Title (Release Year) | Instruments/Issue | Performers |
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MP3 File(s) | |||
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Have You Got Another Girl at Home Like Mary? (1909) | Edison Gold Moulded Record: 13848 | Harry Fay |
Title | Attribution | Instruments | Source | Remarks |
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Have You Got Another Girl at Home Like Mary? (1908) | A.J. Lawrance (music) F. Godfrey (coauth.) Lily Lena (perf.) |
Piano | YorkSpace | ![]() |
Title | Year | Attribution | Remarks |
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Keep the Anchor Charm I Gave You. | 1904 | Arthur Stroud (words) Aubrey Kennett (words) |
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Ma Alabama Rose (w&m) | 1904 | G. H. Elliott (perf.) | Pub. |
Ma Havana Queen | 1904 | Harry Gifford (words) G. H. Elliott (perf.) |
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Mr. Ragtime Rubinstein (w&m) | 1904 | ![]() |
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Don't Cry, Little Girl! | 1905 | Harry Gifford (words) | Pub. |
Good Night, My Little Daffodil | 1905 | Harry Gifford (words) | ![]() |
My Lantern Girl. (w&m) | 1905 | Pub. | |
My Little Redbreast | 1905 | Harry Gifford (words) Margaret Ashton (perf.) |
Pub. |
On the Green Isle of Arran | 1905 | C W Murphy (words) | Pub. |
What Is Your Name? | 1905 | Harry Gifford (words) G. H. Elliott (perf.) |
Pub. |
When It's Moonlight in Mexico (w&m) | 1905 | George Arthurs (perf.) | Pub. |
⇑ Which Is the Key to Your Heart? | 1905 | Harry Gifford (words) Frank Harwood (perf.) |
Pub. |
Will You Be My Eskimo? | 1905 | Tom Mellor (words) Gladys Mavius (perf.) |
Pub. |
Caroo | 1906 | Harry Gifford (words) G. H. Elliott (perf.) |
Pub. |
Farewell, My Little Bush-Mate | 1906 | E Espinosa (words) Eva Kelland (perf.) |
Pub. |
Firefly | 1906 | Harry Gifford (words) | Pub. |
Fireman's Song, The | 1906 | Harry Gifford (words) Hamilton Hill (perf.) |
Pub. |
Good-Bye, My Little London Girl! | 1906 | Harry Gifford (words) | Pub. |
I've Built a Bamboo Bungalow For You | 1906 | Tom Mellor (words) | ![]() |
In Your Little Poke Bonnet and Shawl (w&m) | 1906 | Pub. | |
Ma Little Brown Gal | 1906 | Harry Gifford (words) Alf Aubyn (words) |
Pub. |
Susannah of Savannah | 1906 | Leonard Cooke (words) T E Finglas (words) |
Pub. |
Toadstool | 1906 | Henry Carmen (words) Leonard Cooke (words) |
Pub. |
⇑ When You're Sitting by Your Spinning Wheel (w&m) | 1906 | Pub. | |
Which Sailor-Boy Do You Want? | 1906 | Harry Gifford (words) Hamilton Hill (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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Why Don't You Stick to One Girl? | 1906 | Harry Gifford (words) | ![]() |
I'm Glad I'm Born an Aussie | 1907 | Harry Evans (words) Will Finlay (words) Norm Byron (words) |
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In My Aeroplane For Two | 1907 | Harry Gifford (words) Tom Mellor (words) |
Pub. |
Ev'rybody Calls Her Rosa | 1908 | Fred Godfrey (words) | Pub. |
Have You Got Another Girl at Home Like Mary? | 1908 | Fred Godfrey (co-author) Harry Fay (perf.) Lily Lena (perf.) |
Pub. ![]() |
Put a Blue Screen Over the Grey Sky | 1908 | Nev Hauritz (words) | Pub. |
Blacksmith's Wedding, The | 1909 | Tom Mellor (words) Harry Gifford (words) |
Pub. |
Buttercup-Time | 1909 | Tom Mellor (words) | ![]() |
How D'you Do, My Baby? (w&m) | 1909 | G. H. Elliott (perf.) | Pub. |
Moon Man! | 1909 | Charles Wilmott (words) Violet Carmen (perf.) |
Pub. |
My Little River Bungalow | 1909 | George Arthurs (words) Josephine La Barte (perf.) Alice Lloyd (perf.) Elsie Steadman (perf.) Daisy Stratton (perf.) |
Pub. |
⇑ San San Soo, or, in a Sampan For Two | 1909 | Percy Edgar (words) | Pub. |
China Doll (w&m) | 191- | ![]() |
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I Want My Girlie (w&m) | 191- | G. H. Elliott (perf.) | ![]() |
It Reminds Me of Home | 191- | Pub. | |
Moonbeam | 191- | Harry Gifford (words) | ![]() |
Brown-Eyed Sue (w&m) | 1910 | G. H. Elliott (perf.) | Pub. |
I've Lost My Heart in Maoriland (w&m) | 1910 | Pub. | |
Lula | 1910 | Leonard Cooke (words) G. H. Elliott (perf.) |
Pub. |
Maluma | 1910 | Harry Gifford (words) | Pub. |
Since Mother Took to Hiking (w&m) | 1910 | Pub. | |
Step This Way (w&m) | 1910 | Pub. | |
When I Conduct the Band (w&m) | 1910 | Violet Carmen (perf.) | Pub. |
⇑ Won't You Come Over the Stile? | 1910 | Leonard Cooke (words) | ![]() |
Down at the Country Fair | 1911 | Tom Mellor (words) | Pub. |
Title | Year | Attribution | Remarks |
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I Found a World (w&m) | 1911 | ![]() |
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I Gave a Little Cough Like That | 1911 | Lucy Sibley (words) Edward Lewis (perf.) |
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I Like Your Apron and Your Bonnet (w&m) | 1911 | ![]() |
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I Never Knew What True Love Was (w&m) | 1911 | ![]() |
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Lovely Lanes of England , The | 1911 | Robyn Teakle (words) | Pub. |
My Jersey Lily | 1911 | Harry Gifford (words) Maude Esmond (perf.) |
Pub. |
Night of a Thousand Delights (w&m) | 1911 | Pub. | |
Oh! I Do Like You in That Old Oak Pew (w&m) | 1911 | Ellaline Terriss (perf.) | Pub. |
Sweet Eileen | 1911 | Harry Gifford (words) Hamilton Hill (perf.) |
Pub. |
Will You Walk Into My Parlour, Nellie Bly? (w&m) | 1911 | George Arthurs (perf.) Clarice Mayne (perf.) |
Pub. |
Can't You Ask Your Mammy, Mamie Lou? | 1912 | Charles Wilmott (words) G. H. Elliott (perf.) |
Pub. |
⇑ Come With Me to Daffodil-Land! (w&m) | 1912 | George Arthurs (perf.) | Pub. |
Come, Dear, and Swing With Me! (w&m) | 1912 | ![]() |
|
I Want to Live in Brittany (w&m) | 1912 | George Arthurs (perf.) | Pub. |
I'd Like to Go Your Way Home. (w&m) | 1912 | Pub. | |
If We Played at Blind-Man's Buff | 1912 | Henry Carmen (words) Violet Carmen (perf.) |
Pub. |
Mister Owl (w&m) | 1912 | G. H. Elliott (perf.) | Pub. |
Mister Rhinoceros! (w&m) | 1912 | George Arthurs (perf.) | Pub. |
Stepping-Stones of Life, The | 1912 | Fred W Leigh (words) | Pub. |
There's a Little Maori Whare (w&m) | 1912 | Pub. | |
Tipperary Mary | 1912 | Bert Lee (words) Daisy Stratton (words) |
Pub. |
What's the Use of an Old Log-Cabin to Me? | 1912 | Tom Mellor (words) Sisters Chester. (words) Gladys Mavius (perf.) Ella Shields (perf.) |
Pub. |
When My Ship Is Sailing | 1912 | Harry Gifford (words) Rose Elliott (perf.) Hamilton Hill (perf.) |
Pub. |
⇑ Come Down the Wanganui (w&m) | 1913 | Violet Carmen (perf.) | Pub. |
He Played on the 'cello (w&m) | 1913 | Violet Carmen (perf.) | Pub. |
Title | Year | Attribution | Remarks |
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Hush-A-Bye, My Little Papoose | 1913 | Henry Carmen (words) | ![]() |
I Wish She'd Give Me the Glad, Glad Eye (w&m) | 1913 | Violet Carmen (perf.) | ![]() |
I'd Like to Go Your Way Home (w&m) | 1913 | Pub. | |
In the Land of the Sioux (w&m) | 1913 | George Arthurs (perf.) | Pub. |
You Were Meant For Me Dear (w&m) | 1913 | ![]() |
|
Anyone Could See She Was a Lady (w&m) | 1914 | ![]() |
|
Follow Me Boys (w&m) | 1914 | Pub. | |
In Your Cocoanut Hut. (w&m) | 1914 | Pub. | |
Take Me Back to the Congo, Pongo! | 1914 | C W Murphy (words) | Pub. |
That Old Fashioned Gingham | 1914 | George Willoughby (words) | Pub. |
Down Where the Southern Cross Is Shining | 1915 | Pub. | |
⇑ Girl You Can All See Through, The (w&m) | 1915 | ![]() |
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I've Built a Desert Home (w&m) | 1915 | Pub. | |
I've Got My Searchlight on You (w&m) | 1915 | ![]() |
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Seaside Cecil | 1915 | Pub. | |
Song O' the Plains , The (w&m) | 1915 | Pub. | |
Anywhere's Heaven With You! | 1917 | Leonard Cooke (words) | Pub. |
Don't Forget There's Someone in Australia | 1917 | Harry Gifford (words) Nora Delany (perf.) |
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O-O-O-O-Ocean, The | 1917 | E W Rogers (words) Hetty King (perf.) |
Pub. |
You Never Kiss Me Now | 1917 | Leonard Cooke (words) | Pub. |
I Dare Not Go to Idaho | 1920 | Bert Lee (words) G. H. Elliott (perf.) |
|
Night in the Bush | 1920 | Edmund Barclay (words) | ![]() |
A.R.A.B.I.A. (Arabia) | 1921 | Ivor Hylton (words) | Pub. |
⇑ Sleepy-Time in Cadiz (w&m) | 1922 | George Arthurs (perf.) | ![]() |
Here Comes the Bo-No (w&m) | 1924 | ![]() |
Title | Year | Attribution | Remarks |
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There's a Girl in Maoriland (w&m) | 1928 | ![]() |
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Humpy I Have Built For You, The | 1930 | ![]() |
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Lazy Maisie | 1930 | Harry Gifford (words) G. H. Elliott (perf.) |
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She Get's More Like the White Gals Ev'ry Day (w&m) | 1932 | G. H. Elliott (perf.) | ![]() |
My Orange Girl | 1933 | Harry Gifford (words) G. H. Elliott (perf.) |
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Somewhere Somebody Is Waiting For Me | 1936 | Ernest Sefton (words) | ![]() |
And the Kookaburra Laughed (w&m) | 1942 | Pub. | |
Only Coon Without a Gal, The | 1942 | Harry Gifford (words) G. H. Elliott (perf.) |
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Look at My Garden of Roses | 1950 | Willie Redstone (words) | |
Why Don't You Paddle Your Own Canoe? | ? | Tom Mellor (words) |