Alexander Lee
Last updated: 05.09.23
| Title | Attribution | Instruments | Source | Remarks |
|---|
 |
Away Away to the Moutains Brow (1840) | A. Lee (music) Miss Romer (perf.) |
Piano | Greer |  |
|
Beautiful May (n.d.) | A. Lee (music) M. E. Cooke (words) |
Piano, Voice | IMSLP | |
|
Come Dwell With Me (1830) (1830) | A. Lee (music) Thomas Haynes Bayly (words) |
Piano, Voice | Greer | |
|
Come Dwell With Me (1850) | A. Lee (music) Thomas H. Bayly (words) Miss Hughes (perf.) |
Piano, Voice | Greer | |
|
Come Where the Aspens Quiver (n.d.) | A. Lee (music) Thomas Haynes Bayly (words) Harriet Waylett (perf.) |
Piano, Voice | IMSLP | |
|
Cora (n.d.) | A. Lee (w&m) | Piano, Voice | Indiana | |
|
God Shall Wipe Away All Tears (n.d.) | A. Lee (music) Mary Fleming (words) |
Piano, Voice | IMSLP | |
|
Gypsey's Wild Chaunt (1830) (1830) | A. Lee (music) Henry Robert Addison (words) Mrs Waylett (perf.) |
Piano, Voice | Greer | Pub. |
|
Gypsey's Wild Chaunt (1846) | A. Lee (music) H.R. Addison (words) |
Piano, Voice | Greer | Pub. |
|
Hunters Signal Horn (1819), The | A. Lee (music) Thomas Morton (words) Margaret Knight (perf.) Elizabeth Hughes (perf.) |
Piano | Indiana Indiana |
Pub. |
|
Hurrah For the Bonnets of Blue (1827) | A. Lee (w&m) Clara Fisher (perf.) |
Piano, Voice | Greer | Pub. |
|
Soldier's Tear (n.d.), The | A. Lee (music) Thomas Haynes Bayly (words) Mr Wood (perf.) |
Piano, Voice | IMSLP Indiana |
Pub. |
|
Thou Wilt Go and Forget Me (1839) | A. Lee (music) Thomas Haynes Bayly (words) |
Piano, Voice | Greer | |
|
Though the Day of My Destiny's Over (1848) | A. Lee (music) Lord Byron (words) |
Piano, Voice | Greer | |
|
Where, Where Is the Rover (1833) | A. Lee (music) Henry Robert Addison (words) Mrs Waylett (perf.) |
Piano, Voice | Greer | Pub. |
|
Wild Free Wind (1851) | A. Lee (music) Shirley Brooks (words) |
Piano, Voice | Greer | Pub. |
This list is arranged in chronological order and contains 20 works by Alexander Lee.
It does not claim to be complete and represents only the number of items located. Keys:
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Hunters Signal Horn, The | 1819 | Thomas Morton (words) Elizabeth Hughes (perf.) Margaret Knight (perf.) |
|
| Hurrah For the Bonnets of Blue (w&m) | 1827 | Clara Fisher (perf.) | Pub. |
| Come Dwell With Me (1830) | 1830 | Thomas Haynes Bayly (words) | |
| Gypsey's Wild Chaunt (1830) | 1830 | Henry Robert Addison (words) Harriet Waylett (perf.) |
|
| Where, Where Is the Rover | 1833 | Henry Robert Addison (words) Harriet Waylett (perf.) |
Pub. |
| Thou Wilt Go and Forget Me | 1839 | Thomas Haynes Bayly (words) | |
| Away Away to the Moutains Brow | 1840 | Miss Romer (perf.) | Pub. |
| Rover's Bride, The | 1843 | |
|
| Gypsey's Wild Chaunt | 1846 | H.R. Addison (words) | Pub. |
| Though the Day of My Destiny's Over | 1848 | Lord Byron (words) | |
| Come Dwell With Me | 1850 | Thomas H. Bayly (words) Elizabeth Hughes (perf.) |
Pub. |
| ⇑ Landing of Royal Charlie, The | 1850 | ||
| Wild Free Wind | 1851 | Shirley Brooks (words) | |
| Meet Me in the Willow Glen | 188- | Mrs. C. Baron Wilson (words) | |
| He Wipes the Tear From Every Eye (w&m) | 1900 | Antoinette Sterling (perf.) | |
| Beautiful May | n.d. | M. E. Cooke (words) | |
| Come Where the Aspens Quiver | n.d. | Thomas Haynes Bayly (words) Harriet Waylett (perf.) |
|
| Cora (w&m) | n.d. | Pub. | |
| God Shall Wipe Away All Tears | n.d. | Mary Fleming (words) | |
| Soldier's Tear, The | n.d. | Thomas Haynes Bayly (words) Mr Wood (perf.) |
Pub. |