Title | Attribution | Remarks |
---|
Comrades | Felix McGlennon (words & music) Tom Costello (perf.) |
||
Her Golden Hair Was Hanging Down Her Back | Felix McGlennon (music) Monroe H. Rosenfeld (words) Alice Leamar (perf.) Yvette Guilbert (perf.) Hedli Anderson (perf.) |
||
His Funeral's To-Morrow | Felix McGlennon (words & music) Tom Costello (perf.) |
||
I Borrowed It | Felix McGlennon (words & music) James Fawn (perf.) |
||
In the Morning | Felix McGlennon (words & music) Fannie Leslie (perf.) |
||
John James Murphy | Felix McGlennon (words & music) Lily Marney (perf.) |
||
Oh! Can It Be Love? | Felix McGlennon (words & music) James Fawn (perf.) |
||
Oh! Mr. Nobody | Felix McGlennon (words & music) Nellie L'Estrange (perf.) |
||
Ship I Love, The | Felix McGlennon (words & music) Tom Costello (perf.) |
||
Society Actor, The | Felix McGlennon (music) Norton Atkins (words) Tom Costello (perf.) |
||
Sons of the Sea | Felix McGlennon (words & music) Arthur Reece (perf.) |
||
⇑We Saved It For the Lodger | Felix McGlennon (music) Leslie Stuart (words) Leslie Stuart (perf.) |
||
Woman, Lovely Woman | Felix McGlennon (words & music) James Fawn (perf.) |
||
You Fancy Yourselves, You Do! | Felix McGlennon (words & music) Kate Harvey (perf.) Peggie Pryde (perf.) |
Title | Attribution | Instruments | Source | Remarks |
---|
Comrades (1890) | F. McGlennon (music) | Piano | IMSLP | ||
I've Worked Eight Hours This Day (1893) | F. McGlennon (w&m) | Piano, Voice | IMSLP | ||
One Touch of Nature Makes the Whole World Kin (1897) | F. McGlennon (w&m) Marie Loftus (perf.) |
Piano, Voice | IMSLP | ||
Ship I Love (1893), The | F. McGlennon (w&m) | Piano, Voice | IMSLP | ||
Ship That Belongs to a Lady (1899), The | F. McGlennon (music) E. Bateman (words) Maud Needham (perf.) |
Piano, Voice | IMSLP | Pub. | |
Song That Will Live For Ever (1896), The | F. McGlennon (music) Tom Browne (words) Charles Howard (perf.) Harry P. Cargill (perf.) T. Costello (perf.) |
Piano, Voice | IMSLP | Pub. | |
Sons of Australia (1904) | F. McGlennon (music) Fred Eplett (words) |
Piano, Voice | IMSLP | ||
⇑Sweet Bells of Erin (189-) | F. McGlennon (music) L. Lennox (words) |
Piano, Voice | IMSLP |
Title | Year | Attribution | Remarks |
---|
In the Morning | 1884 | Norton Atkins (words) Warwick William (words) Fannie Leslie (perf.) |
|
For the Sake of the Dear Little Girls | 1886 | H Masseder (words) Vesta Tilley (perf.) |
|
Woman, Lovely Woman (w&m) | 1886 | James Fawn (perf.) | |
Girls and the Boys, The | 1887 | Edmund Forman (words) Nellie L'Estrange (perf.) |
|
Hip, Hooray! For Temperance | 1887 | Edmund Forman (words) Slade Murray (perf.) |
Pub. |
I Borrowed It | 1887 | James Fawn (perf.) | |
I Forget | 1887 | Edmund Forman (words) Slade Murray (perf.) |
Pub. |
Three Young Men Who Never Went Astray | 1887 | G H Macdermott (words) E J Symons (words) |
Pub. |
Gate , The | 1889 | Warwick Williams (words) Tom Costello (perf.) |
Pub. |
He Was Her Only Son | 1889 | George Bruce (words) John S. Baker (words) Jenny Hill (perf.) Marie Le Blanc (perf.) |
Pub. |
His Funeral's To-Morrow (w&m) | 1889 | Tom Costello (perf.) | |
⇑ We Saved It For the Lodger | 1889 | Leslie Stuart (words) Leslie Stuart (perf.) |
Pub. |
Sweet Bells of Erin | 189- | Lindsay Lennox (words) | |
Comrades | 1890 | Tom Costello (perf.) | Pub. |
I Promised | 1890 | John S. Baker (words) Tom Costello (perf.) |
Pub. |
Oh! We've Got a Lot of 'em | 1890 | Tom Conley (words) Alfred Leggett (words) Eunice Vance (perf.) |
|
Smiles! | 1890 | Little Tich (words) John S. Baker (words) |
Pub. |
That Is Love | 1890 | Edmund Forman (words) Richard George Knowles (perf.) Marie Loftus (perf.) Helen Mora (perf.) |
Pub. |
There's a Good Time Coming | 1890 | Norton Atkins (words) Alfred Leggett (words) Eunice Vance (perf.) |
Pub. |
There's No Deception There | 1890 | John S. Baker (words) Herbert Campbell (perf.) |
Pub. |
They Bloom in Summer | 1890 | Harold Hope (words) John S. Baker (words) Tom Costello (perf.) |
Pub. |
They Discharged Him Because He Was Old | 1890 | John S. Baker (words) Tom Costello (perf.) |
Pub. |
They've All Got 'em | 1890 | G H Macdermott (words) George Ison (words) |
Pub. |
⇑ We All Had One | 1890 | George Forbes (words) Charles Waterfield (perf.) |
Pub. |
Boys & Girls, The | 1890c | Nellie Parker (words) | |
Dream Voices | 1891 | Norton Atkins (words) | Pub. |
East and West | 1891 | Norton Atkins (words) John S. Baker (words) Marie Le Blanc (perf.) |
Pub. |
He's in Regular Employment Now | 1891 | Norton Atkins (words) John S. Baker (words) Tom Costello (perf.) |
Pub. |
Isn't That a Dainty Dish? | 1891 | G H Macdermott (words) Norton Atkins (words) George Ison (words) |
Pub. |
It Made No Difference, Not a Bit of Difference | 1891 | Norton Atkins (words) Herbert Campbell (perf.) |
|
Lately Bye and Bye | 1891 | Norton Atkins (words) Fannie Leslie (perf.) |
Pub. |
Life's Highway | 1891 | Charles E Pratt (words) | |
Lost and Found | 1891 | Tom Conley. (words) Norton Atkins (words) |
Pub. |
Oh What a Difference in the Morning | 1891 | James Cartwright Macy (words) Alice Roosevelt (words) Marguerite Cassini (words) |
|
Pity to Waste It!, A | 1891 | George Russell (words) | |
⇑ Shipwreck , The | 1891 | George Bruce (words) | Pub. |
Title | Year | Attribution | Remarks |
---|
So Do I Ha-Ha-Ha-Ha | 1891 | Norton Atkins (words) George Fairburn (words) |
|
Society Actor, The | 1891 | Norton Atkins (words) John S. Baker (words) Tom Costello (perf.) |
Pub. |
Tale of the Sea, A | 1891 | George Bruce (words) Warwick Williams (words) |
|
Temperance Brigade, The | 1891 | Tom Conley (words) Tom Costello (perf.) |
Pub. |
Vulgar Boy, The | 1891 | Norton Atkins (words) John S. Baker (words) Marie Loftus (perf.) |
Pub. |
Yes and No | 1891 | Norton Atkins (words) Marie Le Blanc (perf.) |
Pub. |
You Fancy Yourselves, You Do! | 1891 | John S. Baker (words) Kate Harvey (perf.) Peggie Pryde (perf.) |
Pub. |
You Know a Thing or Two! | 1891 | John S. Baker (words) Marie Le Blanc (perf.) |
Pub. |
He Never Cares to Wander From His Own Fireside | 1892 | Katie Lawrence (perf.) | Pub. |
I Handed It Over to Riley | 1892 | Albert Hall (words) | |
In a Snug Little Home of Your Own (w&m) | 1892 | Katie Lawrence (perf.) | Pub. |
⇑ Irishman's Way, An | 1892 | Albert Hall (words) Walter Munroe (perf.) |
Pub. |
Loved One Far Away , The (w&m) | 1892 | Pub. | |
Missis, The | 1892 | Norton Atkins (words) James Fawn (perf.) |
|
My Boy! My Boy! | 1892 | Ben Nathan (words) Norton Atkins (words) |
Pub. |
Poor Miss Brown | 1892 | Fred W. Leigh (words) | |
Pretty Girl, Rather | 1892 | John S. Baker (words) J. W. Rowley (perf.) |
Pub. |
Rosey's Lips (w&m) | 1892 | Millie Hylton (perf.) | Pub. |
Wedding of Mcginnis and Mcguire , The | 1892 | Tom Conley (words) | Pub. |
Buy a Bicycle | 1893 | James Curran (words) Tom Costello (perf.) |
Pub. |
Dear Old Boy | 1893 | John S. Baker (words) Millie Hylton (perf.) |
Pub. |
I'm Prepared For Her | 1893 | Tom Conley (words) Lester Barrett (words) John S. Baker (words) |
Pub. |
I've Been to Gay Paree | 1893 | Tom Conley (words) Henry J Sayers (words) |
|
⇑ I've Worked Eight Hours This Day (w&m) | 1893 | ||
Old Home Is Good Enough For Me, The (w&m) | 1893 | ||
Once More in the Dear Old Land (w&m) | 1893 | ||
Poor Mick (w&m) | 1893 | Pat Rafferty (perf.) | |
Rich and Poor | 1893 | Norton Atkins (words) Victor Stevens (words) Alice Brookes (perf.) |
Pub. |
Rowdy Dowdy Boys , The | 1893 | Tom Conley (words) | |
Ship I Love, The (w&m) | 1893 | Tom Costello (perf.) | Pub. |
They Are the Best Friends of All | 1893 | Theo Norman (words) Monroe H. Rosenfeld (words) Birdie Mersereau (perf.) Helen Mora (perf.) |
Pub. |
They Wouldn't Do That in London (w&m) | 1893 | Marie Le Blanc (perf.) Victor Stevens (perf.) |
Pub. |
We All Lent a Hand | 1893 | George Horncastle (words) Lester Barrett (words) John S. Baker (words) |
Pub. |
And Her Golden Hair Was Hanging Down Her Back | 1894 | Monroe H Rosenfeld (words) Banta's Orchestra (perf.) Eunice Vance (perf.) |
|
Didn't We Fight in Days Gone By? | 1894 | Jesse Burton (words) | Pub. |
⇑ Don't Bear Any Ill Feeling (w&m) | 1894 | Pub. |
Title | Year | Attribution | Remarks |
---|
He Doesn't Go There Now | 1894 | H A Duffy (words) Lily Marney (perf.) |
|
He Lies Asleep | 1894 | Sid Ransom (words) Lily Marney (perf.) |
Pub. |
Her Golden Hair Was Hanging Down Her Back | 1894 | Monroe H. Rosenfeld (words) Hedli Anderson (perf.) Yvette Guilbert (perf.) Alice Leamar (perf.) |
Pub. |
I Do Love You (w&m) | 1894 | Marie Le Blanc (perf.) | Pub. |
I'll Forgive Him | 1894 | James Curran (words) Tom Costello (perf.) |
Pub. |
John James Callaghan (w&m) | 1894 | Lily Marney (perf.) | Pub. |
Mr. Captain Stop the Ship! | 1894 | W A Archbold (words) | |
Norah My Wife | 1894 | W A Archbold (words) Tom Costello (perf.) |
Pub. |
Oh! She Knows a Bit | 1894 | Troja. (words) | Pub. |
She Was Young and I Was Old | 1894 | Paul Pelham (words) | Pub. |
She's Irish All the Time | 1894 | W A Archbold (words) Max Hirschfield (words) |
|
⇑ Still the Same | 1894 | Fred W. Leigh (words) Lester Barrett (words) John S. Baker (words) |
Pub. |
Three Blind Mice and the Farmer's Lass | 1894 | Albert Hall (words) Marie Le Blanc (perf.) |
Pub. |
Timothy Twitters | 1894 | Tom Conley (words) Tom Maxwell (perf.) |
Pub. |
To Err Is Human, to Forgive Divine! (w&m) | 1894 | Marie Loftus (perf.) | Pub. |
Arrah, Go On! (w&m) | 1895 | Lily Marney (perf.) | Pub. |
Bachelor's Club, The | 1895 | H A Duffy (words) Leonard Barry (perf.) |
|
Dad and Me | 1895 | William Henry Gardner (words) Otto Bonnell (words) |
|
Daddy's Gone to London | 1895 | Tom Browne (words) Katie Lawrence (perf.) |
Pub. |
Don't Listen | 1895 | Pub. | |
I Only Know I Loved Her | 1895 | Charles Page (words) Anna Sheehan (words) |
Pub. |
I'll Be Constant and True | 1895 | W A Archbold (words) Charles Page (words) |
Pub. |
Jenny and I | 1895 | Charles Page (words) | Pub. |
⇑ Killymablanagan | 1895 | E J Lonnen (words) Steve Leggett (words) George Fearnley (words) |
Pub. |
Lad Who Went Astray, The | 1895 | Saville Smart (words) | |
Marie's Lovers | 1895 | W E Goodwins (words) Marie Loftus (perf.) |
Pub. |
Mccarthy's Boarding House | 1895 | Tom Conley (words) Lily Marney (perf.) |
Pub. |
Oh! Uncle John (w&m) | 1895 | Katie Lawrence (perf.) | Pub. |
Oh, Mr. Hitchin | 1895 | W A Archbold (words) Monroe H. Rosenfeld (words) John Hitchin Vreeland (words) Madge Ellis (perf.) |
|
Oh, Uncle John! (w&m) | 1895 | Katie Lawrence (perf.) | Pub. |
One-Legged Family, The | 1895 | Albert Hall (words) Tom Costello (perf.) |
Pub. |
Settled! | 1895 | George Horncastle (words) Charles Bignell (perf.) |
Pub. |
She Was a Stranger in London | 1895 | Tom Brown (words) Leonard Barry (perf.) |
Pub. |
Sixty Was the Number | 1895 | Albert Hall (words) Mate Chesney (words) Jennie Belle (perf.) |
Pub. |
Tale of the 95th, A | 1895 | Norton Atkins (words) Alf Chester (perf.) |
Pub. |
⇑ They Were All There | 1895 | Pastor Eldridge (words) Albert Hall (words) |
Pub. |
Title | Year | Attribution | Remarks |
---|
Tokens From Home | 1895 | Albert Hall (words) Mate Chesney (words) Jennie Belle (perf.) |
|
All the O'S Were There! (w&m) | 1896 | Lily Marney (perf.) | |
Daddy's Gone to New York | 1896 | Tom Browne (words) | |
Dream of the Dance, A | 1896 | F J Tierney (words) Charles Page (words) |
|
Drink! Drink!! Drink!!! (w&m) | 1896 | Charles Bignell (perf.) | Pub. |
He Couldn't Take the Two of Us | 1896 | Tom Conley (words) Lester Barrett (words) John S. Baker (words) |
Pub. |
Lavender, the Howler | 1896 | Charles D Hickman (words) Tom Costello (perf.) |
Pub. |
Little Baby Patsy | 1896 | Phil Herman (words) | Pub. |
Oh! Mr. Nobody (w&m) | 1896 | Nellie L'Estrange (perf.) | Pub. |
She Never Comes Home Till Morning | 1896 | Tom Conley (words) Maggie Duggan (perf.) |
Pub. |
Song That Will Live For Ever, The | 1896 | Tom Browne (words) Harry P. Cargill (perf.) Tom Costello (perf.) Charles Howard (perf.) Helen Mora (perf.) |
Pub. |
⇑ There's Only One Thing Stops Me | 1896 | E G Coles (words) Charles Bignell (perf.) |
Pub. |
As the Church Bells Chime | 1897 | Norton Atkins (words) Charles Chaplin Sr. (words) |
Pub. |
Brave Old Commodore, The | 1897 | Tom Browne (words) Jesse Burton (words) |
Pub. |
Cupid's in Love With Me | 1897 | J Albert Snow (words) | |
Everybody's Darling | 1897 | Tom Browne (words) Katie Lawrence (perf.) |
Pub. |
Mac and I | 1897 | Jesse Burton (words) | Pub. |
Mary Bloomer | 1897 | Tom Browne (words) M K Hilliard (words) |
|
Mary's Tambourine | 1897 | C G Cotes (words) Katie Lawrence (perf.) |
Pub. |
Nice Situation For a Girl, A | 1897 | C G Cotes (words) | |
Oh! Can It Be Love? | 1897 | Albert Hall (words) James Fawn (perf.) |
Pub. |
One Touch of Nature Makes the Whole World Kin (w&m) | 1897 | Marie Loftus (perf.) | |
Quiet Little Corner Down in Kent, A | 1897 | Edgar Bateman (words) Tom Costello (perf.) |
Pub. |
⇑ You Show Me Your Slate | 1897 | C G Cotes (words) Madge Ellis (perf.) |
Pub. |
Dad's Dialects, The (w&m) | 1898 | Marie Loftus (perf.) | Pub. |
Humpy Umpy Ay | 1898 | Milton Bode (words) Katie Lawrence (perf.) |
|
Irishmen Must Be There (w&m) | 1898 | Walter Munroe (perf.) | Pub. |
John James Murphy (w&m) | 1898 | Lily Marney (perf.) | Pub. |
Only a Clown (w&m) | 1898 | Cora Duncan (perf.) | Pub. |
Sons of the Sea (w&m) | 1898 | Arthur Reece (perf.) | |
They Were All Occupied | 1898 | Tom Brown (words) Harry Freeman (perf.) |
|
Be Aisy (w&m) | 1899 | Lily Marney (perf.) | Pub. |
I've Gone Out For the Day | 1899 | George A. Stevens (words) Katie Lawrence (perf.) |
Pub. |
Leave Me, Comrades | 1899 | Tom Browne (words) J A Radcliffe (words) |
Pub. |
Motherland | 1899 | Fred Eplett (words) | |
⇑ Say Nothing | 1899 | Tom Browne (words) Katie Lawrence (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
Ship That Belongs to a Lady, The | 1899 | Edgar Bateman (words) Katie Lawrence (perf.) Maud Needham (perf.) |
|
They've Been Trotting Me Round (w&m) | 1899 | Lalor Shiel (perf.) | Pub. |
We're Taking It in Turns | 1899 | Tom Brown (words) James Fawn (perf.) |
Pub. |
Why Are You Waiting Here? | 1899 | C G Cotes (words) George Bastow (perf.) |
Pub. |
Cupid Is a Little Black Coon | 1900 | John S. Baker (words) | |
Little Red Riding Hood and the Demon Wolf (w&m) | 1900 | ||
Revenge For Waterloo (w&m) | 1900 | Pub. | |
That Was the Soldiers Song (w&m) | 1900 | Marie Loftus (perf.) | Pub. |
Thinking of the Lad Who Went Away | 1900 | Tom Brown (words) Katie Lawrence (perf.) |
Pub. |
Tommy, Jack and Joe | 1900 | Edgar Bateman (words) Katie Lawrence (perf.) |
Pub. |
Volunteer | 1900 | Fred Eplett (words) | |
⇑ At Night | 1900c | Edward St Quentin (words) | |
British Bulldogs, The (w&m) | 1901 | Pub. | |
Climbing on Dada's Knee (w&m) | 1901 | Pub. | |
Come What May | 1901 | George A. Stevens (words) John S. Baker (words) |
Pub. |
Girl I Fancy, The | 1901 | John S. Baker (words) | Pub. |
Love Is Stronger Still Than Death (w&m) | 1901 | Pub. | |
Rough and Tumble Boys, The (w&m) | 1901 | Pub. | |
Swinging! Swinging! (w&m) | 1901 | Pub. | |
Take a Little Patsy (w&m) | 1901 | Pub. | |
Who's the Girl? (w&m) | 1901 | Pub. | |
Sons of Australia | 1904 | Fred Eplett (words) | |
Album of Irish National Songs, An | 1905 | T D Sullivan (words) | |
⇑ Oh! What a Difference in the Morning (w&m) | 1905 | ||
Acushla Dear! (w&m) | 1907 | Pub. | |
Bonnie Lassie O! (w&m) | 1907 | Pub. | |
Good-Morning, Little Daisy! (w&m) | 1907 | Pub. | |
She Lives in the Isle of Man (w&m) | 1907 | Pub. | |
Sweet Mary, From Dublin (w&m) | 1907 | Pub. | |
Wait For Me, Fritzy Dear! | 1907 | José Collins (perf.) | |
When You're Tired of Roaming | 1907 | John S. Baker (words) | |
We Mean to Keep the Seas (w&m) | 1909 | Arthur Reece (perf.) | Pub. |
While the ''Billy'' Was Boiling on the Camp-Fire (w&m) | 1909 | Pub. | |
Grace Darling (w&m) | 1910 | ||
Soggarth Aroon | 1910 | John Banim (words) John S. Baker (words) |
Pub. |
⇑ Battle Songs of the British Empire (w&m) | 1914 | Pub. |