Joseph Tabrar
Last updated: 18.12.23
| Title | Co-Author(s) | Sequencer |
|---|
 |
Daddy Wouldn't Buy Me a Bow Wow (1893) | Frank Petersohn | |
|
That's Where the Money Goes (1886) | James Pitt-Payne |
| Title (Release Year) | Composer | Performers | Issue |
|---|
 |
Have a Drop of Gin, Joe! (1912) | J. Tabrar | H. Champion |
| Title | Attribution | Remarks |
|---|
 |
As Jolly As a Sandboy | Joseph Tabrar (words & music) T.W. Barrett (perf.) |
|
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Bid Me Good-Bye Forever | Joseph Tabrar (words & music) Vesta Victoria (perf.) |
|
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Bird in the Hand, A | Joseph Tabrar (words & music) Marie Lloyd (perf.) |
|
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Buy Me Some Almond Rock | Joseph Tabrar (words & music) Marie Lloyd (perf.) |
 |
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Daddy Wouldn't Buy Me a Bow Wow | Joseph Tabrar (words & music) Vesta Victoria (perf.) |
|
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Dear Kind Doctor, A | Joseph Tabrar (words & music) George Robey (perf.) |
|
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Dear Me, Is That Possible! | Joseph Tabrar (words & music) George Leybourne (perf.) |
|
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Eliza Brown | Joseph Tabrar (words & music) Tom Costello (perf.) |
|
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Eva, the Naughty, Naughty Girl | Joseph Tabrar (music) Joseph Tabrar (words) Fred W. Leigh (words) |
|
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Every Inch a Soldier and a Man | Joseph Tabrar (words & music) Clara Wieland (perf.) |
|
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For Months and Months and Months | Joseph Tabrar (words & music) Jack Smiles (perf.) |
|
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⇑Friday Afternoon | Joseph Tabrar (words & music) Queenie Leighton (perf.) |
|
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Give Me the Girl in the Plain Cotton Dress | Joseph Tabrar (words & music) Walter Stockwell (perf.) |
|
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Great March King, The | Joseph Tabrar (words & music) Winnie Derson (perf.) |
|
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Have a Drop of Gin, Joe! | Joseph Tabrar (music) Chas. Collins (words) Harry Champion (perf.) |
|
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He's Going to Marry Mary Ann | Joseph Tabrar (words & music) Bessie Bellwood (perf.) |
|
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I Am Getting Naughty, I Am | Joseph Tabrar (words & music) George Byford (perf.) |
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I Did It to Change My Luck | Joseph Tabrar (words & music) R. W. Bentley (perf.) |
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I Haven't For a Long Time Now | Joseph Tabrar (words & music) Slade Murray (perf.) |
|
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Like a Girl | Joseph Tabrar (words & music) Constance Moxon (perf.) |
|
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My Daddy's Bought Me a Bow-Wow | Joseph Tabrar (words & music) Joseph Tabrar (perf.) |
|
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Oh! the Harbour Lights | Joseph Tabrar (music) Fred W Leigh (words) Fred Earle (perf.) |
|
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Oh, You Little Darling | Joseph Tabrar (words & music) Nellie L'Estrange (perf.) Kate Vaughan (perf.) |
|
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⇑One of the Soldiers | Joseph Tabrar (words & music) Mark Sheridan (perf.) |
|
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Our 'andy Man | Joseph Tabrar (words & music) Lawrence Barclay (perf.) |
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Poor Pa Paid | Joseph Tabrar (words & music) Harry Randall (perf.) |
|
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Ship Went Down to the Bottom of the Sea, The | Joseph Tabrar (words & music) Harry Rickards (perf.) |
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Ti Hi Tiddelly Hi | Joseph Tabrar (words & music) Harry Rickards (perf.) |
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Ting, Ting, That's How the Bell Goes | Joseph Tabrar (words & music) George Leybourne (perf.) |
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Waiting! Waiting!! Waiting!!! | Joseph Tabrar (words & music) Slade Murray (perf.) |
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When Mamma and Pa Have Gone to Bye-Bye | Joseph Tabrar (words & music) Maud Franklin (perf.) |
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When They Found I Was a Soldier | Joseph Tabrar (music) Harry Wincott (words) Fred Earle (perf.) |
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Will You Be Mine Pretty Bird? | Joseph Tabrar (words & music) Charles Godfrey (perf.) |
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Winkle's Wedding, The | Joseph Tabrar (words & music) Harry Francis (perf.) |
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You Can't Stop a Girl From Thinking | Joseph Tabrar (music) J P Harrington (words) George Le Brunn (words) Marie Lloyd (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
|---|
|
Buy Me Some Almond Rock (1894) | J. Tabrar (w&m) Marie Lloyd (perf.) |
Piano, Voice | Monologues |  |
|
Daddy Wouldn't Buy Me a Bow Wow (1893) | J. Tabrar (w&m) V. Victoria (perf.) V. Victoria (perf.) |
Piano, Voice | IMSLP Monologues |
|
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For Months and Months and Months (1909) | J. Tabrar (w&m) N. Bayes (perf.) J. Norworth (perf.) |
Piano, Voice | IMSLP | Pub. |
|
There's Nothing in It (1888) | J. Tabrar (w&m) Sam Torr (perf.) Charles Gerard (perf.) |
Piano, Voice | IMSLP | Pub. |
|
They Cop the English Off at Monte Carlo (1894) | J. Tabrar (music) Henry A Duffy (words) L. Dryden (perf.) |
Piano, Voice | IMSLP | Pub. |
This list is arranged in chronological order and contains 182 works by Joseph Tabrar.
It does not claim to be complete and represents only the number of items located. Keys: ER
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Dear Me, Is That Possible! | 1882 | H P Matthews (words) Robert Reece (words) J.J. Dallas (perf.) George Leybourne (perf.) |
|
| I Cried ''Copper'' (w&m) | 1882 | T.W. Barrett (perf.) Edmund Forman (perf.) |
|
| Oh, You Little Darling (w&m) | 1882 | Nellie L'Estrange (perf.) Kate Vaughan (perf.) |
Pub. |
| Take Me in Your Arms Love | 1882 | John T Masi (words) George Leybourne (perf.) |
Pub. |
| Belle of Eaton Square, The | 1883 | Verdnon Green (words) A B Court (words) Alfred G. Vance (perf.) |
|
| I Haven't For a Long Time Now (w&m) | 1884 | Slade Murray (perf.) | Pub. |
| Let Go the Anchor Boys (w&m) | 1884 | Henri Clark (perf.) Edmund Forman (perf.) |
Pub. |
| She Was Fat, Fair and Forty (w&m) | 1884 | George English (perf.) | Pub. |
| Ship Went Down to the Bottom of the Sea, The | 1884 | A B (words) Harry Rickards (perf.) |
Pub. |
| As Jolly As a Sandboy (w&m) | 1885 | T.W. Barrett (perf.) | Pub. |
| He's Going to Marry Mary Ann (w&m) | 1885 | Bessie Bellwood (perf.) | Pub. |
| ⇑ Oh! Love, Will You Be Mine (w&m) | 1885 | Slade Murray (perf.) | Pub. |
| When You Come Home in the Morning (w&m) | 1885 | Slade Murray (perf.) | Pub. |
| But- No More (w&m) | 1886 | Slade Murray (perf.) | Pub. |
| Good Bye! Good Bye!! Good Bye!!! (w&m) | 1886 | Slade Murray (perf.) | Pub. |
| I Am Getting Naughty, I Am (w&m) | 1886 | George Byford (perf.) Edmund Forman (perf.) |
Pub. |
| Only a Ha'penny (w&m) | 1886 | George Byford (perf.) | Pub. |
| Poor Poet, The | 1886 | Slade Murray (perf.) | Pub. |
| Slade Murray's Too Late | 1886 | G H Macdermott (words) T F Robson (words) Slade Murray (perf.) |
Pub. |
| That's Where the Money Goes | 1886 | Peter Conroy (words) Annie Dunbar (perf.) |
Pub. |
| Waiting! Waiting!! Waiting!!! (w&m) | 1886 | Slade Murray (perf.) | Pub. |
| Young Man Who Used to Live Over the Way, The (w&m) | 1886 | Charles Coborn (perf.) | Pub. |
| All Bad! Very Very Bad! (w&m) | 1887 | Harry Braham (perf.) | Pub. |
| ⇑ Have You Seen Her! (w&m) | 1887 | Alfred G. Vance (perf.) | Pub. |
| Hundreds and Thousands (w&m) | 1887 | Harry Braham (perf.) | Pub. |
| It's All Over Now With the Ladies (w&m) | 1887 | Charles Godfrey (perf.) | Pub. |
| Will You Be Mine Pretty Bird? (w&m) | 1887 | Charles Godfrey (perf.) | Pub. |
| Hard Times Come Again No More (w&m) | 1888 | Nellie Richards (perf.) Harry Rickards (perf.) |
Pub. |
| There's Nothing in It (w&m) | 1888 | Charles Gerard (perf.) Sam Torr (perf.) |
Pub. |
| Ti Hi Tiddelly Hi (w&m) | 1888 | Harry Rickards (perf.) | Pub. |
| Just a Little (w&m) | 1889 | |
|
| Rather More (w&m) | 1889 | Charles Coborn (perf.) | Pub. |
| I Say Cabby! (w&m) | 1890 | George Leybourne (perf.) | Pub. |
| Lady, the Gent and the Other One, The (w&m) | 1890 | Charles Bignell (perf.) | Pub. |
| Carriage Waits, M'lord | 1891 | J. P. Harrington (words) John S. Baker (words) Arthur Combes (perf.) |
Pub. |
| ⇑ He's Sailing on the Briny Ocean (w&m) | 1891 | Alice Leamar (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| They're All Good | 1891 | John S. Baker (words) J. W. Rowley (perf.) |
|
| And Still I Love You (w&m) | 1892 | |
|
| Simple Maiden Tell Me Why (w&m) | 1892 | Kate James (perf.) | |
| Whistling Yaller Girl , The (w&m) | 1892 | Eugene Stratton (perf.) | Pub. |
| All the Boys in Our Choir (w&m) | 1893 | Fanny Robina (perf.) | Pub. |
| Bow Wow on the Brain | 1893 | Albert E. Ellis (words) W. P. Dempsey (perf.) |
Pub. |
| Daddy Wouldn't Buy Me a Bow Wow (w&m) | 1893 | Vesta Victoria (perf.) | Pub.  |
| Do Dear, Do (w&m) | 1893 | Amy Lyster (perf.) | Pub. |
| Her Daddy's Been and Bought Her a Bow-Wow (Bull-Dog) | 1893 | Norton Atkins (words) Joe Lawrence (perf.) |
Pub. |
| Little Goody Two-Shoes (w&m) | 1893 | Millie Hylton (perf.) | Pub. |
| My Daddy's Bought Me a Bow-Wow (w&m) | 1893 | Joseph Tabrar (perf.) | Pub. |
| ⇑ She's a Real Good Mother (w&m) | 1893 | Lizzie B. Raymond (perf.) | Pub. |
| There Is Nothing So Lovely As Woman (w&m) | 1893 | Millie Hylton (perf.) | Pub. |
| All the Time! (w&m) | 1894 | G.H. Chirgwin (perf.) | Pub. |
| Bird in the Hand, A (w&m) | 1894 | Marie Lloyd (perf.) | Pub. |
| Buy Me Some Almond Rock (w&m) | 1894 | Marie Lloyd (perf.) | Pub. |
| Charley's Aunt (w&m) | 1894 | Amy Lyster (perf.) | Pub. |
| Dear Old Ned | 1894 | Alfred J Morris (words) John S. Baker (words) Jenny Hill (perf.) Peggie Pryde (perf.) |
Pub. |
| Good-Bye, Mother! Good-Bye, Dad! (w&m) | 1894 | George Leyton (perf.) | Pub. |
| It Ain't All Lavender (w&m) | 1894 | Harry Randall (perf.) | |
| Judge, The (w&m) | 1894 | Harry Randall (perf.) | Pub. |
| Lardi-Doody-Day (w&m) | 1894 | Lily Morris (perf.) | Pub. |
| Lose 'im, Liza, Lose 'im | 1894 | A R Marshall (words) Alice Leamar (perf.) |
Pub. |
| ⇑ My Baby Boy | 1894 | Alfred J Morris (words) | Pub. |
| Naughty Little Heads Next Morning (w&m) | 1894 | Pub. | |
| Oh What Times They Must Have Been (w&m) | 1894 | |
|
| Oh! I Say (w&m) | 1894 | Marie Le Blanc (perf.) | Pub. |
| On the Nod (w&m) | 1894 | Pub. | |
| She Tells You the Tale So Nicely (w&m) | 1894 | Katie Lawrence (perf.) | Pub. |
| Still I Am Ready (w&m) | 1894 | George Leyton (perf.) | Pub. |
| They Cop the English Off at Monte Carlo | 1894 | Henry A Duffy (words) Leo Dryden (perf.) |
Pub. |
| Winkle's Wedding, The (w&m) | 1894. | Harry Francis (perf.) | Pub. |
| Dear Kind Doctor, A (w&m) | 1895 | George Robey (perf.) | |
| Do! Do! Be Always on the Do! (w&m) | 1895 | Fred Earle (perf.) | Pub. |
| For the Sake of the Little Ones at Home (w&m) | 1895 | Harry Randall (perf.) | Pub. |
| ⇑ He Was Born to Be a Gentleman (w&m) | 1895 | Constance Moxon (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Just a Score of 'em (w&m) | 1895 | |
|
| Major!, The (w&m) | 1895 | Herbert Campbell (perf.) | Pub. |
| Man of the World, A | 1895 | Fred Murray (words) Harry Lester (perf.) |
Pub. |
| Poor Old Jones! (w&m) | 1895 | Charles Godfrey (perf.) | Pub. |
| Slim Jim (w&m) | 1895 | Flo Barnes (perf.) | Pub. |
| They're All in Mourning | 1895 | Arthur Port (words) Fred Earle (perf.) |
Pub. |
| Trilby's Rival | 1895 | Fred W. Leigh (words) Fred Earle (perf.) |
|
| We Put Him in a Cab and Sent Him Home | 1895 | Harry Wincott (words) Florrie Robina (perf.) |
Pub. |
| When They Found I Was a Soldier | 1895 | Harry Wincott (words) Fred Earle (perf.) |
Pub. |
| E's a Reg'lar Barney Tomato (w&m) | 1896 | Gus Elen (perf.) | Pub. |
| Fireside Companions | 1896 | John T Masí (words) | Pub. |
| ⇑ Je-Hos-So-Phat! (w&m) | 1896 | G.H. Chirgwin (perf.) | Pub. |
| Jones, You're Wanted (w&m) | 1896 | Fred Earle (perf.) | Pub. |
| Just the Same As Dolly Does | 1896 | F. Osmond Carr (words) Lily Morris (perf.) Arthur Roberts (perf.) |
Pub. |
| Like a Girl (w&m) | 1896 | Constance Moxon (perf.) | Pub. |
| Oh! the Harbour Lights | 1896 | Fred W. Leigh (words) Fred Earle (perf.) |
Pub. |
| Our 'andy Man (w&m) | 1896 | Lawrence Barclay (perf.) | Pub. |
| Ro-Me-O and Juliet (w&m) | 1896 | Lily Morris (perf.) | Pub. |
| There's 99 of Us | 1896 | Ralph Pringle (words) | Pub. |
| There's a Shelter For All Who Like to Come (w&m) | 1896 | |
|
| Willie Wallie Winkham (w&m) | 1896 | Vesta Victoria (perf.) | Pub. |
| But I Can't Remember Now (w&m) | 1897 | Fred Earle (perf.) | Pub. |
| I'm a Poor Litle Beggar in England (w&m) | 1897 | Lily Morris (perf.) | Pub. |
| ⇑ I'm the Little Bird That Murmur'd Sweet! (w&m) | 1897 | Pub. | |
| Little Wosie Posie (w&m) | 1897 | Lily Morris (perf.) | Pub. |
| Poor Pa Paid (w&m) | 1897 | Harry Randall (perf.) | Pub. |
| Sweet Little Liza May (w&m) | 1897 | Alec Hurley (perf.) | Pub. |
| You Can't Stop a Girl From Thinking | 1897 | J. P. Harrington (words) George Le Brunn (words) Marie Lloyd (perf.) |
Pub. |
| Bid Me Good-Bye Forever | 1898 | Vesta Victoria (perf.) | |
| Little May-Queen Darling (w&m) | 1898 | James Norrie (perf.) | Pub. |
| Mary Had a Little Lamb (w&m) | 1898 | |
|
| One of the Racing Boys (w&m) | 1898 | Tom Costello (perf.) | Pub. |
| Ting, Ting, That's How the Bell Goes (w&m) | 1898 | George Leybourne (perf.) | Pub. |
| Wiv 'is Eyes Shut | 1898 | Richard Morton (words) | Pub. |
| Baby Soldier, The (w&m) | 1899 | Pub. | |
| ⇑ My Own Nigger Boy (w&m) | 1899 | Minnie Cunningham (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| One of the Soldiers (w&m) | 1899 | Mark Sheridan (perf.) | |
| Only a Simple Message From the Dear Homeland (w&m) | 1899 | Tom Costello (perf.) | Pub. |
| Take a Cake Home For the Baby (w&m) | 1899 | Vesta Victoria (perf.) | Pub. |
| When Mamma and Pa Have Gone to Bye-Bye (w&m) | 1899 | Maud Franklin (perf.) | Pub. |
| Years and Years Ago | 1899 | T C Callaghan (words) | Pub. |
| Daisy Mayflower | 1900 | Elaine D Ravensburg (words) | Pub. |
| Every Inch a Soldier and a Man (w&m) | 1900 | Clara Wieland (perf.) | Pub. |
| Friday Afternoon (w&m) | 1900 | Queenie Lawrence (perf.) Queenie Leighton (perf.) |
Pub. |
| Good-Night, Mamma | 1900 | Elaine D Ravensburg (words) | Pub. |
| Just in a Motherly Way | 1900 | Edgar Bateman (words) Harry Randall (perf.) |
Pub. |
| Just One Redeeming Feature | 1900 | Arthur Wylie (words) Fred Harrington (words) Harry Clifford (perf.) |
Pub. |
| ⇑ Last Christmas Day (w&m) | 1900 | Maud Mortimer (perf.) | Pub. |
| My Little May Queen (w&m) | 1900 | Ruby Bijou (perf.) | Pub. |
| Peculiar Julia (w&m) | 1900 | George D'Albert (perf.) | Pub. |
| So and So and Such and Such (w&m) | 1900 | Herbert Campbell (perf.) Dan Leno (perf.) |
Pub. |
| Try, Try Again (w&m) | 1900 | Maud Franklin (perf.) | Pub. |
| Don't Ask Me Why I'm Sad and Lonely (w&m) | 1901 | Pub. | |
| Ground He Walks Upon, The (w&m) | 1901 | Lottie Lennox (perf.) | Pub. |
| I Only Know I Love You! | 1901 | J. P. Harrington (words) | Pub. |
| I'll Buy a Mangle, Polly (w&m) | 1901 | Lily Morris (perf.) | Pub. |
| In the Air (w&m) | 1901 | Pub. | |
| Just a Little Ray of Sunshine | 1901 | Ted Cowan (words) | Pub. |
| Mary Married a Marquis (w&m) | 1901 | Lottie Lennox (perf.) | Pub. |
| ⇑ Only Just Because You're You | 1901 | Edgar Bateman (words) Julie Mackey (perf.) |
Pub. |
| She's a Lady Without Education (w&m) | 1901 | Connie Ediss (perf.) | Pub. |
| There Is Only One Way to Go (w&m) | 1901 | Pub. | |
| Walter! Walter! Don't Let Your True Love Falter (w&m) | 1901 | Pub. | |
| You're De Only Coon I Fancy (w&m) | 1901 | Gypsy Woolf (perf.) | Pub. |
| Good-Bye, Baby (w&m) | 1902 | Dora Lyric (perf.) | Pub. |
| I Love Him With All My Heart | 1902 | Elaine D Ravensburg (words) | Pub. |
| I Want No Fair-Weather Girl | 1902 | Charles Collins (words) Fred Jester Barnes (perf.) |
Pub. |
| I'd Clean 'is Boots For Nuffin'! [Sic] (w&m) | 1902 | Pub. | |
| Parson and a Man, A | 1902 | Brian Daly (words) Frank Celli (words) |
Pub. |
| There's a Moth-Eaten Rag | 1902 | Charles Windust (words) | Pub. |
| Give Me the Girl in the Plain Cotton Dress | 1903 | Bert Bijou (words) Bella and Bijou. (words) Walter Stockwell (perf.) |
Pub. |
| ⇑ Great March King, The (w&m) | 1903 | Winnie Derson (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| I Did It to Change My Luck (w&m) | 1903 | R. W. Bentley (perf.) | |
| My Aunt's Will | 1903 | Harry Boden (words) Harry Ford (perf.) |
|
| That's What I Want to Know | 1903 | Lionel Monckton (words) Ivan Caryll (words) Connie Ediss (perf.) |
|
| That's Why I Love Her (w&m) | 1903 | Pub. | |
| Two Little Baby Sweethearts (w&m) | 1903 | Pub. | |
| Don't! (w&m) | 1904 | Pub. | |
| Eva, the Naughty, Naughty Girl (w&m) | 1904 | Fred W. Leigh (words) | Pub. |
| Her Eyes Are the Break O' Day! | 1904 | J. P. Harrington (words) | Pub. |
| Leave Me Where You Met Me | 1904 | Harry Adams (words) | Pub. |
| Little Love-Bird! (w&m) | 1904 | Bensons (perf.) | Pub. |
| Pollie, the Ordinary Girl | 1904 | Charles Collins (words) Fred Jester Barnes (perf.) |
Pub. |
| ⇑ You Be Daddy, and I'll Be You (w&m) | 1904 | Pub. | |
| Flower Sale, The (w&m) | 1905 | Pub. | |
| Little Billie Taylor (w&m) | 1905 | Ethel Ra-Leslie (perf.) | Pub. |
| That's Smart! (w&m) | 1905 | Pub. | |
| Winds and the Waves and the Weather, The (w&m) | 1905 | Pub. | |
| I Want to Whisper Something to You, Baby (w&m) | 1906 | Pub. | |
| My Venice Girl (w&m) | 1906 | G. H. Elliott (perf.) | |
| Seaside Johnny, The (w&m) | 1906 | Pub. | |
| Eliza Brown (w&m) | 1908 | Tom Costello (perf.) | Pub. |
| Make Haste! and Send Me on a Girl | 1908 | J. P. Harrington (words) Orlando Powell (words) Mina Greene (perf.) |
Pub. |
| Pack Your Trunk To-Night | 1908 | J. P. Harrington (words) Bijou Russell (perf.) |
Pub. |
| Poor Old Short Was Short (w&m) | 1908 | Walter Stanley (perf.) | Pub. |
| ⇑ Waiting For Me | 1908 | Harry G Banks (words) | Pub. |
| For Months and Months and Months (w&m) | 1909 | Nora Bayes (perf.) Jack Norworth (perf.) Jack Smiles (perf.) |
Pub. |
| I Never Hear From Them (w&m) | 1909 | Tom E. Leamore (perf.) | Pub. |
| Ten a Penny, Walnuts! (w&m) | 1909 | Pub. | |
| For Nights and Nights and Nights (w&m) | 1910 | Syd Walker (perf.) | Pub. |
| Jack Smiles' Popular Laughing-Song (w&m) | 1910 | Jack Smiles (perf.) | Pub. |
| When the Bells Ring Oot [Sic] For Rosie (w&m) | 1910 | Bertha Stuart (perf.) | Pub. |
| He's Done It Again (w&m) | 1911 | Jack Smiles (perf.) | Pub. |
| Have a Drop of Gin, Joe! | 1912 | Charles Collins (words) Harry Champion (perf.) |
Pub. |
| On the Banks of the Silvery Dee | 1912 | Dan Fraser (words) | Pub. |
| I Must Have Gone and Left It in My Overcoat (w&m) | 1913 | Pub. | |
| Oh! Yes, My Mother Did (w&m) | 1913 | Pub. | |
| ⇑ From Berlin to Leicester Square (w&m) | 1914 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Tom! Tom! Tom! (w&m) | 1914 | Mark Sheridan (perf.) | |
| Tell My Daddy to Come Home Again (w&m) | 1915 | Pub. |
| Composer | Title | Performer |
|---|
|
J. Tabrar | Daddy Wouldn't Buy Me A Bow Wow (3:30) | Fred Feild |