Olha a Rosa Amarela
Last updated: 28.01.22
Composer: H. Villa-Lobos Suppliers: dbe15.gif
Editor: Geoff Grainger Quartet T/T/B/B
Publisher: Ditty Box Enterprises Publication: DBE 063
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In the 1890s Brazil was very much enchanted with French music and fashions which dominated social life, the songs and dances being performed at musical parties. These songs were eventually adapted and sang by mothers and nannies to children in the course of bringing them up. The children quickly picked this up and changed the songs into a new musical form know as cantigas. This recorder adaptation is based on his four-part setting of one such cantiga, the Brazilian lullaby Ohla a Rosa Amarela. The original lyrics were:

Olha a Rosa amarela, Rosa
Tao Formosa, tao bela, Rosa
Olha a Rosa amarela, Rosa
Tao Formosa, tao bela, Rosa

Iá-iá meu lenço, ô Iá-iá
Para me enxugar, ô Iá-iá
Esta despedida, ô Iá-iá
Já me fez chorar, ô Iá-iá

This beautiful short piece should be played softly at a moderate tempo in keeping with the spirit of a lullaby. If the quartet is lucky enough to have a singer in its midst then this piece could be repeated three times, whereby the 1st tenor sings the lullaby instead of playing during the 2nd repeat.

  Instruments Performer
     
  DBE MP3 Sample 
audiodbemp315.gif T/T/B/B Midi Ragtime Recorder Ens.
     Performer CD Title Supplier
       
cd15.gif Midi Ragtime Recorder Ensemble Recorder Ragtime: Curiosities dbe15.gif