Address: | 160 Wardour Street, London W.1, England |
Title | Composer | Instruments | Remarks |
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Chanson De Matin | Edward Elgar | D/A/A/T/B | ||
April is my Mistress' Fate | Thomas Morley | D/A/T/B/Voice/Piano | Pub. |
Title | Composer | Instruments | Supplier |
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Recorder Sheet Music: | ||||
The Bass Recorder Handbook | Miscellaneous | B | ||
Treble Recorder Technique | Miscellaneous | A | ||
Eight Traditional Japanese Pieces | Traditional | T(D) | ||
Rumba | Peter Jenkyns | D/A |
Title | Music | Attribution |
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Pæn (1918) | Leslie Aldrich | Robert Browning (words) Thorpe Bates (perf.) |
|
Diamonds Are Forever (2013) | John Barry | Don Black (words) Shirley Bassey (perf.) |
|
Goldfinger (1970) | John Barry | Leslie Bricusse (words) Anthony Newley (words) Shirley Bassey (perf.) |
|
Pleading (1908) | Edward Elgar | Arthur L. Salmon (words) | |
As a Nation We Implore (1915) | Mrs Arthur Goodeve(w&m) | ||
Impromptu in A major (1906) | Arthur Murray Goodhart | ||
Rest, Weary Earth! (1902) | Arthur Murray Goodhart | Arthur Christopher Benson (words) | |
Overture to Handel's Samson & Dead Marches No. 1 and No. 2 (1880) | George F. Handel | ||
Overture to the Occasional Oratorio (1845) | George F. Handel | ||
Sea Hath Its Pearls (1875), The | Ciro Pinsuti | Henry Wadsworth Longfellow (words) | |
Watchword (1880), The | Ciro Pinsuti | Mary Kate Lemon Blaker (words) | |
Lord Is My Shepherd (1894), The | Henry Thomas Smart | W. S. Passmore (words) Charlotte Kirwan (perf.) Kathryn Hall Staats (perf.) Reed Miller (perf.) Frank Croxton (perf.) |