Bennett Scott
Last updated: 19.01.22
| Title | Instruments/Issue | Attribution |
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| MP3 File(s | |||
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Boys in Khaki, Boys in Blue | Edison Blue Amberol Record: 23367 | Frederick J. Wheeler (perf.) |
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Do You Remember the Last Waltz? | Edison Standard Record: 14088 | Ernest Pike (perf.) |
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Fall in and Follow Me | Edison Amberol: 12282 | Stanley Kirkby (perf.) |
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Farewell My Little Yo San! | Pathé 60866 | T. Costello (perf.) |
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Hello There, Macintyre! | Edison Standard Record: 10102 | Jack Lorimer (perf.) |
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Homeland- Good-Bye! | Edison Gold Moulded Record: 13792 | Herbert Payne (perf.) |
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I Got Married This Morning | Edison Gold Moulded Record: 8150 | Edward M. Favor (perf.) |
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I've Been Out With Charlie Brown | Edison Amberol: 12136 | Florrie Forde (perf.) |
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Make Your Mind Up, Maggie Mackenzie | Edison Blue Amberol: 2667 | Glen Ellison (perf.) |
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My Heart Is With You To-Night | Edison Blue Amberol: 23012 | Hardy Williamson |
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Sailing in My Balloon | Indestructible Record: 772 | Ada Jones (perf.) |
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Sing Us a Song of Bonnie Scotland | Edison Blue Amberol Record: 23135 | Stanley Kirkby (perf.) |
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Time Will Always Bring Forgiveness | Edison Blue Amberol: 23224 | Charles Compton (perf.) |
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When Love Creeps in Your Heart | Edison Blue Amberol: 23212 | Hughes Macklin (perf.) |
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You Are Still My Highland Laddie | Edison Bell Record: 10505 | Hector Grant (perf.) |
| Performer | CD Title | Supplier |
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| Folk Music CDs: | |||
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George Lashwood | George Lashwood - What a Don! | |
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Daisy Taylor | Popsy Wopsy |
| Title | Attribution | Remarks |
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All the Girls Are After Me | Bennett Scott (music) A.J. Mills (words) |
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All the Nice Girls Are in the Ballroom | Bennett Scott (music) Harry Castling (words) Ella Shields (perf.) |
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All the Nice Girls Love Charley | Bennett Scott (music) A.J. Mills (words) |
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And It Was | Bennett Scott (words & music) J. Laurier (perf.) |
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Anna Maria | Bennett Scott (music) A.J. Mills (words) Cassie Walmer (perf.) |
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Artist, The | Bennett Scott (music) A. J. Mills (words) G. Robey (perf.) |
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Best of Friends Must Part, The | Bennett Scott (music) A.J. Mills (words) George Leyton (perf.) |
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Beware of the Widow | Bennett Scott (music) A.J. Mills (words) A. Lloyd (perf.) |
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Boys' Brigade!, The | Bennett Scott (words & music) Hamilton Hill (perf.) |
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By the Side of the Zuyder Zee | Bennett Scott (music) A.J. Mills (words) Maudi Darrell (perf.) |
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Carrie From Camden Town | Bennett Scott (words & music) Lottie Collins (perf.) |
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⇑Chase Me, Charlie! | Bennett Scott (music) C.G. Cotes (words) Childie Stuart (perf.) |
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Cheerio! Sailor Boy, How Do? | Bennett Scott (music) A. J. Mills (words) |
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Come With Me to the Races | Bennett Scott (music) A.J. Mills (words) Arthur Reece (perf.) |
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Darling Mabel | Bennett Scott (music) A.J. Mills (words) Leonard Barry (perf.) |
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Don't Say a Word to the Wife | Bennett Scott (music) A.J. Mills (words) |
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Every Cloud Has a Silver Lining | Bennett Scott (music) A.J. Mills (words) G. Lashwood (perf.) |
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Fall in and Follow Me | Bennett Scott (music) A.J. Mills (words) A. Whelan (perf.) |
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Five Pound Note They Never Found, The | Bennett Scott (music) A. J. Mills (words) M. Nolan (perf.) |
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Good-Bye Australia | Bennett Scott (words & music) |
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Had You Seen the Way It Was Won | Bennett Scott (music) C. G. Cotes (words) Harvey Haydon (perf.) Rose Harvey (perf.) |
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Hallo Peter, How Do? | Bennett Scott (words & music) |
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Harry and Carrie | Bennett Scott (music) A. J. Mills (words) |
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⇑Has Anyone Seen a German Band? | Bennett Scott (music) A.J. Mills (words) Florrie Forde (perf.) |
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Have You Seen My Chinee-Man? | Bennett Scott (music) A J Mills (words) Ella Retford (perf.) |
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Have You Seen My Dicky Bird? | Bennett Scott (music) A.J. Mills (words) |
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He Didn't Thank Me | Bennett Scott (music) A. J. Mills (words) |
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How to Be Happy, Though Married | Bennett Scott (music) A.J. Mills (words) |
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I Can't Oblige Today | Bennett Scott (music) Edgar Bateman (words) E. Shand (perf.) |
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I Don't Know How to Tell Yer How I Lubs Yer! | Bennett Scott (words & music) Marie Lloyd (perf.) |
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I Live Underneath | Bennett Scott (music) A.J. Mills (words) G. Robey (perf.) |
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I Want My Percy | Bennett Scott (music) A.J. Mills (words) |
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I Wonder if You Miss Me Sometimes | Bennett Scott (words & music) Lily Morris (perf.) |
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I'd Like to Go to Turkey | Bennett Scott (words & music) |
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Idea, The | Bennett Scott (words & music) G. Robey (perf.) |
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⇑If You Can't Be Good, Be Careful | Bennett Scott (words & music) |
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I'm Sammy Sharp | Bennett Scott (music) A.J. Mills (words) |
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I'm Using Sunday Language All the Week | Bennett Scott (music) Edgar Bateman (words) H. Randall (perf.) |
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In Those Dear Old Golden Days | Bennett Scott (music) A. J. Mills (words) T. Costello (perf.) |
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It's a Different Girl Again! | Bennett Scott (music) George Arthurs (words) W. Cunliffe (perf.) |
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I've Been Digging For the Gold | Bennett Scott (music) George Lester (words) H. Bedford (perf.) |
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I've Been Out With Charlie Brown | Bennett Scott (music) A J Mills (words) G. Lashwood (perf.) Florrie Forde (perf.) |
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I've Enough and a Little to Spare | Bennett Scott (music) A.J. Mills (words) Dora Lyric (perf.) |
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I've Got Troubles of My Own | Bennett Scott (words & music) Katie Lawrence (perf.) |
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Ivy | Bennett Scott (words & music) Lily Lena (perf.) |
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Lost, Stolen or Strayed | Bennett Scott (words & music) Millie Lindon (perf.) |
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Lot 99 | Bennett Scott (music) C.G. Cotes (words) Rose Harvey (perf.) |
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⇑Not There! | Bennett Scott (music) J.P. Harrington (words) Jessie Albini (perf.) |
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Oh, How Rude | Bennett Scott (music) C.G. Cotes (words) G. Robey (perf.) |
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On These Dark Nights | Bennett Scott (music) A.J. Mills (words) Fred Jester Barnes (perf.) |
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Picture Postcard Girls, The | Bennett Scott (music) A.J. Mills (words) Ambrose Thorne (perf.) |
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Popsy Wopsy | Bennett Scott (music) A.J. Mills (words) Ella Retford (perf.) |
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Rollicking Rajah, The | Bennett Scott (music) A.J. Mills (words) Lloyd Morgan (perf.) |
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Ship Ahoy | Bennett Scott (music) A.J. Mills (words) Ella Retford (perf.) |
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Sing That Ting-A-Ling Song | Bennett Scott (words & music) |
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Slight Mistake on the Part of My Valet, A | Bennett Scott (music) A.J. Mills (words) G. Robey (perf.) |
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Take Me in a Taxi, Joe | Bennett Scott (music) A.J. Mills (words) V. Victoria (perf.) |
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Take Your Girlie on the Steamer | Bennett Scott (music) A. J. Mills (words) Lily Clarke (perf.) |
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Touching That Little Affair | Bennett Scott (music) C G Cotes (words) G. Robey (perf.) |
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⇑Up in Scotland | Bennett Scott (music) George Arthurs (words) |
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Up She Goes! | Bennett Scott (music) A.J. Mills (words) W. Cunliffe (perf.) |
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We All Promised to Go Straight Home | Bennett Scott (words & music) |
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We'll All March to Trafalgar Square | Bennett Scott (music) A.J. Mills (words) M. Sheridan (perf.) |
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What Did She Know About Railways? | Bennett Scott (music) C.G. Cotes (words) Marie Lloyd (perf.) |
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What Ho! She Bounces! | Bennett Scott (music) C G Cotes (words) Marie Kendall (perf.) |
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When I Take My Morning Promenade. | Bennett Scott (music) A. J. Mills (words) Marie Lloyd (perf.) |
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You Needn't Wink, I Know | Bennett Scott (music) A.J. Mills (words) Marie Lloyd (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
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Darling Mabel | A.J. Mills (words) Leonard Barry (perf.) |
Piano, Voice | Monologues | |
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I Don't Know How to Tell Yer How I Lubs Yer!(w&m) | Marie Lloyd (perf.) |
Piano, Voice | Monologues | |
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What Did She Know About Railways? | C.G. Cotes (words) Marie Lloyd (perf.) |
Piano, Voice | Monologues |
This list is arranged in chronological order and contains 394 works by Bennett Scott.
It does not claim to be complete and represents only the number of items located. Keys:
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Our Johnny | 1894 | A J Mills (words) J.S. Baker (words) A. Lennard (perf.) |
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| Academy Artist, The (w&m) | 1895 | C. Deane (perf.) | |
| Face | 1895 | A J Mills (words) Cliff Ryland (perf.) |
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| If I Meet the Girl With the Golden Hair | 1895 | A J Mills (words) Lizzie Fletcher (words) J.S. Baker (words) A. Lennard (perf.) |
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| Oh! That Chicken! | 1895 | N. Clifford (words) A J Mills (words) |
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| Pair of Dark Blue Eyes, A | 1895 | A J Mills (words) C. Godfrey (perf.) |
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| All Through the Motor-Car | 1896 | A J Mills (words) A. Lennard (perf.) |
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| Darling Mabel | 1896 | A J Mills (words) Leonard Barry (perf.) |
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| Diamond Queen, The | 1896 | A J Mills (words) Daisy Wood (perf.) |
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| Ee Ain't Got Nuffin' to Tell | 1896 | J.P. Harrington (words) Milton Bode (words) Marie Kendall (perf.) |
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| Gay Boulogne | 1896 | A J Mills (words) J.S. Baker (words) Leonard Barry (perf.) |
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| ⇑ I Got Married This Morning | 1896 | A J Mills (words) Edward M. Favor (perf.) Charles Bignell (perf.) |
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| I Live Underneath | 1896 | A J Mills (words) G. Robey (perf.) |
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| I've Got a Lot of 'em at Home | 1896 | A J Mills (words) Charles Bignell (perf.) |
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| Meet Me by Moonlight Alone | 1896 | A J Mills (words) J.S. Baker (words) G. Robey (perf.) |
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| Terrible Night, A | 1896 | A J Mills (words) Frank Coyne (perf.) |
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| Where Have I Seen That Face? | 1896 | A J Mills (words) C G Cotes (words) Alec Hurley (perf.) |
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| Big Benn Struck One | 1897 | A J Mills (words) A. Lennard (perf.) |
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| I Can't Remember! | 1897 | A. Hall (words) James Merrylees (words) J.S. Baker (words) |
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| I Don't Know How to Tell Yer How I Lubs Yer! (w&m) | 1897 | Marie Lloyd (perf.) Koster &. Bials (perf.) |
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| I've Been Digging For the Gold | 1897 | George Lester (words) H. Bedford (perf.) |
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| Jack Still Knows How to Fight | 1897 | A J Mills (words) Reuben Hill (perf.) |
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| Lost, Stolen or Strayed | 1897 | A J Mills (words) Millie Lindon (perf.) |
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| ⇑ Oh, Don't Ask Me Where! | 1897 | C G Cotes (words) M. Anthony (perf.) |
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| She Just Walks On | 1897 | A J Mills (words) Louie Freear (perf.) |
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| Slight Mistake on the Part of My Valet, A | 1897 | A.J. Mills (words) G. Robey (perf.) |
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| What Did She Know About Railways? | 1897 | C.G. Cotes (words) Marie Lloyd (perf.) |
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| White Silk Dress, The | 1897 | A J Mills (words) J.S. Baker (words) |
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| Wouldn't You Like to Know? | 1897 | A J Mills (words) Claire Romaine (perf.) |
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| Have Me on a Three Months' Lease | 1898 | C G Cotes (words) T. Costello (perf.) |
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| Hiding the Button | 1898 | C G Cotes (words) George D' Albert (perf.) |
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| In the Days of Elizabeth | 1898 | C G Cotes (words) J.S. Baker (words) G. Robey (perf.) |
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| It Don't Go Well With ''Scroggs'' (w&m) | 1898 | T. Costello (perf.) | |
| Jeremiah the Dyer | 1898 | C G Cotes (words) Ida René (perf.) |
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| Kiss Your Goosie Woosie | 1898 | C G Cotes (words) Madge Ellis (perf.) |
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| ⇑ Lot 99 | 1898 | C G Cotes (words) Rose Harvey (perf.) |
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| Marble Arch, The | 1898 | C G Cotes (words) Walter King (perf.) |
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| Not There! | 1898 | J.P. Harrington (words) Jessie Albini (perf.) |
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| Oh! Black-Eyed Susan | 1898 | C G Cotes (words) Ted Young (words) |
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| Right Side Up, With Care | 1898 | C G Cotes (words) Jessie Albini (perf.) |
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| She Went Right Past Her Junction | 1898 | C G Cotes (words) Marie Loftus (perf.) |
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| They All Come Back to Me | 1898 | C G Cotes (words) F. Earle (perf.) |
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| Touching That Little Affair | 1898 | C G Cotes (words) G. Robey (perf.) |
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| You Know the Girl I Mean | 1898 | A J Mills (words) Ada Ohlson (words) W W Bright (words) George Leyton (perf.) |
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| Boys That Mind the Shop, The | 1899 | E. Bateman (words) Vesta Tilley (perf.) |
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| Chase Me, Charlie! | 1899 | C.G. Cotes (words) Childie Stuart (perf.) |
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| Do As the Romans Do | 1899 | C G Cotes (words) Marie Elsie (perf.) |
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| ⇑ Driver of an All Night Tram, The | 1899 | C G Cotes (words) H. Freeman (perf.) |
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| Good-Bye Tilly (w&m) | 1899 | Rose Harvey (perf.) | |
| Good-Bye, and God Bless You, Jack | 1899 | J.P. Harrington (words) Marie Wilton (perf.) |
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| I'll Be Your ''Daily Mail'' | 1899 | C G Cotes (words) Minnie Duncan (perf.) |
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| I'm Going to Get Married To-Day, Hooray! | 1899 | C G Cotes (words) Maggie Duggan (perf.) |
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| Oh! How Rude | 1899 | C G Cotes (words) G. Robey (perf.) |
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| Oh, How Rude | 1899 | C.G. Cotes (words) G. Robey (perf.) |
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| Oh, Willie, We Have Missed You | 1899 | C G Cotes (words) Kittee Rayburn (perf.) |
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| On the Margate Boat | 1899 | A J Mills (words) Lillie Langtry (perf.) |
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| Poor Girl Wanted Looking After, The | 1899 | J F Lambe (words) Rose Hamilton (perf.) |
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| Poor Thing! | 1899 | C G Cotes (words) G. Robey (perf.) |
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| That'll Never Do For Me | 1899 | C G Cotes (words) V. Victoria (perf.) |
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| ⇑ Two Hearts Made One | 1899 | C G Cotes (words) Kittee Rayburn (perf.) |
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| Two Little Brandies and Sodas | 1899 | C G Cotes (words) Katie Lawrence (perf.) |
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| Two Little Brandies and Sodas | 1899 | C. G. Cotes (words) Katie Lawrence (perf.) |
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| We Always Have Our Little Bit at Home | 1899 | C G Cotes (words) H. Bedford (perf.) |
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| What Ho! She Bounces! | 1899 | C G Cotes (words) Marie Kendall (perf.) |
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| You Know the Man I Mean | 1899 | C G Cotes (words) George Leyton (perf.) |
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| Boys of the Emerald Island | 1900 | C G Cotes (words) Walter Munroe (perf.) |
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| Title | Year | Attribution | Remarks |
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| Captain La-Di-Da (w&m) | 1900 | G. Lashwood (perf.) | |
| Girls and Boys | 1900 | C G Cotes (words) Florrie Forde (perf.) |
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| Her Majesty's Navy Blue (w&m) | 1900 | |
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| I Can't Oblige Today | 1900 | E. Bateman (words) E. Shand (perf.) |
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| Ivy | 1900 | C G Cotes (words) Lily Lena (perf.) |
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| La, La, La (w&m) | 1900 | |
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| Let's Make It Up Again (w&m) | 1900 | |
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| Old Father Christmas | 1900 | Paul Pelham (words) | |
| Ordered South | 1900 | C G Cotes (words) Maud Francis (words) Tom White's Arabs. (words) George D' Albert (perf.) Rose Hamilton (perf.) Kitty Beresford (perf.) |
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| She's a Dear Old Girl | 1900 | C G Cotes (words) J. Neat (words) G. Bastow (perf.) |
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| That's My Girl | 1900 | C G Cotes (words) Lillie English (perf.) |
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| ⇑ We've Still Got the Lads in Red | 1900 | C G Cotes (words) J George Forde (words) |
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| Won't You Teach Me? (w&m) | 1900 | Kitty Beresford (perf.) Ethel Haydon (perf.) |
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| Everybodys Loved by Someone (w&m) | 1900? | ||
| Bass and the Bottle of Cham, The | 1901 | G. Arthurs (words) A. Roberts (perf.) |
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| Burglar Coon, The | 1901 | A J Mills (words) T. Costello (perf.) |
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| Girl With the Twinkling Eye, The | 1901 | A J Mills (words) | |
| Had You Seen the Way It Was Won | 1901 | C G Cotes (words) Rose Harvey (perf.) Ethel Haydon (perf.) Harvey Haydon (perf.) |
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| Keep Straight On | 1901 | A J Mills (words) Jessie Albini (perf.) |
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| King Baby | 1901 | A J Mills (words) | |
| Miss Jessie Albini's Popular Song Keep Straight On | 1901 | A J Mills (words) Jessie Albini (perf.) |
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| She Wore a Wreath of Roses and One or Two Other Little Things | 1901 | A J Mills (words) Kittee Rayburn (perf.) |
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| When You're Up in the World | 1901 | C G Cotes (words) Stuart Barnes (perf.) |
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| ⇑ Although I'm a Millionaire (w&m) | 1902 | A J Mills (words) | |
| Artist, The | 1902 | A. J. Mills (words) G. Robey (perf.) |
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| I Shall Never Make the Missis Like My Ma | 1902 | E. Bateman (words) Leonard Barry (perf.) |
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| I've Got Troubles of My Own | 1902 | Katie Lawrence (perf.) | |
| I've Made Up My Mind to Sail Away | 1902 | H.E. Pether (words) T. Costello (perf.) |
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| Idea, The | 1902 | G. Arthurs (words) G. Robey (perf.) |
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| Best of Friends Must Part, The | 1903 | A J Mills (words) H.E. Pether (words) George Leyton (perf.) |
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| Don't Steal My Rose | 1903 | H.E. Pether (words) | |
| He Didn't Thank Me | 1903 | A. J. Mills (words) | |
| Somebody's Sailor Boy | 1903 | G. Arthurs (words) T. Costello (perf.) |
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| There's a Girl Wanted There | 1903 | A J Mills (words) | |
| Bonnie Scotland! | 1904 | G. Arthurs (words) W. Cunliffe (perf.) |
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| ⇑ By Kind Permission of ''The Daily Mail'' (w&m) | 1904 | |
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| Cassandra | 1904 | A J Mills (words) | |
| Do You Know Suzannah Simpson? | 1904 | A J Mills (words) | |
| Fair Trade (w&m) | 1904 | T. Costello (perf.) | |
| Farewell My Little Yo San! | 1904 | A J Mills (words) T. Costello (perf.) |
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| Five Pound Note They Never Found, The | 1904 | A. J. Mills (words) M. Nolan (perf.) |
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| How to Be Happy, Though Married | 1904 | A.J. Mills (words) | |
| Oh, You Girls! You're Only Packets of Trouble | 1904 | A J Mills (words) | |
| Rosemary | 1904 | J.P. Harrington (words) | |
| Up in Scotland | 1904 | George Arthurs (words) | |
| When a Fellow Is Twenty-One | 1904 | Alfred Mills (words) | |
| Angel of My Home | 1905 | J.P. Harrington (words) George Leyton (perf.) |
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| ⇑ Carrie From Camden Town (w&m) | 1905 | Lottie Collins (perf.) | |
| Hear the Pipers Calling, Jenny Mine | 1905 | A J Mills (words) | |
| My Little Golden Key | 1905 | A J Mills (words) Will E Haines (words) |
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| My Princess of Japan | 1905 | A J Mills (words) | |
| Sweet Carolina! | 1905 | A J Mills (words) | |
| There's No One to Say Good-Bye | 1905 | A J Mills (words) T. Costello (perf.) |
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| You Shall Have a Lovely Home, Johanna! | 1905 | A J Mills (words) | |
| All I Want Is a Girl | 1906 | A J Mills (words) | |
| All That Glitters Isn't Gold | 1906 | H. Castling (words) | |
| Boys' Brigade!, The | 1906 | A J Mills (words) Hamilton Hill (perf.) |
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| By the Side of the Zuyder Zee | 1906 | A J Mills (words) Alice Lloyd (perf.) Maudi Darrell (perf.) |
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| Colombo | 1906 | A. J.Mills (words) Daisy Dormer (perf.) |
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| ⇑ Come Down Lover's Lane | 1906 | A J Mills (words) | |
| Every Cloud Has a Silver Lining | 1906 | A.J. Mills (words) G. Lashwood (perf.) |
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| Harry and Carrie | 1906 | A J Mills (words) | |
| Hello! Hello! Hello! It's a Different Girl Again | 1906 | G. Arthurs (words) Herbert Cyril (perf.) |
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| Hush! Little Girls! | 1906 | A J Mills (words) | |
| I've Enough and a Little to Spare | 1906 | A.J. Mills (words) Dora Lyric (perf.) |
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| In Those Dear Old Golden Days | 1906 | A J Mills (words) T. Costello (perf.) |
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| Title | Year | Attribution | Remarks |
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| It's a Different Girl Again! | 1906 | G. Arthurs (words) W. Cunliffe (perf.) |
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| Molly, Darling, I've Insured My Life | 1906 | Lytton Williams (words) | |
| Nelson From His Monument | 1906 | A J Mills (words) J.S. Baker (words) |
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| Old Oak Tree, The | 1906 | A J Mills (words) | |
| On the Rock of Gibralter | 1906 | A J Mills (words) | |
| Rosy's Cosy Bungalow | 1906 | A J Mills (words) Alice Lloyd (perf.) |
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| Sheelah | 1906 | A J Mills (words) | |
| Snow-Flakes | 1906 | A J Mills (words) | |
| Suzannah's Long Stocking | 1906 | A J Mills (words) | |
| Ten-Bob Rise, or, My Old Pal Joe, The | 1906 | E. Bateman (words) T. Costello (perf.) |
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| There's Something About a Girl | 1906 | A J Mills (words) | |
| ⇑ Wedding Bells | 1906 | A J Mills (words) | |
| Will You Dance With Me, Marie? | 1906 | A J Mills (words) J.S. Baker (words) |
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| Won't You Come and Kiss Me, Little Girl? | 1906 | A J Mills (words) | |
| Boys in Scarlet and Gold, The | 1907 | A J Mills (words) | |
| By the Sunny Bay of Naples (w&m) | 1907 | |
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| Fare Thee Well, My Isabel | 1907 | A J Mills (words) | |
| Good-Bye Australia | 1907 | A J Mills (words) J.S. Baker (words) |
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| Has Anyone Seen a German Band? | 1907 | A.J. Mills (words) Florrie Forde (perf.) Ella Retford (perf.) Florrie Gallimore (perf.) Daisy Dormer (perf.) Mina Brae (perf.) |
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| I Want to Be More Than a Friend | 1907 | A J Mills (words) J.S. Baker (words) |
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| I'd Like to Know When You Can | 1907 | A J Mills (words) Claire Romaine (perf.) |
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| If You Can't Be Good, Be Careful | 1907 | A J Mills (words) | |
| Jeannie Mcgregor | 1907 | A J Mills (words) J.S. Baker (words) |
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| ⇑ Limerickitis | 1907 | A J Mills (words) J.S. Baker (words) |
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| Nobody's Satisfied | 1907 | A J Mills (words) | |
| Oh! the Merry Widow | 1907 | A J Mills (words) Ambrose Thorne (words) J.S. Baker (words) G. Lashwood (perf.) |
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| Oh! the Steamer! Oh! the Sea! | 1907 | A J Mills (words) J.S. Baker (words) W. Cunliffe (perf.) |
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| Pretty Little Maid of Norway | 1907 | A J Mills (words) J.S. Baker (words) |
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| Primrose | 1907 | A J Mills (words) | |
| Sailing in My Balloon | 1907 | A J Mills (words) Ada Jones (perf.) |
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| Wouldn't That Be Loverly! | 1907 | A J Mills (words) | |
| You Are Still My Highland Laddie | 1907 | A J Mills (words) Hector Grant (perf.) Bertha Stuart (perf.) |
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| A to Z | 1908 | A J Mills (words) W. Evans (perf.) |
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| All Through a Dark Blue Eye (w&m) | 1908 | A J Mills (words) | |
| By the Blue Lagoon | 1908 | A J Mills (words) | |
| ⇑ Domino | 1908 | A J Mills (words) J.S. Baker (words) |
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| Don't Put Your Umbrella Up Before It Starts to Rain | 1908 | Terry Sullivan, (Composer) (words) | |
| Have You Seen My Chinee-Man? | 1908 | A J Mills (words) Ella Retford (perf.) |
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| Homeland- Good-Bye! | 1908 | A J Mills (words) Herbert Payne (perf.) |
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| Meet Me Under the Clock | 1908 | A J Mills (words) J.S. Baker (words) |
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| Molly Maloney | 1908 | A J Mills (words) | |
| More I See of Other Girls, the Better I Love You, The | 1908 | A J Mills (words) J.S. Baker (words) |
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| Oh! George, Tell Them to Stop the Flip-Flap | 1908 | A J Mills (words) | |
| Oh! Those Girls! | 1908 | A J Mills (words) J.S. Baker (words) |
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| Picture Postcard Girls, The | 1908 | A J Mills (words) J.S. Baker (words) Ambrose Thorne (perf.) |
|
| Private Schnapps | 1908 | A J Mills (words) | |
| So Shi | 1908 | A J Mills (words) | |
| ⇑ What Ho! the Boulevards! | 1908 | A J Mills (words) | |
| When You've Got a Girl | 1908 | A J Mills (words) J.S. Baker (words) |
|
| Won't You Waltz ''The Merry Widow Waltz'' With Me? | 1908 | A J Mills (words) J.S. Baker (words) |
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| Beware! Beware! | 1909 | George Arthur (words) | |
| Come and Put Your Arms Around Me | 1909 | A J Mills (words) | |
| Happy Days | 1909 | A J Mills (words) | |
| Hello There, Macintyre! | 1909 | A.J. Mills (words) Jack Lorimer (perf.) |
|
| I Can't Keep Away From the Girls | 1909 | A J Mills (words) | |
| I Say Miss Linda | 1909 | A J Mills (words) | |
| I Want Mister Schneider | 1909 | A J Mills (words) | |
| I'll Let the World Go By | 1909 | A J Mills (words) | |
| I've Been Out With Charlie Brown | 1909 | A J Mills (words) G. Lashwood (perf.) Florrie Forde (perf.) |
|
| ⇑ John and Jane | 1909 | A J Mills (words) | |
| Mister Man in the Moon | 1909 | A J Mills (words) | |
| Moon-Bird | 1909 | A J Mills (words) | |
| My Land of Sunshine (w&m) | 1909 | |
|
| Rolling Round the Skating Rink | 1909 | A J Mills (words) May Mars (perf.) |
|
| Same Old Park, The | 1909 | A J Mills (words) | |
| Sea, Sea, Sea | 1909 | A J Mills (words) | |
| Title | Year | Attribution | Remarks |
|---|
| Violet | 1909 | A J Mills (words) | |
| When You Hear That Steamboat Coming Down the River | 1909 | M. Scott (words) Fred Jester Barnes (perf.) |
|
| Wrong Street Door, The | 1909 | A J Mills (words) | |
| Here Comes the Chocolate Major | 191- | A J Mills (words) | |
| Any Little Girl Will Do (w&m) | 1910 | |
|
| Cheer Up! My Highland Lassie (w&m) | 1910 | |
|
| Fall in and Follow Me | 1910 | A J Mills (words) A. Whelan (perf.) Stanley Kirkby (perf.) |
|
| Fellow Who Looks Like Me, The (w&m) | 1910 | |
|
| Hello! Is That You Flo? (w&m) | 1910 | |
|
| Here's Another One Off to Japan (w&m) | 1910 | |
|
| I Met Mary Ellen at Th' Isle of Man (w&m) | 1910 | |
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| ⇑ I Wonder if You Care (w&m) | 1910 | |
|
| I'll Come Back to Bantry Bay (w&m) | 1910 | |
|
| I'm Using Sunday Language All the Week | 1910 | Edgar Bateman (words) H. Randall (perf.) |
|
| I've Got a Bit of Love For You, Dear (w&m) | 1910 | |
|
| I've Got to Stop at Home and Mind the Baby (w&m) | 1910 | |
|
| If the Wife Could See Me Now (w&m) | 1910 | |
|
| It's a Lovely Day For a Sail (w&m) | 1910 | |
|
| Let's All Go and Listen to the Band (w&m) | 1910 | |
|
| Mary, Mary, You Don't Come From Spain (w&m) | 1910 | |
|
| Mona (w&m) | 1910 | |
|
| Moonlight Promenade, The (w&m) | 1910 |  |
|
| My Cinnamon Lady (w&m) | 1910 | |
|
| ⇑ Oh! Miss Wilhelmina (w&m) | 1910 | |
|
| Oh! Oh! the Picture Show (w&m) | 1910 | |
|
| Popsy Wopsy | 1910 | A J Mills (words) Ella Retford (perf.) Daisy Taylor (perf.) |
|
| She Was a Dollar Princess (w&m) | 1910 | |
|
| She Was a Girl in White | 1910 | A J Mills (words) | |
| Six Telegrams. (w&m) | 1910 | |
|
| Sunday Morning Walk, The (w&m) | 1910 | |
|
| Tell 'em That I'm Your Uncle (w&m) | 1910 | |
|
| Tha' Comes Fra' Lancashire (w&m) | 1910 | |
|
| There's a Girl in Tonypandy (w&m) | 1910 | |
|
| Up She Goes! (w&m) | 1910 | W. Cunliffe (perf.) | |
| What D'ye Say, Molly Molloy? (w&m) | 1910 | |
|
| ⇑ What Do You Say, Molly Molloy? | 1910 | A J Mills (words) Ella Retford (perf.) May Mars (perf.) Cressie Leonard (perf.) Lyoyd Morgan (perf.) |
|
| What's the Matter With London? (w&m) | 1910 | |
|
| When I Take My Morning Promenade. (w&m) | 1910 | Marie Lloyd (perf.) | |
| Where's Dooley? (w&m) | 1910 | |
|
| Where, Oh! Where Is My Mary Ellen? (w&m) | 1910 | |
|
| Bennett Scott's Piano Tutor (w&m) | 1910) | |
|
| When the War Drums Are Beating on the Prairie | 1910? | A J Mills (words) | |
| Sailor and the Mermaid, The | 1910c | A J Mills (words) | |
| Come and Join the Islanders (w&m) | 1911 | |
|
| Come With Me to Gipsyland (w&m) | 1911 | |
|
| Do You Remember the Last Waltz? (w&m) | 1911 | Ernest Pike (perf.) | |
| Good-Bye Girlie (w&m) | 1911 | |
|
| ⇑ Hallo! Here Comes a Jolly Sailor | 1911 | A J Mills (words) Fred Barnes (words) |
|
| I Don't Care What Becomes of Me (w&m) | 1911 | |
|
| I Saw Peter Henry Home Last Night (w&m) | 1911 | |
|
| I'd Like to Go to Turkey (w&m) | 1911 | |
|
| I'm Sammy Sharp (w&m) | 1911 | |
|
| Jean Maclaren (w&m) | 1911 | |
|
| Let Me Kiss Those Tears Away (w&m) | 1911 | |
|
| My First Love, My Last Love, My Only Love (w&m) | 1911 | |
|
| Sweet Evelyn (w&m) | 1911 | |
|
| Take Your Girlie on the Steamer (w&m) | 1911 | Lily Clarke (perf.) | |
| Tantalising (w&m) | 1911 | |
|
| They Don't All Go to Hear the Band (w&m) | 1911 | |
|
| ⇑ Try on Your Grandma's Crinoline (w&m) | 1911 | |
|
| Waltz Me Up the Staircase (w&m) | 1911 | |
|
| Wedding Bells Are Ringing For Sammy (w&m) | 1911 | |
|
| Where There's a Bunch of Girls You'll Find a Sailor (w&m) | 1911 | |
|
| You Can't Judge a Woman by Her Clothes (w&m) | 1911 | |
|
| All Roads Lead to My House (w&m) | 1912 | |
|
| All the Girls Are After Me (w&m) | 1912 | |
| Title | Year | Attribution | Remarks |
|---|
| Come With Me to the Races (w&m) | 1912 | Arthur Reece (perf.) | |
| Have You Forgotten, Jeannie Darling? (w&m) | 1912 | |
|
| Have You Seen Our John? (w&m) | 1912 | |
|
| Here's a Health to the Bonnie Little Bride (w&m) | 1912 | |
|
| I Shall Never Cease to Love You (w&m) | 1912 | |
|
| I Want You, Want You, Want You (w&m) | 1912 | |
|
| If You Want to Please Suzannah (w&m) | 1912 | |
|
| L.A.N.C.A.S.H.I.R.E. (That Spells Lancashire) (w&m) | 1912 | |
|
| My Bouquet. (w&m) | 1912 | |
|
| My Heart Is With You To-Night (w&m) | 1912 | Hardy Williamson (perf.) | |
| O-Oh! That Ragtime Sea (w&m) | 1912 | |
|
| ⇑ Oh! Have You Seen the Mermaids? (w&m) | 1912 | |
|
| Oh, Gee! That Ragtime Step | 1912 | H. Rule (words) | |
| Paree! That's the Place For Me (w&m) | 1912 | |
|
| Play Me a Song of Love (w&m) | 1912 | |
|
| Puritan Maid. (w&m) | 1912 | |
|
| Rollicking Rajah, The (w&m) | 1912 | Lloyd Morgan (perf.) Harry Fay (perf.) |
|
| Shall We All Go to Paris? (w&m) | 1912 | |
|
| Snowland (w&m) | 1912 | |
|
| So We All Went Walking Round (w&m) | 1912 | |
|
| Somebody Else (w&m) | 1912 | |
|
| Sylvester. (w&m) | 1912 | |
|
| There You Are Again, Mr. Rainbow (w&m) | 1912 | |
|
| ⇑ There's Going to Be a Wedding in the Stars (w&m) | 1912 | |
|
| Waltz Me, Willie, in Rag-Time (w&m) | 1912 | |
|
| Anna Maria (w&m) | 1913 | A J Mills (words) Cassie Walmer (perf.) |
|
| Beware of the Widow (w&m) | 1913 | A. Lloyd (perf.) | |
| Charley's Never Been Wed Before (w&m) | 1913 | |
|
| Come For a Dip in the Water (w&m) | 1913 | |
|
| Come to the Carnival (w&m) | 1913 | |
|
| Don't Say a Word to the Wife (w&m) | 1913 | |
|
| Ev'rybody's Doing the Tango (w&m) | 1913 | |
|
| Every Polly Loves a Jolly Sailor (w&m) | 1913 | |
|
| Hallo Peter, How Do? (w&m) | 1913 | ||
| Hello! Hello! Miss Ladybird (w&m) | 1913 | |
|
| ⇑ I Want the Whole World to Know (w&m) | 1913 | |
|
| I've Tried to Be Good, But the Girls Won't Let Me (w&m) | 1913 | |
|
| It's the Best Game Two Can Play | 1913 | Fred Collis Wildman (words) | |
| Make Your Mind Up, Maggie Mackenzie (w&m) | 1913 | Glen Ellison (perf.) Daisy Taylor (perf.) |
|
| Marco Pizzicato (w&m) | 1913 | |
|
| Mary Mccarthy (w&m) | 1913 | |
|
| Mister Shadow Man (w&m) | 1913 | |
|
| My Cinema Girl (w&m) | 1913 | |
|
| Oh! La, La! That Angel Music Man (w&m) | 1913 | |
|
| Sing Us a Song of Bonnie Scotland | 1913 | A.J. Mills (words) Stanley Kirkby (perf.) Daisy Taylor (perf.) S. Kirby (perf.) |
|
| Take Me in a Taxi, Joe | 1913 | A J Mills (words) V. Victoria (perf.) |
|
| That's Why the Girls Love Navy Blue (w&m) | 1913 | |
|
| ⇑ Time Will Always Bring Forgiveness (w&m) | 1913 | Charles Compton (perf.) | |
| We All Promised to Go Straight Home (w&m) | 1913 | |
|
| We'll All March to Trafalgar Square (w&m) | 1913 | M. Sheridan (perf.) | |
| What Do We Care What the Wild Waves Say? (w&m) | 1913 | |
|
| Whoa! the Piccadilly Farm (w&m) | 1913 | |
|
| Au Revoir, My Own Sweet Marguerite (w&m) | 1914 | |
|
| Boys in Khaki, Boys in Blue | 1914 | A J Mills (words) Frederick J. Wheeler (perf.) |
|
| By the Blue, Blue Rhine (w&m) | 1914 | |
|
| Did You Have a Good Time Last Night? (w&m) | 1914 | |
|
| Do It Again, Louisa (w&m) | 1914 | |
|
| Have You Seen My Dicky Bird? | 1914 | A.J. Mills (words) | |
| How Do You Do, My Little Revue Girl? | 1914 | A.J. Mills (words) Daisy Taylor (perf.) |
|
| ⇑ I Was Dreaming of You Last Night (w&m) | 1914 | |
|
| I'm Going Home to Hudson's Bay (w&m) | 1914 | |
|
| If I Thought You Loved Me (w&m) | 1914 | |
|
| Kiss Me Good-Bye, My Little Soldier Boy (w&m) | 1914 | Daisy Taylor (perf.) | |
| Night-Time's the Right Time (w&m) | 1914 | |
|
| Oh! Ma'm'selle Ju-Li-A! (w&m) | 1914 | |
|
| Sandy Boy (w&m) | 1914 | |
| Title | Year | Attribution | Remarks |
|---|
| Somebody (w&m) | 1914 | |
|
| Wedding in Gipsyland, A (w&m) | 1914 | |
|
| Wedding of Annie Laurie, The (w&m) | 1914 | |
|
| When Love Creeps in Your Heart | 1914 | A J Mills (words) Hughes Macklin (perf.) George W. Ballard (perf.) |
|
| When You Said Good-Bye (w&m) | 1914 | |
|
| Wonderful Rose of Love (w&m) | 1914 | |
|
| You've Got Me, and I've Got You | 1914 | F. Godfrey (words) | |
| All the Nice Girls Love Charley (w&m) | 1915 | |
|
| Ev'rybody's Crazy on the Fox-Trot (w&m) | 1915 | |
|
| Hearts Are Something More Than Playthings (w&m) | 1915 | |
|
| I Wonder if You Miss Me Sometimes | 1915 | A J Mills (words) Lily Morris (perf.) |
|
| ⇑ Show Me the Way to Your Heart (w&m) | 1915 | |
|
| Sing a Song About a Sailor (w&m) | 1915 | |
|
| We Must All Fall in (w&m) | 1915 | |
|
| Have You Seen That Wise Old Owl? (w&m) | 1916 | |
|
| Oh! to Be the Belle of the Ball (w&m) | 1916 | |
|
| On These Dark Nights (w&m) | 1916 | Fred Jester Barnes (perf.) | |
| Take Me Back to Sleepyville (w&m) | 1916 | |
|
| You Gave Me Love (w&m) | 1916 | |
|
| As You Were! (w&m) | 1917 | |
|
| Cheerio! Sailor Boy, How Do? (w&m) | 1917 | |
|
| Hope On, Brave Heart (w&m) | 1917 | |
|
| Houp-La Skirt, The (w&m) | 1917 | |
|
| ⇑ I Mean to Get You (w&m) | 1917 | |
|
| I Want My Percy (w&m) | 1917 | |
|
| I Want You to Know I Miss You (w&m) | 1917 | |
|
| Love Me For Love (w&m) | 1917 | |
|
| Oh! the Girls of London Town (w&m) | 1917 | |
|
| Sing That Ting-A-Ling Song (w&m) | 1917 | |
|
| Smoke Goes Up the Chimney Just the Same, The (w&m) | 1917 | |
|
| What Does a Soldier Care? (w&m) | 1917 | |
|
| What's the Matter With You (Smile!) (w&m) | 1917 | |
|
| You Gave Me a Red, Red Rose (w&m) | 1917 | |
|
| Jubilation Day (w&m) | 1918 | |
|
| Oh! Mary Macfarlane (w&m) | 1918 | |
|
| ⇑ I Must Have a Dance With Popsy (w&m) | 1919 | |
|
| Like No Other Girl (w&m) | 1919 | |
|
| Where's the Girl You Had Last Year? | 1919 | Arthur J Mills (words) F. Godfrey (words) |
|
| Wonderful Love (w&m) | 1919 | |
|
| Put on Your Military Uniform | 192- | J P Long (words) | |
| Better'n That (w&m) | 1920 | ||
| Loo! Sue! (Mary, Dinah, Carolina, Isabella, Mandy, Jane, Angeline) | 1920 | A J Mills (words) | |
| Ship Ahoy | 1920 | A J Mills (words) Ella Retford (perf.) |
|
| Best Little World, The (w&m) | 1921 | ||
| I Sailed Away From Bantry Bay (w&m) | 1921 | ||
| I Want a Good Girl and I Want Her Dad (w&m) | 1921 | ||
| Monty at Monte-Carlo (w&m) | 1924 | ||
| ⇑ All the Nice Girls Are in the Ballroom (w&m) | 1925 | Ella Shields (perf.) | |
| One Legged Family, The (w&m) | 1925 | ||
| I'm on My Way to Bonnie Scotland (w&m) | 1926 | ||
| Mariette (w&m) | 1926 | |
|
| Ayesha (w&m) | 1927 | ||
| Chasing a Butterfly (w&m) | 1927 | ||
| Just That Little Bit More (w&m) | 1927 | ||
| Katie Carthy's Party (w&m) | 1927 | ||
| Little Brown Bird (w&m) | 1927 | ||
| Blue Days Are Over (w&m) | 1930 | ||
| Great Stuff, This Love! (w&m) | 1930 | ||
| Poor Little House in a Poor Little Street, A | 1930 | M. Scott (words) | |
| ⇑ Seven Step, The (w&m) | 1930 | ||
| There's Another Good Man Gone Wrong (w&m) | 1930 | |
|
| And It Was (w&m) | ? | J. Laurier (perf.) | |
| Empty Frame , The | ? | C G Cotes (words) | |
| You Needn't Wink, I Know | ? | A.J. Mills (words) Marie Lloyd (perf.) |
| Title | Dur | Performer | Composer | Score/Song |
|---|
|
The Moonlight Promenade (1910) | 2:42 | George Lashwood | B. Scott | |
|
The Rollicking Rajah | 3:25 | Harry Fay | B. Scott | |
|
When I Take My Morning Promenade | 3:10 | Marie Lloyd | B. Scott |