| Title | Attribution | Remarks |
|---|
| Bore O' Bef'nal Green, The | Frederick Eplett (music) W.E. Imeson (words) Gus Elen (perf.) |
||
| Different Kinds of Girls | Frederick Eplett (music) Nat Clifford (words) Charles Bignell (perf.) |
||
| E Dunno Where 'e Are | Frederick Eplett (music) Harry Wright (words) Gus Elen (perf.) |
||
| Huntsman, The | Frederick Eplett (music) Albert Perry (words) George A. Stevens (words) Dan Leno (perf.) |
||
| Some O' Yer Do Git Abaht | Frederick Eplett (music) Charles Cornell (words) Gus Elen (perf.) |
||
| Trade Marks | Frederick Eplett (words & music) George Beauchamp (perf.) |
| Title | Year | Attribution | Remarks |
|---|
| Once More Harry | 1880 | Harry Windley (words) Harry Turner (perf.) |
|
| It Does So Upset Me. | 1884 | A.R. Marshall (words) | |
| Cherry Blossoms | 1889 | Pub. | |
| Five Pound (£5) Note, The | 1889 | Fred Ogden (words) Sam Mayo (perf.) |
|
| Mabel's Fancy | 1889 | Pub. | |
| May-Day | 1889 | Pub. | |
| E Dunno Where 'e Are | 1890 | Harry Wright (words) Gus Elen (perf.) |
|
| He Wanted Me to Have Some | 1890 | Nutsey Minton (words) James Fawn (perf.) |
|
| Ee's Found Out Where 'e Are | 1891 | G Wallis Arthur (words) F W Stephens (words) Bob Rae (perf.) |
Pub. |
| Out | 1891 | Charles Wilmott (words) Fred Harvey (perf.) |
Pub. |
| Petticoat Dance, The | 1891 | |
|
| ⇑ Relations | 1891 | Wal Pink (words) W. F. Moss (perf.) |
Pub. |
| Theosophee | 1891 | Charles Wilmott (words) Tom Costello (perf.) |
Pub. |
| Never Share Your Lodgings With a Pal | 1892 | Wal Pink (words) Arthur Tinsley (perf.) |
Pub. |
| That Is My One | 1892 | C M Rodney (words) George Beauchamp (perf.) |
Pub. |
| Close | 1893 | Fred Conran (words) Little Tich (perf.) |
|
| Title | Year | Attribution | Remarks |
|---|
| Jolly Bohemian Boys | 1893 | Harry Wright (words) Edgar Romaine (words) |
|
| Barrister, The | 1894 | Harry Castling (words) Dan Leno (perf.) |
|
| Every Blessed Bit As Good As You Are | 1894 | C M Rodney (words) Alec Hurley (perf.) |
|
| Jack Jones Esqre. | 1894 | Harry Wright (words) Arthur W. Rigby (perf.) |
Pub. |
| Once Upon a Time | 1894 | Charles Wilmott (words) Richard George Knowles (perf.) |
Pub. |
| Some O' Yer Do Git Abaht | 1894 | Charles Cornell (words) Gus Elen (perf.) |
Pub. |
| Zig! Zig! Zig! | 1894 | J. P. Harrington (words) Amy Lyster (perf.) |
|
| Empty Chair, The | 1895 | J. P. Harrington (words) Charles Bignell (perf.) |
Pub. |
| I Want to Look As Well As You | 1895 | Norton Atkins (words) Billie Barlow (perf.) |
Pub. |
| It's a Sprahtin | 1895 | A R Marshall (words) Gus Elen (perf.) |
Pub. |
| Our Society | 1895 | Charles Wilmott (words) Fred Harvey (perf.) |
|
| ⇑ Trade Marks | 1895 | W.H. Wallis (words) George Beauchamp (perf.) |
Pub. |
| Oh, Sally! | 1896 | Norton Atkins (words) Claire Romaine (perf.) |
Pub. |
| De Little Eb'ny Doll | 1898 | Walter Burnot (words) | |
| Mam An' Dad An' She An' Me | 1898 | Walter Burnot (words) | Pub. |
| Something Like This! | 1898 | Richard Morton (words) Harry Braham (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Two Coons in a Boat | 1898 | Walter Burnot (words) | |
| White May and Black May | 1898 | Walter Burnot (words) | Pub. |
| Bore O' Bef'nal Green, The | 1899 | W.E. Imeson (words) Gus Elen (perf.) |
|
| Different Kinds of Girls | 1899 | Nat Clifford (words) Charles Bignell (perf.) |
|
| Faithful | 1899 | Fred Gilbert (words) Tom Costello (perf.) |
Pub. |
| Jones's Parlour Floor | 1899 | Bob Leonard (words) | Pub. |
| Topical Tipster, The | 1899 | Gordon Noble (words) George Lashwood (perf.) |
Pub. |
| Ev'ry Home Is Fairyland | 1900 | Fred W. Leigh (words) | Pub. |
| Huntsman, The | 1900 | Albert Perry (words) George A. Stevens (words) Dan Leno (perf.) |
|
| Oh, the Scenery Was Absolutely Grand | 1900 | Fred W. Leigh (words) Florrie Forde (perf.) |
Pub. |
| Blind Leading the Blind, The | 1901 | A R Marshall. (words) W. F. Moss (perf.) |
Pub. |
| ⇑ It Was Only Done in Play | 1901 | Fred W. Leigh (words) | Pub. |
| I Do, Doodle-Oodle-Oo | 1903 | Richard Morton (words) Little Tich (perf.) |
Pub. |
| How Dare You? | 1906 | Harry Boden (words) Keith & Merson. (words) Harry Ford (perf.) |
|