Title | Attribution | Instruments | Source | Remarks |
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When I Get to New Orleans (1917) | N. Alexander (music) N. Alexander (perf.) Thea Lightner (perf.) Winnie Lightner (perf.) Newell & Most (perf.) |
Piano, Voice | Indiana | ||
Brown Skin (1916) | R. Barton (w&m) Jerry Mills (words) Newell & Most (perf.) |
Piano, Voice | Indiana | Pub. | |
Parisienne - Song (1912) | A. von Tilzer (music) L. Brown (words) Newell & Most (perf.) |
Piano, Voice | Indiana | ||
Whose Little Girl Are You Now (1912) | A. von Tilzer (music) L. Brown (words) Newell & Most (perf.) |
Piano, Voice | Indiana | Pub. |
Title | Composer | Attribution | Remarks |
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When I Get to New Orleans (1917) | Newton Alexander | Newton Alexander (perf.) Olivette Haynes (perf.) Thea Lightner (perf.) Winnie Lightner (perf.) Newell & Most (perf.) |
||
Brown Skin (1916) | Roy Barton(w&m) | Jerry Mills (words) Newell & Most (perf.) Rosie Quinn (perf.) |
Pub. | |
When It's Night-Time in Italy It's Wednesday Over Here (1923) | James Kendis(w&m) | Lew Brown (co-author) Locust Sisters (perf.) Newell & Most (perf.) |
||
I Wonder What's Become of Joe? (1926) | Maceo Pinkard | Roy Turk (words) Mildred Cady (perf.) Newell & Most (perf.) Mary Raines (perf.) |
Pub. | |
Parisienne - Song (1912) | Albert von Tilzer | Lew Brown (words) Ashton & Fink (perf.) Minerva Coverdale (perf.) Dave Kindler (perf.) Newell & Most (perf.) Valeska Suratt (perf.) George White (perf.) |
||
Whose Little Girl Are You Now (1912) | Albert von Tilzer | Lew Brown (words) Newell & Most (perf.) |
Pub. |