Title | Attribution | Remarks |
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Appy 'ampstead | John Crook (music) Albert Chevalier (words) A. Chevalier (perf.) |
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Coster's Serenade, The | John Crook (music) Albert Chevalier (words) A. Chevalier (perf.) |
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Jeerusalem's Dead! | John Crook (music) Brian Daly (words) A. Chevalier (perf.) |
|
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Johnnies Serenade, The | John Crook (music) Albert Chevalier (words) A. Chevalier (perf.) |
|
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Pirate Bus, The | John Crook (music) Frederick Bowyer: (words) H. Campbell (perf.) |
|
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Tink-A-Tin | John Crook (music) Albert Chevalier (words) A. Chevalier (perf.) |
|
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Who'll Buy? | John Crook (music) Albert Chevalier (words) A. Chevalier (perf.) |
|
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Yours Etc. | John Crook (music) Albert Chevalier (words) A. Chevalier (perf.) |
Title | Attribution | Instruments | Source | Remarks |
---|
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Coster's Serenade (1892), The | J. Crook (music) A. Chevalier (words) A. Chevalier (perf.) |
Piano, Voice | IMSLP | ![]() |
Title | Year | Attribution | Remarks |
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Memory and Hope | 1868 | Madame Oury (words) | ![]() |
Arry and 'arriet (w&m) | 1868c | ![]() |
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Pretty Souls | 1876 | C A Maltby (words) William Sim (words) |
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I Wanted to Go on the Stage | 1885 | H. Nicholls (words) A. Roberts (perf.) |
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Artful As a Waggon-Load of Monkeys | 1886 | H B Farnie (words) A. Roberts (perf.) |
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Pirate Bus, The | 1886 | F. Bowyer (words) H. Campbell (perf.) |
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Plain Potatoe, The | 1886 | H B Farnie (words) Edmond Audran (words) A. Roberts (perf.) |
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Auctioneer's Song, The | 1887 | H B Farnie (words) A. Roberts (perf.) |
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Quite Sufficient | 1887 | W. Pink (words) A. Roberts (perf.) |
Pub. |
Tain't Natural | 1887 | H B Farnie (words) A. Roberts (perf.) |
Pub. |
When We Were Young! (w&m) | 1888 | A. Roberts (perf.) J. J. Dallas (perf.) |
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⇑ Art of Love, The | 1889 | Tito Mattei (words) Alfred Murray (words) George Capel (words) A. Chevalier (perf.) |
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Phosphorescent Crew, The | 1889 | F. Bowyer (words) J. J. Dallas (perf.) |
Pub. |
Tink-A-Tin | 1891 | Albert Chevalier (words) A. Chevalier (perf.) |
Pub. |
Yours Etc. (w&m) | 1891 | A. Chevalier (perf.) | Pub. |
Coster's Serenade, The | 1892 | A. Chevalier (words) A. Chevalier (perf.) |
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Title | Year | Attribution | Remarks |
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Johnnies Serenade, The (w&m) | 1892 | A. Chevalier (perf.) | ![]() |
Appy 'ampstead (w&m) | 1893 | A. Chevalier (perf.) | Pub. |
Cane Brake, The | 1893 | Brian Daly (words) Eugene Stratton (perf.) |
Pub. |
Jeerusalem's Dead! | 1893 | Brian Daly (words) A. Chevalier (perf.) |
Pub. |
Keep Yer Big Feet Movin' | 1893 | Brian Daly (words) Nicola Podesta (words) Eugene Stratton (perf.) |
Pub. |
King of the Strand, The | 1893 | Richard Barnard (words) G. W. Anson (perf.) |
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What's in a Name? | 1893 | Richard Barnard (words) T. Costello (perf.) |
Pub. |
Who'll Buy? (w&m) | 1893 | A. Chevalier (perf.) | Pub. |
Accent On, The | 1894 | W. Pink (words) A. Roberts (perf.) |
Pub. |
Tears Rolled Down His Cheek, The | 1894 | William Younge (words) Charles Danby (perf.) from "The Lady Slavey" |
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Wanted a Wife For a Millionaire | 1894 | George Dance (words) J. C. Piddock (perf.) from "The Lady Slavey" |
Pub. |
⇑ Afternoon Tea | 1895 | F. Bowyer (words) W E Sprange (words) |
Pub. |
Bicycle Marriage, A | 1895 | F. Bowyer (words) | Pub. |
Each Bird and Beast | 1895 | George Dance (words)
from "The Lady Slavey" |
Pub. |
Gee Up, Gee Whoa | 1895 | George Dance (words)
from "The Lady Slavey" |
Pub. |
Gentleman's Gentleman, The | 1895 | F. Bowyer (words) W E Sprange (words) |
Pub. |
Title | Year | Attribution | Remarks |
---|
It's a Little Bit of Sugar For the Bird | 1895 | F. Bowyer (words) W E Sprange (words) |
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Lady Journalist, The | 1895 | F. Bowyer (words) W E Sprange (words) |
Pub. |
Mother Was the Mother of Us Both | 1895 | F. Bowyer (words) W E Sprange (words) |
Pub. |
Oh! Mashonaland | 1895 | F. Bowyer (words) W E Sprange (words) J L Shine (words) from "The New Barmaid" |
Pub. |
Oh! the River | 1895 | F. Bowyer (words) W E Sprange (words) Lottie Collins (perf.) from "The New Barmaid" |
Pub. |
Alice Atherton's Laughing Song | 1897 | George Dance (words) Charles E Pratt (words) Alice Atherton (perf.) |
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I Must Look a Bit Higher Than That | 1897 | George Dance (words)
from "The Lady Slavey" |
Pub. |
I'm Doing Very Well Indeed | 1897 | H. Nicholls (words) H. Talbot (words) Robb Harwood (perf.) from "Monte Carlo" |
Pub. |
Laughing Song | 1897 | George Dance (words) | ![]() |
Quakeress Ruth | 1897 | T A McWeeney (words) Lottie Collins (perf.) |
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Whoop-De-Dooden-Doo | 1897 | George Dance (words) Edith Rosenthal (words) from "The Lady Slavey" |
Pub. |
⇑ Only a Leaf | 1900c | Joe Slater (words) T B Fayme (words) |
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Angels Defend Thee | 1901 | Olive Zarie (words) Joseph Tapley (perf.) |
Pub. |
Hearts to Mend | 1910c | M. Arnold (words) | Pub. |
If You Would Only Love Me | 1912 | J. Kern (words) | Pub. |