Address: | Cincinnati, Ohio, USA |
Title | Author | Supplier |
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Piano Sheet Music: | |||
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Alabama Dream | G.D. Barnard | ![]() |
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The Buffalo March | T.P. Brooke | ![]() ![]() ![]() |
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My Garden of Dreams | J. Fredericks | ![]() ![]() ![]() |
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Get Along! | J. Gallatly | ![]() |
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Frivolous Cupid Op. 267 | F.H. Losey | ![]() ![]() ![]() |
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Frivolous Cupid Op. 267 - Morceau Characteristic / Shoulder to Shoulder - March | Miscellaneous | ![]() ![]() ![]() |
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Unspoken Words | L.L. Moore | ![]() ![]() ![]() |
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The Dolly Madison Two Step | W.G. Wilmarth | ![]() |
Title | Music | Attribution |
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Mountain Echoes (1886) | Geo H. Arthur | |
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Abide With Me (1891) | Emma Louise Ashford | |
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Alabama Dream (1899) | George D. Barnard | Midi Ragtime Recorder Ensemble (perf.) |
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Fern Cliff Quadrille (1899) | George D. Barnard | |
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Florena Gavotte (1899) | George D. Barnard | |
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Hope Sublime (1898) | George D. Barnard | |
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Uncle Remus (1909) | Marvin Bean | American Symphony Orchestra (perf.) |
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Everett Piano March (1894), The | Herman Bellstedt Jr. | |
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Queen and Crescent Route March (1896) | Herman Bellstedt Jr. | |
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Theme (1908), A | André Benoist | Thomas F Fallon (words) |
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If Love Were What the Rose Is (1920) | Reginald Billin | Algernon Swinburne (words) |
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Leaf by Leaf the Roses Fall (1865) | T. Brigham Bishop | Marie Rappold (perf.) Vernon Archibald (perf.) Lewis James (perf.) Edison Male Quartette (perf.) |
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Explanation (1914), An | Dorothy Gaynor Blake | Walter Learned (words) |
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Buffalo March (1901), The | Thomas Preston Brooke | |
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Cycle Queen (1896), The | Thomas Preston Brooke | |
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New Century March (1899) | Thomas Preston Brooke | |
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Our Nation's Guard (1898) | Thomas Preston Brooke(w&m) | |
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⇑My Redeemer and My Lord (1900) | Dudley Buck | Henry Wadsworth Longfellow (words) Marie Tiffany (perf.) |
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Our America (1917) | Anna Case(w&m) | |
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Down in Maine (1921) | William R. Chapman | Emma L Chapman (words) |
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Homesick Yankee (1906), The | Kenneth S. Clark(w&m) | |
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Pandora (1907) | Kenneth S. Clark | |
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Princeton Jungle March (1905), The | Kenneth S. Clark(w&m) | |
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Since Thou Art Gone (1909) | Kenneth S. Clark(w&m) | C. Robert MacCoy (words) |
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Vesper Bells (1909) | Kenneth S. Clark | |
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Coon That I Suspected (1895), The | Gussie Lord Davis(w&m) | |
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Dear Old Folks at Home (1882), The | Gussie Lord Davis(w&m) | |
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Don't You Miss It on Your Life (1895) | Gussie Lord Davis(w&m) | |
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Go Where Duty Calls You (1895) | Gussie Lord Davis(w&m) | |
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Hoist Up the White Sails. Waltz Song (1895) | Gussie Lord Davis(w&m) | |
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Mine Alone. Song (1895) | Gussie Lord Davis(w&m) | |
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Cinnamon Grove (1928) | R. Nathaniel Dett | |
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Follow Me (1919) | R. Nathaniel Dett | |
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I'm A-Goin' to See My Friends Again (?) | R. Nathaniel Dett | |
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I'm So Glad Trouble Don't Last Alway (1919) | R. Nathaniel Dett | |
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⇑Oh! the Land I'm Bound For (?) | R. Nathaniel Dett | |
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Poor Me (?) | R. Nathaniel Dett | |
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Somebody's Knocking at Your Door (1919) | R. Nathaniel Dett | |
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Zion Hellelujah (?) | R. Nathaniel Dett | |
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Brook (1860), The | Ellen Dickson | Alfred Tennyson (words) Alma Gluck (perf.) Mrs. A. Stewart Holt (perf.) |
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Barnum & Bailey Royal Pageant (1917) | Charles Edward Duble | |
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Bravura (1918) | Charles Edward Duble | |
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Old Glory Triumphant (1919) | Charles Edward Duble | |
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Brian Boru (1896) | Julian Edwards | Stanislaus Stange (words) |
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Jupiter (1892) | Julian Edwards | Harry Bache Smith (words) |
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King René's Daughter (1893) | Julian Edwards | Henrik Hertz (words) |
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Wedding Day (1897), The | Julian Edwards | Stanislaus Stange (words) |
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My Garden of Dreams (1909) | Julian Fredericks | K. Weatherhead (words) |
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Get Along! (1913) | James M. Gallatly | |
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Chicago Glide (1894) | Joseph Gearen | |
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Cotton Blossoms (1897) | Milt. H. Hall | |
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Cavalier March (1902), The | Robert Browne Hall | |
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Crisis March (1902), The | Robert Browne Hall | |
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⇑New Colonial March (1901) | Robert Browne Hall | Indestructible Military Band (perf.) Edison Military Band (perf.) |
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Palatinus (1896) | Robert Browne Hall | |
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Philo Senate March (1898) | Robert Browne Hall | |
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Cupid's Wings (1904) | William G. Hammond | Charles Frederick Hammond (words) |
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Little Tillie's Grave (1860) | Benjamin Russel Hanby | |
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Way Down South (1912) | Victor Harris | Frank L Stanton (words) |
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In the Deep O' the Daisies (1911) | Charles Beach Hawley(w&m) | |
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Love's Enchantment (1905) | Charles Beach Hawley | Julian Durand (words) |
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Sweetest Flower That Blows (1905), The | Charles Beach Hawley | Frederic Peterson (words) Clara Butt (perf.) Marie Narelle (perf.) Florence Venning (perf.) |
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That Sweet Story of Old (1914) | Charles Beach Hawley | Mrs. Jennina Luke (words) |
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Jasmo (1917) | John N. Klohr | |
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Ma Mobile Babe (1899) | John N. Klohr | |
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Shoulder to Shoulder (1909) | John N. Klohr | |
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4 Piano Pieces - Op.371: Nos, 1-3 (1915) | Reginald De Koven | |
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At Parting (1908) | Reginald De Koven | Clement Scott (words) |
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Canterbury Pilgrims (1916), The | Reginald De Koven | Percy MacKaye (words) |
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Comrades in Arms (1909) | Reginald De Koven | Frederic T Cardoze (words) |
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Down the Bayou (1907) | Reginald De Koven | |
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⇑Dream of Arcady (1906), A | Reginald De Koven | Ethel LeRoy DeKoven (words) |
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Have You Forgot (1906) | Reginald De Koven | Ethel le Roy De Koven (words) |
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In Minor Mode - Op.165 (1901) | Reginald De Koven | |
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Love's Benediction (1906) | Reginald De Koven | |
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Naughty Little Clock (1899) | Reginald De Koven | Harry Bache Smith (words) |
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Recessional (1898) | Reginald De Koven | Rudyard Kipling (words) Thomas Chalmers (perf.) |
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Romance - Op.379 No. 2 (1916) | Reginald De Koven | Josef Hofmann (perf.) |
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Songs - Op.209: No. 3 - Roses (1909) | Reginald De Koven | Anon (words) |
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Songs - Op.370: No. 1 - Serenade Creole (1914) | Reginald De Koven | Frederick Herman Martens (words) |
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Swing Song (1904), A | Reginald De Koven(w&m) | |
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Tis May Love (1906) | Reginald De Koven | Agnes Helen Lockhart (words) |
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Where Goes Love (1910) | Reginald De Koven | Willis Steel (words) |
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Nobody's Child (1870) | Alfred Lee(w&m) | |
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In Memoriam (1899) | Liza Lehmann | Alfred Tennyson (words) |
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Silver Rose (1911), The | Liza Lehmann | Radclyffe Hall (words) |
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Valentine (1911), A | Liza Lehmann | Amelia Barry Pain (words) |
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D. V. (Duryea Valse) (1914), The | Julius Lenzberg | |
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Gay Masque Ball (1870), The | William Horace Lingard | Charles E Pratt (words) |
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⇑Frivolous Cupid Op. 267 (1909) | Frank Hoyt Losey | |
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Where Is My Wandering Boy Tonight? (1878) | Robert Lowry | Evelyn Overstake (perf.) John W. Myers (perf.) Edison Mixed Quartet (perf.) Frederick Gunster (perf.) Harry MacDonough (perf.) Henry Burr (perf.) John Young (perf.) Columbia Quartette (perf.) Louise Homer (perf.) |
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I Love Life (1923) | Mana-Zucca | Irwin M. Cassel (words) |
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Nichavo! (1921) | Mana-Zucca | Helen Jerome (words) |
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Studebaker Grand March (1899), The | L. Marda | |
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Eternal City Intermezzo (1902), The | Pietro Mascagni | |
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Little Dutch Garden (1911), The | Catherine Pannill Mead | Hattie Whitney (words) |
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Log of the Good Ship Nod (1911), The | Catherine Pannill Mead | George Washington Stevens (words) |
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Song of Singing (1913) | Catherine Pannill Mead | James Whitcomb Riley (words) |
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Why I Love You (?) | Catherine Pannill Mead | |
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Chinee Soje-Man (1899) | Lionel Monckton | Adrian Ross (words) Samuel H. Dudley (perf.) |
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My Little Jap-o-baby (1910) | Luella Lockwood Moore(w&m) | |
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Unspoken Words (1910) | Luella Lockwood Moore | |
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Old Darkey Rag Picker (1921), The | Ed Mueller | |
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Hills of God (1883), The | J.R. Murray(w&m) | Mary Jordan (perf.) |
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Á Fontainebleu (1899) | Ethelbert Woodbridge Nevin | |
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African Love Song (1901), An | Ethelbert Woodbridge Nevin | Paul Laurence Dunbar (words) Minnie Maddern (perf.) |
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At Home (1899) | Ethelbert Woodbridge Nevin | |
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⇑At Rest (1901) | Ethelbert Woodbridge Nevin | Frank Lebby Stanton (words) |
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Captive Memories (1929) | Ethelbert Woodbridge Nevin | |
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Day in Venice Op.25 (1898), A | Ethelbert Woodbridge Nevin | |
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Hero Song (1900), A | Ethelbert Woodbridge Nevin | Heinrich Heine (words) |
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In Dreamland (1899) | Ethelbert Woodbridge Nevin | |
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Little Song (1900), A | Ethelbert Woodbridge Nevin | Heinrich Heine (words) |
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March of the Pilgrims (1901) | Ethelbert Woodbridge Nevin | |
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Marche Nuptiale (1914) | Ethelbert Woodbridge Nevin | |
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Mighty Lak' a Rose (1901) | Ethelbert Woodbridge Nevin | Frank L. Stanton (words) Frances Davis Alda (perf.) Marguerite Dunlap (perf.) Geraldine Farrar (perf.) Ida Gardner (perf.) Violet Oppenshaw (perf.) |
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Mon Desir (1899) | Ethelbert Woodbridge Nevin | Jacques Ahrem (words) |
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Napoli (1899) | Ethelbert Woodbridge Nevin | |
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Necklace of Love (1899), A | Ethelbert Woodbridge Nevin | Frank Stanton (words) |
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Nightingale's Song (1899), The | Ethelbert Woodbridge Nevin | Alvin Hovey King (words) Christine Miller (perf.) |
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Nightingale (1915), The | Ethelbert Woodbridge Nevin | Uriel Davis (co-author) |
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O'Er Hill and Dale (1902) | Ethelbert Woodbridge Nevin | |
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Quest (1902), The | Ethelbert Woodbridge Nevin | Randolph Harley (words) |
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Silver Moon (1906), The | Ethelbert Woodbridge Nevin | Paul Verlaine (words) |
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Sleeping and Dreaming (1899) | Ethelbert Woodbridge Nevin | Robert P. Nevin (words) |
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⇑To Anne (1901) | Ethelbert Woodbridge Nevin | Edwin Ford (words) |
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Venezia (1898) | Ethelbert Woodbridge Nevin | Ethelbert Nevin (words) |
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Woodpecker (1902), The | Ethelbert Woodbridge Nevin | Frederick Manley (words) |
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Delta Kappa Epsilon March (1861) | Alfred H. Pease(w&m) | |
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Barney, Take Me Home Again (1875) | George W. Persley | Arthur W. French (words) R.T. Tyrrill (perf.) |
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When the Roses Come Again (1874) | George W. Persley | Arthur W. French (words) |
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Happier Days in Store (n.d.) | Ciro Pinsuti | Lewis Novra (words) |
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There Is a Garden (1920) | David Proctor | Ednah Proctor Clarke (words) |
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Love's Whisper (1910) | Don Ramsay | |
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Paquita (1913) | Teresa del Riego | Charles Cooke & Mddle. Derny (perf.) |
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Pictures in the Firelight (1916) | Walter Rolfe | |
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Oh, Drink at the Fountain (1883) | George Frederick Root | hamiltorj1 (words) |
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Hustle on to Glory (1885) | Monroe H. Rosenfeld | |
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She's Sweet As She Can Be (1884) | Monroe H. Rosenfeld(w&m) | |
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Boat Song (1920), A | Mary Turner Salter | Mary L. Ritter (words) |
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Shuffling Jasper (1899) | W.H. Scouton | |
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Songs We Used to Sing (1890), The | J.P. Skelly(w&m) | |
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At the King's Court (1904) | John Philip Sousa | |
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⇑Beneath the Southern Cross (1905) | John Philip Sousa | United States Marine Band (perf.) |
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Black Man (1911), The | John Philip Sousa | United States Marine Band (perf.) |
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Bride Elect (1897), The | John Philip Sousa | United States Marine Band (perf.) |
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Bride-Elect - Operetta in Three Acts (1897), The | John Philip Sousa(w&m) | |
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By the Light of the Polar Star (1905) | John Philip Sousa | United States Marine Band (perf.) |
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Carrier Pigeon (1906), The | John Philip Sousa | Harry Bache Smith (words) |
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Charlatan - Operetta in Three Acts (1898), The | John Philip Sousa | |
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Charlatan (1898), The | John Philip Sousa | United States Marine Band (perf.) |
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Chris and the Wonderful Lamp (1899) | John Philip Sousa | |
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Colonial Dames Waltzes (1896), The | John Philip Sousa | |
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Crystal Lute (1913), The | John Philip Sousa | |
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Diplomat (1904), The | John Philip Sousa | United States Marine Band (perf.) |
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Directorate (1894), The | John Philip Sousa | United States Marine Band (perf.) |
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El Capitan (1896) | John Philip Sousa | Issler's Orchestra (perf.) Midi Ragtime Recorder Ensemble (perf.) |
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El Capitan - Operetta in Three Acts (1896) | John Philip Sousa | |
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El Capitan's Song (1896) | John Philip Sousa | Charles Klein (words) |
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Fairest of the Fair (1908), The | John Philip Sousa | United States Marine Band (perf.) |
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Federal March (1911), The | John Philip Sousa | United States Marine Band (perf.) |
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⇑Free Lance March (1906), The | John Philip Sousa | United States Marine Band (perf.) |
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Free Lance (1905), The | John Philip Sousa | H.Bache Smith (words) |
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From Maine to Oregon (1913) | John Philip Sousa | |
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Glass Blowers (1909), The | John Philip Sousa | Leonard Liebling (words) United States Marine Band (perf.) |
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Gliding Girl (1912), The | John Philip Sousa | Unknown (perf.) |
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Glory of the Yankee Navy (1909), The | John Philip Sousa | United States Marine Band (perf.) |
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Grand Festival March (1911) | John Philip Sousa | |
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Hail to the Spirit of Liberty (1900) | John Philip Sousa | Peerless Orchestra (perf.) |
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Hands Across the Sea (1899) | John Philip Sousa | United States Marine Band (perf.) |
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High School Cadets March (1890), The | John Philip Sousa | United States Marine Band (perf.) |
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I've Made My Plans For the Summer (1907) | John Philip Sousa | |
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I, Too, Was Born in Arcadia (1895) | John Philip Sousa | |
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Imperial Edward (1902) | John Philip Sousa | United States Marine Band (perf.) |
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In Darkest Africa (1895) | John Philip Sousa | |
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Invincible Eagle (1901), The | John Philip Sousa | United States Marine Band (perf.) |
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Jack Tar (1903) | John Philip Sousa | United States Marine Band (perf.) |
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King Cotton (1895) | John Philip Sousa | Baldwin's Cadet Band (perf.) United States Marine Band (perf.) |
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King of France With Twenty-Thousand Men (1895), The | John Philip Sousa | |
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⇑Lambs' March (1914), The | John Philip Sousa | |
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Last Days of Pompeii (1912), The | John Philip Sousa | |
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Liberty Bell (1893), The | John Philip Sousa | Edison Concert Band (perf.) United States Marine Band (perf.) Midi Ragtime Recorder Ensemble (perf.) |
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Man Behind the Gun (1899), The | John Philip Sousa | United States Marine Band (perf.) |
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Manhattan Beach (1893), The | John Philip Sousa | United States Marine Band (perf.) |
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Mars and Venus (1905) | John Philip Sousa | United States Marine Band (perf.) |
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Messiah of Nations (1902) | John Philip Sousa | James Whitcomb Riley (words) |
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Pathfinder of Panama (1915), The | John Philip Sousa | |
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Powhatan's Daughter (1906) | John Philip Sousa | United States Marine Band (perf.) |
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Red Man (1911), The | John Philip Sousa | United States Marine Band (perf.) |
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Russian Peasant's Dance (1899) | John Philip Sousa | |
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Sheridan's Ride (1891) | John Philip Sousa | |
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Snow Baby (1899) | John Philip Sousa(w&m) | |
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Solid Men to the Front! (1918) | John Philip Sousa | |
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Stars and Stripes Forever (1897), The | John Philip Sousa | Sousa's Band (perf.) Ruby Brooks (perf.) Midi Ragtime Recorder Ensemble (perf.) |
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Typical Tune of Zanzibar (1896), A | John Philip Sousa | Charles Klein (words) |
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White Man (1911), The | John Philip Sousa | United States Marine Band (perf.) |
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Who's Who in Navy Blue (1920) | John Philip Sousa | United States Marine Band (perf.) |
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⇑With Pleasure (1912) | John Philip Sousa | |
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April Rain (1901) | Oley Speaks | Robert Loveman (words) |
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Eyes of Blue (1901) | Oley Speaks | Frank Lebby Stanton (words) |
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If You Become a Nun Dear (?) | Oley Speaks | |
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In May-Time (1901) | Oley Speaks | Frank L. Stanton (words) |
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Long Ago (?) | Oley Speaks | |
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On the Road to Mandalay (1907) | Oley Speaks | Rudyard Kipling (words) Thomas Chalmers (perf.) Robert Howe (perf.) |
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When Gazing in Thine Eyes Co Dear (?) | Oley Speaks | |
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When Mabel Sings (?) | Oley Speaks | |
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There Will Always Be a Spring (1942) | Charles Gilbert Spross | Gerald Fitzgerald (words) |
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Will O' the Wisp (1909) | Charles Gilbert Spross | Torrence Benjamin (words) Alma Gluck (perf.) Florence Hinkle (perf.) Bernice de Pasquali (perf.) |
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Inauguration March Op.246 (1885) | Richard Stahl | |
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Love Wakes and Weeps (1906) | Lily Strickland | Walter Scott (words) |
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Mid-Summer Night (1909) | Lily Strickland | Teresa Strickland (words) |
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O Little Maiden (1906) | Lily Strickland | Anon (words) |
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Oh, There's a Heart For Every One (1906) | Lily Strickland | Charles Swain (words) |
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Thy Memory (1906) | Lily Strickland(w&m) | |
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Ye Who Are Oppressed (1907) | Lily Strickland(w&m) | |
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⇑Oh! Mr. Finkelheimer (1913) | Howard Talbot | |
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Amaryllis Overture (1899) | Louis Tocaben | |
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In Our Society (1891) | Unknown(w&m) | Harry Norman (perf.) |
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Bye-Bye Till We Meet Again (1884) | George Morley Vickers(w&m) | |
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Centennial March (1876) | Richard Wagner | |
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Boat Song (1908) | Harriet Ware | Montrose J. Moses (words) Paul Dufault (perf.) Lucy Gates (perf.) Louis Graveure (perf.) |
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Call of Radha (1909) | Harriet Ware | Sarojini Naidu (words) |
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Hindu Slumber Song (1919) | Harriet Ware | Sarojini Naidu (words) Barbara Maurel (perf.) |
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Last Dance (1910) | Harriet Ware | Frederick H. Martens (words) Bernice de Pasquali (perf.) |
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Mammy's Song (1910) | Harriet Ware | Laura Spencer Portor (words) Lucy Gates (perf.) John Barnes Wells (perf.) |
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Princess of the Morning (1911) | Harriet Ware | J.I.C. Clarke (words) |
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Song of the Sea (1910) | Harriet Ware | |
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Tis Spring (1912) | Harriet Ware | Montrose J. Moses (words) |
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White Moth (1925) | Harriet Ware | |
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I'll Take You Home Again Kathleen (1875) | Thomas Paine Westendorf(w&m) | John McCormack (perf.) Kate Smith (perf.) Mark Fisher (perf.) Dick Jergens (perf.) |
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Out on the Lake (1877) | Thomas Paine Westendorf | |
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Birds Go North Again (1902), The | Charles Willeby | Ella Higginson (words) Emma Albani (perf.) Blanche Marchesi (perf.) Ada Crossley (perf.) Agnes Nicholls (perf.) |
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Coming Home (1914) | Charles Willeby | D. Eardley Wilmot (words) Anna Case (perf.) |
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⇑Crossing the Bar (1903) | Charles Willeby | Alfred Lord Tennyson (words) |
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Four Leaf Clover (1902) | Charles Willeby | Ella Higginson (words) Emma Albani (perf.) Ada Crossley (perf.) Agnes Nicholls (perf.) Muriel Foster (perf.) |
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Yellow Wattle (1916) | Charles Willeby | |
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Dolly Madison Two Step (1906), The | Walter G. Wilmarth | |
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King Bibler's Army (1877) | Henry Clay Work |