Title | Attribution | Remarks |
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Allays in Jail | Albert Perry (music) Walter Hastings (words) G. Elen (words) G. Elen (perf.) |
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Coat 'urts Me Underneath the Arm, The | Albert Perry (music) Walter Hastings (words) Edgar Bateman (words) Alec Hurley (perf.) |
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I Want My Money Back | Albert Perry (words & music) Fannie Leslie (perf.) |
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I'd Better Call Again Next Week | Albert Perry (music) A.J. Mills (words) H. Freeman (perf.) |
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I'll Give Him Dolly Dayream | Albert Perry (music) A. J. Mills (words) Charles Bignell (perf.) |
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Johnny Without His Trousis | Albert Perry (music) A. J. Mills (words) Marie Kendall (perf.) |
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Language of Popular Song, The | Albert Perry (words & music) Bella Lloyd (perf.) |
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My London Country Lane | Albert Perry (words & music) Alec Hurley (perf.) |
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My Midnight Watch | Albert Perry (music) Albert E Ellis (words) H. Bedford (perf.) |
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Oh Dear No! | Albert Perry (music) Fred J. Barnes (words) R. G. Knowles (perf.) |
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Save a Nice One For Me | Albert Perry (music) Malcolm Arnold (words) Billie Barlow (perf.) |
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⇑She Looked a Perfect Lady | Albert Perry (music) A.J. Mills (words) Katie Lawrence (perf.) |
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Skeleton in the Cupboard, The | Albert Perry (music) Edgar Bateman (words) Millie Lindon (perf.) |
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Sweet Nell of Old Drury | Albert Perry (music) W. E. Imeson (words) Bessie Bonehill (perf.) |
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Where Was Mabel When the Band Struck Up? | Albert Perry (music) Walter Hastings (words) Lottie Lennox (perf.) |
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William 'enry Sarnders | Albert Perry (words & music) Marie Lloyd (perf.) |
Title | Year | Attribution | Remarks |
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How Can You Say Good-Bye | 1890 | S. Leggett (words) | ![]() |
What Will Your Answer Be? | 1895 | S. Leggett (words) W. H. Downs (perf.) |
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Dear Old Dad | 1896 | Paul Pelham (words) | ![]() |
Have You Forgotten? | 1896 | S. Leggett (words) | Pub. |
Lap! Lap!! Lap!!! | 1896 | S. Leggett (words) Harry Anderson (perf.) |
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My Stage Struck Familee | 1896 | A J Mills (words) J.S. Baker (words) Paul Pelham (words) |
Pub. |
Night Out, A | 1896 | Fred J Barnes (words) C. Deane (perf.) |
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That's My Opinion of Eliza | 1896 | S. Leggett (words) Florrie West (perf.) |
Pub. |
They're All Coming Home in the Morning | 1896 | Fred J Barnes (words) Paul Pelhan (words) C. Deane (perf.) |
Pub. |
Yes! That's It | 1896 | G. Robey (perf.) | Pub. |
Boys Shall Love the Girls, The | 1897 | A. Hall (words) Millie Hylton (perf.) |
Pub. |
⇑ For a Nosegay | 1897 | A. Hall (words) Maggie Duggan (perf.) |
Pub. |
I Haven't Had a Bite Since Christmas | 1897 | Stanhope Baxter (words) G. Robey (perf.) |
Pub. |
I'm Going Home to the Wife and Nipper | 1897 | A. Hall (words) Alec Hurley (perf.) |
Pub. |
In the Sun | 1897 | A J Mills (words) G. Robey (perf.) |
Pub. |
John the Bloomin' Toff | 1897 | A. Hall (words) C. Seel (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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Oh Dear No! | 1897 | Fred J Barnes (words) R. G. Knowles (perf.) |
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On My Bicy-Icy-Bicycle | 1897 | Stanhope Baxter (words) Billie Barlow (perf.) |
Pub. |
Opportuny-Opperty, The | 1897 | Fred J Barnes (words) H. Campbell (perf.) |
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Our Motor-Moke | 1897 | Lottie Lennox (perf.) | Pub. |
Red, White and Blue | 1897 | A. Hall (words) Millie Hylton (perf.) |
Pub. |
Save a Nice One For Me | 1897 | M. Arnold (words) Billie Barlow (perf.) |
Pub. |
Waiter's Tale of Woe, The | 1897 | S. Leggett (words) | Pub. |
Because We Love Our Queen | 1898 | D J McCarthy (words) | Pub. |
Give Me Your Answer Now | 1898 | Milner Verren (perf.) | Pub. |
I Want My Money Back | 1898 | A J Mills (words) Fannie Leslie (perf.) |
Pub. |
That Shape Won't Suit Me | 1898 | G.A. Stevens (words) Fannie Leslie (perf.) |
Pub. |
⇑ That's How He Pays His Way | 1898 | George Neno (words) | Pub. |
That's My Rival | 1898 | A J Mills (words) Leonard Barry (perf.) |
Pub. |
I Love Another Love! | 1899 | A J Mills (words) Hal Kendall (words) |
Pub. |
I'll Give Him Dolly Dayream | 1899 | A J Mills (words) John E Coyle (words) Charles Bignell (perf.) |
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Johnny Without His Trousis | 1899 | A J Mills (words) Marie Kendall (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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My Midnight Watch | 1899 | A.E. Ellis (words) H. Bedford (perf.) |
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Night Duty | 1899 | T. E. Dunville (perf.) | Pub. |
Have Another Go | 1900 | A J Mills (words) P. Rafferty (perf.) |
Pub. |
I'd Better Call Again Next Week | 1900 | A J Mills (words) H. Freeman (perf.) |
Pub. |
Me Too! Me Too! Me Too! | 1900 | A J Mills (words) T C Callaghan (words) Horace Wheatley (perf.) |
Pub. |
She Looked a Perfect Lady | 1900 | A J Mills (words) Katie Lawrence (perf.) |
Pub. |
Skeleton in the Cupboard, The | 1900 | E. Bateman (words) Millie Lindon (perf.) |
Pub. |
Where Was Mabel When the Band Struck Up? | 1900 | Walter Hastings (words) Lottie Lennox (perf.) |
Pub. |
Clap Hands! Papa's Coming Home | 1901 | G.A. Stevens (words) Frank Seeley (perf.) |
Pub. |
Coat 'urts Me Underneath the Arm, The | 1901 | Walter Hastings (words) E. Bateman (words) Alec Hurley (perf.) |
Pub. |
For Old Love's Sake | 1901 | Harry Leighton (words) Albert Voyce (words) Barney Stuart (words) Verno and Voyce (perf.) |
Pub. |
⇑ I'll Be Your Silver King | 1901 | J.P. Harrington (words) Rosie Lloyd (perf.) |
Pub. |
Language of Popular Song, The | 1901 | Bella Lloyd (perf.) | Pub. |
Love Is Better Than Gold | 1901 | G.A. Stevens (words) | Pub. |
Message From Mars, A | 1901 | Jack Holland (perf.) | Pub. |
Naughty Little Spider Spied Her, The | 1901 | V. Victoria (perf.) | Pub. |
Title | Year | Attribution | Remarks |
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Pretty Little Sweet, Sweet Dickey Bird | 1901 | H. Castling (words) Lottie Lennox (perf.) |
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She's a Plain, Homely Girl | 1901 | G.A. Stevens (words) Florrie Forde (perf.) |
Pub. |
Sweet Nell of Old Drury | 1901 | W E Imeson (words) Lottie Lennox (perf.) Bessie Bonehill (perf.) |
Pub. |
William 'enry Sarnders | 1901 | Walter Hastings (words) Marie Lloyd (perf.) |
Pub. |
You've Taken Her Away | 1901 | V. Victoria (perf.) | Pub. |
Allays in Jail | 1902 | Walter Hastings (words) G. Elen (perf.) |
Pub. |
Old Plaid Shawl, An | 1902 | Stanhope Baxter (words) Millie Lindon (perf.) |
Pub. |
It's Money Makes the Mare to Go | 1904 | E. Bateman (words) Fannie Leslie (perf.) |
Pub. |
My London Country Lane | 1975 | E. Bateman (words) Alec Hurley (perf.) |
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