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Tom Costello (music hall) | Biography by wikipedia.org. |
I Don't Mind Leaving the Dear Homeland. Music by: Tom Mellor. Words by: Harry Gifford Performed by: Tom Costello
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Title (Release Year) | Composer | Performers | Issue |
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Wax Cylinders | ||||
as Performer | ||||
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Farewell My Little Yo San! (190-) | B. Scott | T. Costello | Pathé 60866 |
Performer | CD Title | Supplier |
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Folk Music CDs: | |||
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Various Performers | Variety Veterans 1931-1952 |
Title | Attribution | Remarks |
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At Trinity Church I Met My Doom | Fred Gilbert (words & music) Tom Costello (perf.) |
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Club Raid Upside Down, The | George Le Brunn (music) Edgar Bateman (words) Tom Costello (perf.) |
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Comrades | Felix McGlennon (words & music) Tom Costello (perf.) |
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Does It Hurt You Very Much? | Fred W. Leigh (music) Tom Costello (words) Tom Costello (perf.) |
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Eliza Brown | Joseph Tabrar (words & music) Tom Costello (perf.) |
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Farmer's Farewell, The | Will Godwin (words & music) Tom Costello (perf.) |
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Good-Bye Dolly Gray | Paul Barnes (music) Will. D. Cobb (words) Tom Costello (perf.) |
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He's in the Asylum Now | Frank P. Aylmer (music) Edmund Forman (words) Tom Costello (perf.) |
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His Funeral's To-Morrow | Felix McGlennon (words & music) Tom Costello (perf.) |
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In Those Dear Old Golden Days | Bennett Scott (music) A. J. Mills (words) Tom Costello (perf.) |
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Madam Duvan | Tom Costello (music) Joseph Tabrar (words) Marie Lloyd (perf.) |
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⇑She Comes Home Tight on Saturday Night | Fred Gilbert (words & music) Tom Costello (perf.) |
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Sheeny Coon, The | Harry Castling (words & music) Tom Costello (perf.) |
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Ship I Love, The | Felix McGlennon (words & music) Tom Costello (perf.) |
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Society Actor, The | Felix McGlennon (music) Norton Atkins (words) Tom Costello (perf.) |
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What I Say I Do Do, I Do Do! | Fred W. Leigh (music) Tom Costello (words) Tom Costello (perf.) |
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Working Man's Sunday at Home, The | Frank Egerton (words & music) Tom Costello (perf.) |
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You're Still One of the Boys | E.W. Rogers (words & music) Tom Costello (perf.) |
Title | Attribution | Instruments | Source | Remarks |
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As performer | |||||
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Song That Will Live For Ever (1896), The | F. McGlennon (music) Tom Browne (words) Charles Howard (perf.) Harry P. Cargill (perf.) T. Costello (perf.) |
Piano, Voice | IMSLP | ![]() |
Title | Composer | Attribution | Remarks |
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He's in the Asylum Now (1889) | Frank P. Aylmer | Edmund Forman (words)
Tom Costello (perf.) |
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Good-Bye Dolly Gray (1898) | Paul Barnes | Will D. Cobb (words)
Tom Costello (perf.) |
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Sheeny Coon (1898), The | Harry Castling(w&m) | Tom Costello (perf.) |
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Tom Costello's Appreciation of ''There's Air'' (1900) | Harry Castling | Edgar Bateman (words)
Tom Costello (perf.) |
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Publican's Lament (1919), The | Harry Castling(w&m) | Tom Costello (perf.) |
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I've Got the Girl I've Got the Ring (1920) | Harry Castling(w&m) | Tom Costello (perf.) |
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Come Down, Mrs. Brown! Come Down! (1911) | Charles Collins | Fred Murray (words)
Tom Costello (perf.) |
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Strolling in the Garden (1896) | T.W. Connor | Tom Costello (perf.) |
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Boys That Do the Fighting (1897), The | T.W. Connor | Tom Costello (perf.) |
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Good-Bye Polly (1897) | T.W. Connor | Tom Costello (perf.) |
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⇑I'm Going to Ride a Bicycle (1897) | T.W. Connor | Tom Costello (perf.) |
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Ready (1898) | T.W. Connor | John S Baker (words)
Tom Costello (perf.) |
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Who's Going to Mash Me To-Night (1898) | T.W. Connor | Tom Costello (words)
Tom Costello (perf.) |
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One, Two, Three (1899) | T.W. Connor | Tom Costello (perf.) |
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Will You Go? (1899) | T.W. Connor | Tom Costello (perf.) |
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Mermaids (1900) | T.W. Connor | Tom Costello (perf.) |
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My Irish Honey, O! (1900) | T.W. Connor | Tom Costello (perf.) |
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Till Pay-Day Comes Again (1901) | T.W. Connor | Tom Costello (perf.) |
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I've Been Sleeping on the Floor All Night (1902) | T.W. Connor | Tom Costello (perf.) |
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She Don't Want a Maid to Dress Her Hair (1902) | T.W. Connor | Tom Costello (perf.) |
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My Old Comrade (1903) | T.W. Connor | Tom Costello (perf.) |
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⇑Bunch of Shamrock (1904), A | T.W. Connor | Tom Costello (perf.) |
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Convict and the Bird (1910), The | T.W. Connor | Tom Costello (perf.) |
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Under the Mistletoe-Bough (1911) | T.W. Connor | Tom Costello (perf.) |
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Soldier's Farewell (1913), The | T.W. Connor | Tom Costello (perf.) |
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What's in a Name? (1893) | John Crook | Richard Barnard (words)
Tom Costello (perf.) |
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Working Man's Sunday at Home (1892), The | Frank Egerton(w&m) | Tom Costello (perf.) |
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Theosophee (1891) | Frederick Eplett | Charles Wilmott (words)
Tom Costello (perf.) |
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Faithful (1899) | Frederick Eplett | Fred Gilbert (words)
Tom Costello (perf.) |
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If You'll Be True to Me (1892) | Fred Gilbert | Frederick Eplett (words)
Tom Costello (perf.) |
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Man That Broke the Bank at Monte Carlo (1892), The | Fred Gilbert | Tom Costello (perf.) |
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At Trinity Church I Met My Doom (1894) | Fred Gilbert(w&m) | Tom Costello (perf.) |
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⇑Never Knock at Her Door Now, My Boy (1894) | Fred Gilbert | Tom Costello (perf.) |
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Oh! Maria, if You Love Me (1894) | Fred Gilbert | Tom Costello (perf.) |
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Sunday Afternoon (1894) | Fred Gilbert | Tom Costello (perf.) |
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Father's Come Home With His Money All Right (1895) | Fred Gilbert(w&m) | Tom Costello (perf.) |
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Laughing Madman (1895), The | Fred Gilbert | John S Baker (words)
Tom Costello (perf.) |
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She Comes Home Tight on Saturday Night (1895) | Fred Gilbert | Tom Costello (perf.) |
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I Gave the Missis a Brace of Kisses (1896) | Fred Gilbert | Tom Costello (perf.) |
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I've Got to Prove It (1896) | Fred Gilbert(w&m) | Tom Costello (perf.) |
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Bridget the Spaniard (1897) | Fred Gilbert(w&m) | Tom Costello (perf.) |
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Farmer's Farewell (1895), The | Will Godwin(w&m) | Tom Costello (perf.) |
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Club Raid Upside Down (1901), The | George Le Brunn | Edgar Bateman (words)
Tom Costello (perf.) |
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⇑Music, Sweet Music (1901) | George Le Brunn | J P Harrington (words)
Tom Costello (perf.) |
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Zanana! (1905) | George Le Brunn | J P Harrington (words)
Tom Costello (perf.) |
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Does It Hurt You Very Much? (1901) | Fred W. Leigh(w&m) | Tom Costello (perf.) |
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What I Say I Do Do, I Do Do! (1904) | Fred W. Leigh(w&m) | Tom Costello (perf.) |
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My Little Ammunition Girl. (1916) | Fred W. Leigh(w&m) | Tom Costello (perf.) |
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Fed Up! (1918) | Fred W. Leigh(w&m) | Tom Costello (perf.) |
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I've Come Back to Town Once Again (1919) | Fred W. Leigh(w&m) | Tom Costello (perf.) |
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Gate (1889), The | Felix McGlennon | Warwick Williams (words)
Tom Costello (perf.) |
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His Funeral's To-Morrow (1889) | Felix McGlennon(w&m) | Tom Costello (perf.) |
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Comrades (1890) | Felix McGlennon | Tom Costello (perf.) |
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I Promised (1890) | Felix McGlennon | John S. Baker (words)
Tom Costello (perf.) |
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⇑They Bloom in Summer (1890) | Felix McGlennon | Harold Hope (words) John S. Baker (words) Tom Costello (perf.) |
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They Discharged Him Because He Was Old (1890) | Felix McGlennon | John S. Baker (words)
Tom Costello (perf.) |
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He's in Regular Employment Now (1891) | Felix McGlennon | Norton Atkins (words) John S. Baker (words) Tom Costello (perf.) |
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Society Actor (1891), The | Felix McGlennon | Norton Atkins (words) John S. Baker (words) Tom Costello (perf.) |
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Temperance Brigade (1891), The | Felix McGlennon | Tom Conley (words)
Tom Costello (perf.) |
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Buy a Bicycle (1893) | Felix McGlennon | James Curran (words)
Tom Costello (perf.) |
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Ship I Love (1893), The | Felix McGlennon(w&m) | Tom Costello (perf.) |
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I'll Forgive Him (1894) | Felix McGlennon | James Curran (words)
Tom Costello (perf.) |
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Norah My Wife (1894) | Felix McGlennon | W A Archbold (words)
Tom Costello (perf.) |
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One-Legged Family (1895), The | Felix McGlennon | Albert Hall (words)
Tom Costello (perf.) |
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Lavender, the Howler (1896) | Felix McGlennon | Charles D Hickman (words)
Tom Costello (perf.) |
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⇑Song That Will Live For Ever (1896), The | Felix McGlennon | Tom Browne (words)
Harry P. Cargill (perf.) Tom Costello (perf.) Charles Howard (perf.) |
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Quiet Little Corner Down in Kent (1897), A | Felix McGlennon | Edgar Bateman (words)
Tom Costello (perf.) |
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I Don't Mind Leaving the Dear Homeland. (1910) | Tom Mellor | Harry Gifford (words)
Tom Costello (perf.) |
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Board and Lodging For a Nice Young Man (1911) | Tom Mellor | Harry Gifford (words)
Tom Costello (perf.) |
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Home Again to Dear Old London (1911) | Tom Mellor | Harry Gifford (words)
Tom Costello (perf.) |
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Farewell to Ireland! (1912) | Tom Mellor | Harry Gifford (words)
Tom Costello (perf.) |
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Why Did You Go to War? (1900) | Henry E. Pether | Paul Pelham (words)
Tom Costello (perf.) |
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All Through ''Ta Ra Ra Boom De Ay'' (1892) | Orlando Powell | J. P. Harrington (words)
Tom Costello (perf.) |
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Duchess of Deansgate (1896), The | Orlando Powell | Albert Hall (words) Felix McGlennon (words) Tom Costello (perf.) |
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Two Angels (1896) | Orlando Powell | Albert Hall (words)
Tom Costello (perf.) |
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You're Still One of the Boys (1909) | E.W. Rogers(w&m) | Tom Costello (perf.) |
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⇑Have Me on a Three Months' Lease (1898) | Bennett Scott | C G Cotes (words)
Tom Costello (perf.) |
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It Don't Go Well With ''Scroggs'' (1898) | Bennett Scott(w&m) | Tom Costello (perf.) |
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Burglar Coon (1901), The | Bennett Scott | A J Mills (words)
Tom Costello (perf.) |
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I've Made Up My Mind to Sail Away (1902) | Bennett Scott | Henry E. Pether (words)
Tom Costello (perf.) |
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Oh! the ''Black List'' (1903) | Bennett Scott(w&m) | Tom Costello (perf.) |
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Somebody's Sailor Boy (1903) | Bennett Scott | George Arthurs (words)
Tom Costello (perf.) |
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Fair Trade (1904) | Bennett Scott(w&m) | Tom Costello (perf.) |
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Farewell My Little Yo San! (1904) | Bennett Scott | A J Mills (words)
Tom Costello (perf.) |
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There's No One to Say Good-Bye (1905) | Bennett Scott | A J Mills (words)
Tom Costello (perf.) |
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In Those Dear Old Golden Days (1906) | Bennett Scott | A J Mills (words)
Tom Costello (perf.) |
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Ten-Bob Rise, or, My Old Pal Joe (1906), The | Bennett Scott | Edgar Bateman (words)
Tom Costello (perf.) |
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⇑Wreck of the ''Serpent'' (1890), The | F.V St. Clair | W.W. Bright (words)
Tom Costello (perf.) Ella Dean (perf.) |
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One of the Racing Boys (1898) | Joseph Tabrar(w&m) | Tom Costello (perf.) |
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Only a Simple Message From the Dear Homeland (1899) | Joseph Tabrar(w&m) | Tom Costello (perf.) |
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Eliza Brown (1908) | Joseph Tabrar(w&m) | Tom Costello (perf.) |
Title | Year | Attribution | Remarks |
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Madam Duvan | 1891 | Joseph Tabrar (words) Marie Lloyd (perf.) |
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Supersitious Wife , The | 1896 | E W Rogers (words) Charles Bignell (perf.) |
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Blow Winds Gently (w&m) | 1898 | Pub. | |
If You Love Me Just As I Love You | 1903 | A J Mills (words) Bennett Scott (words) |
Pub. |
On Monday I Met Him | 1909 | Fred W. Leigh (words) Henry E. Pether (words) |
Pub. |
Pitmates (w&m) | 1913 | Pub. | |
I'm Giving Up My Job to the Kaiser | 1915 | Fred W. Leigh (words) | Pub. |
Mary Devine | 1915 | Fred W. Leigh (words) | Pub. |
When You Hear Your Country Calling | 1915 | Fred W. Leigh (words) | Pub. |
Nellie Brown | 1919 | Fred W. Leigh (words) | Pub. |
Composer | Title | Performer |
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F. Gilbert | At Trinity Church I Met My Doom (1934) (3:02) | T. Costello |