Title (Release Year) | Co-Author(s) | Performers | Issue |
---|
Sweet Spirit, Hear My Prayer! (1914) | Marie Narelle | Edison Blue Amberol: 2450 | ||
Scenes That Are Brightest (1897) | Roger Harding | Columbia Phonograph Co.: 8835 | ||
There Is a Flower That Bloometh (1914) | David Brazell Hughes Macklin |
Edison Blue Amberol: 23267 | ||
In Happy Moments (1908) | Alan Turner | Indestructible Record: 686 | ||
In Happy Moments (1899-1900) | Al Sweet | Edison Record: 7411 | ||
In Happy Moments (1913) | Thomas Chalmers | Edison Blue Amberol: 28184 | ||
In Happy Moments (1910) | Stanley Kirkby | Indestructible Record: 3151 | ||
Let Me Like a Soldier Fall (1913) | Charles Hackett | Edison Blue Amberol: 1724 | ||
Let Me Like a Soldier Fall (1906) | George Alexander | Columbia Phonograph Co.: 32957 | ||
Tis the Harp in the Air (1914) | Elizabeth Spencer | Edison Blue Amberol: 4995 | ||
Oh Maritana (1915) | L. Katzman S. Mantia |
Edison Blue Amberol: 2642 | ||
⇑Scenes That Are Brightest (1902?) | Charles D'Almaine | Edison Gold Moulded Record: 7455 | ||
Sleeping I Dreamed Love (1898) | John Yorke AtLee | Columbia Graphophone Grand: 12615 | ||
Sweet Spirit, Hear My Prayer! (1907) | Edison Venetian Trio | Edison Gold Moulded Record: 9689 | ||
Sweet Spirit, Hear My Prayer! (1910) | Wilfred Platt | Indestructible Record: 3153 | ||
What Mystery, Why Thus Control (1919) | Benjamin Klatzkin S. Mantia |
Edison Blue Amberol: 3717 | ||
Alas! Those Chimes Maritana (1914?) | Ethel Toms | Edison Blue Amberol: 23294 |
Title (Release Year) | Composer | Performers | Issue |
---|
Hear Me, Gentle Maritana (1913) | W.V. Wallace | Vernon Archibald | Edison: 2368 | |
Maritana - In Turn, What Do You Say? (1913) | W.V. Wallace | Vernon Archibald Marie De Kyser |
Edison: 2471 | |
Oh Maritana (1915) | W.V. Wallace | L. Katzman S. Mantia |
Edison: 3783 | |
Sweet Spirit, Hear My Prayer! (1923) | W.V. Wallace | Merle Alcock | Victor: B-27378 |
Title | Attribution | Instruments | Source | Remarks |
---|
Angler's Polka (1854), The | W.V. Wallace (music) | Piano | Indiana | ||
Annie Dear, Good Bye (n.d.) | W.V. Wallace (music) Edward Fitzball (words) |
Piano, Voice | Indiana | ||
Annie Laurie (n.d.) | W.V. Wallace (music) | Piano, Voice | Indiana | Pub. | |
Bring Me My Harp (1854) | W.V. Wallace (music) Edward Fitzball (words) |
Piano, Voice | Greer | Pub. | |
Flag of Our Union (1861) | W.V. Wallace (music) | Piano | Greer | Pub. | |
Flora Valse Elegante (185-) | W.V. Wallace (music) | Piano | IMSLP | ||
Grand Polka De Concert (1850) | W.V. Wallace (w&m) Rose Kennedy (perf.) |
Piano, Voice | Greer Indiana |
Pub. | |
⇑Holy Mother Guide His Footsteps (1858) | W.V. Wallace (music) | Piano | Greer | ||
I Mourn Thee But I Love No More : Companion to Why Do I Weep For Thee (1851) | W.V. Wallace (music) Desmond Ryan (words) |
Piano, Voice | Indiana | Pub. | |
In Happy Moments (1860) | W.V. Wallace (w&m) |
Piano, Voice | Greer Greer |
||
Le Reve (1843) | W.V. Wallace (music) | Piano, Voice | Indiana | ||
Midnight Waltz (1844) | W.V. Wallace (music) | Piano | Indiana | Pub. | |
Rosebud Polka (1852) | W.V. Wallace (music) | Piano | IMSLP | Pub. | |
Scenes That Are Brightest (1846) | W.V. Wallace (music) Alfred Bunn (words) |
Piano, Voice | Greer | ||
Searcher of Hearts (1851) | W.V. Wallace (music) George Pope Morris (words) |
Piano, Voice | Indiana | Pub. | |
⇑Simania (1844) | W.V. Wallace (music) | Piano | Greer | ||
Softly Ye Night Winds (1851) | W.V. Wallace (music) Mary E. Hewitt (words) |
Piano, Voice | Greer | Pub. | |
Sweet Spirit, Hear My Prayer! (1860) | W.V. Wallace (music) Edward Fitzball (words) |
Piano, Voice | Indiana | Pub. | |
Tremolo Schottisch (1855) | W.V. Wallace (music) |
Piano | IMSLP Indiana |
Pub. | |
Winds That Waft My Sighs to Thee (1856), The | W.V. Wallace (music) H.W. Challis (words) |
Piano, Voice | IMSLP | Pub. | |
Ye Banks and Braes (189-) | W.V. Wallace (music) | Piano | IMSLP |
Title | Year | Attribution | Remarks |
---|
Walze Favorite Du Duc De Reichstadt | 183- | ||
Echo's Song | 1835 | Robert Stewart (words) | |
Le Reve | 1843 | ||
Midnight Waltz | 1844 | Pub. | |
Simania | 1844 | ||
Alas! Those Chimes Maritana | 1846 | Ethel Toms (perf.) | |
Gems of Maritana. Book 1 | 1846 | ||
Music From the Opera of Maritana | 1846 | ||
Scenes That Are Brightest | 1846 | Alfred Bunn (words) Charles D'Almaine (perf.) Roger Harding (perf.) |
|
Gone Is the Calmness From My Heart | 1847 | Pub. | |
Flora Valse Elegante | 185- | ||
⇑ Is That Devotion | 185- | ||
Grand Polka De Concert (w&m) | 1850 | Rose Kennedy (perf.) | |
Cradle Song | 1851 | ||
I Mourn Thee But I Love No More : Companion to Why Do I Weep For Thee | 1851 | Desmond Ryan (words) | Pub. |
Searcher of Hearts | 1851 | George Pope Morris (words) | Pub. |
Title | Year | Attribution | Remarks |
---|
Softly Ye Night Winds | 1851 | Mary E. Hewitt (words) | |
Happy Birdling of the Forest | 1852 | Carlos D. Stewart (words) Catherine Hayes (perf.) |
Pub. |
Rondino on the Scotch Melody Bonnie Prince Charlie | 1852 | ||
Rosebud Polka | 1852 | Pub. | |
Angler's Polka, The | 1854 | Pub. | |
Bring Me My Harp | 1854 | Edward Fitzball (words) | Pub. |
Tremolo Schottisch | 1855 | Pub. | |
Why Do I Weep For Thee? | 1855 | ||
Winds That Waft My Sighs to Thee, The | 1856 | H.W. Challis (words) | Pub. |
Home, Sweet Home | 1857 | ||
Holy Mother Guide His Footsteps | 1858 | ||
⇑ Bell-Ringer, The | 1859 | J. Oxenford (words) | |
Father's Love, A | 186- | ||
Sweet and Low Cradle Song | 186- | Alfred Tennyson (words) | |
In Happy Moments (w&m) | 1860 | Thomas Chalmers (perf.) Stanley Kirkby (perf.) Al Sweet (perf.) Alan Turner (perf.) |
|
Sweet Spirit, Hear My Prayer! | 1860 | Edward Fitzball (words) Merle Alcock (perf.) Marie Narelle (perf.) Wilfred Platt (perf.) Edison Venetian Trio (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
Ballad From Wallace's New Opera the Amber Witch | 1861 | ||
Flag of Our Union | 1861 | arr.: Charles Grobe | |
Star of Love, The | 1863 | ||
Love's Minstrel | 1867 | ||
Tis the Harp in the Air | 187- | E. Fitzball (words) Elizabeth Spencer (perf.) |
|
Of Fairy Wand Had I the Power | 1875 | E. Fitzball (words) | Pub. |
Woman Our Angel | 1880 | E.W. Cole (words) | |
Yes! Let Me Like a Soldier Fall | 1884 | ||
Let Me Like a Soldier Fall | 1889 | George Alexander (perf.) Charles Hackett (perf.) |
|
There Is a Flower That Bloometh | 189- | David Brazell (perf.) Hughes Macklin (perf.) |
|
Ye Banks and Braes | 189- | ||
⇑ False Friend, The | 1890 | ||
Turn on Old Time | 1891 | ||
Favourite Airs From Vincent Wallace's Maritana | 1893 | ||
Sleeping I Dreamed Love | 1898 | John Yorke AtLee (perf.) | |
Angels That Around Us Hover | 19-- |
Title | Year | Attribution | Remarks |
---|
Witches Dance | 1905 | ||
To Happier Hours Our Thoughts Will Stray | 191- | Fenton Gray (words) | |
Hear Me, Gentle Maritana | 1913 | Edward Fitzball (words) Vernon Archibald (perf.) |
|
In Turn, What Do You Say? | 1913 | Edward Fitzball (words) Vernon Archibald (perf.) Marie De Kyser (perf.) |
|
Oh Maritana | 1915 | Louis Katzman (perf.) Simone Mantia (perf.) |
|
What Mystery, Why Thus Control | 1919 | Benjamin Klatzkin (perf.) Simone Mantia (perf.) |
|
Lonesome For the One I Love | 1921 | Walter W. Wallace (words) | |
Maritana - In Turn, What Do You Say? | ? | Edward Fitzball (words) Vernon Archibald (perf.) Marie De Kyser (perf.) |
|
Annie Dear, Good Bye | n.d. | Edward Fitzball (words) | |
Annie Laurie | n.d. | ||
Only a Dream | n.d. | George Copper (words) Della Fox (perf.) |