Title | Attribution | Instruments | Source | Remarks |
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Away Away to the Moutains Brow (1840) | A. Lee (music) Miss Romer (perf.) |
Piano | Greer | ![]() |
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Beautiful May (n.d.) | A. Lee (music) M. E. Cooke (words) |
Piano, Voice | IMSLP | ![]() |
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Come Dwell With Me (1830) (1830) | A. Lee (music) Thomas Haynes Bayly (words) |
Piano, Voice | Greer | ![]() |
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Come Dwell With Me (1850) | A. Lee (music) Thomas H. Bayly (words) Miss Hughes (perf.) |
Piano, Voice | Greer | ![]() |
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Come Where the Aspens Quiver (n.d.) | A. Lee (music) Thomas Haynes Bayly (words) Harriet Waylett (perf.) |
Piano, Voice | IMSLP | ![]() |
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Cora (n.d.) | A. Lee (w&m) | Piano, Voice | Indiana | ![]() |
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God Shall Wipe Away All Tears (n.d.) | A. Lee (music) Mary Fleming (words) |
Piano, Voice | IMSLP | ![]() |
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Gypsey's Wild Chaunt (1830) (1830) | A. Lee (music) Henry Robert Addison (words) Mrs Waylett (perf.) |
Piano, Voice | Greer | Pub. |
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Gypsey's Wild Chaunt (1846) | A. Lee (music) H.R. Addison (words) |
Piano, Voice | Greer | Pub. |
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Hunters Signal Horn (1819), The | A. Lee (music) Thomas Morton (words) Margaret Knight (perf.) Elizabeth Hughes (perf.) |
Piano | Indiana Indiana |
Pub. |
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Hurrah For the Bonnets of Blue (1827) | A. Lee (w&m) Clara Fisher (perf.) |
Piano, Voice | Greer | Pub. |
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Soldier's Tear (n.d.), The | A. Lee (music) Thomas Haynes Bayly (words) Mr Wood (perf.) |
Piano, Voice | IMSLP Indiana |
Pub. |
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Thou Wilt Go and Forget Me (1839) | A. Lee (music) Thomas Haynes Bayly (words) |
Piano, Voice | Greer | ![]() |
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Though the Day of My Destiny's Over (1848) | A. Lee (music) Lord Byron (words) |
Piano, Voice | Greer | ![]() |
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Where, Where Is the Rover (1833) | A. Lee (music) Henry Robert Addison (words) Mrs Waylett (perf.) |
Piano, Voice | Greer | Pub. |
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Wild Free Wind (1851) | A. Lee (music) Shirley Brooks (words) |
Piano, Voice | Greer | Pub. |
Title | Year | Attribution | Remarks |
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Hunters Signal Horn, The | 1819 | Thomas Morton (words) Elizabeth Hughes (perf.) Margaret Knight (perf.) |
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Hurrah For the Bonnets of Blue (w&m) | 1827 | Clara Fisher (perf.) | Pub. |
Come Dwell With Me (1830) | 1830 | Thomas Haynes Bayly (words) | ![]() |
Gypsey's Wild Chaunt (1830) | 1830 | Henry Robert Addison (words) Harriet Waylett (perf.) |
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Where, Where Is the Rover | 1833 | Henry Robert Addison (words) Harriet Waylett (perf.) |
Pub. |
Thou Wilt Go and Forget Me | 1839 | Thomas Haynes Bayly (words) | ![]() |
Away Away to the Moutains Brow | 1840 | Miss Romer (perf.) | Pub. |
Rover's Bride, The | 1843 | ![]() |
|
Gypsey's Wild Chaunt | 1846 | H.R. Addison (words) | Pub. |
Though the Day of My Destiny's Over | 1848 | Lord Byron (words) | ![]() |
Come Dwell With Me | 1850 | Thomas H. Bayly (words) Elizabeth Hughes (perf.) |
Pub. |
⇑ Landing of Royal Charlie, The | 1850 | ||
Wild Free Wind | 1851 | Shirley Brooks (words) | ![]() |
Meet Me in the Willow Glen | 188- | Mrs. C. Baron Wilson (words) | ![]() |
He Wipes the Tear From Every Eye (w&m) | 1900 | Antoinette Sterling (perf.) | ![]() |
Beautiful May | n.d. | M. E. Cooke (words) | ![]() |
Come Where the Aspens Quiver | n.d. | Thomas Haynes Bayly (words) Harriet Waylett (perf.) |
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Cora (w&m) | n.d. | Pub. | |
God Shall Wipe Away All Tears | n.d. | Mary Fleming (words) | ![]() |
Soldier's Tear, The | n.d. | Thomas Haynes Bayly (words) Mr Wood (perf.) |
Pub. |