/B |
|
|
4 Scottish Songs (c. 1545) |
Traditional |
D/A/T/B |
|
|
5 English Medieval Carols |
Traditional |
Trumpet(T)/T/T |
|
|
5 English Medieval Carols à 3 |
Traditional |
A/T/T |
|
|
Assumpta est Maria (early 16th Century) |
Traditional |
D/A/T/T/B |
|
|
Ave Maris Stella, c.1500 (5 settings) |
Traditional |
A/T/T/B |
|
|
Hoftanz "Benzenhauer" |
Traditional |
D/A/T/T/B |
|
|
⇑Ich stund an einem Morgen (1520) |
Traditional |
A/T/T/B |
|
|
J'ay pris amours |
Traditional |
A/A/T/B |
|
|
L'homme árme |
Traditional |
A/T/T/B |
|
|
La Tricotée (2 settings) |
Traditional |
D/A/T |
|
|
Canzon Decimasettima |
Ruggier Trofeo |
DC: D/A/T/B |
|
|
Canzon Decimasettima - alternative |
Ruggier Trofeo |
DC: A/T/T/B |
|
|
4 Canzoni |
Troilo |
D/D/A/T/B |
|
|
Sinfonie, Scherzi, Ricercari, Capricci et Fantasie (1608)s |
Troilo |
A/T |
|
|
Ad te levavi oculos meos a 12 |
Ascanio Trombetti |
D/A/T/B/D/A/T/B/A/A/T/B |
|
|
Derelinquat impius a 10 (Il Primo Libro-, 1589) |
Ascanio Trombetti |
DC: D/A/T/T/B |
|
|
Jubilate Deo a 10 (Il Primo Libro-, 1589) |
Ascanio Trombetti |
D/D/A/T/B/A/T/T/T/B |
|
|
⇑Jubilate Deo a 8 (Il Primo Libro de Motetti, 1589) |
Ascanio Trombetti |
D/A/T/B/A/T/T/B |
|
|
Misericordiae Tuae a 12 (Il Primo Libro-) |
Ascanio Trombetti |
DC: D/A/T/B+T/T/B/B |
|
|
Sonata a 3 |
Francesco Turini |
D/D/B/BC |
|
|
Sonata a 3: Il Corisino |
Francesco Turini |
D/D/B/BC |
|
|
Sonata prima, secundo |
Francesco Turini |
D/D/BC |
|
|
Sonata sopra Tanto tempo hormai |
Francesco Turini |
D/D/BC |
|
|
2 Parody Chansons After Lassus |
de Turnhout |
D/A/T |
|
|
2 In Nomines |
Christopher Tye |
D/A/T/T/B |
|
|
Complete Consort Music |
Christopher Tye |
D/D/A/T/B |
|
|
Complete Consort Music - part book |
Christopher Tye |
T |
|
|
2 Sonatas from op. 4 |
Marco Uccellini |
D/BC |
|
|
⇑Aria Undecima Sopra il Caporal Simon |
Marco Uccellini |
D/D/BC |
|
|
Sonata Sesta, op. 5 |
Marco Uccellini |
D/BC |
|
|
Ricercar & Aria Francese (1595) |
Francesco Usper |
D/A/T/B |
|
|
Par Maintes Foys |
Jean Vaillant |
A/T/T |
|
|
Par Maintes Foys |
Jean Vaillant |
Trumpet/T/T |
|
|
2 Dialoghi (1597) |
Orazio Vecchi |
DC: D/A/T/B |
|
|
Amor è foco a 7 |
Orazio Vecchi |
D/D/T/A/T/T/B |
|
|
Six Conzonette (1596) |
Orazio Vecchi |
D/D/A/T/T/B |
|
|
Eight Lieder (Songs) 1570 (English text) |
Ivo de Vento |
A/T/T/B |
|
|
22 Madrigals |
Philippe Verdelot |
A/T/T/B/Voice |
|
|
Intavolatura de li Madrigali di Verdelotto (1536) |
Philippe Verdelot |
D(A)/Lute |
|
|
⇑2 Sinfonie (1610) |
Ludovico Grossio da Viadana |
DC: D/A/T/B |
|
|
La Bolognese |
Ludovico Grossio da Viadana |
DC: D(A)/A(T)/T/B |
|
|
La Bresciana a 8 |
Ludovico Grossio da Viadana |
D/D/A/T/A/T/T/B |
|
|
La Ferrarese a 8 |
Ludovico Grossio da Viadana |
DC: D/A/T/B |
|
|
La Fiorentina |
Ludovico Grossio da Viadana |
DC: A(D)/T(D)/T(A)/B |
|
|
La Padovana |
Ludovico Grossio da Viadana |
DC: D/A/T/B |
|
|
La Parmigiana a 8 |
Ludovico Grossio da Viadana |
DC: A/T/T/B |
|
|
La Piacentina a 8 (Venice 1610) |
Ludovico Grossio da Viadana |
DC: D/A/T/B |
|
|
La Reggiana |
Ludovico Grossio da Viadana |
DC: D/A/T/B |
|
|
La Reggiana a 8 |
Ludovico Grossio da Viadana |
DC: D/A/T/B |
|
|
La Venetiana a 8 |
Ludovico Grossio da Viadana |
A/T/T/B/D/A/T/B |
|
|
⇑Napolitana a 8 (Venice 1610) |
Ludovico Grossio da Viadana |
DC: D/A/T/B |
|
|
Sinfonia La Bergamasca |
Ludovico Grossio da Viadana |
DC: A(D)/A/T/B |
|
|
2 Songs (La Pena, Tristo Che Spero Morendo) |
Johannes Vincenet |
A/T/T/B |
|
|
13 Ricercate from il Dolci melo |
Aurelio Virgiliano |
A |
|
|
Come Sable Night (intense & passionate madrigal) |
John Ward |
D/D/A/T/T/B |
|
|
Retire, My Troubled Soul |
John Ward |
D/D/A/T/T/B |
|
|
2 Balletts |
Thomas Weelkes |
D/D/A/T/B |
|
|
7 Airs or Fantastic Spirits (1608) |
Thomas Weelkes |
D/T/B |
|
|
O Care, Thou Will Dispatch Me |
Thomas Weelkes |
D/D/A/T/B |
|
|
2 Instrumental Pieces |
Gaspar van Weerbecke |
A/T/B |
|
|
2 Instrumental Pieces |
Gaspar van Weerbecke |
Trumpet/T/B |
|
|
⇑Two Motets (Virgo Maria + O Pulcherrima Mulierum) |
Gaspar van Weerbecke |
A/T/T/B |
|
|
2 Villanelles |
Giaches de Wert |
D/A/T/T/B |
|
|
2 In Nomines |
Robert White |
D/A/T/B |
|
|
2 Pavans |
Robert White |
D/D/A/T/T/B |
|
|
20 Dances from Musicalischer Tugendtspiegel |
Erasmus Widmann |
D/A/T/B |
|
|
Canzonas and Intradas (1618) |
Erasmus Widmann |
D/D/A/T/B |
|
|
Draw On Sweet Night - Score and parts |
John Wilbye |
D/D/A/T/T/B |
|
|
O Wretched Man |
John Wilbye |
D/D/A/T/T/B |
|
|
Softly, O Softly Drop My Eyes (intense & expressive) |
John Wilbye |
D/D/A/T/T/B |
|
|
Weep, Weep, Mine Eyes |
John Wilbye |
D/A/T/T/B |
|
|
2 Chansons |
Adrian Willaert |
D/A/A/T/T/B |
|
|
⇑Complete Instrument Music: 4 Ricercari a 4 |
Adrian Willaert |
A/T/T/B |
|
|
Douleur Me Bat (Sacred) - Score and parts |
Adrian Willaert |
D/A/T/T/T/B |
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En Douleur Et Tristesse |
Adrian Willaert |
D/A/T/T/T/B |
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Five Villanelle (Venice, 1545) |
Adrian Willaert |
A/T/T/B |
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Four Villanelle (1545) |
Adrian Willaert |
D/A/T/B |
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Two Motto Motets From The Copenhagen MS |
Adrian Willaert |
D/A/T/T/B |
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Browning Fantasy |
Clement Woodcocke |
D/A/T/T/B |
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Il Scolaro (1645): Vol. 1 |
Gasparo Zanetti |
D/D/A/B |
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Il Scolaro (1645): Vol. 2 |
Gasparo Zanetti |
D/D/A/B |
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