Title (Release Year) | Co-Author(s) | Performers | Issue |
---|
Yo-Lay-Ee-Oo - Means I Love You) (1922) | Marguerite E. Farrell | Edison Blue Amberol: 4408 | ||
Bright Eyes (1921) | Orlando's Orchestra | Edison Blue Amberol: 4242 | ||
The Crocodile (1921) | H. Akst | Imperial Marimba Band | Edison Blue Amberol: 4186 | |
Marie (1922) | H.W. Santley | Green Brothers Novelty Band | Edison Blue Amberol: 4501 | |
That's Why My Heart Is Calling You (1918) | Vernon Dalhart | Edison Blue Amberol: 3371 | ||
Where Is My Daddy Now Blues (1921) | A. Olman | Aileen Stanley | Edison Blue Amberol: 4204 |
Title | Co-Author(s) | Sequencer |
---|
It's a Pipp'n (1917) | James Pitt-Payne |
Title (Release Year) | Performers | Instruments |
---|
It's a Pipp'n (1917) | Midi Ragtime Recorder Ens. | A(T)/T/T/T/B/GB(B) |
Item | Title | Available | € | £ | $ | Other |
---|
DBE536 | It's a Pipp'n (1917) - Novelty Fox Trot A(T)/T/T/T/B/GB(B), approx. 3½ mins. |
1-2 days |
Title | Attribution | Instruments | Source | Remarks |
---|
Cutey (1917) | O. Motzan (music) | Piano | IMSLP | ||
In China (1919) | O. Motzan (music) A.J. Stasny (words) |
Piano, Voice | IMSLP |
Title | Year | Attribution | Remarks |
---|
When I Told the Sweetest Girl the Sweetest Story Ever Told | 1912 | Ferd E. Mierisch (words) Charles R. McCarron (words) |
|
I Want to Be Somebody's Baby Girl | 1913 | Schuyler Greene (words) | |
Marching on to Victory | 1913 | ||
Take Me to That Tango Tea | 1913 | Leon Finch (perf.) | |
Down by the Seaside | 1914 | Schuyler Greene (words) | |
La Cessation | 1914 | Pub. | |
Extr'ordinary Rag | 1915 | ||
Just You | 1915 | ||
Nobody Home | 1915 | Pub. | |
Cutey | 1917 | ||
It's a Pipp'n | 1917 | Midi Ragtime Recorder Ensemble (perf.) | Pub. |
⇑ Do - Ré - Mi | 1918 | ||
Do-Ré-Mi | 1918 | ||
That's Why My Heart Is Calling You | 1918 | Vernon Dalhart (perf.) | |
Coo-Ee | 1918c | Leila Brett (words) | |
Bells of Bagdad, The | 1919 | ||
Fee Fi Fo Fum | 1919 | Abe Olman (co-author)
arr. by Wm. Schulz |
|
In China | 1919 | A.J. Stasny (words) | |
Roses of Arcadie | 1919 | Rachel Storey (words) | |
So This Is Paris | 1919 | Harry Akst (co-author) Howard E. Rogers (words) |
|
Bright Eyes | 1920 | M.K. Jerome (words) Harry B. Smith (words) Orlando's Orchestra (perf.) |
|
Crocodile, The | 1920 | Harry Akst (co-author) Howard Rogers (words) Imperial Marimba Band (perf.) |
|
Where Is My Daddy Now Blues | 1920 | Abe Olman (co-author) Aileen Stanley (perf.) |
|
⇑ Mandy 'n' Me | 1921 | Con Conrad (co-author) | |
Marie | 1921 | Henry W. Santley (co-author) Walter Hirsch (words) Green Brothers Novelty Band (perf.) |
|
Traffic Was Terrific, The | 1921 | as Josie de Guzman |
|
Yo-Lay-Ee-Oo - Means I Love You) | 1922 | M. K. Jerome (words) Tot Seymour (words) Marguerite E. Farrell (perf.) |
|
When You've Learned How to Cry | 1923 | Howard Christy (words) | |
Pick a Rose in Picardy | 1927 | Sidney Holden (words) | Pub. |