Cole Porter (1891-1964)
Last updated: 29.11.25
| Websites: | |||
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Cole Wide Web | Brief biography by JX Bell. | |
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DAHR: Cole Porter | List of 323 historic recordings from 1916 to 1955. |
| Title (Release Year) | Co-Author(s) | Performers | Issue |
|---|
 |
Old Fashioned Garden (1920) | Helen Clark | Edison Blue Amberol: 3972 |
| Title | Co-Author(s) | Sequencer |
|---|
 |
All of You (1954) | James Pitt-Payne | |
|
All Through the Night (1922) | James Pitt-Payne | |
|
Allez-Vous-En, Go Away (1953) | James Pitt-Payne | |
|
Anything Goes (1934) | Unknown | |
|
At Long Last Love (1938) | James Pitt-Payne | |
|
Begin the Beguine (1935) | Unknown | |
|
Bianca (1948) | James Pitt-Payne | |
|
Bring Me Back My Butterfly (1919) | James Pitt-Payne | |
|
But in the Morning, No! (1939) | James Pitt-Payne | |
|
Do I Love You? (1939) | James Pitt-Payne | |
|
Don't Fence Me In (1944) | Unknown | |
|
Esmerelda (1915) | James Pitt-Payne | |
|
Find Me a Primitive Man (1929) | James Pitt-Payne | |
|
Friendship (1939) | James Pitt-Payne | |
|
Gigolo (1929) | James Pitt-Payne | |
|
⇑I Am in Love (1953) | James Pitt-Payne | |
|
I Get a Kick Out of You (1934) | Unknown | |
|
I Loved Him (1929) | James Pitt-Payne | |
|
I'm in Love Again (1925) | James Pitt-Payne | |
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I've Got Somebody Waiting (1919) | James Pitt-Payne | |
|
I've Got You on My Mind (1932) | James Pitt-Payne | |
|
I've Got You Under My Skin (1936) | James Pitt-Payne | |
|
In the Still of the Night (1937) | James Pitt-Payne | |
|
It's All Right With Me (1953) | James Pitt-Payne | |
|
It's De-Lovely (1936) | James Pitt-Payne | |
|
Just One of Those Things (1935) | Unknown | |
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Let's Do It (1928) | James Pitt-Payne | |
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Love For Sale (1930) | James Pitt-Payne | |
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Me and Marie (1935) | James Pitt-Payne | |
|
My Heart Belongs to Daddy (1938) | James Pitt-Payne | |
|
Night and Day (1932) | James Pitt-Payne | |
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⇑Old Fashioned Garden (1919) | Unknown | |
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Paree What Did You Do to Me? (1929) | James Pitt-Payne | |
|
Peter Piper (1919) | James Pitt-Payne | |
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Rosalie (1937) | James Pitt-Payne | |
|
So in Love (1948) | James Pitt-Payne | |
|
That Black and White Baby of Mine (1919) | James Pitt-Payne | |
|
True Love (1955) | James Pitt-Payne | |
|
Use Your Imagination (1950) | James Pitt-Payne | |
|
What Is This Thing Called Love? (1929) | James Pitt-Payne | |
|
When I Had a Uniform On (1919) | James Pitt-Payne | |
|
When My Caravan Comes Home (1922) | James Pitt-Payne | |
|
Why Can't You Behave? (1948) | James Pitt-Payne | |
|
Wunderbar (1948) | James Pitt-Payne | |
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You Do Something to Me (1929) | James Pitt-Payne | |
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You'd Be So Nice to Come Home To (1942) | James Pitt-Payne | |
|
You've Got That Thing (1929) | James Pitt-Payne |
| Title (Release Year) | Composer | Performers | Issue |
|---|
 |
Begin the Beguine (1938) | C. Porter | Tony Pastor | Victor: BS-024079 |
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Between You and Me (1940) | C. Porter | Mary Ann Mercer | Victor: BS-046456 |
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Do I Love You? (1939) | C. Porter | Helen Forrest | Victor: BS-043369 |
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Ev'rything I Love (1941) | C. Porter | Dinah Shore | Victor: BS-068632 |
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Fresh As a Daisy (1940) | C. Porter | Tex Beneke Marion Hutton Jack Lathrop |
Victor: BS-057610 |
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From Now On (1938) | C. Porter | Miriam Shaw | Victor: BS-028339 |
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Get Out of Town (1938) | C. Porter | Miriam Shaw | Victor: BS-028342 |
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I Concentrate on You (1939) | C. Porter | Shirley Howard | Victor: BS-045793 |
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I've Got My Eyes on You (1939) | C. Porter | Dinah Shore | Victor: BS-046040 |
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Make It Another Old-Fashioned, Please (1940) | C. Porter | Mary Ann Mercer | Victor: BS-057060 |
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Miss Otis Regrets - She's Unable to Lunch Today (1941) | C. Porter | King Sisters | Victor: BS-060608 |
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My Heart Belongs to Daddy (1938) | C. Porter | Elisse Cooper | Victor: BS-030716 |
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Night and Day (1942) | C. Porter | F. Sinatra | Victor: PBS-072045 |
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Night and Day (1940) | C. Porter | Charlie Barnet Orchestra | Victor: BS-056128 |
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Rosalie (1939) | C. Porter | Tony Pastor | Victor: BS-031493 |
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What Is This Thing Called Love? (1938) | C. Porter | Tony Pastor | Victor: BS-027232 |
| Performer | CD Title | Supplier |
|---|
| Folk Music CDs: | |||
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Julie Wilson | Julie Wilson at That St.Regis |       |
| Ragtime Music CDs: | |||
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James Price Johnson | James P. Johnson 1928-38 |  |
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James Price Johnson | King of Stride Piano 1918-1944 | CD(s) & MP3 Album(s) |
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James Price Johnson | Snowy Morning Blues | CD(s) & MP3 Album(s) |
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Palm Court Theatre Orchestra | Down Peacock Alley | CD(s) & MP3 Album(s) |
|
Budapest Ragtime Band | Trubadur | |
| Title | Attribution | Instruments | Source | Remarks |
|---|
 |
All of You (1954) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer |  |
|
All Through the Night (1922) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | |
|
Allez-Vous-En, Go Away (1953) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | |
|
American Punch (1922) | C. Porter (music) | Piano, Voice | Indiana | Pub. |
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Another Sentimental Song (1919) | C. Porter (w&m) | Piano, Voice | Indiana | |
|
Anything Goes (1934) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
At Long Last Love (1938) | C. Porter (w&m) Clifton Webb (perf.) Lupe Velez (perf.) Libby Holman (perf.) |
Piano, Voice | Sheet Music Singer | |
|
⇑Bandit Band (1922) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
Begin the Beguine (1935) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
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Bianca (1948) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Bring Me Back My Butterfly (1919) | C. Porter (w&m) Raymond Hitchcock (perf.) |
Piano, Voice | Sheet Music Singer Indiana |
Pub. |
|
But in the Morning, No! (1939) | C. Porter (w&m) Bert Lahr (perf.) Ethel Merman (perf.) Phil Regan (perf.) Betty Grable (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Buy Her a Box at the Opera (1916) | C. Porter (w&m) | Piano, Voice | IMSLP | |
|
Do I Love You? (1939) | C. Porter (w&m) Bert Lahr (perf.) Ethel Merman (perf.) Betty Grable (perf.) Benny Baker (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Don't Fence Me In (1944) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
⇑Esmerelda (1915) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | |
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Ever and Ever Yours (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Find Me a Primitive Man (1929) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Friendship (1939) | C. Porter (w&m) Bert Lahr (perf.) Ethel Merman (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Gigolo (1929) | C. Porter (w&m) Jack Buchanan (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Harbor Deep Down in My Heart (1922) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
I Am in Love (1953) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
I Get a Kick Out of You (1934) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
⇑I Introduced (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
I Loved Him (1929) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
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I Sing of Love (1949) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
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I'm in Love Again (1925) | C. Porter (w&m) B. Bernie (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
I've a Shooting-Box in Scotland (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano | IMSLP | Pub. |
|
I've Got an Awful Lot to Learn (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
I've Got Somebody Waiting (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
I've Got You on My Mind (1932) | C. Porter (w&m) F. Astaire (perf.) Claire Luce (perf.) Luella Gear (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
⇑I've Got You Under My Skin (1936) | C. Porter (w&m) Eleanor Powell (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
In the Still of the Night (1937) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
It's All Right With Me (1953) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
It's De-Lovely (1936) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Just One of Those Things (1935) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Language of Flowers (1916), The | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Let's Do It (1928) | C. Porter (w&m) Irène Bordoni (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Lima (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
⇑Love For Sale (1930) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Love Letter Words (1922) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
Me and Marie (1935) | C. Porter (w&m) Mary Boland (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
My Cozy Little Corner in the Ritz (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
My Heart Belongs to Daddy (1938) | C. Porter (w&m) Victor Moore (perf.) William Gaxton (perf.) S. Tucker (perf.) Tamara Drasin (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Night and Day (1932) | C. Porter (w&m) F. Astaire (perf.) Ginger Rogers (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
Oh, Bright, Fair Dream! (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Old Fashioned Garden (1919) | C. Porter (w&m) |
Piano, Voice | Greer Greer Sheet Music Singer Indiana |
Pub. |
|
⇑Paree What Did You Do to Me? (1929) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Peter Piper (1919) | C. Porter (w&m) |
Piano, Voice | IMSLP Indiana |
Pub. |
|
Pity Me, Please! (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Prithee, Come Crusading With Me (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Rosalie (1937) | C. Porter (w&m) Nelson Eddy (perf.) Eleanor Powell (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
See America First (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
Slow Sinks the Sun (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
So in Love (1948) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
⇑Something's Got to be Done (1916) | C. Porter (music) T. Lawrason Riggs (words) |
Piano, Voice | IMSLP | Pub. |
|
That Black and White Baby of Mine (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
True Love (1955) | C. Porter (w&m) Bing Crosby (perf.) Grace Kelly (perf.) F. Sinatra (perf.) Celeste Holm (perf.) John Lund (perf.) Louis Calhern (perf.) Sydney Blackmer (perf.) L. Armstrong (perf.) |
SATB voices | Michael Bednarek Sheet Music Singer |
Pub. |
|
Two Big Eyes (1915) | C. Porter (music) John Golden (words) |
Piano, Voice | IMSLP | Pub. |
|
Use Your Imagination (1950) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
What Is This Thing Called Love? (1929) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
When I Had a Uniform On (1919) | C. Porter (w&m) | Piano, Voice | Indiana | Pub. |
|
When I Used to Lead the Ballet (1916) | C. Porter (music) T. Lawrason Riggs (words) E. Janis (perf.) |
Piano, Voice | IMSLP | Pub. |
|
⇑When My Caravan Comes Home (1922) | C. Porter (w&m) Raymond Hitchcock (perf.) |
Piano, Voice | Sheet Music Singer Indiana |
Pub. |
|
Why Can't You Behave? (1948) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
Wunderbar (1948) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
You Do Something to Me (1929) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
|
You'd Be So Nice to Come Home To (1942) | C. Porter (w&m) Janet Blair (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
|
You've Got That Thing (1929) | C. Porter (w&m) | Piano, Voice | Sheet Music Singer | Pub. |
This list is arranged in chronological order and contains 350 works by Cole Porter (1891-1964).
It does not claim to be complete and represents only the number of items located. Keys:
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| When the Summer Moon Comes 'long (w&m) | 1909 | ||
| Bingo Eli Yale (w&m) | 1910 | ||
| Longing For Dear Old Broadway (w&m) | 1912 | ||
| Esmerelda (w&m) | 1915 | |
|
| Two Big Eyes | 1915 | John Golden (words) | |
| Buy Her a Box at the Opera (w&m) | 1916 | from "See America First" | |
| Ever and Ever Yours | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| I've a Shooting-Box in Scotland | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| I've Got an Awful Lot to Learn | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Language of Flowers, The | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Lima | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| ⇑ Oh, Bright, Fair Dream! | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Pity Me, Please! | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Prithee, Come Crusading With Me | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| See America First | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Slow Sinks the Sun | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| Something's Got to be Done | 1916 | T. Lawrason Riggs (words)
from "See America First" |
Pub. |
| When I Used to Lead the Ballet | 1916 | T. Lawrason Riggs (words) Elsie Janis (perf.) from "See America First" |
Pub. |
| Another Sentimental Song (w&m) | 1919 | Pub. |
|
| Bring Me Back My Butterfly | 1919 | Raymond Hitchcock (perf.) | Pub. |
| I Introduced (w&m) | 1919 | Pub. |
|
| I've Got Somebody Waiting (w&m) | 1919 | Pub. |
|
| In Hitchy's Garden (w&m) | 1919 | ||
| ⇑ My Cozy Little Corner in the Ritz (w&m) | 1919 | Pub. |
|
| Old Fashioned Garden (w&m) | 1919 | Helen Clark (perf.) Cary Grant (perf.) Raymond Hitchcock (perf.) Alexis Smith (perf.) |
Pub. |
| Peter Piper (w&m) | 1919 | Pub. |
|
| That Black and White Baby of Mine (w&m) | 1919 | Pub. |
|
| When I Had a Uniform On (w&m) | 1919 | Pub. |
|
| Look Around | 1920 | Clifford Grey (words) | |
| Why Did't We Meet Before? | 1920 | Clifford Grey (words) | |
| All Through the Night | 1922 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
|
| American Punch (w&m) | 1922 | Pub. |
|
| Bandit Band (w&m) | 1922 | Pub. |
|
| Blue Boy Blues, The (w&m) | 1922 | ||
| Cocktail Time (w&m) | 1922 | ||
| ⇑ Harbor Deep Down in My Heart (w&m) | 1922 | Pub. |
|
| Love Letter Words (w&m) | 1922 | Pub. |
|
| Olga (w&m) | 1922 | ||
| When My Caravan Comes Home (w&m) | 1922 | Raymond Hitchcock (perf.) | Pub. |
| Brittany (w&m) | 1924 | Pub. | |
| Make Ev'ry Day a Holiday (w&m) | 1924 | Pub. | |
| My Long Ago Girl (w&m) | 1924 | Pub. | |
| Wait For the Moon (w&m) | 1924 | Pub. | |
| I'm in Love Again (w&m) | 1925 | Ben Bernie (perf.) Morton Downey (perf.) Henri Rene (perf.) April Stevens (perf.) |
Pub. |
| Hot-House Rose (w&m) | 1927 | Pub. | |
| Laziest Gal in Town, The (w&m) | 1927 | Pub. | |
| Let's Misbehave (w&m) | 1927 | Irène Bordoni (perf.) | Pub. |
| ⇑ Weren't We Fools? (w&m) | 1927 | Pub. | |
| Don't Look at Me That Way! (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Heaven Hop, The (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| How Could We Be Wrong? (w&m) | 1928 | Pub. | |
| Let's Do It (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Quelque-Chose (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Two Little Babes in the Wood (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Vivienne (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| Which? (w&m) | 1928 | Irène Bordoni (perf.) | Pub. |
| You and Me (w&m) | 1928 | ||
| After All, I'm Only a Schoolgirl (w&m) | 1929 | ||
| Agua Sincopada Tango | 1929 | ||
| ⇑ Fifty Million Frenchmen (w&m) | 1929 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Find Me a Primitive Man (w&m) | 1929 | |
|
| Gigolo | 1929 | Jack Buchanan (perf.) | Pub. |
| Happy Heaven of Harlem (w&m) | 1929 | Pub. | |
| Here Comes the Band Wagon (w&m) | 1929 | Gertrude Lawrence (perf.) | Pub. |
| I Loved Him (w&m) | 1929 | |
|
| I Worship You (w&m) | 1929 | Pub. | |
| I'm in Love (w&m) | 1929 | Pub. | |
| I'm Unlucky at Gambling (w&m) | 1929 | Pub. | |
| Looking at You | 1929 | Jack Buchanan (perf.) | Pub. |
| Paree What Did You Do to Me? (w&m) | 1929 | Pub. |
|
| Please Don't Make Me Be Good (w&m) | 1929 | Pub. | |
| ⇑ Queen of Terre Haute (w&m) | 1929 | Pub. | |
| Tale of the Oyster, The (w&m) | 1929 | ||
| They All Fall in Love (w&m) | 1929 | Gertrude Lawrence (perf.) | Pub. |
| What Is This Thing Called Love? | 1929 | Tony Pastor (perf.) | Pub. |
| Why Don't We Try Staying Home? (w&m) | 1929 | ||
| You Do Something to Me (w&m) | 1929 | Cary Grant (perf.) Alexis Smith (perf.) |
Pub. |
| You Don't Know Paree (w&m) | 1929 | Pub. | |
| You've Got That Thing | 1929 | Pub. |
|
| Great Indoors (w&m) | 1930 | Pub. | |
| I'm Getting Myself Ready For You (w&m) | 1930 | Pub. | |
| Let's Fly Away (w&m) | 1930 | Pub. | |
| Let's Step Out (w&m) | 1930 | Pub. | |
| ⇑ Love For Sale | 1930 | Pub. |
|
| Take Me Back to Manhattan (w&m) | 1930 | Pub. | |
| Where Have You Been? | 1930 | Pub. | |
| I Happen to Like New York (w&m) | 1931 | Pub. | |
| New Yorkers, The | 1931 | Pub. | |
| Pick Me Up and Lay Me Down (w&m) | 1931 | ||
| After You | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Claire Luce (perf.) |
Pub. |
| How's Your Romance? | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Claire Luce (perf.) |
Pub. |
| I've Got You on My Mind | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Claire Luce (perf.) |
Pub. |
| Mister and Missus Fitch (w&m) | 1932 | ||
| Night and Day | 1932 | Fred Astaire (perf.) Charlie Barnet Orchestra (perf.) Luella Gear (perf.) Cary Grant (perf.) Howard Lindsay (perf.) Claire Luce (perf.) Ginger Rogers (perf.) Frank Sinatra (perf.) Alexis Smith (perf.) Tom Weatherly (perf.) Dwight Deere Wiman (perf.) |
Pub. |
| You're in Love | 1932 | Fred Astaire (perf.) Luella Gear (perf.) Claire Luce (perf.) |
Pub. |
| ⇑ Experiment (w&m) | 1933 | |
|
| It's Bad For Me (w&m) | 1933 | Pub. | |
| Nymph Errant (w&m) | 1933 | ||
| Physician - But He Never Said He Loved Me (w&m) | 1933 | Pub. | |
| Si vous aimez les poitrines | 1933 | Cole Porter (co-author) Cole Porter (words) |
|
| Solomon (w&m) | 1933 | Pub. | |
| Anything Goes | 1934 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) Ramona (perf.) |
Pub. |
| Blow, Gabriel, Blow (w&m) | 1934 | Pub. | |
| Buddie Beware (w&m) | 1934 | Pub. | |
| Gypsy in Me | 1934 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
Pub. |
| I Get a Kick Out of You | 1934 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
Pub. |
| Miss Otis Regrets - She's Unable to Lunch Today (w&m) | 1934 | King Sisters (perf.) | Pub. |
| ⇑ Thank You So Much : Missus Lowsborough-Goodby (w&m) | 1934 | Pub. | |
| Waltz Down the Aisle (w&m) | 1934 | ||
| You're the Top | 1934 | William Gaxton (perf.) Ethel Merman (perf.) Victor Moore (perf.) |
Pub. |
| You're Too Far Away (w&m) | 1934 | Pub. | |
| Begin the Beguine (w&m) | 1935 | Cary Grant (perf.) Tony Pastor (perf.) Artie Shaw (perf.) Alexis Smith (perf.) |
Pub. |
| Just One of Those Things | 1935 | Mary Boland (perf.) | Pub. |
| Kling-Kling Bird (w&m) | 1935 | Pub. | |
| Me and Marie (w&m) | 1935 | Mary Boland (perf.) | Pub. |
| Picture of Me Without You, A | 1935 | Mary Boland (perf.) Max Gordon (perf.) Sam Harris (perf.) |
Pub. |
| When Love Comes Your Way | 1935 | Mary Boland (perf.) | Pub. |
| When Me, Mowgli, Love (w&m) | 1935 | ||
| Why Shouldn't I? | 1935 | Mary Boland (perf.) | Pub. |
| ⇑ Born to Dance (w&m) | 1936 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Down in the Depths | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
|
| Easy to Love | 1936 | Eleanor Powell (perf.) | Pub. |
| Good-Bye, Little Dream, Good-Bye (w&m) | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| I've Got You Under My Skin (w&m) | 1936 | Eleanor Powell (perf.) | Pub. |
| It's De-Lovely | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| Little Skipper From Heaven Above, A (w&m) | 1936 | ||
| Love Me, Love My Pekinese (w&m) | 1936 | ||
| Ours | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| Ozarks Are Callin' Me Home, The (w&m) | 1936 | ||
| Rap Tap on Wood | 1936 | Eleanor Powell (perf.) | Pub. |
| Red, Hot and Blue | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| ⇑ Ridin' High | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| Rolling Home (w&m) | 1936 | ||
| Swingin' the Jinx Away | 1936 | Eleanor Powell (perf.) | Pub. |
| There'll Always Be a Lady Fair (w&m) | 1936 | ||
| What a Great Pair We'll Be (w&m) | 1936 | ||
| When Your Troubles Have Started (w&m) | 1936 | ||
| You're a Bad Influence (w&m) | 1936 | ||
| You've Got Something | 1936 | Jimmie Durante (perf.) Bob Hope (perf.) Ethel Merman (perf.) |
Pub. |
| Close (w&m) | 1937 | ||
| Greek to You (w&m) | 1937 | ||
| I Know It's Not Meant For Me (w&m) | 1937 | ||
| I've a Strange New Rhythm in My Heart | 1937 | ||
| ⇑ In the Still of the Night (w&m) | 1937 | Nelson Eddy (perf.) Eleanor Powell (perf.) |
Pub. |
| Rosalie (w&m) | 1937 | Nelson Eddy (perf.) Tony Pastor (perf.) Eleanor Powell (perf.) |
Pub. |
| Who Knows? | 1937 | ||
| Why Should I Care? (w&m) | 1937 | ||
| At Long Last Love | 1938 | Libby Holman (perf.) Rex O'Malley (perf.) Lupe Velez (perf.) Clifton Webb (perf.) Toby Wing (perf.) |
Pub. |
| Far Away | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Sophie Tucker (perf.) |
Pub. |
| For No Rhyme or Reason | 1938 | Libby Holman (perf.) Rex O'Malley (perf.) Lupe Velez (perf.) Clifton Webb (perf.) Toby Wing (perf.) |
Pub. |
| From Alpha to Omega | 1938 | Libby Holman (perf.) Rex O'Malley (perf.) Lupe Velez (perf.) Clifton Webb (perf.) Toby Wing (perf.) |
Pub. |
| From Now On | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Miriam Shaw (perf.) Sophie Tucker (perf.) |
Pub. |
| Get Out of Town | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Miriam Shaw (perf.) Sophie Tucker (perf.) |
Pub. |
| I Want to Go Home (w&m) | 1938 | ||
| I'm Going in For Love (w&m) | 1938 | ||
| ⇑ It All Belongs to You | 1938 | ||
| Maria (w&m) | 1938 | ||
| Most Gentlemen Don't Like Love | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Sophie Tucker (perf.) |
Pub. |
| My Heart Belongs to Daddy (w&m) | 1938 | Elisse Cooper (perf.) Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Sophie Tucker (perf.) |
Pub. |
| Taking the Steps to Russia (w&m) | 1938 | ||
| To-Morrow | 1938 | Tamara Drasin (perf.) William Gaxton (perf.) Victor Moore (perf.) Sophie Tucker (perf.) |
Pub. |
| Vite, Vite, Vite (w&m) | 1938 | ||
| What Is That Tune? (w&m) | 1938 | ||
| What Shall I Do? (w&m) | 1938 | ||
| You Never Know | 1938 | Libby Holman (perf.) Rex O'Malley (perf.) Lupe Velez (perf.) Clifton Webb (perf.) Toby Wing (perf.) |
Pub. |
| Between You and Me | 1939 | Mary Ann Mercer (perf.) | |
| But in the Morning, No! (w&m) | 1939 | Betty Grable (perf.) Bert Lahr (perf.) Ethel Merman (perf.) Phil Regan (perf.) |
Pub. |
| ⇑ Do I Love You? | 1939 | Benny Baker (perf.) Helen Forrest (perf.) Betty Grable (perf.) Bert Lahr (perf.) Ethel Merman (perf.) |
Pub. |
| Friendship | 1939 | Bert Lahr (perf.) Ethel Merman (perf.) |
Pub. |
| Hey, Babe, Hey! (w&m) | 1939 | ||
| I Concentrate on You | 1939 | Fred Astaire (perf.) Mary Healy (perf.) Shirley Howard (perf.) Eleanor Powell (perf.) |
 |
| I Happen to Be in Love (w&m) | 1939 | Mary Healy (perf.) | |
| I've Got My Eyes on You (w&m) | 1939 | Fred Astaire (perf.) Mary Healy (perf.) Eleanor Powell (perf.) Dinah Shore (perf.) |
Pub. |
| It Was Written in the Stars | 1939 | Bert Lahr (perf.) Ethel Merman (perf.) |
Pub. |
| Katie Went to Haiti | 1939 | ||
| What Am I to Do (w&m) | 1939 | ||
| When Love Beckoned | 1939 | ||
| All I've Got to Get Now Is My Man (w&m) | 1940 | ||
| Americans All Drink Coffee (w&m) | 1940 | ||
| ⇑ Come on In (w&m) | 1940 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Ev'ry Day a Holiday (w&m) | 1940 | |
|
| Fresh As a Daisy | 1940 | Tex Beneke (perf.) Joan Carroll (perf.) James Dunn (perf.) Betty Hutton (perf.) Marion Hutton (perf.) Jack Lathrop (perf.) Ethel Merman (perf.) Arthur Treacher (perf.) |
Pub. |
| Give Him the Oo La La | 1940 | Cole Porter (words) | Pub. |
| I'm Throwing a Ball Tonight (w&m) | 1940 | ||
| I've Still Got My Health (w&m) | 1940 | ||
| Let's Be Buddies | 1940 | Joan Carroll (perf.) James Dunn (perf.) Betty Hutton (perf.) Ethel Merman (perf.) Arthur Treacher (perf.) |
Pub. |
| Make It Another Old-Fashioned, Please (w&m) | 1940 | Mary Ann Mercer (perf.) | |
| My Mother Would Love You | 1940 | Joan Carroll (perf.) James Dunn (perf.) Betty Hutton (perf.) Ethel Merman (perf.) Arthur Treacher (perf.) |
Pub. |
| Please Don't Monkey With Broadway (w&m) | 1940 | ||
| Visit Panama (w&m) | 1940 | ||
| Who Would Have Dreamed? (w&m) | 1940 | ||
| ⇑ Ace in the Hole | 1941 | ||
| Boogie Barcarolle (w&m) | 1941 | ||
| Dream Dancing | 1941 | Fred Astaire (perf.) Rita Hayworth (perf.) |
Pub. |
| Ev'rything I Love | 1941 | Vinton Freedley (perf.) Danny Kaye (perf.) Dinah Shore (perf.) |
Pub. |
| Farming | 1941 | Danny Kaye (perf.) | Pub. |
| I Hate You Darling | 1941 | Danny Kaye (perf.) | Pub. |
| Let's Not Talk About Love (w&m) | 1941 | ||
| Little Rumba Numba, A | 1941 | Danny Kaye (perf.) | Pub. |
| Rub Your Lamp (w&m) | 1941 | ||
| Shootin' the Works For Uncle Sam | 1941 | ||
| Since I Kissed My Baby Goodbye (w&m) | 1941 | ||
| So Near and Yet So Far (w&m) | 1941 | ||
| ⇑ Wedding Cake-Walk, The (w&m) | 1941 | ||
| You Irritate Me So | 1941 | Danny Kaye (perf.) | Pub. |
| Could It Be You | 1942 | ||
| Hasta Luego (w&m) | 1942 | ||
| He's a Right Guy (w&m) | 1942 | ||
| Hey, Good-Lookin' (w&m) | 1942 | ||
| I Always Knew (w&m) | 1942 | ||
| It Might Have Been (w&m) | 1942 | ||
| Jerry, My Soldier Boy (w&m) | 1942 | ||
| Lotus-Bloom (w&m) | 1942 | ||
| Something For the Boys (w&m) | 1942 | ||
| Something to Shout About (w&m) | 1942 | ||
| ⇑ Son of a Gun Who Picks on Uncle Sam, The (w&m) | 1942 | ||
| You'd Be So Nice to Come Home To (w&m) | 1942 | Don Ameche (perf.) Janet Blair (perf.) William Gaxton (perf.) Jack Oakie (perf.) Hazel Scott (perf.) Cobina Wright (perf.) |
Pub. |
| By the Mississinewah | 1943 | ||
| Glide, Glider, Glide (w&m) | 1943 | Pub. | |
| Good-Will Movement, The (w&m) | 1943 | ||
| I Love You (w&m) | 1943 | Bobby Clark (perf.) Wilbur Evans (perf.) George Givot (perf.) June Havoc (perf.) |
Pub. |
| I'm in Love With a Soldier Boy (w&m) | 1943 | ||
| It Must Be Fun to Be You (w&m) | 1943 | ||
| Leader of a Big-Time Band, The (w&m) | 1943 | ||
| Sailors of the Sky (w&m) | 1943 | Pub. | |
| See That You're Born in Texas (w&m) | 1943 | ||
| When a Woman's in Love (w&m) | 1943 | ||
| ⇑ When My Baby Goes to Town (w&m) | 1943 | ||
| Abracadabra (w&m) | 1944 | ||
| Carlotta | 1944 | ||
| Count Your Blessings | 1944 | ||
| Dainty, Quainty Me (w&m) | 1944 | ||
| Don't Fence Me In (w&m) | 1944 | Andrews Sisters (perf.) Jack Benny (perf.) Eddie Cantor (perf.) Kitty Carlisle (perf.) Jack Carson (perf.) Dane Clark (perf.) Joan Crawford (perf.) Bette Davis (perf.) Jimmy Dorsey (perf.) John Garfield (perf.) Robert Hutton (perf.) Joan Leslie (perf.) Alexis Smith (perf.) Barbara Stanwyck (perf.) |
|
| Ev'ry Time We Say Goodbye | 1944 | Pub. | |
| Frahngee-Pahnee (w&m) | 1944 | ||
| Girls (w&m) | 1944 | ||
| Hence, It Don't Make Sense (w&m) | 1944 | ||
| I Like Pretty Things (w&m) | 1944 | ||
| Is It the Girl? (w&m) | 1944 | ||
| ⇑ It's Just Yours (w&m) | 1944 |
| Title | Year | Attribution | Remarks |
|---|
| Mississippi Belle (w&m) | 1944 | ||
| Only Another Boy and Girl | 1944 | |
|
| Sing to Me, Guitar (w&m) | 1944 | ||
| There Must Be Some One For Me (w&m) | 1944 | Bobby Clark (perf.) Wilbur Evans (perf.) George Givot (perf.) June Havoc (perf.) |
Pub. |
| Band Started Swinging a Song, The (w&m) | 1945 | ||
| When I Was a Little Cuckoo (w&m) | 1945 | ||
| If You Smile at Me (w&m) | 1946 | ||
| Look What I Found (w&m) | 1946 | ||
| Manuela (w&m) | 1946 | ||
| Pipe-Dreaming (w&m) | 1946 | ||
| Should I Tell You I Love You (w&m) | 1946 | Pub. | |
| ⇑ Wherever They Fly the Flag of Old England (w&m) | 1946 | ||
| Always True to You in My Fashion | 1948 | |
|
| Be a Clown | 1948 | ||
| Bianca | 1948 | Pub. |
|
| I Am Ashamed That Women Are So Simple | 1948 | William Shakespeare (words) | |
| I Hate Men | 1948 | ||
| I'm Afraid, Sweetheart, I Love You (w&m) | 1948 | ||
| Love of My Life (w&m) | 1948 | ||
| Mack the Black (w&m) | 1948 | ||
| Nina (w&m) | 1948 | ||
| So in Love (w&m) | 1948 | Jack Pearl (perf.) | Pub. |
| Were Thine That Special Face (w&m) | 1948 | ||
| ⇑ Why Can't You Behave? (w&m) | 1948 | |
|
| Wunderbar | 1948 | Pub. |
|
| You Can Do No Wrong | 1948 | ||
| Another Op'nin', Another Show | 1949 | ||
| Brush Up Your Shakespeare (w&m) | 1949 | ||
| Farewell, Amanda | 1949 | Cole Porter (words) | |
| I Sing of Love (w&m) | 1949 | Pub. |
|
| I've Come to Wive It Wealthily in Padua | 1949 | ||
| Kiss Me Kate (w&m) | 1949 | ||
| Tom, Dick, and Harry (w&m) | 1949 | ||
| Too Darn Hot | 1949 | Pub. | |
| We Open in Venice (w&m) | 1949 | ||
| ⇑ Where Is the Life That Late I Led? (w&m) | 1949 | ||
| Cherry Pies Ought to Be You | 1950 | ||
| Climb Up the Mountain (w&m) | 1950 | ||
| From This Moment On | 1950 | ||
| Hark to the Song of the Night (w&m) | 1950 | ||
| I Am Loved | 1950 | ||
| No Lover (w&m) | 1950 | ||
| Nobody's Chasing Me (w&m) | 1950 | |
|
| Oh, It Must Be Fun (w&m) | 1950 | ||
| Use Your Imagination | 1950 | Pub. |
|
| What Do You Think About Men? (w&m) | 1950 | ||
| Where, Oh Where (w&m) | 1950 | ||
| ⇑ You Don't Remind Me (w&m) | 1950 | ||
| Her Heart Was in Her Work (w&m) | 1952 | ||
| Who Said Gay Paree? (w&m) | 1952 | ||
| Allez-Vous-En, Go Away (w&m) | 1953 | |
|
| C'est Magnifique | 1953 | ||
| Can - Can | 1953 | ||
| Come Along With Me (w&m) | 1953 | ||
| I Am in Love (w&m) | 1953 | Pub. |
|
| I Love Paris (w&m) | 1953 | Maurice Chevalier (perf.) Louis Jourdan (perf.) Shirley MacLaine (perf.) Frank Sinatra (perf.) |
Pub. |
| If You Loved Me Truly (w&m) | 1953 | ||
| It's All Right With Me (w&m) | 1953 | Lena Horne (perf.) | Pub. |
| Live and Let Live (w&m) | 1953 | ||
| ⇑ Montmart' (w&m) | 1953 |
| Title | Year | Attribution | Remarks |
|---|
| Never Give Anything Away (w&m) | 1953 | ||
| To Think That This Could Happen to Me (w&m) | 1953 | ||
| When Love Comes to Call (w&m) | 1953 | ||
| All of You (w&m) | 1954 | |
|
| As on Through the Seasons We Sail | 1954 | ||
| Every Man Is a Stupid Man (w&m) | 1954 | ||
| It's a Chemical Reaction That's All (w&m) | 1954 | ||
| Paris Loves Lovers (w&m) | 1954 | Pub. | |
| Satin and Silk (w&m) | 1954 | ||
| Siberia (w&m) | 1954 | ||
| Silk Stockings (w&m) | 1954 | Pub. | |
| ⇑ Without Love (w&m) | 1954 | ||
| Calypso (w&m) | 1955 | ||
| Give Me the Land (w&m) | 1955 | ||
| Josephine (w&m) | 1955 | ||
| Little One (w&m) | 1955 | ||
| Mind if I Make Love to You (w&m) | 1955 | ||
| Now You Has Jazz (w&m) | 1955 | ||
| Stereophonic Sound (w&m) | 1955 | ||
| True Love (w&m) | 1955 | Louis Armstrong (perf.) Sydney Blackmer (perf.) Louis Calhern (perf.) Bing Crosby (perf.) Celeste Holm (perf.) Grace Kelly (perf.) John Lund (perf.) Frank Sinatra (perf.) |
|
| Who Wants to Be a Millionaire? (w&m) | 1955 | ||
| You're Sensational (w&m) | 1955 | ||
| Ca, C'est L'amour (w&m) | 1956 | ||
| ⇑ Fated to Be Mated (w&m) | 1956 | Fred Astaire (perf.) Joseph Buloff (perf.) Cyd Charisse (perf.) Peter Lorre (perf.) Jules Munshin (perf.) Jean Paige (perf.) George Tobias (perf.) |
|
| High Society (w&m) | 1956 | ||
| I Love You, Samatha (w&m) | 1956 | Kenny Ball (perf.) Bing Crosby (perf.) |
|
| Les Girls (w&m) | 1956 | ||
| Ritz Roll and Rock, The (w&m) | 1956 | ||
| Well, Did You Evah (w&m) | 1956 | Pub. | |
| Why Am I So Gone (w&m) | 1956 | ||
| You're Just Too, Too (w&m) | 1956 | ||
| Aladdin (w&m) | 1957 | ||
| High-Flyin' Wings on My Shoes (w&m) | 1957 | ||
| Come to the Supermarket (w&m) | 1958 | ||
| How the Time Flies (w&m) | 1958 | |
|
| ⇑ I Adore You (w&m) | 1958 | ||
| Opportunity Knocks But Once (w&m) | 1958 | ||
| Trust Your Destiny to Your Star | 1958 | ||
| Casanova | 1961 | ||
| Ladies in Waiting (w&m) | 1961 | ||
| Pets (w&m) | 1961 | ||
| Revenge (w&m) | 1961 | ||
| Where Would You Get Your Coat (w&m) | 1966 | ||
| Information Please (w&m) | 1967 | ||
| Kate the Great (w&m) | 1971 | ||
| Humble Hollywood Executive, A (w&m) | ? | ||
| I Could Kick Myself (w&m) | ? | ||
| ⇑ You're the Prize Guy of Guys (w&m) | ? | ||
| Once Upon a Time (w&m) | n.d. | ||
| We Shall Never Be Younger (w&m) | n.d. |
| Composer | Title | Performer |
|---|
|
C. Porter | Kenny Ball and his Jazzmen 1961 I love you, Samatha (2:27) | Kenny Ball |
|
C. Porter | I've Got My Eyes on You (2:33) | Mary Healy |
|
C. Porter | I Concentrate on You (3:27) | Mary Healy |
|
C. Porter | I Happen to Be in Love (2:19) | Mary Healy |