| Title | Attribution | Remarks |
|---|
| School of Jolly Dogs, The | Harry Copeland (words & music) Alfred G. Vance (perf.) Frank Hall (perf.) Tom MacLagan (perf.) |
| Title | Composer | Attribution | Remarks |
|---|
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School of Jolly Dogs (1865), The | Harry Copeland(w&m) | Frank Hall (perf.) Tom MacLagan (perf.) Alfred Vance (perf.) |
| Title | Year | Attribution | Remarks |
|---|
| In the Strand | 1861 | Frederic Archer (words) | |
| Johnny Don't Care | 1862 | Robert Jacob Hamerton (words)
arr.: George Bicknell |
|
| Toasts and Sentiments For 1862 (w&m) | 1862 | |
|
| Down in Piccadilly | 1863 | P Rathbone (words) | |
| Great Sensation | 1863 | Frederick Archer (words) | |
| I Really Couldn't Help It (w&m) | 1863 | ||
| It's a Way the Girls Have Got | 1863 | George Bicknell (words) | |
| Kleptomania | 1863 | P Rathbone (words) | |
| Oxford Street | 1863 | George Bicknell (words) Robert Jacob Hamerton (words) E. W. Mackney (perf.) |
Pub. |
| Polly Bluck | 1863 | P Rathbone (words) E. W. Mackney (perf.) Tom MacLagan (perf.) Howard Paul (perf.) |
|
| Properest Thing to Do, The | 1863 | George Bicknell (words) | |
| ⇑ Sally Sly (w&m) | 1863 | E. W. Mackney (perf.) | Pub. |
| Sam's Arrival (w&m) | 1863 | ||
| Did You Ever? | 1864 | Henri Talbot (words) | Pub. |
| Sewing Machine, The (w&m) | 1864 | ||
| I'm in Love, or Sarah Smart (w&m) | 1868 | ||
| Pretty Jemima Dont Say No | 1868 | Charles Belmont (words) | |
| Straight Tips (w&m) | 1868 | ||
| Sailor Sinbad, The (w&m) | 1870 | Harry Clifton (perf.) | |
| Life Is Like a Game of Cricket (w&m) | 1873 | ||
| Le Souvenir (w&m) | 1878 | |