Cole Porter (1891-1964)
Last updated: 18.03.25
| Websites: | |||
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Cole Wide Web | Brief biography by JX Bell. | |
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DAHR: Cole Porter | List of 323 historic recordings from 1916 to 1955. |
| Title (Release Year) | Co-Author(s) | Performers | Issue |
|---|
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Old Fashioned Garden (1920) | Helen Clark | Edison Blue Amberol: 3972 |
| Title | Co-Author(s) | Sequencer |
|---|
 |
All of You (1954) | James Pitt-Payne | |
|
All Through the Night (1922) | James Pitt-Payne | |
|
Allez-Vous-En, Go Away (1953) | James Pitt-Payne | |
|
Anything Goes | Unknown | |
|
At Long Last Love (1938) | James Pitt-Payne | |
|
Begin the Beguine (1935) | Unknown | |
|
Bring Me Back My Butterfly (1919) | James Pitt-Payne | |
|
But in the Morning, No! (1939) | James Pitt-Payne | |
|
Do I Love You? (1939) | James Pitt-Payne | |
|
Don't Fence Me In (1944) | Unknown | |
|
Esmerelda (1915) | James Pitt-Payne | |
|
Find Me a Primitive Man (1929) | James Pitt-Payne | |
|
Friendship (1939) | James Pitt-Payne | |
|
Gigolo (1929) | James Pitt-Payne | |
|
I Am in Love (1953) | James Pitt-Payne | |
|
⇑I Get a Kick Out of You (1934) | Unknown | |
|
I'm in Love Again (1925) | James Pitt-Payne | |
|
I've Got Somebody Waiting (1919) | James Pitt-Payne | |
|
I've Got You on My Mind (1932) | James Pitt-Payne | |
|
I've Got You Under My Skin (1936) | James Pitt-Payne | |
|
In the Still of the Night (1937) | James Pitt-Payne | |
|
It's All Right With Me (1953) | James Pitt-Payne | |
|
It's De-Lovely (1936) | James Pitt-Payne | |
|
Love For Sale (1930) | James Pitt-Payne | |
|
Old Fashioned Garden (1919) | Unknown | |
|
Rosalie (1937) | James Pitt-Payne | |
|
Use Your Imagination (1950) | James Pitt-Payne | |
|
When My Caravan Comes Home (1922) | James Pitt-Payne | |
|
Why Can't You Behave? (1948) | James Pitt-Payne | |
|
Wunderbar (1948) | James Pitt-Payne | |
|
You'd Be So Nice to Come Home To (1942) | James Pitt-Payne |
| Title (Release Year) | Composer | Performers | Issue |
|---|
 |
Begin the Beguine (1938) | C. Porter | Tony Pastor | Victor: BS-024079 |
|
Between You and Me (1940) | C. Porter | Mary Ann Mercer | Victor: BS-046456 |
|
Do I Love You? (1939) | C. Porter | Helen Forrest | Victor: BS-043369 |
|
Fresh As a Daisy (1940) | C. Porter | Tex Beneke Marion Hutton Jack Lathrop |
Victor: BS-057610 |
|
From Now On (1938) | C. Porter | Miriam Shaw | Victor: BS-028339 |
|
Get Out of Town (1938) | C. Porter | Miriam Shaw | Victor: BS-028342 |
|
I Concentrate on You (1939) | C. Porter | Shirley Howard | Victor: BS-045793 |
|
Make It Another Old-Fashioned, Please (1940) | C. Porter | Mary Ann Mercer | Victor: BS-057060 |
|
Miss Otis Regrets - She's Unable to Lunch Today (1941) | C. Porter | King Sisters | Victor: BS-060608 |
|
Rosalie (1939) | C. Porter | Tony Pastor | Victor: BS-031493 |
|
What Is This Thing Called Love? (1938) | C. Porter | Tony Pastor | Victor: BS-027232 |
| Performer | CD Title | Supplier |
|---|
| Folk Music CDs: | |||
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Julie Wilson | Julie Wilson at That St.Regis |       |
| Ragtime Music CDs: | |||
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James Price Johnson | James P. Johnson 1928-38 |  |
|
James Price Johnson | King of Stride Piano 1918-1944 | CD(s) & MP3 Album(s) |
|
James Price Johnson | Snowy Morning Blues | CD(s) & MP3 Album(s) |
|
Palm Court Theatre Orchestra | Down Peacock Alley | CD(s) & MP3 Album(s) |
|
Budapest Ragtime Band | Trubadur | |
| Title | Attribution | Instruments | Source | Remarks |
|---|
 |
All of You (1954) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer |  |
|
All Through the Night (1922) | C. Porter (music) |
Piano, Voice | Sheet Music Singer Indiana |
|
|
Allez-Vous-En, Go Away (1953) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | |
|
Another Sentimental Song (1919) | C. Porter (w&m) | Piano, Voice | Indiana | |
|
Anything Goes (1934) | C. Porter (music) | Piano, Voice | Sheet Music Singer | Pub. |
|
At Long Last Love (1938) | C. Porter (music) Clifton Webb (perf.) Lupe Velez (perf.) Libby Holman (perf.) |
Piano, Voice | Sheet Music Singer | |
|
Bandit Band (1922) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
⇑Begin the Beguine (1935) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Bring Me Back My Butterfly (1919) | C. Porter (music) Raymond Hitchcock (perf.) |
Piano, Voice | Sheet Music Singer Indiana |
Pub. |
|
But in the Morning, No! (1939) | C. Porter (w&m) Bert Lahr (perf.) Ethel Merman (perf.) Phil Regan (perf.) Betty Grable (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Buy Her a Box at the Opera (1916) | C. Porter (w&m) | Piano, Voice | IMSLP | |
|
Do I Love You? (1939) | C. Porter (music) Bert Lahr (perf.) Ethel Merman (perf.) Betty Grable (perf.) Benny Baker (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Don't Fence Me In (1944) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Esmerelda (1915) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | |
|
Ever and Ever Yours (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
⇑Find Me a Primitive Man (1929) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Friendship (1939) | C. Porter (music) Bert Lahr (perf.) Ethel Merman (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Gigolo (1929) | C. Porter (music) Jack Buchanan (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Harbor Deep Down in My Heart (1922) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
I Am in Love (1953) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
I Get a Kick Out of You (1934) | C. Porter (music) | Piano, Voice | Sheet Music Singer | Pub. |
|
I Introduced (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
I'm in Love Again (1925) | C. Porter (w&m) B. Bernie (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
⇑I've a Shooting-Box in Scotland (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano | IMSLP | Pub. |
|
I've Got an Awful Lot to Learn (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
I've Got Somebody Waiting (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
I've Got You on My Mind (1932) | C. Porter (music) Fred Astaire (perf.) Claire Luce (perf.) Luella Gear (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
I've Got You Under My Skin (1936) | C. Porter (w&m) Eleanor Powell (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
In the Still of the Night (1937) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Sheet Music Singer | |
|
It's All Right With Me (1953) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
It's De-Lovely (1936) | C. Porter (music) | Piano, Voice | Sheet Music Singer | Pub. |
|
⇑Language of Flowers (1916), The | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Lima (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Love For Sale (1930) | C. Porter (music) | Piano, Voice | Sheet Music Singer | Pub. |
|
Love Letter Words (1922) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
My Cozy Little Corner in the Ritz (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
Oh, Bright, Fair Dream! (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Old Fashioned Garden (1919) | C. Porter (w&m) |
Piano, Voice | Greer Greer Sheet Music Singer Indiana |
Pub. |
|
Peter Piper (1919) | C. Porter (w&m) |
Piano, Voice | IMSLP Indiana |
Pub. |
|
⇑Pity Me, Please! (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Prithee, Come Crusading With Me (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Rosalie (1937) | C. Porter (w&m) Nelson Eddy (perf.) Eleanor Powell (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
See America First (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Slow Sinks the Sun (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Something's Got to be Done (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
That Black and White Baby of Mine (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
True Love (1955) | C. Porter (w&m) | SATB voices | Michael Bednarek | Pub. |
|
⇑Two Big Eyes (1915) | C. Porter (music) John Golden (words) |
Piano, Voice | IMSLP | Pub. |
|
Use Your Imagination (1950) | C. Porter (music) | Piano, Voice | Sheet Music Singer | Pub. |
|
When I Had a Uniform On (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
When I Used to Lead the Ballet (1916) | C. Porter (music) T. Lawrason Riggs (words) E. Janis (perf.) |
Piano, Voice | IMSLP | Pub. |
|
When My Caravan Comes Home (1922) | C. Porter (w&m) Raymond Hitchcock (perf.) |
Piano, Voice | Sheet Music Singer Indiana |
Pub. |
|
Why Can't You Behave? (1948) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Wunderbar (1948) | C. Porter (music) | Piano, Voice | Sheet Music Singer | Pub. |
|
You'd Be So Nice to Come Home To (1942) | C. Porter (w&m) Janet Blair (perf.) Jack Oakie (perf.) Don Ameche (perf.) William Gaxton (perf.) Cobina Wright (perf.) Hazel Scott (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
This list is arranged in chronological order and contains 196 works by Cole Porter (1891-1964).
It does not claim to be complete and represents only the number of items located. Keys:
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Esmerelda (w&m) | 1915 | |
|
| Two Big Eyes | 1915 | John Golden (words) | |
| Buy Her a Box at the Opera (w&m) | 1916 | from "See America First" | |
| Ever and Ever Yours | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| I've a Shooting-Box in Scotland | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| I've Got an Awful Lot to Learn | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Language of Flowers, The | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Lima | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Oh, Bright, Fair Dream! | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Pity Me, Please! | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Prithee, Come Crusading With Me | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| ⇑ See America First | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Slow Sinks the Sun | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Something's Got to be Done | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| When I Used to Lead the Ballet | 1916 | T. Lawrason Riggs (words) Elsie Janis (perf.) from "See America First" |
Pub. |
| Another Sentimental Song (w&m) | 1919 | Pub. |
|
| Bring Me Back My Butterfly | 1919 | Raymond Hitchcock (perf.) | Pub. |
| I Introduced (w&m) | 1919 | Pub. |
|
| I've Got Somebody Waiting (w&m) | 1919 | Pub. |
|
| My Cozy Little Corner in the Ritz (w&m) | 1919 | Pub. |
|
| Old Fashioned Garden (w&m) | 1919 | Helen Clark (perf.) Cary Grant (perf.) Raymond Hitchcock (perf.) Alexis Smith (perf.) |
Pub. |
| Peter Piper (w&m) | 1919 | Pub. |
|
| That Black and White Baby of Mine (w&m) | 1919 | Pub. |
|
| ⇑ When I Had a Uniform On (w&m) | 1919 | Pub. |
|
| All Through the Night | 1922 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
|
| Bandit Band (w&m) | 1922 | Pub. |
|
| Harbor Deep Down in My Heart (w&m) | 1922 | Pub. |
|
| Love Letter Words (w&m) | 1922 | Pub. |
|
| When My Caravan Comes Home (w&m) | 1922 | Raymond Hitchcock (perf.) | Pub. |
| Brittany (w&m) | 1924 | Pub. | |
| Make Ev'ry Day a Holiday (w&m) | 1924 | Pub. | |
| My Long Ago Girl (w&m) | 1924 | Pub. | |
| Wait For the Moon (w&m) | 1924 | Pub. | |
| I'm in Love Again (w&m) | 1925 | Ben Bernie (perf.) Morton Downey (perf.) Henri Rene (perf.) April Stevens (perf.) |
Pub. |
| Hot-House Rose (w&m) | 1927 | Pub. | |
| ⇑ Laziest Gal in Town, The (w&m) | 1927 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Let's Misbehave (w&m) | 1927 | Irène Bordoni (perf.) | |
| Weren't We Fools? (w&m) | 1927 | Pub. | |
| Don't Look at Me That Way! (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Heaven Hop, The (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| How Could We Be Wrong? (w&m) | 1928 | Pub. | |
| Let's Do It (w&m) | 1928 | Pub. | |
| Quelque-Chose (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Two Little Babes in the Wood (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Vivienne (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Which? (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Fifty Million Frenchmen (w&m) | 1929 | Pub. | |
| ⇑ Find Me a Primitive Man (w&m) | 1929 | Pub. |
|
| Gigolo | 1929 | Jack Buchanan (perf.) | Pub. |
| Happy Heaven of Harlem (w&m) | 1929 | Pub. | |
| Here Comes the Band Wagon (w&m) | 1929 | Gertrude Lawrence (perf.) | Pub. |
| I Worship You (w&m) | 1929 | Pub. | |
| I'm in Love (w&m) | 1929 | Pub. | |
| I'm Unlucky at Gambling (w&m) | 1929 | Pub. | |
| Looking at You | 1929 | Jack Buchanan (perf.) | Pub. |
| Paree What Did You Do to Me? (w&m) | 1929 | Pub. | |
| Please Don't Make Me Be Good (w&m) | 1929 | Pub. | |
| Queen of Terre Haute (w&m) | 1929 | Pub. | |
| They All Fall in Love (w&m) | 1929 | Gertrude Lawrence (perf.) | Pub. |
| ⇑ What Is This Thing Called Love? | 1929 | Tony Pastor (perf.) | Pub. |
| You Do Something to Me (w&m) | 1929 | Cary Grant (perf.) Alexis Smith (perf.) |
Pub. |
| You Don't Know Paree (w&m) | 1929 | Pub. | |
| You've Got That Thing | 1929 | Pub. | |
| Great Indoors (w&m) | 1930 | Pub. | |
| I'm Getting Myself Ready For You (w&m) | 1930 | Pub. | |
| Let's Fly Away (w&m) | 1930 | Pub. | |
| Let's Step Out (w&m) | 1930 | Pub. | |
| Love For Sale | 1930 | Pub. |
|
| Take Me Back to Manhattan (w&m) | 1930 | Pub. | |
| Where Have You Been? | 1930 | Pub. | |
| I Happen to Like New York (w&m) | 1931 | Pub. | |
| ⇑ New Yorkers, The | 1931 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| After You | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Claire Luce (perf.) |
|
| How's Your Romance? | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Claire Luce (perf.) |
Pub. |
| I've Got You on My Mind | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Claire Luce (perf.) |
Pub. |
| Night and Day | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Cary Grant (perf.) Howard Lindsay (perf.) Claire Luce (perf.) Ginger Rogers (perf.) Frank Sinatra (perf.) Alexis Smith (perf.) Tom Weatherly (perf.) Dwight Deere Wiman (perf.) |
Pub. |
| You're in Love | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Claire Luce (perf.) |
Pub. |
| Experiment (w&m) | 1933 | |
|
| It's Bad For Me (w&m) | 1933 | Pub. | |
| Physician - But He Never Said He Loved Me (w&m) | 1933 | Pub. | |
| Solomon (w&m) | 1933 | Pub. | |
| Anything Goes | 1934 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
Pub. |
| Blow, Gabriel, Blow (w&m) | 1934 | Pub. | |
| ⇑ Buddie Beware (w&m) | 1934 | Pub. | |
| Gypsy in Me | 1934 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
Pub. |
| I Get a Kick Out of You | 1934 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
Pub. |
| Miss Otis Regrets - She's Unable to Lunch Today (w&m) | 1934 | King Sisters (perf.) | Pub. |
| Thank You So Much : Missus Lowsborough-Goodby (w&m) | 1934 | Pub. | |
| You're the Top | 1934 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
Pub. |
| You're Too Far Away (w&m) | 1934 | Pub. | |
| Begin the Beguine (w&m) | 1935 | Cary Grand (perf.) Tony Pastor (perf.) Artie Shaw (perf.) Alexis Smith (perf.) |
Pub. |
| Just One of Those Things | 1935 | Mary Boland (perf.) | Pub. |
| Kling-Kling Bird (w&m) | 1935 | Pub. | |
| Me and Marie (w&m) | 1935 | Pub. | |
| Picture of Me Without You, A | 1935 | Mary Boland (perf.) Max Gordon (perf.) Sam Harris (perf.) |
Pub. |
| ⇑ When Love Comes Your Way | 1935 | Mary Boland (perf.) | Pub. |
| Why Shouldn't I? | 1935 | Mary Boland (perf.) | Pub. |
| Born to Dance (w&m) | 1936 | |
|
| Down in the Depths | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| Easy to Love | 1936 | Eleanor Powell (perf.) | Pub. |
| Good-Bye, Little Dream, Good-Bye (w&m) | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| I've Got You Under My Skin (w&m) | 1936 | Eleanor Powell (perf.) | Pub. |
| It's De-Lovely | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| Ours | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| Rap Tap on Wood | 1936 | Eleanor Powell (perf.) | Pub. |
| Red, Hot and Blue | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| Ridin' High | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| ⇑ Swingin' the Jinx Away | 1936 | Eleanor Powell (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| You've Got Something | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
|
| I've a Strange New Rhythm in My Heart | 1937 | ||
| In the Still of the Night (w&m) | 1937 | Nelson Eddy (perf.) Eleanor Powell (perf.) |
Pub. |
| Rosalie (w&m) | 1937 | Nelson Eddy (perf.) Tony Pastor (perf.) Eleanor Powell (perf.) |
Pub. |
| Who Knows? | 1937 | ||
| At Long Last Love | 1938 | Libby Holman (perf.) Rex O'Malley (perf.) Lupe Velez (perf.) Clifton Webb (perf.) Toby Wing (perf.) |
Pub. |
| Far Away | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Sophie Tucker (perf.) |
Pub. |
| For No Rhyme or Reason | 1938 | Libby Holman (perf.) Rex O'Malley (perf.) Lupe Velez (perf.) Clifton Webb (perf.) Toby Wing (perf.) |
Pub. |
| From Alpha to Omega | 1938 | Libby Holman (perf.) Rex O'Malley (perf.) Lupe Velez (perf.) Clifton Webb (perf.) Toby Wing (perf.) |
Pub. |
| From Now On | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Miriam Shaw (perf.) Sophie Tucker (perf.) |
Pub. |
| Get Out of Town | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Miriam Shaw (perf.) Sophie Tucker (perf.) |
Pub. |
| ⇑ Most Gentlemen Don't Like Love | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Sophie Tucker (perf.) |
Pub. |
| My Heart Belongs to Daddy (w&m) | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Sophie Tucker (perf.) |
Pub. |
| To-Morrow | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Sophie Tucker (perf.) |
Pub. |
| You Never Know | 1938 | Libby Holman (perf.) Rex O'Malley (perf.) Lupe Velez (perf.) Clifton Webb (perf.) Toby Wing (perf.) |
Pub. |
| Between You and Me | 1939 | Mary Ann Mercer (perf.) | |
| But in the Morning, No! (w&m) | 1939 | Betty Grable (perf.) Bert Lahr (perf.) Ethel Merman (perf.) Phil Regan (perf.) |
Pub. |
| Do I Love You? | 1939 | Benny Baker (perf.) Helen Forrest (perf.) Betty Grable (perf.) Bert Lahr (perf.) Ethel Merman (perf.) |
Pub. |
| Friendship | 1939 | Bert Lahr (perf.) Ethel Merman (perf.) |
Pub. |
| I Concentrate on You | 1939 | Fred Astaire (perf.) Mary Healy (perf.) Shirley Howard (perf.) Eleanor Powell (perf.) |
 |
| I Happen to Be in Love (w&m) | 1939 | Mary Healy (perf.) | |
| I've Got My Eyes on You (w&m) | 1939 | Fred Astaire (perf.) Mary Healy (perf.) Eleanor Powell (perf.) |
Pub. |
| It Was Written in the Stars | 1939 | Bert Lahr (perf.) Ethel Merman (perf.) |
Pub. |
| ⇑ Katie Went to Haiti | 1939 | ||
| When Love Beckoned | 1939 | ||
| Come on In (w&m) | 1940 | Pub. | |
| Ev'ry Day a Holiday (w&m) | 1940 | Pub. | |
| Fresh As a Daisy | 1940 | Tex Beneke (perf.) Joan Carroll (perf.) James Dunn (perf.) Betty Hutton (perf.) Marion Hutton (perf.) Jack Lathrop (perf.) Ethel Merman (perf.) Arthur Treacher (perf.) |
Pub. |
| Give Him the Oo La La | 1940 | Cole Porter (words) | Pub. |
| Let's Be Buddies | 1940 | Joan Carroll (perf.) James Dunn (perf.) Betty Hutton (perf.) Ethel Merman (perf.) Arthur Treacher (perf.) |
Pub. |
| Make It Another Old-Fashioned, Please (w&m) | 1940 | Mary Ann Mercer (perf.) | |
| My Mother Would Love You | 1940 | Joan Carroll (perf.) James Dunn (perf.) Betty Hutton (perf.) Ethel Merman (perf.) Arthur Treacher (perf.) |
Pub. |
| Ace in the Hole | 1941 | ||
| Dream Dancing | 1941 | Fred Astaire (perf.) Rita Hayworth (perf.) |
Pub. |
| Ev'rything I Love | 1941 | Vinton Freedley (perf.) Danny Kaye (perf.) |
Pub. |
| ⇑ Farming | 1941 | Danny Kaye (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| I Hate You Darling | 1941 | Danny Kaye (perf.) | |
| Little Rumba Numba, A | 1941 | Danny Kaye (perf.) | Pub. |
| Shootin' the Works For Uncle Sam | 1941 | ||
| You Irritate Me So | 1941 | Danny Kaye (perf.) | Pub. |
| Could It Be You | 1942 | ||
| You'd Be So Nice to Come Home To (w&m) | 1942 | Don Ameche (perf.) Janet Blair (perf.) William Gaxton (perf.) Jack Oakie (perf.) Hazel Scott (perf.) Cobina Wright (perf.) |
Pub. |
| By the Mississinewah | 1943 | ||
| Glide, Glider, Glide (w&m) | 1943 | Pub. | |
| I Love You (w&m) | 1943 | Bobby Clark (perf.) Wilbur Evans (perf.) George Givot (perf.) June Havoc (perf.) |
Pub. |
| Sailors of the Sky (w&m) | 1943 | Pub. | |
| Carlotta | 1944 | ||
| ⇑ Count Your Blessings | 1944 | ||
| Don't Fence Me In (w&m) | 1944 | Andrews Sisters (perf.) Jack Benny (perf.) Eddie Cantor (perf.) Kitty Carlisle (perf.) Jack Carson (perf.) Dane Clark (perf.) Joan Crawford (perf.) Bette Davis (perf.) Jimmy Dorsey (perf.) John Garfield (perf.) Robert Hutton (perf.) Joan Leslie (perf.) Alexis Smith (perf.) Barbara Stanwyck (perf.) |
|
| Ev'ry Time We Say Goodbye | 1944 | Pub. | |
| Only Another Boy and Girl | 1944 | Pub. | |
| There Must Be Some One For Me (w&m) | 1944 | Bobby Clark (perf.) Wilbur Evans (perf.) George Givot (perf.) June Havoc (perf.) |
Pub. |
| Should I Tell You I Love You (w&m) | 1946 | Pub. | |
| Always True to You in My Fashion | 1948 | |
|
| Be a Clown | 1948 | ||
| Bianca | 1948 | ||
| I Am Ashamed That Women Are So Simple | 1948 | William Shakespeare (words) | |
| I Hate Men | 1948 | ||
| So in Love (w&m) | 1948 | Jack Pearl (perf.) | Pub. |
| ⇑ Why Can't You Behave? (w&m) | 1948 | Pub. |
|
| Wunderbar | 1948 | Pub. |
|
| You Can Do No Wrong | 1948 | ||
| Another Op'nin', Another Show | 1949 | ||
| Farewell, Amanda | 1949 | Cole Porter (words) | |
| I've Come to Wive It Wealthily in Padua | 1949 | ||
| Too Darn Hot | 1949 | Pub. | |
| Cherry Pies Ought to Be You | 1950 | ||
| From This Moment On | 1950 | ||
| I Am Loved | 1950 | ||
| Nobody's Chasing Me (w&m) | 1950 | |
|
| Use Your Imagination | 1950 | Pub. |
|
| ⇑ Where, Oh Where (w&m) | 1950 |
| Title | Year | Attribution | Remarks |
|---|
| You Don't Remind Me (w&m) | 1950 | ||
| Allez-Vous-En, Go Away (w&m) | 1953 | |
|
| C'est Magnifique | 1953 | ||
| Can - Can | 1953 | ||
| I Am in Love (w&m) | 1953 | |
|
| I Love Paris (w&m) | 1953 | Maurice Chevalier (perf.) Louis Jourdan (perf.) Shirley MacLaine (perf.) Frank Sinatra (perf.) |
Pub. |
| It's All Right With Me (w&m) | 1953 | Lena Horne (perf.) | |
| All of You (w&m) | 1954 | Pub. |
|
| As on Through the Seasons We Sail | 1954 | ||
| Paris Loves Lovers (w&m) | 1954 | Pub. | |
| Silk Stockings (w&m) | 1954 | Pub. | |
| ⇑ True Love (w&m) | 1955 | Bing Crosby (perf.) Grace Kelly (perf.) Frank Sinatra (perf.) |
Pub. |
| Ca, C'est L'amour (w&m) | 1956 | ||
| I Love You, Samatha (w&m) | 1956 | Kenny Ball (perf.) Bing Crosby (perf.) |
|
| Well, Did You Evah (w&m) | 1956 | Pub. | |
| How the Time Flies (w&m) | 1958 | |
| Composer | Title | Performer |
|---|
|
C. Porter | Kenny Ball and his Jazzmen 1961 I love you, Samatha (2:27) | Kenny Ball |
|
C. Porter | I've Got My Eyes on You (2:33) | Mary Healy |
|
C. Porter | I Concentrate on You (3:27) | Mary Healy |
|
C. Porter | I Happen to Be in Love (2:19) | Mary Healy |