Title (Release Year) | Co-Author(s) | Performers | Issue |
---|
Firefly My Pretty Firefly (1915) | A. Piantadosi | I. Kaufman | Edison Blue Amberol: 2724 | |
Celebratin' Day in Tennessee (1914) | Arthur Collins Byron George Harlan |
Edison Blue Amberol: 2314 | ||
The A.O.H's of the U.S.A. (1915) | Edward Meeker | Edison Blue Amberol: 2605 | ||
In the Heart of Dear Old Italy (1921) | Metropolitan Quartet | Edison Blue Amberol: 4281 | ||
On the Shores of Italy (1914) | Albert Campbell H. Burr |
Edison Blue Amberol: 2344 | ||
Opechee (1909) | New York Military Band | Edison Amberol: 234 | ||
Pussy Willow Waltzes (1921) | Imperial Marimba Band | Edison Blue Amberol: 4146 | ||
There's a Garden in Old Italy (1916) | I. Kaufman | Edison Blue Amberol: 2990 | ||
Wake Up, America! (1916) | Jaudas' Society Orchestra | Edison Blue Amberol: 2937 | ||
Wake Up, America! (1916) | Joseph A. Phillips | Edison Blue Amberol: 2919 |
Title | Co-Author(s) | Sequencer |
---|
Aeroplane (1913), The | Sakae Watanabe | ||
Carus Breeze (1914), The | James Pitt-Payne | ||
Celebratin' Day in Tennessee (1914) | James Pitt-Payne | ||
Ghost Breaker (1913), The | S. Falke | James Pitt-Payne | |
Race Course (1910), The | James Pitt-Payne |
Title (Release Year) | Performers | Instruments |
---|
Aeroplane (1913), The | Midi Ragtime Recorder Ens. | T/T/T/B/GB(B) | |
Carus Breeze (1914), The | Midi Ragtime Recorder Ens. | A/T/T/T+B/B/GB(B) | |
Ghost Breaker (1913), The | Midi Ragtime Recorder Ens. | T/T/T+B/B/GB(B) | |
Pace That Kills (1911), The | Midi Ragtime Recorder Ens. | A/T/T/B/GB(B) | |
Race Course (1910), The | Midi Ragtime Recorder Ens. | T/T/T/B/GB(B) |
Performer | CD Title | Supplier |
---|
Ragtime Music CDs: | |||
Various Artists | Down Peacock Alley |
Item | Title | Available | € | £ | $ | Other |
---|
DBE627 | The Aeroplane (1913) - Rag and Two Step T/T/T/B/GB(B), approx. 2¾ mins. |
1-2 days | ||||
DBE628 | The Carus Breeze (1914) - Fox Trot A/T/T/T+B/B/GB(B), approx. 4 ¼ mins. |
1-2 days | ||||
DBE952 | The Ghost Breaker (1913) - March and Two Step T/T/T+B/B/GB(B), approx. 3¼ mins. |
1-2 days | ||||
DBE629 | The Pace That Kills (1911) - March A/T/T/B/GB(B), approx. 5 mins. |
1-2 days | ||||
DBE630 | The Race Course (1910) - March and Two Step T/T/T/B/GB(B), approx. 4½ mins. |
1-2 days |
Title | Attribution | Instruments | Source | Remarks |
---|
Aeroplane (1913), The | J. Glogau (music) |
Piano | IMSLP Indiana |
||
Carmen (1916) | J. Glogau (w&m) | Piano, Voice | IMSLP | ||
Carus Breeze (1914), The | J. Glogau (music) Emma Carus (perf.) |
Piano | IMSLP | ||
Celebratin' Day in Tennessee (1914) | J. Glogau (music) L. Brown (words) Emma Carus (perf.) Emma Carus (perf.) |
Piano, Voice | IMSLP Indiana |
Pub. | |
Feist Sparklets No.1 (1916) | J. Glogau (music) | Piano, Orchestra | IMSLP | Pub. | |
Ghost Breaker (1913), The | J. Glogau (music) S. Falke (coauth.) |
Piano, Voice | Indiana | Pub. | |
Here Comes America, Now (1918) | J. Glogau (music) Ed Rose (words) Harry Ellis (perf.) |
Piano, Voice | IMSLP | ||
⇑I Love Her and She Loves Me (1918) | J. Glogau (music) Harry Rose (words) |
Piano, Voice | IMSLP | Pub. | |
It Takes a Great Big Irish Heart to Sing an Irish Song (1915) | J. Glogau (music) Al Herman (words) |
Piano, Voice | Indiana | Pub. | |
Leave the World a Little Better Than You Found It (1918) | J. Glogau (music) Will Stanley (words) |
Piano, Voice | Indiana | ||
Most Beautiful Flag in the World (1917), The | J. Glogau (music) Charles H. Newman (words) |
Piano, Voice | IMSLP Indiana |
||
On the Shores of Italy (1914) | J. Glogau (music) A. Piantadosi (words) R.M. D'Angelo (perf.) R.M. D'Angelo (perf.) |
Piano, Voice | IMSLP Indiana |
Pub. | |
Opechee (1909) | J. Glogau (music) | Piano | YorkSpace | ||
Opechee Song-Bird (1909) | J. Glogau (music) Robert F. Robin (words) |
Piano, Voice | Indiana | Pub. | |
Pace That Kills (1911), The | J. Glogau (music) |
Piano | IMSLP Indiana |
Pub. | |
⇑Picture of Dear Old Ireland (1916), A | J. Glogau (music) Bartley Costello (words) |
Piano, Voice | IMSLP Indiana |
Pub. | |
Race Course (1910), The | J. Glogau (music) |
Piano, Orchestra | IMSLP Indiana |
||
Under Orders (1920) | J. Glogau (music) | Orchestra | IMSLP | ||
Wake Up, America! (1916) | J. Glogau (music) George Graff Jr. (words) |
Piano, Voice | IMSLP Indiana |
Pub. | |
What's the Matter With the Irish They're Getting Better Every Day (1916) | J. Glogau (music) H.E. Johnson (words) Emma Carus (perf.) |
Piano, Voice | Indiana | Pub. | |
When It's Circus Day Back Home (1917) | J. Glogau (music) J. Yellen (words) |
Piano, Voice | Kirk | ||
When We Build Our Cottage of Love (1917) | J. Glogau (w&m) | Piano, Voice | IMSLP | ||
Why Not Sing Wearin' of the Green (1915) | J. Glogau (music) Howard Johnson (words) Blanche Ring (perf.) |
Piano, Voice | Indiana | Pub. |
Title | Year | Attribution | Remarks |
---|
King Sol | 1909 | ||
Opechee | 1909 | New York Military Band (perf.) | |
Opechee Song-Bird | 1909 | Robert F. Robin (words) | Pub. |
Alberta Waltzes | 1910 | Abe K Jacobson (words) | |
Dancing Starlight | 1910 | Robert Roden (words) | |
Race Course, The | 1910 | Midi Ragtime Recorder Ensemble (perf.) | |
Pace That Kills, The | 1911 | Midi Ragtime Recorder Ensemble (perf.) | Pub. |
That Italian Serenade | 1911 | ||
Buccaneer, The | 1912 | Pub. | |
Golden Knight, The | 1912 | Pub. | |
I Used to Live in Dreamland With Someone Just Like You | 1912 | Beth Slater Whitson (words) | Pub. |
⇑ Aeroplane, The | 1913 | Midi Ragtime Recorder Ensemble (perf.) | Pub. |
Ghost Breaker, The | 1913 | Sidney Falke (co-author) Midi Ragtime Recorder Ensemble (perf.) |
Pub. |
My Lovin' Melody Man | 1913 | ||
Why Must We Say Good-Bye | 1913 | W.R. Williams (words) Franklyn Batie (perf.) |
Pub. |
You're My First and Only Love | 1913 | Joe McCarthy (words) Lulu Glaser (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
Carus Breeze, The | 1914 | Emma Carus (perf.) Midi Ragtime Recorder Ensemble (perf.) |
|
Celebratin' Day in Tennessee | 1914 | Lew Brown (words) Emma Carus (perf.) Arthur Collins (perf.) Byron George Harlan (perf.) |
Pub. |
On the Shores of Italy | 1914 | Al Piantadosi (words) Henry Burr (perf.) Albert Campbell (perf.) Gertrude Cocut (perf.) R.M. D'Angelo (perf.) Laura Guerite (perf.) Josie Scott (perf.) Chee Toy (perf.) Van & Schenck (perf.) Bessie Wynn (perf.) |
Pub. |
A.O.H's of the U.S.A., The | 1915 | Edward Meeker (perf.) | |
Every-One Sings Tipperary, So Why Not Sing Wearin' of the Green | 1915 | Howard E. Johnson (words) | Pub. |
Firefly My Pretty Firefly | 1915 | Al Piantadosi (co-author) Stanley Murphy (words) Irving Kaufman (perf.) |
Pub. |
It Takes a Great Big Irish Heart to Sing an Irish Song | 1915 | Al Herman (words) | Pub. |
My Own Venetian Rose | 1915 | Al Piantadusi (co-author) Joe McCarthy (words) Pearl White (perf.) |
Pub. |
She Was All That a Pal Ought to Be | 1915 | Bernie Grossman (words) | Pub. |
So Why Not Sing Wearin' of the Green | 1915 | Johnson (words) Howard (words) |
Pub. |
What's the Good of Moonlight When You Haven't Got a Girl to Love | 1915 | George Graff (words) | |
⇑ Why Not Sing Wearin' of the Green | 1915 | Howard Johnson (words) Blanche Ring (perf.) |
Pub. |
Carmen (w&m) | 1916 | ||
Feist Sparklets No.1 | 1916 | Pub. | |
Picture of Dear Old Ireland, A | 1916 | Bartley Costello (words) | |
There's a Garden in Old Italy | 1916 | Joe McCarthy (words) Irving Kaufman (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
This Is the Song That Inspired All America | 1916 | George Graff Jr. (words) | |
Wake Up, America! | 1916 | George Graff Jr. (words) Jaudas' Society Orchestra (perf.) Joseph A. Phillips (perf.) |
Pub. |
What's the Matter With the Irish They're Getting Better Every Day | 1916 | Howard E. Johnson (words) Emma Carus (perf.) |
Pub. |
Bridal Walk | 1917 | ||
Johnny Get Your Gun and Be a Soldier | 1917 | Jack Yellen (words) | |
Let's Make Believe We're Back to Childhood | 1917 | ||
Most Beautiful Flag in the World, The | 1917 | Charles H. Newman (words) | |
When It's Circus Day Back Home | 1917 | Jack Yellen (words) | |
When We Build Our Cottage of Love (w&m) | 1917 | ||
You Can't Tell the Mothers From the Daughters | 1917 | Jack Yellen (words) | |
Here Comes America, Now | 1918 | Ed Rose (words) Harry Ellis (perf.) |
|
⇑ Honey, You Were Made For Me | 1918 | Earl Carroll (words) Florence Parker DeHaven (perf.) Carter De Haven (perf.) |
Pub. |
I Love Her and She Loves Me | 1918 | Harry Rose (words) | Pub. |
Leave the World a Little Better Than You Found It | 1918 | Will Stanley (words) | |
They Are Our Stars in Our Service Flag | 1918 | Al Piantadosi (words) Jack Mason (words) |
Pub. |
When It Come to Loving the Girls I'm Way Ahead of the Times | 1919 | Murray Kissen (words) Joe Burns (words) |
Title | Year | Attribution | Remarks |
---|
Under Orders | 1920 | ||
In the Heart of Dear Old Italy | 1921 | Eugene West (words) Metropolitan Quartet (perf.) |
|
Pussy Willow Waltzes | 1921 | Imperial Marimba Band (perf.) | |
She's Such a Nice Girl | 1924 | Eugene West (words) Josephine & O'Brien (perf.) |
|
Don't Steal Daddy's Medal | 1926 | Salmo Adler (words) Charles Tobias (words) |
Pub. |
End the Day With a Smile | 1927 | Joe Green (co-author) William Metzger (words) |
Pub. |
Moonlight Lane | 1927 | Jay Francis (co-author) Bud Green (words) |
Pub. |
Fluffy Ruffles | 1928 | ||
Lady Fingers | 1928 | Zimmerman (co-author) | |
Fashionette | 1929 | Robert A. King (co-author) | Pub. |