Cowslip and the Cow, The Words and Music by: Frank Leo.
| ||||||
Does Anybody Want My Wife? Music by: Frank Leo.
|
Title (Release Year) | Composer | Performers | Issue |
---|
Wax Cylinders | ||||
Let Me Sing! (1906) | F. Leo | Harry Graham | ||
My Little Deitcher Girl (1907) | F. Leo | Arthur Gilbert | Edison Bell Record: 10444 | |
I'm Always Doing Something Silly (1909) | F. Leo | Arthur Gilbert | Edison Amberol: 12043 |
Performer | CD Title | Supplier |
---|
Folk Music CDs: | |||
Daisy Taylor | Popsy Wopsy |
Title | Attribution | Remarks |
---|
All Becos 'e's Minding a 'ouse | Frank Leo (words & music) Wilkie Bard (perf.) |
||
All Day and Martin | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Am I in the Way? | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Barman, The | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Beauty of the Guards | Frank Leo (words & music) George Bastow (perf.) |
||
Bruvver Jim the Horfis Boy | Frank Leo (music) Harry Castling (words) John S Baker (words) Wilkie Bard (perf.) |
||
Come Up in My Balloon | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Do You Know Any More Funny Stories? | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Does Anybody Want My Wife? | Frank Leo (words & music) Tom Clare (perf.) |
||
Has Anyone Been Asking For Me? | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Hey!! Are You Coming Back Again? | Frank Leo (words & music) Wilkie Bard (perf.) |
||
⇑Hurrah For the Sea! | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I Don't Know Where He Gets His Ideas | Frank Leo (words & music) Harry Randall (perf.) |
||
I Don't Think I'll Bother You Now | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I Don't Want to Cause Any Trouble | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I Felt Quite Sorry For the Feller | Frank Leo (words & music) Mark Sheridan (perf.) |
||
I Think I Shall Stop Here a Bit | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I Think I'd Better Shift This Scene | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I Thought There Was Something the Matter | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I Want You to Notice My Leggings | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I Wish I'd Bought Ducks | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I Wonder What He's Going to Do Next | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I'd Like to Go Halves in That | Frank Leo (words & music) Wilkie Bard (perf.) |
||
⇑If You're Doing That For Me, You Can Stop | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I'll Call When You're Not So Busy | Frank Leo (words & music) Dion Wade (perf.) |
||
I'm Always Doing Something Silly | Frank Leo (words & music) Jay Laurier (perf.) |
||
I'm Glad I Went Up in the Bar | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I'm Here, if I'm Wanted | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I'm Not Such a Goose As I Look | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Is There Anything Else You'd Like? | Frank Leo (words & music) Wilkie Bard (perf.) |
||
It Doesn't Belong to Me | Frank Leo (words & music) Dan Crawley (perf.) |
||
It Was a Sad, Sad Day For Me | Frank Leo (words & music) Wilkie Bard (perf.) |
||
It's Been a Nice Day | Frank Leo (words & music) Wilkie Bard (perf.) |
||
I've Got to Get Back to Work | Frank Leo (words & music) Alf Gibson (perf.) |
||
I've Struck a Chorus | Frank Leo (words & music) Wilkie Bard (perf.) |
||
⇑Let Me Sing! | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Limerick Mad | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Mother's Washing Day | Frank Leo (words & music) Dan Leno (perf.) |
||
My Inventive Pal | Frank Leo (words & music) Herbert Campbell (perf.) |
||
My Mother's So Particular With Me. | Frank Leo (words & music) Jack Pleasants (perf.) |
||
One and a Penny a Day | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Our Dramatic Club | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Scene Shifter's Lament, The | Frank Leo (words & music) Frank Leo (perf.) |
||
She's Awfully Jealous of Me. | Frank Leo (words & music) Jack Pleasants (perf.) |
||
That's Where She Sits All Day | Frank Leo (words & music) Wilkie Bard (perf.) |
||
There's a Home For You With Me | Frank Leo (words & music) Wilkie Bard (perf.) |
||
There's a Peculiar Thing! | Frank Leo (words & music) Wilkie Bard (perf.) |
||
⇑Troubles | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Turn Over Leaf | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Waiting For Further Evidence | Frank Leo (words & music) Frank Leo (perf.) |
||
Watching the Trains Come In | Frank Leo (words & music) Jack Pleasants (perf.) |
||
When the Bugle Calls | Frank Leo (words & music) Wilkie Bard (perf.) |
||
Where Do Flies Go in the Winter Time? | Frank Leo (music) Sam Mayo (words) Jack Pleasants (perf.) |
||
You Can Get in a Row For That | Frank Leo (words & music) Will Newman (perf.) |
||
You, You, You! | Frank Leo (words & music) Wilkie Bard (perf.) |
Title | Attribution | Instruments | Source | Remarks |
---|
Come Up in My Balloon (1909) | F. Leo (w&m) W. Bard (perf.) |
Piano, Voice | IMSLP | ||
I Do Like an Egg For My Tea (1919) | F. Leo (w&m) F. Leo (perf.) |
Piano, Voice | IMSLP | Pub. | |
I've Only Come Down For the Day (1912) | F. Leo (w&m) S. Mayo (perf.) |
Piano, Voice | IMSLP | Pub. | |
Telephone Language (1923) | F. Leo (w&m) F. Leo (perf.) |
Piano, Voice | IMSLP | ||
When the Weaker Sex Are Stronger (1912) | F. Leo (w&m) | Piano, Voice | IMSLP | Pub. |
Title | Year | Attribution | Remarks |
---|
Music Teacher, The | 1895 | A J Mills (words) John S Baker (words) Reuben Hill (perf.) |
|
Moucher, The | 1896 | Leonard Barry (perf.) | |
Old Oak Tree, An | 1896 | Leonard Barry (perf.) | |
Our Dramatic Club (w&m) | 1896 | Wilkie Bard (perf.) | Pub. |
Pet of the Crew, The | 1896 | Leonard Barry (perf.) | Pub. |
All Becos 'e's Minding a 'ouse (w&m) | 1897 | Wilkie Bard (perf.) | Pub. |
Boys of the Empire | 1897 | Marie Collins (perf.) | Pub. |
Cockney in France, The (w&m) | 1897 | Herbert Campbell (perf.) | Pub. |
Doctor Nevill (w&m) | 1897 | Wilkie Bard (perf.) | Pub. |
Eagle, The (w&m) | 1897 | Nellie Stratton (perf.) | Pub. |
Leave Them Alone, Boys | 1897 | Marie Collins (perf.) | Pub. |
⇑ My Inventive Pal (w&m) | 1897 | Herbert Campbell (perf.) | Pub. |
Out All Night | 1897 | A J Mills (words) Leonard Barry (perf.) |
Pub. |
Polly Ain't an Angel (w&m) | 1897 | Harry Bawn (perf.) | Pub. |
Anything For Peace and Quietness (w&m) | 1898 | Herbert Campbell (perf.) | Pub. |
Barman, The | 1898 | John S Baker (words) Wilkie Bard (perf.) |
Pub. |
Bruvver Jim the Horfis Boy | 1898 | Harry Castling (words) John S Baker (words) Wilkie Bard (perf.) |
Pub. |
Call Again | 1898 | Leonard Barry (perf.) | Pub. |
E's Making a Great Mistake (w&m) | 1898 | Harry Bawn (perf.) | Pub. |
I'll Give Him Writing to Mignonette (w&m) | 1898 | Florrie Gallimore (perf.) | Pub. |
I'm Much Better Off Where I Am (w&m) | 1898 | Dan Crawley (perf.) | Pub. |
It Doesn't Belong to Me (w&m) | 1898 | Dan Crawley (perf.) | Pub. |
It Was Beautiful | 1898 | A J Mills (words) John S Baker (words) Wilkie Bard (perf.) |
Pub. |
⇑ Mother's Washing Day | 1898 | Dan Leno (perf.) Harry Wyngate (perf.) |
Pub. |
Oh, Mister Noah! (w&m) | 1898 | Will Dalton (perf.) | Pub. |
Ruby | 1898 | John S Baker (words) Lily Lena (perf.) |
Pub. |
There's a Home For You With Me | 1898 | John S Baker (words) Wilkie Bard (perf.) |
Pub. |
There's a Peculiar Thing! (w&m) | 1898 | Wilkie Bard (perf.) | Pub. |
They're Always Taking Me For Someone Else! (w&m) | 1898 | George Robey (perf.) | |
Things That Don't Concern Me (w&m) | 1898 | Herbert Campbell (perf.) | Pub. |
Troubles (w&m) | 1898 | Wilkie Bard (perf.) | Pub. |
Turn Over Leaf (w&m) | 1898 | Wilkie Bard (perf.) | Pub. |
When You Find 'em on the Pavement | 1898 | Charles Deane (perf.) | Pub. |
Cold and Frosty Morning, A | 1899 | Charles Pastor (perf.) | Pub. |
Ding Dong (w&m) | 1899 | Frank Seeley (perf.) | Pub. |
⇑ Has Anyone Seen Our Cat? (w&m) | 1899 | Wilkie Bard (perf.) | Pub. |
He's a Very Nice Man to Know (w&m) | 1899 | Herbert Campbell (perf.) | Pub. |
I Think We Shall Have Some Rain (w&m) | 1899 | Wilkie Bard (perf.) | |
I'd Like to Go Halves in That (w&m) | 1899 | Wilkie Bard (perf.) | |
Is There Anything Else You'd Like? (w&m) | 1899 | Wilkie Bard (perf.) | Pub. |
Nice Thing For a Man Like Me (w&m) | 1899 | Harry Freeman (perf.) | Pub. |
Title | Year | Attribution | Remarks |
---|
No Show To-Night (w&m) | 1899 | Herbert Campbell (perf.) | |
Nothing Shall Part Us Now! | 1899 | Marie Collins (perf.) | Pub. |
Walking in My Sleep | 1899 | Ernest Heathcote (perf.) | Pub. |
What a Friend We Have in Mother | 1899 | Ernest Heathcote (perf.) | Pub. |
What Are We Here For? | 1899 | Marie Collins (perf.) | |
What D'yer Think of Me Now? | 1899 | Harry Randall (perf.) | Pub. |
When the Day Begins to Dawn | 1899 | Marie Collins (perf.) | Pub. |
With ''Our'' Money (w&m) | 1899 | Alf Chester (perf.) | Pub. |
Am I in the Way? (w&m) | 1900 | Wilkie Bard (perf.) | Pub. |
Cowslip and the Cow, The (w&m) | 1900 | ||
Don't Run Away, Sir! | 1900 | Will Newman (perf.) | Pub. |
⇑ Fish 'e 'asn't Caught, The | 1900 | Leonard Barry (perf.) | |
Get on My Back! I'll Carry You About! (w&m) | 1900 | Harry Ford (words) | Pub. |
Have a Game (w&m) | 1900 | Mark Milton (perf.) | Pub. |
He Lives in a World of His Own (w&m) | 1900 | Minnie Cunningham (perf.) | Pub. |
I Felt Quite Sorry For the Feller (w&m) | 1900 | Mark Sheridan (perf.) | Pub. |
I Wish I'd Bought Ducks (w&m) | 1900 | Wilkie Bard (perf.) | Pub. |
I Wonder What He's Going to Do Next (w&m) | 1900 | Wilkie Bard (perf.) | Pub. |
I Wouldn't Lend You Much on That | 1900 | Edgar Bateman (words) Herbert Campbell (perf.) |
Pub. |
Let Us Pause (w&m) | 1900 | George Bastow (perf.) | Pub. |
Looking at the Pictures (w&m) | 1900 | Minnie Cunningham (perf.) | Pub. |
Oh, Be Careful, My Friends (w&m) | 1900 | Leonard Barry (perf.) | Pub. |
Rising Son, The | 1900 | Sable Fern (perf.) | Pub. |
⇑ That's Their Idea of a Lady (w&m) | 1900 | George Bastow (perf.) | Pub. |
That's Where She Sits All Day (w&m) | 1900 | Wilkie Bard (perf.) | Pub. |
What a Fine Old Game You're Having (w&m) | 1900 | Mark Sheridan (perf.) | Pub. |
What a Nice Little Thing (w&m) | 1900 | Harry Ford (perf.) | Pub. |
Where's the Gold of London? | 1900 | Nellie Stratton (perf.) | Pub. |
You'll Have to Pay | 1900 | John Neat (words) Minnie Cunningham (perf.) |
|
Do You Know Any More Funny Stories? (w&m) | 1901 | Wilkie Bard (perf.) | Pub. |
Hurrah For the Sea! (w&m) | 1901 | Wilkie Bard (perf.) | Pub. |
I Think I Shall Stop Here a Bit (w&m) | 1901 | Wilkie Bard (perf.) | Pub. |
I Thought There Was Something the Matter (w&m) | 1901 | Wilkie Bard (perf.) | Pub. |
I've Got a Beau! (w&m) | 1901 | Minnie Cunningham (perf.) | Pub. |
It Was a Sad, Sad Day For Me (w&m) | 1901 | Wilkie Bard (perf.) | Pub. |
⇑ My Girl Is an Angel (w&m) | 1901 | Pub. | |
Piccadilly Crawl, The (w&m) | 1901 | Vesta Tilley (perf.) | Pub. |
She Ain't a Bit Like the Other Gals (w&m) | 1901 | Pub. | |
Sixpenny-'a'penny Tie, A (w&m) | 1901 | Sable Fern (perf.) | Pub. |
There Is No One in the World Like You (w&m) | 1901 | Pub. | |
There's an Idea For a Song! (w&m) | 1901 | Wilkie Bard (perf.) | Pub. |
Title | Year | Attribution | Remarks |
---|
When We Were Twenty-One (w&m) | 1901 | George Bastow (perf.) | |
You Can Get in a Row For That (w&m) | 1901 | Will Newman (perf.) | Pub. |
You Mustn't Do a Thing Like That | 1901 | Ernest Bostock (words) W. P. Dempsey (perf.) |
Pub. |
Does It Matter? (w&m) | 1902 | Bert Byrne (perf.) | Pub. |
Has Anyone Been Asking For Me? (w&m) | 1902 | Wilkie Bard (perf.) | Pub. |
I Don't Want to Cause Any Trouble (w&m) | 1902 | Wilkie Bard (perf.) | Pub. |
If I'd Only Got the Impudence (w&m) | 1902 | Maggie Carr (perf.) | Pub. |
If You're Doing That For Me, You Can Stop (w&m) | 1902 | Wilkie Bard (perf.) | Pub. |
It's Not the Cage I'm After, It's the Bird (w&m) | 1902 | Sable Fern (perf.) | Pub. |
L Stands For Lovers (w&m) | 1902 | Pub. | |
Language of Love, The (w&m) | 1902 | Arthur Lennard (perf.) | Pub. |
⇑ Ma Coon's Got Lots O' Money (w&m) | 1902 | Pub. | |
May, My May (w&m) | 1902 | Sable Fern (perf.) | Pub. |
That's Why I Love Her So (w&m) | 1902 | Sable Fern (perf.) | Pub. |
What Is the Use of Loving a Girl? (w&m) | 1902 | Pub. | |
And So the Poor Dog Had None (w&m) | 1903 | Arthur Lennard (perf.) | Pub. |
Because I'm a Family Man (w&m) | 1903 | Pub. | |
Her Smiles Are For Me (w&m) | 1903 | Pub. | |
I Don't Think I'll Bother You Now (w&m) | 1903 | Wilkie Bard (perf.) | Pub. |
I've Got to Get Back to Work (w&m) | 1903 | Alf Gibson (perf.) | Pub. |
It's Been a Nice Day (w&m) | 1903 | Wilkie Bard (perf.) | Pub. |
It's Lovely to Be Known (w&m) | 1903 | Pub. | |
My Cricket Girl (w&m) | 1903 | Sable Fern (perf.) | Pub. |
⇑ My Lily of the Valley (w&m) | 1903 | Pub. | |
My One and Only Girl (w&m) | 1903 | Pub. | |
My Terpsichorean Gal (w&m) | 1903 | Pub. | |
No Coon Am Pining For Me (w&m) | 1903 | Pub. | |
So Long As I Know What You're Doing (w&m) | 1903 | Albert Ben (perf.) | Pub. |
Was That a Knock? (w&m) | 1903 | Ben Albert (perf.) | Pub. |
You Can't Get Away, There It Is | 1903 | Alf Gibson (perf.) | Pub. |
You Mustn't Take Any Away! (w&m) | 1903 | Marie Kendall (perf.) | Pub. |
I'll Call When You're Not So Busy (w&m) | 1904 | Dion Wade (perf.) | Pub. |
There Are Good Fish Still in the Sea (w&m) | 1904 | Sable Fern (perf.) | Pub. |
What D'yer Want to Talk About It For? (w&m) | 1904 | Dion Wade (perf.) | Pub. |
What's the Idea of That? | 1904 | Dion Wade (perf.) | Pub. |
⇑ Why Don't You Tell Your People? (w&m) | 1904 | Pub. | |
Wouldn't You Be Better in a Home? (w&m) | 1904 | Dion Wade (perf.) | Pub. |
You Can't Stop the Sun From Shining | 1904 | Maude Esmond (words) Maud Mortimer (words) Sable Fern (perf.) |
Pub. |
A.B.C (w&m) | 1905 | Pub. | |
Can't You See I Want You to Be My Girl? | 1905 | Sable Fern (perf.) | Pub. |
Fate of Maudie, The | 1905 | F Raymond Coulson (words) |
Title | Year | Attribution | Remarks |
---|
Her Beauty Defies My Skill (w&m) | 1905 | ||
I Think I'd Better Shift This Scene (w&m) | 1905 | Wilkie Bard (perf.) | Pub. |
Ma Dog-Rose | 1905 | F Raymond Coulson (words) | |
Man Next Door, The | 1905 | F Raymond Coulson (words) | |
Mister Watson (w&m) | 1905 | ||
One and a Penny a Day (w&m) | 1905 | Wilkie Bard (perf.) | Pub. |
There Can Only Be One Queen Bee in a Hive (w&m) | 1905 | Sable Fern (perf.) | Pub. |
Always Give and Take a Little Bit | 1906 | Sable Fern (perf.) | Pub. |
I Want You to Notice My Leggings (w&m) | 1906 | Wilkie Bard (perf.) | Pub. |
I Wish They'd Let Me Wear My Macintosh! (w&m) | 1906 | Dion Wade (perf.) | Pub. |
I'm Not Such a Goose As I Look (w&m) | 1906 | Wilkie Bard (perf.) | Pub. |
⇑ Iona of Arizona | 1906 | Harry Castling (words) Sable Fern (perf.) |
Pub. |
Let Me Sing! (w&m) | 1906 | Wilkie Bard (perf.) Harry Graham (perf.) |
Pub. |
Echo of an Old, Old Tale, The (w&m) | 1907 | Sable Fern (perf.) | Pub. |
Have You Looked in the Glass? (w&m) | 1907 | Pub. | |
I'm Glad I Went Up in the Bar (w&m) | 1907 | Wilkie Bard (perf.) | |
Limerick Mad (w&m) | 1907 | Wilkie Bard (perf.) | Pub. |
My Little Deitcher Girl | 1907 | Wilkie Bard (perf.) Arthur Gilbert (perf.) |
|
Read Between the Lines (w&m) | 1907 | Sable Fern (perf.) | Pub. |
You Don't Mind Me Asking You, Do You? (w&m) | 1907 | Pub. | |
You, You, You! (w&m) | 1907 | Wilkie Bard (perf.) | Pub. |
All Day and Martin (w&m) | 1908 | Wilkie Bard (perf.) | Pub. |
I Don't Know Where He Gets His Ideas (w&m) | 1908 | Harry Randall (perf.) | Pub. |
⇑ I'm Always Doing Something Silly (w&m) | 1908 | Arthur Gilbert (perf.) Jay Laurier (perf.) |
Pub. |
I'm Here, if I'm Wanted (w&m) | 1908 | Wilkie Bard (perf.) | Pub. |
I've Struck a Chorus (w&m) | 1908 | Wilkie Bard (perf.) | |
Maisie Mine (w&m) | 1908 | Pub. | |
Oh! Mother Eve (w&m) | 1908 | Sable Fern (perf.) | Pub. |
Boy Scout, The | 1909 | Sable Fern (perf.) | Pub. |
Come Up in My Balloon (w&m) | 1909 | Wilkie Bard (perf.) | Pub. |
Don't Go Out Without Your Sunshade (w&m) | 1909 | Sable Fern (perf.) | Pub. |
Don't Hang Your Trouble on Me (w&m) | 1909 | Sable Fern (perf.) | Pub. |
I Forgive You, But I Can't Forget (w&m) | 1909 | Pub. | |
It Quite Upset Oi For the Day (w&m) | 1909 | Jay Laurier (perf.) | Pub. |
Jack Jones (w&m) | 1909 | Pub. | |
⇑ Put Your Trust in Me, Little Girl (w&m) | 1909 | Sable Fern (perf.) | Pub. |
When the Bugle Calls (w&m) | 1909 | Wilkie Bard (perf.) | Pub. |
You'll Hear From My Solicitors (w&m) | 1909 | Pub. | |
Keep Whistling | 1910 | Sable Fern (perf.) | Pub. |
When the Camp-Fire's Brightly Burning. (w&m) | 1910 | Pub. | |
Be Prepared! (w&m) | 1911 | Pub. |
Title | Year | Attribution | Remarks |
---|
Night Watchman. , The (w&m) | 1911 | ||
Beauty of the Guards (w&m) | 1912 | George Bastow (perf.) | Pub. |
Farmyard Ragtime (w&m) | 1912 | ||
Get Away- You're Kidding! (w&m) | 1912 | Jay Laurier (perf.) | |
I've Only Come Down For the Day (w&m) | 1912 | Sam Mayo (perf.) | Pub. |
Making a Will (w&m) | 1912 | Neil Kenyon (perf.) | Pub. |
Moo-Cow (w&m) | 1912 | Wilkie Bard (perf.) | Pub. |
My Ears Are Burning (w&m) | 1912 | Pub. | |
Ring O' Roses | 1912 | Jay Laurier (perf.) | Pub. |
Sandy, Have You Ever Tried Ragtime? (w&m) | 1912 | Pub. | |
See-Saw (w&m) | 1912 | Pub. | |
⇑ Upsey-Daisy-Baby! (w&m) | 1912 | Arthur Lennard (perf.) | Pub. |
When the Weaker Sex Are Stronger (w&m) | 1912 | ||
You Ought to Know a Girl That I Know (w&m) | 1912 | Pub. | |
Early Bird, The | 1913 | Jack Pleasants (perf.) | Pub. |
Ev'ry Fellow's Got to Take His Sweetheart (w&m) | 1913 | Pub. | |
Have You Heard My Latest Song? (w&m) | 1913 | Pub. | |
I Feel Very, Very Bad! | 1913 | Sam Mayo (words) | Pub. |
Jockey. , The (w&m) | 1913 | Pub. | |
There Ain't Going to Be Any Ragtime (w&m) | 1913 | Mark Sheridan (perf.) | Pub. |
We Are Going to Have a Nice Afternoon. (w&m) | 1913 | Pub. | |
All Have This With Me! (w&m) | 1914 | Pub. | |
Cuckoo. (w&m) | 1914 | Pub. | |
⇑ Drop Me Somewhere on the British Isles (w&m) | 1914 | Pub. | |
My Mother's So Particular With Me. (w&m) | 1914 | Jack Pleasants (perf.) | Pub. |
She's Awfully Jealous of Me. (w&m) | 1914 | Jack Pleasants (perf.) | Pub. |
Tango Fever (w&m) | 1914 | Pub. | |
Those Wonderful Eyes (w&m) | 1914 | Pub. | |
Waiting For Further Evidence (w&m) | 1914 | Frank Leo (perf.) | |
You Will Never Find Any Other Girl Like the One You Really Love (w&m) | 1914 | Pub. | |
It's a Grand Sight to See Them Going Away (w&m) | 1915 | Sable Fern (perf.) | Pub. |
I Don't Care How Dark They've Made Old London (w&m) | 1916 | ||
Watching the Trains Come In (w&m) | 1916 | Jack Pleasants (perf.) | Pub. |
Hundreds and Thousands. (w&m) | 1917 | Pub. | |
They Can't Find Me (w&m) | 1917 | Pub. | |
⇑ Feeding the Ducks on the Pond (w&m) | 1919 | Pub. | |
I Do Like an Egg For My Tea (w&m) | 1919 | Frank Leo (perf.) | Pub. |
Look at the Buildings We Are Building (w&m) | 1919 | Pub. | |
Where Do Flies Go in the Winter Time? | 1919 | Sam Mayo (co-author) Jack Pleasants (perf.) |
|
Gambler, The (w&m) | 1920 | Pub. | |
You Remind Me of Hugh (w&m) | 1920 | Pub. |
Title | Year | Attribution | Remarks |
---|
I Don't Want My Cigar to Go Out (w&m) | 1921 | ||
Scene Shifter's Lament, The (w&m) | 1923 | Frank Leo (perf.) Alfred Lester (perf.) |
|
Telephone Language (w&m) | 1923 | Frank Leo (perf.) | |
Another Day Will Come (w&m) | 1925 | Pub. | |
You Must Get Yourself a New Hat | 1926 | Tommy Mostol (words) Fred Duprez (perf.) |
Pub. |
Does Anybody Want My Wife? | 1927 | Tom Clare (perf.) | Pub. |
Hey!! Are You Coming Back Again? (w&m) | ? | Wilkie Bard (perf.) | |
You Can't Make Music With That | ? | Daisy Taylor (perf.) |
Composer | Title | Performer |
---|
F. Leo | My Little Deitcher Girl (3:00) | W. Bard |