Address: | Cincinnati, Ohio, USA |
Title | Author | Supplier |
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Piano Sheet Music: | |||
Alabama Dream | G.D. Barnard | ||
The Buffalo March | T.P. Brooke | ||
My Garden of Dreams | J. Fredericks | ||
Frivolous Cupid Op. 267 | F.H. Losey | ||
Frivolous Cupid Op. 267 - Morceau Characteristic / Shoulder to Shoulder - March | Miscellaneous | ||
Unspoken Words | L.L. Moore | ||
The Dolly Madison Two Step | W.G. Wilmarth |
Title | Music | Attribution |
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Mountain Echoes (1886) | Geo H. Arthur | ||
Alabama Dream (1899) | George D. Barnard | Midi Ragtime Recorder Ensemble (perf.) | |
Fern Cliff Quadrille (1899) | George D. Barnard | ||
Florena Gavotte (1899) | George D. Barnard | ||
Hope Sublime (1898) | George D. Barnard | ||
Uncle Remus (1909) | Marvin Bean | American Symphony Orchestra (perf.) | |
Everett Piano March (1894), The | Herman Bellstedt Jr. | ||
Queen and Crescent Route March (1896) | Herman Bellstedt Jr. | ||
Theme (1908), A | André Benoist | Thomas F Fallon (words) | |
If Love Were What the Rose Is (1920) | Reginald Billin | Algernon Swinburne (words) | |
Leaf by Leaf the Roses Fall (1865) | T. Brigham Bishop | Vernon Archibald (perf.) Lewis James (perf.) Edison Male Quartette (perf.) |
|
Buffalo March (1901), The | Thomas Preston Brooke | ||
Cycle Queen (1896), The | Thomas Preston Brooke | ||
New Century March (1899) | Thomas Preston Brooke | ||
Our Nation's Guard (1898) | Thomas Preston Brooke(w&m) | ||
Our America (1917) | Anna Case(w&m) | ||
Down in Maine (1921) | William R. Chapman | Emma L Chapman (words) | |
⇑Homesick Yankee (1906), The | Kenneth S. Clark(w&m) | ||
Pandora (1907) | Kenneth S. Clark | ||
Princeton Jungle March (1905), The | Kenneth S. Clark(w&m) | ||
Since Thou Art Gone (1909) | Kenneth S. Clark(w&m) | C. Robert MacCoy (words) | |
Vesper Bells (1909) | Kenneth S. Clark | ||
Coon That I Suspected (1895), The | Gussie Lord Davis(w&m) | ||
Dear Old Folks at Home (1882), The | Gussie Lord Davis(w&m) | ||
Don't You Miss It on Your Life (1895) | Gussie Lord Davis(w&m) | ||
Go Where Duty Calls You (1895) | Gussie Lord Davis(w&m) | ||
Hoist Up the White Sails. Waltz Song (1895) | Gussie Lord Davis(w&m) | ||
Mine Alone. Song (1895) | Gussie Lord Davis(w&m) | ||
Cinnamon Grove (1928) | R. Nathaniel Dett | ||
Follow Me (1919) | R. Nathaniel Dett | ||
I'm A-Goin' to See My Friends Again (?) | R. Nathaniel Dett | ||
I'm So Glad Trouble Don't Last Alway (1919) | R. Nathaniel Dett | ||
Oh! the Land I'm Bound For (?) | R. Nathaniel Dett | ||
Poor Me (?) | R. Nathaniel Dett | ||
Somebody's Knocking at Your Door (1919) | R. Nathaniel Dett | ||
⇑Zion Hellelujah (?) | R. Nathaniel Dett | ||
Barnum & Bailey Royal Pageant (1917) | Charles Edward Duble | ||
Bravura (1918) | Charles Edward Duble | ||
Old Glory Triumphant (1919) | Charles Edward Duble | ||
Brian Boru (1896) | Julian Edwards | Stanislaus Stange (words) | |
Jupiter (1892) | Julian Edwards | Harry Bache Smith (words) | |
King René's Daughter (1893) | Julian Edwards | Henrik Hertz (words) | |
Wedding Day (1897), The | Julian Edwards | Stanislaus Stange (words) | |
My Garden of Dreams (1909) | Julian Fredericks | K. Weatherhead (words) | |
Chicago Glide (1894) | Joseph Gearen | ||
Cotton Blossoms (1897) | Milt. H. Hall | ||
New Colonial March (1901) | Robert Browne Hall | Indestructible Military Band (perf.) Edison Military Band (perf.) |
|
Palatinus (1896) | Robert Browne Hall | ||
Philo Senate March (1898) | Robert Browne Hall | ||
Cupid's Wings (1904) | William G. Hammond | Charles Frederick Hammond (words) | |
In the Deep O' the Daisies (1911) | Charles Beach Hawley(w&m) | ||
Love's Enchantment (1905) | Charles Beach Hawley | Julian Durand (words) | |
Sweetest Flower That Blows (1905), The | Charles Beach Hawley | Frederic Peterson (words) Clara Butt (perf.) Marie Narelle (perf.) |
|
⇑Jasmo (1917) | John N. Klohr | ||
Ma Mobile Babe (1899) | John N. Klohr | ||
Shoulder to Shoulder (1909) | John N. Klohr | ||
Down the Bayou (1907) | Reginald De Koven | ||
Naughty Little Clock (1899) | Reginald De Koven | Harry Bache Smith (words) | |
Nobody's Child (1870) | Alfred Lee(w&m) | ||
In Memoriam (1899) | Liza Lehmann | Alfred Tennyson (words) | |
Silver Rose (1911), The | Liza Lehmann | Radclyffe Hall (words) | |
D. V. (Duryea Valse) (1914), The | Julius Lenzberg | ||
Gay Masque Ball (1870), The | William Horace Lingard | Charles E Pratt (words) | |
Frivolous Cupid Op. 267 (1909) | Frank Hoyt Losey | ||
Where Is My Wandering Boy Tonight? (1878) | Robert Lowry | John W. Myers (perf.) Edison Mixed Quartet (perf.) Frederick Gunster (perf.) Harry MacDonough (perf.) Henry Burr (perf.) John Young (perf.) Columbia Quartette (perf.) Louise Homer (perf.) |
|
Studebaker Grand March (1899), The | L. Marda | ||
Eternal City Intermezzo (1902), The | Pietro Mascagni | ||
Little Dutch Garden (1911), The | Catherine Pannill Mead | Hattie Whitney (words) | |
Log of the Good Ship Nod (1911), The | Catherine Pannill Mead | George Washington Stevens (words) | |
Song of Singing (1913) | Catherine Pannill Mead | James Whitcomb Riley (words) | |
Why I Love You (?) | Catherine Pannill Mead | ||
⇑Chinee Soje-Man (1899) | Lionel Monckton | Adrian Ross (words) Samuel H. Dudley (perf.) |
|
My Little Jap-o-baby (1910) | Luella Lockwood Moore(w&m) | ||
Unspoken Words (1910) | Luella Lockwood Moore | ||
Old Darkey Rag Picker (1921), The | Ed Mueller | ||
Á Fontainebleu (1899) | Ethelbert Woodbridge Nevin | ||
African Love Song (1901), An | Ethelbert Woodbridge Nevin | Paul Laurence Dunbar (words) Minnie Maddern (perf.) |
|
At Home (1899) | Ethelbert Woodbridge Nevin | ||
At Rest (1901) | Ethelbert Woodbridge Nevin | Frank Lebby Stanton (words) | |
Captive Memories (1929) | Ethelbert Woodbridge Nevin | ||
Day in Venice Op.25 (1898), A | Ethelbert Woodbridge Nevin | ||
Hero Song (1900), A | Ethelbert Woodbridge Nevin | Heinrich Heine (words) | |
In Dreamland (1899) | Ethelbert Woodbridge Nevin | ||
Little Song (1900), A | Ethelbert Woodbridge Nevin | Heinrich Heine (words) | |
March of the Pilgrims (1901) | Ethelbert Woodbridge Nevin | ||
Marche Nuptiale (1914) | Ethelbert Woodbridge Nevin | ||
Mighty Lak' a Rose (1901) | Ethelbert Woodbridge Nevin | Frank L. Stanton (words) | |
Mon Desir (1899) | Ethelbert Woodbridge Nevin | Jacques Ahrem (words) | |
Napoli (1899) | Ethelbert Woodbridge Nevin | ||
⇑Necklace of Love (1899), A | Ethelbert Woodbridge Nevin | Frank Stanton (words) | |
Nightingale's Song (1899), The | Ethelbert Woodbridge Nevin | Alvin Hovey King (words) Christine Miller (perf.) |
|
Nightingale (1915), The | Ethelbert Woodbridge Nevin | Uriel Davis (co-author) | |
O'Er Hill and Dale (1902) | Ethelbert Woodbridge Nevin | ||
Quest (1902), The | Ethelbert Woodbridge Nevin | Randolph Harley (words) | |
Silver Moon (1906), The | Ethelbert Woodbridge Nevin | Paul Verlaine (words) | |
Sleeping and Dreaming (1899) | Ethelbert Woodbridge Nevin | Robert P. Nevin (words) | |
To Anne (1901) | Ethelbert Woodbridge Nevin | Edwin Ford (words) | |
Venezia (1898) | Ethelbert Woodbridge Nevin | Ethelbert Nevin (words) | |
Woodpecker (1902), The | Ethelbert Woodbridge Nevin | Frederick Manley (words) | |
Happier Days in Store (n.d.) | Ciro Pinsuti | Lewis Novra (words) | |
There Is a Garden (1920) | David Proctor | Ednah Proctor Clarke (words) | |
Love's Whisper (1910) | Don Ramsay | ||
Paquita (1913) | Teresa del Riego | Charles Cooke & Mddle. Derny (perf.) | |
Pictures in the Firelight (1916) | Walter Rolfe | ||
Oh, Drink at the Fountain (1883) | George Frederick Root | hamiltorj1 (words) | |
Hustle on to Glory (1885) | Monroe H. Rosenfeld | ||
She's Sweet As She Can Be (1884) | Monroe H. Rosenfeld(w&m) | ||
⇑Boat Song (1920), A | Mary Turner Salter | Mary L. Ritter (words) | |
Shuffling Jasper (1899) | W.H. Scouton | ||
Songs We Used to Sing (1890), The | J.P. Skelly(w&m) | ||
At the King's Court (1904) | John Philip Sousa | ||
Beneath the Southern Cross (1905) | John Philip Sousa | United States Marine Band (perf.) | |
Black Man (1911), The | John Philip Sousa | United States Marine Band (perf.) | |
Bride Elect (1897), The | John Philip Sousa | United States Marine Band (perf.) | |
Bride-Elect - Operetta in Three Acts (1897), The | John Philip Sousa(w&m) | ||
By the Light of the Polar Star (1905) | John Philip Sousa | United States Marine Band (perf.) | |
Charlatan - Operetta in Three Acts (1898), The | John Philip Sousa | ||
Charlatan (1898), The | John Philip Sousa | United States Marine Band (perf.) | |
Chris and the Wonderful Lamp (1899) | John Philip Sousa | ||
Colonial Dames Waltzes (1896), The | John Philip Sousa | ||
Diplomat (1904), The | John Philip Sousa | United States Marine Band (perf.) | |
Directorate (1894), The | John Philip Sousa | United States Marine Band (perf.) | |
El Capitan (1896) | John Philip Sousa | Issler's Orchestra (perf.) Midi Ragtime Recorder Ensemble (perf.) |
|
El Capitan - Operetta in Three Acts (1896) | John Philip Sousa | ||
Fairest of the Fair (1908), The | John Philip Sousa | United States Marine Band (perf.) | |
⇑Federal March (1911), The | John Philip Sousa | United States Marine Band (perf.) | |
Free Lance March (1906), The | John Philip Sousa | United States Marine Band (perf.) | |
Free Lance (1905), The | John Philip Sousa | H.Bache Smith (words) | |
From Maine to Oregon (1913) | John Philip Sousa | ||
Glass Blowers (1909), The | John Philip Sousa | Leonard Liebling (words) United States Marine Band (perf.) |
|
Gliding Girl (1912), The | John Philip Sousa | Unknown (perf.) | |
Glory of the Yankee Navy (1909), The | John Philip Sousa | United States Marine Band (perf.) | |
Hail to the Spirit of Liberty (1900) | John Philip Sousa | Peerless Orchestra (perf.) | |
Hands Across the Sea (1899) | John Philip Sousa | United States Marine Band (perf.) | |
High School Cadets March (1890), The | John Philip Sousa | United States Marine Band (perf.) | |
I've Made My Plans For the Summer (1907) | John Philip Sousa | ||
I, Too, Was Born in Arcadia (1895) | John Philip Sousa | ||
Imperial Edward (1902) | John Philip Sousa | United States Marine Band (perf.) | |
In Darkest Africa (1895) | John Philip Sousa | ||
Invincible Eagle (1901), The | John Philip Sousa | United States Marine Band (perf.) | |
Jack Tar (1903) | John Philip Sousa | United States Marine Band (perf.) | |
King Cotton (1895) | John Philip Sousa | Baldwin's Cadet Band (perf.) United States Marine Band (perf.) |
|
King of France With Twenty-Thousand Men (1895), The | John Philip Sousa | ||
⇑Lambs' March (1914), The | John Philip Sousa | ||
Last Days of Pompeii (1912), The | John Philip Sousa | ||
Liberty Bell (1893), The | John Philip Sousa | Edison Concert Band (perf.) United States Marine Band (perf.) Midi Ragtime Recorder Ensemble (perf.) |
|
Man Behind the Gun (1899), The | John Philip Sousa | United States Marine Band (perf.) | |
Manhattan Beach (1893), The | John Philip Sousa | United States Marine Band (perf.) | |
Mars and Venus (1905) | John Philip Sousa | United States Marine Band (perf.) | |
Pathfinder of Panama (1915), The | John Philip Sousa | ||
Powhatan's Daughter (1906) | John Philip Sousa | United States Marine Band (perf.) | |
Red Man (1911), The | John Philip Sousa | United States Marine Band (perf.) | |
Sheridan's Ride (1891) | John Philip Sousa | ||
Snow Baby (1899) | John Philip Sousa(w&m) | ||
Solid Men to the Front! (1918) | John Philip Sousa | ||
Stars and Stripes Forever (1897), The | John Philip Sousa | Sousa's Band (perf.) Ruby Brooks (perf.) Midi Ragtime Recorder Ensemble (perf.) |
|
White Man (1911), The | John Philip Sousa | United States Marine Band (perf.) | |
Who's Who in Navy Blue (1920) | John Philip Sousa | United States Marine Band (perf.) | |
With Pleasure (1912) | John Philip Sousa | ||
April Rain (1901) | Oley Speaks | Robert Loveman (words) | |
Eyes of Blue (1901) | Oley Speaks | Frank Lebby Stanton (words) | |
⇑If You Become a Nun Dear (?) | Oley Speaks | ||
In May-Time (1901) | Oley Speaks | Frank L. Stanton (words) | |
Long Ago (?) | Oley Speaks | ||
On the Road to Mandalay (1907) | Oley Speaks | Rudyard Kipling (words) Thomas Chalmers (perf.) Robert Howe (perf.) |
|
When Gazing in Thine Eyes Co Dear (?) | Oley Speaks | ||
When Mabel Sings (?) | Oley Speaks | ||
There Will Always Be a Spring (1942) | Charles Gilbert Spross | Gerald Fitzgerald (words) | |
Will O' the Wisp (1909) | Charles Gilbert Spross | Torrence Benjamin (words) Bernice De Pasquali (perf.) Florence Hinkle (perf.) Alma Gluck (perf.) |
|
Inauguration March Op.246 (1885) | Richard Stahl | ||
Love Wakes and Weeps (1906) | Lily Strickland | Walter Scott (words) | |
Mid-Summer Night (1909) | Lily Strickland | Teresa Strickland (words) | |
O Little Maiden (1906) | Lily Strickland | Anon (words) | |
Oh, There's a Heart For Every One (1906) | Lily Strickland | Charles Swain (words) | |
Thy Memory (1906) | Lily Strickland(w&m) | ||
Ye Who Are Oppressed (1907) | Lily Strickland(w&m) | ||
Oh! Mr. Finkelheimer (1913) | Howard Talbot | ||
Amaryllis Overture (1899) | Louis Tocaben | ||
Bye-Bye Till We Meet Again (1884) | George Morley Vickers(w&m) | ||
⇑Boat Song (1908) | Harriet Ware | Montrose J. Moses (words) | |
Call of Radha (1909) | Harriet Ware | Sarojini Naidu (words) | |
Hindu Slumber Song (1919) | Harriet Ware | Sarojini Naidu (words) | |
Last Dance (1910) | Harriet Ware | Frederick H. Martens (words) | |
Mammy's Song (1910) | Harriet Ware | Laura Spencer Portor (words) | |
Princess of the Morning (1911) | Harriet Ware | J.I.C. Clarke (words) | |
Song of the Sea (1910) | Harriet Ware | ||
Tis Spring (1912) | Harriet Ware | Montrose J. Moses (words) | |
White Moth (1925) | Harriet Ware | ||
I'll Take You Home Again Kathleen (1875) | Thomas Paine Westendorf(w&m) | John McCormack (perf.) Kate Smith (perf.) Mark Fisher (perf.) Dick Jergens (perf.) |
|
Out on the Lake (1877) | Thomas Paine Westendorf | ||
Birds Go North Again (1902), The | Charles Willeby | Ella Higginson (words) Emma Albani (perf.) Blanche Marchesi (perf.) Ada Crossley (perf.) Agnes Nicholls (perf.) |
|
Coming Home (1914) | Charles Willeby | D. Eardley Wilmot (words) | |
Crossing the Bar (1903) | Charles Willeby | Alfred Lord Tennyson (words) | |
Four Leaf Clover (1902) | Charles Willeby | Ella Higginson (words) Emma Albani (perf.) Ada Crossley (perf.) Agnes Nicholls (perf.) Muriel Foster (perf.) |
|
Yellow Wattle (1916) | Charles Willeby | ||
Dolly Madison Two Step (1906), The | Walter G. Wilmarth | ||
King Bibler's Army (1877) | Henry Clay Work |