Bennett Scott
Last updated: 09.10.23
| Title (Release Year) | Instruments/Issue | Performers |
|---|
| MP3 File(s) | |||
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Boys in Khaki, Boys in Blue (1914) | Edison Blue Amberol Record: 23367 | Frederick J. Wheeler |
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Do You Remember the Last Waltz? (1912) | Edison Amberol: 1018 | H. Burr |
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Fall in and Follow Me (1911) | Edison Amberol: 12282 | Stanley Kirkby |
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Farewell My Little Yo San! (190-) | Pathé 60866 | T. Costello |
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Hello There, Macintyre! (1909) | Edison Standard Record: 10102 | Jack Lorimer |
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Homeland- Good-Bye! (1908) | Edison Gold Moulded Record: 13792 | Herbert Payne |
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I Got Married This Morning (1902) | Edison Gold Moulded Record: 8150 | Edward M. Favor |
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I've Been Out With Charlie Brown (1909-1910) | Edison Amberol: 12136 | Florrie Forde |
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Make Your Mind Up, Maggie Mackenzie (1915) | Edison Blue Amberol: 2667 | Glen Ellison |
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My Heart Is With You To-Night (1913) | Edison Blue Amberol: 23012 | Hardy Williamson |
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Nobody's Satisfied (1908) | Edison Amberol: 12014 | Arthur Gilbert |
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Popsy-Wopsy (1914?) | Edison Blue Amberol: 23199 | Daisy Taylor |
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Sailing in My Balloon (1908) | Indestructible Record: 772 | Ada Jones |
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Sing Us a Song of Bonnie Scotland (1913) | Edison Blue Amberol Record: 23135 | Stanley Kirkby |
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When Love Creeps in Your Heart (1914) | Edison Blue Amberol: 23212 | Hughes Macklin |
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⇑You Are Still My Highland Laddie (1908?) | Edison Bell Record: 10505 | Hector Grant |
| Performer | CD Title | Supplier |
|---|
| Folk Music CDs: | |||
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George Lashwood | George Lashwood - What a Don! | |
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Daisy Taylor | Popsy Wopsy |
| Title | Attribution | Remarks |
|---|
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All the Girls Are After Me | Bennett Scott (music) A.J. Mills (words) |
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All the Nice Girls Are in the Ballroom | Bennett Scott (music) Harry Castling (words) Ella Shields (perf.) |
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All the Nice Girls Love Charley | Bennett Scott (music) A.J. Mills (words) |
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And It Was | Bennett Scott (words & music) Jay Laurier (perf.) |
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Anna Maria | Bennett Scott (music) A.J. Mills (words) Cassie Walmer (perf.) |
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Artist, The | Bennett Scott (music) A. J. Mills (words) George Robey (perf.) |
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Best of Friends Must Part, The | Bennett Scott (music) A.J. Mills (words) George Leyton (perf.) |
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Beware of the Widow | Bennett Scott (music) A.J. Mills (words) Arthur Lloyd (perf.) |
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Boys' Brigade!, The | Bennett Scott (words & music) Hamilton Hill (perf.) |
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By the Side of the Zuyder Zee | Bennett Scott (music) A.J. Mills (words) Maudi Darrell (perf.) |
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Carrie From Camden Town | Bennett Scott (words & music) Lottie Collins (perf.) |
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⇑Chase Me, Charlie! | Bennett Scott (music) C.G. Cotes (words) Childie Stuart (perf.) |
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Cheerio! Sailor Boy, How Do? | Bennett Scott (music) A. J. Mills (words) |
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Come With Me to the Races | Bennett Scott (music) A.J. Mills (words) Arthur Reece (perf.) |
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Darling Mabel | Bennett Scott (music) A.J. Mills (words) Leonard Barry (perf.) |
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Don't Say a Word to the Wife | Bennett Scott (music) A.J. Mills (words) |
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Every Cloud Has a Silver Lining | Bennett Scott (music) A.J. Mills (words) George Lashwood (perf.) |
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Fall in and Follow Me | Bennett Scott (music) A.J. Mills (words) Albert Whelan (perf.) |
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Five Pound Note They Never Found, The | Bennett Scott (music) A. J. Mills (words) Michael Nolan (perf.) |
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Good-Bye Australia | Bennett Scott (words & music) |
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Had You Seen the Way It Was Won | Bennett Scott (music) C. G. Cotes (words) Harvey Haydon (perf.) Rose Harvey (perf.) |
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Hallo Peter, How Do? | Bennett Scott (words & music) |
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Harry and Carrie | Bennett Scott (music) A. J. Mills (words) |
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⇑Has Anyone Seen a German Band? | Bennett Scott (music) A.J. Mills (words) Florrie Forde (perf.) |
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Have You Seen My Chinee-Man? | Bennett Scott (music) A J Mills (words) Ella Retford (perf.) |
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Have You Seen My Dicky Bird? | Bennett Scott (music) A.J. Mills (words) |
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He Didn't Thank Me | Bennett Scott (music) A. J. Mills (words) |
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How to Be Happy, Though Married | Bennett Scott (music) A.J. Mills (words) |
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I Can't Oblige Today | Bennett Scott (music) Edgar Bateman (words) Ernest Shand (perf.) |
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I Don't Know How to Tell Yer How I Lubs Yer! | Bennett Scott (words & music) Marie Lloyd (perf.) |
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I Live Underneath | Bennett Scott (music) A.J. Mills (words) George Robey (perf.) |
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I Want My Percy | Bennett Scott (music) A.J. Mills (words) |
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I Wonder if You Miss Me Sometimes | Bennett Scott (words & music) Lily Morris (perf.) |
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I'd Like to Go to Turkey | Bennett Scott (words & music) |
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Idea, The | Bennett Scott (words & music) George Robey (perf.) |
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⇑If You Can't Be Good, Be Careful | Bennett Scott (words & music) |
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I'm Sammy Sharp | Bennett Scott (music) A.J. Mills (words) |
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I'm Using Sunday Language All the Week | Bennett Scott (music) Edgar Bateman (words) Harry Randall (perf.) |
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In Those Dear Old Golden Days | Bennett Scott (music) A. J. Mills (words) Tom Costello (perf.) |
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It's a Different Girl Again! | Bennett Scott (music) George Arthurs (words) Whit Cunliffe (perf.) |
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I've Been Digging For the Gold | Bennett Scott (music) George Lester (words) Harry Bedford (perf.) |
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I've Been Out With Charlie Brown | Bennett Scott (music) A J Mills (words) George Lashwood (perf.) Florrie Forde (perf.) |
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I've Enough and a Little to Spare | Bennett Scott (music) A.J. Mills (words) Dora Lyric (perf.) |
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I've Got Troubles of My Own | Bennett Scott (words & music) Katie Lawrence (perf.) |
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Ivy | Bennett Scott (words & music) Lily Lena (perf.) |
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Lost, Stolen or Strayed | Bennett Scott (words & music) Millie Lindon (perf.) |
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Lot 99 | Bennett Scott (music) C.G. Cotes (words) Rose Harvey (perf.) |
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⇑Not There! | Bennett Scott (music) J.P. Harrington (words) Jessie Albini (perf.) |
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Oh, How Rude | Bennett Scott (music) C.G. Cotes (words) George Robey (perf.) |
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On These Dark Nights | Bennett Scott (music) A.J. Mills (words) Fred Jester Barnes (perf.) |
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Picture Postcard Girls, The | Bennett Scott (music) A.J. Mills (words) Ambrose Thorne (perf.) |
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Popsy Wopsy | Bennett Scott (music) A.J. Mills (words) Ella Retford (perf.) |
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Rollicking Rajah, The | Bennett Scott (music) A.J. Mills (words) Lloyd Morgan (perf.) |
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Ship Ahoy | Bennett Scott (music) A.J. Mills (words) Ella Retford (perf.) |
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Sing That Ting-A-Ling Song | Bennett Scott (words & music) |
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Slight Mistake on the Part of My Valet, A | Bennett Scott (music) A.J. Mills (words) George Robey (perf.) |
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Take Me in a Taxi, Joe | Bennett Scott (music) A.J. Mills (words) Vesta Victoria (perf.) |
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Take Your Girlie on the Steamer | Bennett Scott (music) A. J. Mills (words) Lily Clarke (perf.) |
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Touching That Little Affair | Bennett Scott (music) C G Cotes (words) George Robey (perf.) |
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⇑Up in Scotland | Bennett Scott (music) George Arthurs (words) |
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Up She Goes! | Bennett Scott (music) A.J. Mills (words) Whit Cunliffe (perf.) |
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We All Promised to Go Straight Home | Bennett Scott (words & music) |
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We'll All March to Trafalgar Square | Bennett Scott (music) A.J. Mills (words) Mark Sheridan (perf.) |
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What Did She Know About Railways? | Bennett Scott (music) C.G. Cotes (words) Marie Lloyd (perf.) |
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What Ho! She Bounces! | Bennett Scott (music) C G Cotes (words) Marie Kendall (perf.) |
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When I Take My Morning Promenade. | Bennett Scott (music) A. J. Mills (words) Marie Lloyd (perf.) |
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You Needn't Wink, I Know | Bennett Scott (music) A.J. Mills (words) Marie Lloyd (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
|---|
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Darling Mabel (1896) | B. Scott (music) A J Mills (words) Leonard Barry (perf.) |
Piano, Voice | Monologues |  |
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I Don't Know How to Tell Yer How I Lubs Yer! (1897) | B. Scott (w&m) Marie Lloyd (perf.) |
Piano, Voice | Monologues | |
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What Did She Know About Railways? (1897) | B. Scott (music) C.G. Cotes (words) Marie Lloyd (perf.) |
Piano, Voice | Monologues |
This list is arranged in chronological order and contains 395 works by Bennett Scott.
It does not claim to be complete and represents only the number of items located. Keys:
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Our Johnny | 1894 | A J Mills (words) John S. Baker (words) Arthur Lennard (perf.) |
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| Academy Artist, The (w&m) | 1895 | Charles Deane (perf.) | Pub. |
| Face | 1895 | A J Mills (words) Cliff Ryland (perf.) |
Pub. |
| If I Meet the Girl With the Golden Hair | 1895 | A J Mills (words) Lizzie Fletcher (words) John S. Baker (words) Arthur Lennard (perf.) |
Pub. |
| Oh! That Chicken! | 1895 | Nat Clifford (words) A J Mills (words) |
Pub. |
| Pair of Dark Blue Eyes, A | 1895 | A J Mills (words) Charles Godfrey (perf.) |
Pub. |
| All Through the Motor-Car | 1896 | A J Mills (words) Arthur Lennard (perf.) |
Pub. |
| Darling Mabel | 1896 | A J Mills (words) Leonard Barry (perf.) |
Pub. |
| Diamond Queen, The | 1896 | A J Mills (words) Daisy Wood (perf.) |
Pub. |
| Ee Ain't Got Nuffin' to Tell | 1896 | J. P. Harrington (words) Milton Bode (words) Marie Kendall (perf.) |
Pub. |
| Gay Boulogne | 1896 | A J Mills (words) John S. Baker (words) Leonard Barry (perf.) |
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| ⇑ I Got Married This Morning | 1896 | A J Mills (words) Charles Bignell (perf.) Edward M. Favor (perf.) |
Pub. |
| I Live Underneath | 1896 | A J Mills (words) George Robey (perf.) |
Pub. |
| I've Got a Lot of 'em at Home | 1896 | A J Mills (words) Charles Bignell (perf.) |
Pub. |
| Meet Me by Moonlight Alone | 1896 | A J Mills (words) John S. Baker (words) George Robey (perf.) |
Pub. |
| Terrible Night, A | 1896 | A J Mills (words) Frank Coyne (perf.) |
Pub. |
| Where Have I Seen That Face? | 1896 | A J Mills (words) C G Cotes (words) Alec Hurley (perf.) |
Pub. |
| Big Benn Struck One | 1897 | A J Mills (words) Arthur Lennard (perf.) |
Pub. |
| I Can't Remember! | 1897 | Albert Hall (words) James Merrylees (words) John S. Baker (words) |
Pub. |
| I Don't Know How to Tell Yer How I Lubs Yer! (w&m) | 1897 | Koster &. Bials (perf.) Marie Lloyd (perf.) |
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| I've Been Digging For the Gold | 1897 | George Lester (words) Harry Bedford (perf.) |
Pub. |
| Jack Still Knows How to Fight | 1897 | A J Mills (words) Reuben Hill (perf.) |
Pub. |
| Lost, Stolen or Strayed | 1897 | A J Mills (words) Millie Lindon (perf.) |
Pub. |
| ⇑ Oh, Don't Ask Me Where! | 1897 | C G Cotes (words) Mark Anthony (perf.) |
Pub. |
| She Just Walks On | 1897 | A J Mills (words) Louie Freear (perf.) |
Pub. |
| Slight Mistake on the Part of My Valet, A | 1897 | A.J. Mills (words) George Robey (perf.) |
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| What Did She Know About Railways? | 1897 | C.G. Cotes (words) Marie Lloyd (perf.) |
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| White Silk Dress, The | 1897 | A J Mills (words) John S. Baker (words) |
Pub. |
| Wouldn't You Like to Know? | 1897 | A J Mills (words) Claire Romaine (perf.) |
Pub. |
| Have Me on a Three Months' Lease | 1898 | C G Cotes (words) Tom Costello (perf.) |
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| Hiding the Button | 1898 | C G Cotes (words) George D'Albert (perf.) |
Pub. |
| In the Days of Elizabeth | 1898 | C G Cotes (words) John S. Baker (words) George Robey (perf.) |
Pub. |
| It Don't Go Well With ''Scroggs'' (w&m) | 1898 | Tom Costello (perf.) | Pub. |
| Jeremiah the Dyer | 1898 | C G Cotes (words) Ida René (perf.) |
Pub. |
| Kiss Your Goosie Woosie | 1898 | C G Cotes (words) Madge Ellis (perf.) |
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| ⇑ Lot 99 | 1898 | C G Cotes (words) Rose Harvey (perf.) |
Pub. |
| Marble Arch, The | 1898 | C G Cotes (words) Walter King (perf.) |
Pub. |
| Not There! | 1898 | J.P. Harrington (words) Jessie Albini (perf.) |
Pub. |
| Oh! Black-Eyed Susan | 1898 | C G Cotes (words) Ted Young (words) |
Pub. |
| Right Side Up, With Care | 1898 | C G Cotes (words) Jessie Albini (perf.) |
Pub. |
| She Went Right Past Her Junction | 1898 | C G Cotes (words) Marie Loftus (perf.) |
Pub. |
| They All Come Back to Me | 1898 | C G Cotes (words) Fred Earle (perf.) |
Pub. |
| Touching That Little Affair | 1898 | C G Cotes (words) George Robey (perf.) |
Pub. |
| You Know the Girl I Mean | 1898 | A J Mills (words) Ada Ohlson (words) W W Bright (words) George Leyton (perf.) |
Pub. |
| Boys That Mind the Shop, The | 1899 | Edgar Bateman (words) Vesta Tilley (perf.) |
Pub. |
| Chase Me, Charlie! | 1899 | C.G. Cotes (words) Childie Stuart (perf.) |
Pub. |
| Do As the Romans Do | 1899 | C G Cotes (words) Marie Elsie (perf.) |
Pub. |
| ⇑ Driver of an All Night Tram, The | 1899 | C G Cotes (words) Harry Freeman (perf.) |
Pub. |
| Good-Bye Tilly (w&m) | 1899 | Rose Harvey (perf.) | Pub. |
| Good-Bye, and God Bless You, Jack | 1899 | J. P. Harrington (words) Marie Wilton (perf.) |
Pub. |
| I'll Be Your ''Daily Mail'' | 1899 | C G Cotes (words) Minnie Duncan (perf.) |
Pub. |
| I'm Going to Get Married To-Day, Hooray! | 1899 | C G Cotes (words) Maggie Duggan (perf.) |
Pub. |
| Oh! How Rude | 1899 | C G Cotes (words) George Robey (perf.) |
Pub. |
| Oh, How Rude | 1899 | C.G. Cotes (words) George Robey (perf.) |
Pub. |
| Oh, Willie, We Have Missed You | 1899 | C G Cotes (words) Kittee Rayburn (perf.) |
Pub. |
| On the Margate Boat | 1899 | A J Mills (words) Lillie Langtry (perf.) |
Pub. |
| Poor Girl Wanted Looking After, The | 1899 | J F Lambe (words) Rose Hamilton (perf.) |
Pub. |
| Poor Thing! | 1899 | C G Cotes (words) George Robey (perf.) |
Pub. |
| That'll Never Do For Me | 1899 | C G Cotes (words) Vesta Victoria (perf.) |
Pub. |
| ⇑ Two Hearts Made One | 1899 | C G Cotes (words) Kittee Rayburn (perf.) |
Pub. |
| Two Little Brandies and Sodas | 1899 | C G Cotes (words) Katie Lawrence (perf.) |
Pub. |
| Two Little Brandies and Sodas | 1899 | C. G. Cotes (words) Katie Lawrence (perf.) |
Pub. |
| We Always Have Our Little Bit at Home | 1899 | C G Cotes (words) Harry Bedford (perf.) |
Pub. |
| What Ho! She Bounces! | 1899 | C G Cotes (words) Marie Kendall (perf.) |
Pub. |
| You Know the Man I Mean | 1899 | C G Cotes (words) George Leyton (perf.) |
Pub. |
| Boys of the Emerald Island | 1900 | C G Cotes (words) Walter Munroe (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Captain La-Di-Da (w&m) | 1900 | George Lashwood (perf.) | |
| Girls and Boys | 1900 | C G Cotes (words) Florrie Forde (perf.) |
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| Her Majesty's Navy Blue (w&m) | 1900 | Pub. | |
| I Can't Oblige Today | 1900 | Edgar Bateman (words) Ernest Shand (perf.) |
Pub. |
| Ivy | 1900 | C G Cotes (words) Lily Lena (perf.) |
Pub. |
| La, La, La (w&m) | 1900 | Pub. | |
| Let's Make It Up Again (w&m) | 1900 | Pub. | |
| Old Father Christmas | 1900 | Paul Pelham (words) | Pub. |
| Ordered South | 1900 | C G Cotes (words) Maud Francis (words) Tom White's Arabs. (words) Kitty Beresford (perf.) George D'Albert (perf.) Rose Hamilton (perf.) |
Pub. |
| She's a Dear Old Girl | 1900 | C G Cotes (words) John Neat (words) George Bastow (perf.) |
|
| That's My Girl | 1900 | C G Cotes (words) Lillie English (perf.) |
Pub. |
| ⇑ We've Still Got the Lads in Red | 1900 | C G Cotes (words) J George Forde (words) |
Pub. |
| Won't You Teach Me? (w&m) | 1900 | Kitty Beresford (perf.) Ethel Haydon (perf.) |
Pub. |
| Everybodys Loved by Someone (w&m) | 1900? | ||
| Bass and the Bottle of Cham, The | 1901 | George Arthurs (words) Arthur Roberts (perf.) |
Pub. |
| Burglar Coon, The | 1901 | A J Mills (words) Tom Costello (perf.) |
Pub. |
| Girl With the Twinkling Eye, The | 1901 | A J Mills (words) | Pub. |
| Had You Seen the Way It Was Won | 1901 | C G Cotes (words) Rose Harvey (perf.) Ethel Haydon (perf.) Harvey Haydon (perf.) |
Pub. |
| Keep Straight On | 1901 | A J Mills (words) Jessie Albini (perf.) |
Pub. |
| King Baby | 1901 | A J Mills (words) | Pub. |
| Miss Jessie Albini's Popular Song Keep Straight On | 1901 | A J Mills (words) Jessie Albini (perf.) |
Pub. |
| She Wore a Wreath of Roses and One or Two Other Little Things | 1901 | A J Mills (words) Kittee Rayburn (perf.) |
Pub. |
| When You're Up in the World | 1901 | C G Cotes (words) Stuart Barnes (perf.) |
Pub. |
| ⇑ Although I'm a Millionaire (w&m) | 1902 | A J Mills (words) | Pub. |
| Artist, The | 1902 | A. J. Mills (words) George Robey (perf.) |
Pub. |
| I Shall Never Make the Missis Like My Ma | 1902 | Edgar Bateman (words) Leonard Barry (perf.) |
Pub. |
| I've Got Troubles of My Own | 1902 | Katie Lawrence (perf.) | |
| I've Made Up My Mind to Sail Away | 1902 | Henry E. Pether (words) Tom Costello (perf.) |
Pub. |
| Idea, The | 1902 | George Arthurs (words) George Robey (perf.) |
Pub. |
| Best of Friends Must Part, The | 1903 | A J Mills (words) Henry E. Pether (words) George Leyton (perf.) |
Pub. |
| Don't Steal My Rose | 1903 | Henry E. Pether (words) | Pub. |
| He Didn't Thank Me | 1903 | A. J. Mills (words) | |
| Oh! the ''Black List'' (w&m) | 1903 | Edwin Boyde (perf.) Tom Costello (perf.) Madge Daly (perf.) Ella Dean (perf.) Chas. Gardener (perf.) Albert Le Fre (perf.) George Robey (perf.) J. W. Rowley (perf.) Mark Sheridan (perf.) Ryder Slone (perf.) Harry Tate (perf.) Johnny Worman (perf.) |
Pub. |
| Somebody's Sailor Boy | 1903 | George Arthurs (words) Tom Costello (perf.) |
Pub. |
| There's a Girl Wanted There | 1903 | A J Mills (words) | Pub. |
| ⇑ Bonnie Scotland! | 1904 | George Arthurs (words) Whit Cunliffe (perf.) |
Pub. |
| By Kind Permission of ''The Daily Mail'' (w&m) | 1904 | Pub. | |
| Cassandra | 1904 | A J Mills (words) | Pub. |
| Do You Know Suzannah Simpson? | 1904 | A J Mills (words) | Pub. |
| Fair Trade (w&m) | 1904 | Tom Costello (perf.) | Pub. |
| Farewell My Little Yo San! | 1904 | A J Mills (words) Tom Costello (perf.) |
Pub. |
| Five Pound Note They Never Found, The | 1904 | A. J. Mills (words) Michael Nolan (perf.) |
Pub. |
| How to Be Happy, Though Married | 1904 | A.J. Mills (words) | Pub. |
| Oh, You Girls! You're Only Packets of Trouble | 1904 | A J Mills (words) | Pub. |
| Rosemary | 1904 | J. P. Harrington (words) | Pub. |
| Up in Scotland | 1904 | George Arthurs (words) | |
| When a Fellow Is Twenty-One | 1904 | Alfred Mills (words) | |
| ⇑ Angel of My Home | 1905 | J. P. Harrington (words) George Leyton (perf.) |
Pub. |
| Carrie From Camden Town (w&m) | 1905 | Lottie Collins (perf.) | |
| Hear the Pipers Calling, Jenny Mine | 1905 | A J Mills (words) Madge Lessing (perf.) |
Pub. |
| My Little Golden Key | 1905 | A J Mills (words) Will E Haines (words) |
Pub. |
| My Princess of Japan | 1905 | A J Mills (words) | Pub. |
| Sweet Carolina! | 1905 | A J Mills (words) | Pub. |
| There's No One to Say Good-Bye | 1905 | A J Mills (words) Tom Costello (perf.) |
Pub. |
| You Shall Have a Lovely Home, Johanna! | 1905 | A J Mills (words) | Pub. |
| All I Want Is a Girl | 1906 | A J Mills (words) | Pub. |
| All That Glitters Isn't Gold | 1906 | Harry Castling (words) | Pub. |
| Boys' Brigade!, The | 1906 | A J Mills (words) Hamilton Hill (perf.) |
Pub. |
| By the Side of the Zuyder Zee | 1906 | A J Mills (words) Maudi Darrell (perf.) Alice Lloyd (perf.) |
Pub. |
| ⇑ Colombo | 1906 | A. J.Mills (words) Daisy Dormer (perf.) |
|
| Come Down Lover's Lane | 1906 | A J Mills (words) Winifred Hare (perf.) |
Pub. |
| Every Cloud Has a Silver Lining | 1906 | A.J. Mills (words) George Lashwood (perf.) |
Pub. |
| Harry and Carrie | 1906 | A J Mills (words) | Pub. |
| Hello! Hello! Hello! It's a Different Girl Again | 1906 | George Arthurs (words) Herbert Cyril (perf.) |
Pub. |
| Hush! Little Girls! | 1906 | A J Mills (words) | Pub. |
| I've Enough and a Little to Spare | 1906 | A.J. Mills (words) Dora Lyric (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| In Those Dear Old Golden Days | 1906 | A J Mills (words) Tom Costello (perf.) |
|
| It's a Different Girl Again! | 1906 | George Arthurs (words) Whit Cunliffe (perf.) |
Pub. |
| Molly, Darling, I've Insured My Life | 1906 | Lytton Williams (words) | Pub. |
| Nelson From His Monument | 1906 | A J Mills (words) John S. Baker (words) |
|
| Old Oak Tree, The | 1906 | A J Mills (words) | Pub. |
| On the Rock of Gibralter | 1906 | A J Mills (words) | |
| Rosy's Cosy Bungalow | 1906 | A J Mills (words) Alice Lloyd (perf.) |
Pub. |
| Sheelah | 1906 | A J Mills (words) | Pub. |
| Snow-Flakes | 1906 | A J Mills (words) | Pub. |
| Suzannah's Long Stocking | 1906 | A J Mills (words) | |
| Ten-Bob Rise, or, My Old Pal Joe, The | 1906 | Edgar Bateman (words) Tom Costello (perf.) |
Pub. |
| ⇑ There's Something About a Girl | 1906 | A J Mills (words) | Pub. |
| Wedding Bells | 1906 | A J Mills (words) | Pub. |
| Will You Dance With Me, Marie? | 1906 | A J Mills (words) John S. Baker (words) |
Pub. |
| Won't You Come and Kiss Me, Little Girl? | 1906 | A J Mills (words) | Pub. |
| Boys in Scarlet and Gold, The | 1907 | A J Mills (words) | Pub. |
| By the Sunny Bay of Naples (w&m) | 1907 | Pub. | |
| Fare Thee Well, My Isabel | 1907 | A J Mills (words) | Pub. |
| Good-Bye Australia | 1907 | A J Mills (words) John S. Baker (words) |
Pub. |
| Has Anyone Seen a German Band? | 1907 | A.J. Mills (words) Mina Brae (perf.) Daisy Dormer (perf.) Florrie Forde (perf.) Florrie Gallimore (perf.) Ella Retford (perf.) |
Pub. |
| I Want to Be More Than a Friend | 1907 | A J Mills (words) John S. Baker (words) |
Pub. |
| I'd Like to Know When You Can | 1907 | A J Mills (words) Claire Romaine (perf.) |
|
| If You Can't Be Good, Be Careful | 1907 | A J Mills (words) | Pub. |
| ⇑ Jeannie Mcgregor | 1907 | A J Mills (words) John S. Baker (words) |
Pub. |
| Limerickitis | 1907 | A J Mills (words) John S. Baker (words) |
Pub. |
| Nobody's Satisfied | 1907 | A J Mills (words) R P Weston (words) Carrie DeMar (perf.) Arthur Gilbert (perf.) |
|
| Oh! the Merry Widow | 1907 | A J Mills (words) Ambrose Thorne (words) John S. Baker (words) George Lashwood (perf.) |
Pub. |
| Oh! the Steamer! Oh! the Sea! | 1907 | A J Mills (words) John S. Baker (words) Whit Cunliffe (perf.) |
Pub. |
| Pretty Little Maid of Norway | 1907 | A J Mills (words) John S. Baker (words) |
Pub. |
| Primrose | 1907 | A J Mills (words) | Pub. |
| Sailing in My Balloon | 1907 | A J Mills (words) Florry Cooper (perf.) Ada Jones (perf.) |
Pub. |
| Wouldn't That Be Loverly! | 1907 | A J Mills (words) | Pub. |
| You Are Still My Highland Laddie | 1907 | A J Mills (words) Hector Grant (perf.) Bertha Stuart (perf.) |
Pub. |
| A to Z | 1908 | A J Mills (words) Will Evans (perf.) |
Pub. |
| All Through a Dark Blue Eye (w&m) | 1908 | A J Mills (words) | Pub. |
| ⇑ By the Blue Lagoon | 1908 | A J Mills (words) | |
| Domino | 1908 | A J Mills (words) John S. Baker (words) |
Pub. |
| Don't Put Your Umbrella Up Before It Starts to Rain | 1908 | Terry Sullivan (words) | Pub. |
| Have You Seen My Chinee-Man? | 1908 | A J Mills (words) Ella Retford (perf.) |
Pub. |
| Homeland- Good-Bye! | 1908 | A J Mills (words) Herbert Payne (perf.) |
Pub. |
| Meet Me Under the Clock | 1908 | A J Mills (words) John S. Baker (words) |
Pub. |
| Molly Maloney | 1908 | A J Mills (words) | Pub. |
| More I See of Other Girls, the Better I Love You, The | 1908 | A J Mills (words) John S. Baker (words) |
Pub. |
| Oh! George, Tell Them to Stop the Flip-Flap | 1908 | A J Mills (words) | Pub. |
| Oh! Those Girls! | 1908 | A J Mills (words) John S. Baker (words) |
Pub. |
| Picture Postcard Girls, The | 1908 | A J Mills (words) John S. Baker (words) Ambrose Thorne (perf.) |
Pub. |
| Private Schnapps | 1908 | A J Mills (words) | Pub. |
| ⇑ So Shi | 1908 | A J Mills (words) | Pub. |
| What Ho! the Boulevards! | 1908 | A J Mills (words) | Pub. |
| When You've Got a Girl | 1908 | A J Mills (words) John S. Baker (words) |
Pub. |
| Won't You Waltz ''The Merry Widow Waltz'' With Me? | 1908 | A J Mills (words) John S. Baker (words) |
Pub. |
| Beware! Beware! | 1909 | George Arthur (words) | Pub. |
| Come and Put Your Arms Around Me | 1909 | A J Mills (words) | Pub. |
| Happy Days | 1909 | A J Mills (words) | Pub. |
| Hello There, Macintyre! | 1909 | A.J. Mills (words) Jack Lorimer (perf.) |
|
| I Can't Keep Away From the Girls | 1909 | A J Mills (words) | Pub. |
| I Say Miss Linda | 1909 | A J Mills (words) | Pub. |
| I Want Mister Schneider | 1909 | A J Mills (words) | Pub. |
| I'll Let the World Go By | 1909 | A J Mills (words) | Pub. |
| ⇑ I've Been Out With Charlie Brown | 1909 | A J Mills (words) Florrie Forde (perf.) George Lashwood (perf.) |
Pub. |
| John and Jane | 1909 | A J Mills (words) | Pub. |
| Mister Man in the Moon | 1909 | A J Mills (words) | Pub. |
| Moon-Bird | 1909 | A J Mills (words) | Pub. |
| My Land of Sunshine (w&m) | 1909 | Pub. | |
| Rolling Round the Skating Rink | 1909 | A J Mills (words) May Mars (perf.) |
Pub. |
| Same Old Park, The | 1909 | A J Mills (words) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Sea, Sea, Sea | 1909 | A J Mills (words) | |
| Violet | 1909 | A J Mills (words) | Pub. |
| When You Hear That Steamboat Coming Down the River | 1909 | Maurice Scott (words) Fred Jester Barnes (perf.) |
Pub. |
| Wrong Street Door, The | 1909 | A J Mills (words) | Pub. |
| Here Comes the Chocolate Major | 191- | A J Mills (words) | |
| Any Little Girl Will Do (w&m) | 1910 | Pub. | |
| Cheer Up! My Highland Lassie (w&m) | 1910 | Pub. | |
| Fall in and Follow Me | 1910 | A J Mills (words) Stanley Kirkby (perf.) Albert Whelan (perf.) |
Pub. |
| Fellow Who Looks Like Me, The (w&m) | 1910 | Pub. | |
| Hello! Is That You Flo? (w&m) | 1910 | Pub. | |
| Here's Another One Off to Japan (w&m) | 1910 | Pub. | |
| ⇑ I Met Mary Ellen at Th' Isle of Man (w&m) | 1910 | Pub. | |
| I Wonder if You Care (w&m) | 1910 | Pub. | |
| I'll Come Back to Bantry Bay (w&m) | 1910 | Pub. | |
| I'm Using Sunday Language All the Week | 1910 | Edgar Bateman (words) Harry Randall (perf.) |
|
| I've Got a Bit of Love For You, Dear (w&m) | 1910 | Pub. | |
| I've Got to Stop at Home and Mind the Baby (w&m) | 1910 | Pub. | |
| If the Wife Could See Me Now (w&m) | 1910 | Pub. | |
| It's a Lovely Day For a Sail (w&m) | 1910 | Pub. | |
| Let's All Go and Listen to the Band (w&m) | 1910 | Pub. | |
| Mary, Mary, You Don't Come From Spain (w&m) | 1910 | Pub. | |
| Mona (w&m) | 1910 | Pub. | |
| Moonlight Promenade, The (w&m) | 1910 | Pub.  |
|
| ⇑ My Cinnamon Lady (w&m) | 1910 | Pub. | |
| Oh! Miss Wilhelmina (w&m) | 1910 | Pub. | |
| Oh! Oh! the Picture Show (w&m) | 1910 | Pub. | |
| Popsy-Wopsy | 1910 | A J Mills (words) Ella Retford (perf.) Daisy Taylor (perf.) |
Pub. |
| She Was a Dollar Princess (w&m) | 1910 | Pub. | |
| She Was a Girl in White | 1910 | A J Mills (words) | Pub. |
| Six Telegrams. (w&m) | 1910 | Pub. | |
| Sunday Morning Walk, The (w&m) | 1910 | Pub. | |
| Tell 'em That I'm Your Uncle (w&m) | 1910 | Pub. | |
| Tha' Comes Fra' Lancashire (w&m) | 1910 | Pub. | |
| There's a Girl in Tonypandy (w&m) | 1910 | Pub. | |
| Up She Goes! (w&m) | 1910 | Whit Cunliffe (perf.) | Pub. |
| ⇑ What D'ye Say, Molly Molloy? (w&m) | 1910 | Pub. | |
| What Do You Say, Molly Molloy? | 1910 | A J Mills (words) Cressie Leonard (perf.) May Mars (perf.) Lyoyd Morgan (perf.) Ella Retford (perf.) |
Pub. |
| What's the Matter With London? (w&m) | 1910 | Pub. | |
| When I Take My Morning Promenade (w&m) | 1910 | Marie Lloyd (perf.) Rosie Lloyd (perf.) |
Pub. |
| Where's Dooley? (w&m) | 1910 | Pub. | |
| Where, Oh! Where Is My Mary Ellen? (w&m) | 1910 | Pub. | |
| Bennett Scott's Piano Tutor (w&m) | 1910) | Pub. | |
| When the War Drums Are Beating on the Prairie | 1910? | A J Mills (words) | Pub. |
| Sailor and the Mermaid, The | 1910c | A J Mills (words) | |
| Come and Join the Islanders (w&m) | 1911 | Pub. | |
| Come With Me to Gipsyland (w&m) | 1911 | Pub. | |
| Do You Remember the Last Waltz? (w&m) | 1911 | Henry Burr (perf.) Ernest Pike (perf.) Henry Burr as Irving Gillette |
Pub. |
| ⇑ Good-Bye Girlie (w&m) | 1911 | Pub. | |
| Hallo! Here Comes a Jolly Sailor | 1911 | A J Mills (words) Fred Barnes (words) |
Pub. |
| I Don't Care What Becomes of Me (w&m) | 1911 | Pub. | |
| I Saw Peter Henry Home Last Night (w&m) | 1911 | Pub. | |
| I'd Like to Go to Turkey (w&m) | 1911 | Pub. | |
| I'm Sammy Sharp (w&m) | 1911 | Pub. | |
| Jean Maclaren (w&m) | 1911 | Pub. | |
| Let Me Kiss Those Tears Away (w&m) | 1911 | Pub. | |
| My First Love, My Last Love, My Only Love (w&m) | 1911 | Pub. | |
| Sweet Evelyn (w&m) | 1911 | Pub. | |
| Take Your Girlie on the Steamer (w&m) | 1911 | Lily Clarke (perf.) | Pub. |
| Tantalising (w&m) | 1911 | Pub. | |
| ⇑ They Don't All Go to Hear the Band (w&m) | 1911 | Pub. | |
| Try on Your Grandma's Crinoline (w&m) | 1911 | Pub. | |
| Waltz Me Up the Staircase (w&m) | 1911 | Pub. | |
| Wedding Bells Are Ringing For Sammy (w&m) | 1911 | Pub. | |
| Where There's a Bunch of Girls You'll Find a Sailor (w&m) | 1911 | Pub. | |
| You Can't Judge a Woman by Her Clothes (w&m) | 1911 | Pub. | |
| All Roads Lead to My House (w&m) | 1912 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| All the Girls Are After Me (w&m) | 1912 | |
|
| Come With Me to the Races (w&m) | 1912 | Arthur Reece (perf.) | Pub. |
| Have You Forgotten, Jeannie Darling? (w&m) | 1912 | Pub. | |
| Have You Seen Our John? (w&m) | 1912 | Pub. | |
| Here's a Health to the Bonnie Little Bride (w&m) | 1912 | Pub. | |
| I Shall Never Cease to Love You (w&m) | 1912 | Pub. | |
| I Want You, Want You, Want You (w&m) | 1912 | Pub. | |
| If You Want to Please Suzannah (w&m) | 1912 | Pub. | |
| L.A.N.C.A.S.H.I.R.E. (That Spells Lancashire) (w&m) | 1912 | Pub. | |
| My Bouquet. (w&m) | 1912 | Pub. | |
| My Heart Is With You To-Night (w&m) | 1912 | Hardy Williamson (perf.) | Pub. |
| ⇑ O-Oh! That Ragtime Sea (w&m) | 1912 | Pub. | |
| Oh! Have You Seen the Mermaids? (w&m) | 1912 | Pub. | |
| Oh, Gee! That Ragtime Step | 1912 | Herbert Rule (words) | Pub. |
| Paree! That's the Place For Me (w&m) | 1912 | Pub. | |
| Play Me a Song of Love (w&m) | 1912 | Pub. | |
| Puritan Maid. (w&m) | 1912 | Pub. | |
| Rollicking Rajah, The (w&m) | 1912 | Harry Fay (perf.) Lloyd Morgan (perf.) |
Pub. |
| Shall We All Go to Paris? (w&m) | 1912 | Pub. | |
| Snowland (w&m) | 1912 | Pub. | |
| So We All Went Walking Round (w&m) | 1912 | Pub. | |
| Somebody Else (w&m) | 1912 | Pub. | |
| Sylvester. (w&m) | 1912 | Pub. | |
| ⇑ There You Are Again, Mr. Rainbow (w&m) | 1912 | Pub. | |
| There's Going to Be a Wedding in the Stars (w&m) | 1912 | Pub. | |
| Waltz Me, Willie, in Rag-Time (w&m) | 1912 | Pub. | |
| Anna Maria (w&m) | 1913 | A J Mills (words) Cassie Walmer (perf.) |
|
| Beware of the Widow (w&m) | 1913 | Arthur Lloyd (perf.) | Pub. |
| Charley's Never Been Wed Before (w&m) | 1913 | Pub. | |
| Come For a Dip in the Water (w&m) | 1913 | Pub. | |
| Come to the Carnival (w&m) | 1913 | Pub. | |
| Don't Say a Word to the Wife (w&m) | 1913 | Pub. | |
| Ev'rybody's Doing the Tango (w&m) | 1913 | Pub. | |
| Every Polly Loves a Jolly Sailor (w&m) | 1913 | Pub. | |
| Hallo Peter, How Do? (w&m) | 1913 | ||
| ⇑ Hello! Hello! Miss Ladybird (w&m) | 1913 | Pub. | |
| I Want the Whole World to Know (w&m) | 1913 | Pub. | |
| I've Tried to Be Good, But the Girls Won't Let Me (w&m) | 1913 | Pub. | |
| It's the Best Game Two Can Play | 1913 | Fred Collis Wildman (words) | Pub. |
| Make Your Mind Up, Maggie Mackenzie (w&m) | 1913 | Glen Ellison (perf.) Daisy Taylor (perf.) |
Pub. |
| Marco Pizzicato (w&m) | 1913 | Pub. | |
| Mary Mccarthy (w&m) | 1913 | Pub. | |
| Mister Shadow Man (w&m) | 1913 | Pub. | |
| My Cinema Girl (w&m) | 1913 | Pub. | |
| Oh! La, La! That Angel Music Man (w&m) | 1913 | Pub. | |
| Sing Us a Song of Bonnie Scotland | 1913 | A.J. Mills (words) Scott Kirby (perf.) Stanley Kirkby (perf.) Daisy Taylor (perf.) |
Pub. |
| Take Me in a Taxi, Joe | 1913 | A J Mills (words) Vesta Victoria (perf.) |
Pub. |
| ⇑ That's Why the Girls Love Navy Blue (w&m) | 1913 | Pub. | |
| Time Will Always Bring Forgiveness (w&m) | 1913 | Charles Compton (perf.) | Pub. |
| We All Promised to Go Straight Home (w&m) | 1913 | Pub. | |
| We'll All March to Trafalgar Square (w&m) | 1913 | Mark Sheridan (perf.) | Pub. |
| What Do We Care What the Wild Waves Say? (w&m) | 1913 | Pub. | |
| Whoa! the Piccadilly Farm (w&m) | 1913 | Pub. | |
| Au Revoir, My Own Sweet Marguerite (w&m) | 1914 | Pub. | |
| Boys in Khaki, Boys in Blue | 1914 | A J Mills (words) Frederick J. Wheeler (perf.) |
|
| By the Blue, Blue Rhine (w&m) | 1914 | Pub. | |
| Did You Have a Good Time Last Night? (w&m) | 1914 | Pub. | |
| Do It Again, Louisa (w&m) | 1914 | Pub. | |
| Have You Seen My Dicky Bird? | 1914 | A.J. Mills (words) | Pub. |
| ⇑ How Do You Do, My Little Revue Girl? | 1914 | A.J. Mills (words) Daisy Taylor (perf.) |
Pub. |
| I Was Dreaming of You Last Night (w&m) | 1914 | Pub. | |
| I'm Going Home to Hudson's Bay (w&m) | 1914 | Pub. | |
| If I Thought You Loved Me (w&m) | 1914 | Pub. | |
| Kiss Me Good-Bye, My Little Soldier Boy (w&m) | 1914 | Daisy Taylor (perf.) | Pub. |
| Night-Time's the Right Time (w&m) | 1914 | Pub. | |
| Oh! Ma'm'selle Ju-Li-A! (w&m) | 1914 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Sandy Boy (w&m) | 1914 | |
|
| Somebody (w&m) | 1914 | Pub. | |
| Wedding in Gipsyland, A (w&m) | 1914 | Pub. | |
| Wedding of Annie Laurie, The (w&m) | 1914 | Pub. | |
| When Love Creeps in Your Heart | 1914 | A J Mills (words) George W. Ballard (perf.) Hughes Macklin (perf.) |
|
| When You Said Good-Bye (w&m) | 1914 | Pub. | |
| Wonderful Rose of Love (w&m) | 1914 | Pub. | |
| You've Got Me, and I've Got You | 1914 | Fred Godfrey (words) | Pub. |
| All the Nice Girls Love Charley (w&m) | 1915 | Pub. | |
| Ev'rybody's Crazy on the Fox-Trot (w&m) | 1915 | Pub. | |
| Hearts Are Something More Than Playthings (w&m) | 1915 | Pub. | |
| ⇑ I Wonder if You Miss Me Sometimes | 1915 | A J Mills (words) Lily Morris (perf.) |
|
| Show Me the Way to Your Heart (w&m) | 1915 | Pub. | |
| Sing a Song About a Sailor (w&m) | 1915 | Pub. | |
| We Must All Fall in (w&m) | 1915 | Pub. | |
| Have You Seen That Wise Old Owl? (w&m) | 1916 | Pub. | |
| Oh! to Be the Belle of the Ball (w&m) | 1916 | Pub. | |
| On These Dark Nights (w&m) | 1916 | Fred Jester Barnes (perf.) | Pub. |
| Take Me Back to Sleepyville (w&m) | 1916 | Pub. | |
| You Gave Me Love (w&m) | 1916 | Pub. | |
| As You Were! (w&m) | 1917 | Pub. | |
| Cheerio! Sailor Boy, How Do? (w&m) | 1917 | Pub. | |
| Hope On, Brave Heart (w&m) | 1917 | Pub. | |
| ⇑ Houp-La Skirt, The (w&m) | 1917 | Pub. | |
| I Mean to Get You (w&m) | 1917 | Pub. | |
| I Want My Percy (w&m) | 1917 | Pub. | |
| I Want You to Know I Miss You (w&m) | 1917 | Pub. | |
| Love Me For Love (w&m) | 1917 | Pub. | |
| Oh! the Girls of London Town (w&m) | 1917 | Pub. | |
| Sing That Ting-A-Ling Song (w&m) | 1917 | Pub. | |
| Smoke Goes Up the Chimney Just the Same, The (w&m) | 1917 | Pub. | |
| What Does a Soldier Care? (w&m) | 1917 | Pub. | |
| What's the Matter With You (Smile!) (w&m) | 1917 | Pub. | |
| You Gave Me a Red, Red Rose (w&m) | 1917 | Pub. | |
| Jubilation Day (w&m) | 1918 | Pub. | |
| ⇑ Oh! Mary Macfarlane (w&m) | 1918 | Pub. | |
| I Must Have a Dance With Popsy (w&m) | 1919 | Pub. | |
| Like No Other Girl (w&m) | 1919 | Pub. | |
| Where's the Girl You Had Last Year? | 1919 | Arthur J Mills (words) Fred Godfrey (words) |
|
| Wonderful Love (w&m) | 1919 | Pub. | |
| Put on Your Military Uniform | 192- | J P Long (words) | Pub. |
| Better'n That (w&m) | 1920 | ||
| Loo! Sue! (Mary, Dinah, Carolina, Isabella, Mandy, Jane, Angeline) | 1920 | A J Mills (words) | |
| Ship Ahoy | 1920 | A J Mills (words) Ella Retford (perf.) |
|
| Best Little World, The (w&m) | 1921 | ||
| I Sailed Away From Bantry Bay (w&m) | 1921 | ||
| I Want a Good Girl and I Want Her Dad (w&m) | 1921 | ||
| ⇑ Monty at Monte-Carlo (w&m) | 1924 | ||
| All the Nice Girls Are in the Ballroom (w&m) | 1925 | Ella Shields (perf.) | |
| One Legged Family, The (w&m) | 1925 | ||
| I'm on My Way to Bonnie Scotland (w&m) | 1926 | ||
| Mariette (w&m) | 1926 | |
|
| Ayesha (w&m) | 1927 | ||
| Chasing a Butterfly (w&m) | 1927 | ||
| Just That Little Bit More (w&m) | 1927 | ||
| Katie Carthy's Party (w&m) | 1927 | ||
| Little Brown Bird (w&m) | 1927 | ||
| Blue Days Are Over (w&m) | 1930 | ||
| Great Stuff, This Love! (w&m) | 1930 | ||
| ⇑ Poor Little House in a Poor Little Street, A | 1930 | Maurice Scott (words) | |
| Seven Step, The (w&m) | 1930 | ||
| There's Another Good Man Gone Wrong (w&m) | 1930 | |
|
| And It Was (w&m) | ? | Jay Laurier (perf.) | |
| Empty Frame , The | ? | C G Cotes (words) | |
| You Needn't Wink, I Know | ? | A.J. Mills (words) Marie Lloyd (perf.) |
| Composer | Title | Performer |
|---|
|
B. Scott | The Moonlight Promenade (1910) (2:42) | G. Lashwood |
|
B. Scott | The Rollicking Rajah (3:25) | Harry Fay |
|
B. Scott | When I Take My Morning Promenade (3:10) | Marie Lloyd |
|
B. Scott | When I Take My Morning Promenade (0:51) | Rosie Lloyd |